Tracklist:
A1 – There Is No Distance Between Us
B1 – There Is No Distance Between Us (u.r.trax remix)

Release Info:
Turbo Recordings is proud to present a 12”-inch vinyl release of Tiga’s trance pilgrimage to the centre of your personal space, “There Is No Distance Between Us.”
Co-produced by Tiga and on-again/off-again musical life partner Jesper Dahlback,
the track was originally released digitally as a b-side to the Tiga mega-hit “Easy” earlier this year, and is now available in its glorious physical manifestation with an insane after-hours techno remix from Paris producer u.r. trax, perhaps the first Turbo
artist with a Master’s Degree in something other than Comparative Tiga Studies.
“Yeah, I’m back up in your area,” says Tiga from atop the rock-climbing wall inside
his virtual panic room. “Something just didn’t sit right with me about this track not existing on the material plane. Here I am singing about human connection and not giving you something you can hold in your filthy hands? Anyone who knows me knows I
hate hypocrisy, so I had to make things right, vinyl-style. If I could make the world’s
problems go away by pressing records, I would. And I can, so I will. This is only the
beginning."



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Tracklist:
A1 – Easy (Héctor Oaks Difficulty Adjusted Mix)
B1 – Easy (Der Zyklus - Quantum Matrix)
B2 – Easy (Decius Remix)


Release Info:
We are proud to present he latest from Turbo Recordings Executive Honcho Tiga, a
massive ode to passive-aggressive income remixed by Héctor Oaks, Der Zyklus, and
Decius.
“No one wants to work their body anymore,” says the Montreal merrymaker from atop
a throne in the exact shape of a digital wallet. “I get it. Who wants their surplus sweat
equity vacuumed up off the dance floor by corporate parasites when the real future’s
in decentralized skanking? But that’s why people in my position - the top one-percent
in terms of nightlife and hospitality take-home pay - have to offer real benefits to risking it all in the clubs. I’m talking dance-move insurance, competitive drink ticket
packages, and - most of all - the kind of brick-and-mortar bangers Rhythm Nation
was founded upon back in 1814.”
While gratingly content with the original version, Tiga has nonetheless chosen to
flood the Marketplace of Ideas with a plurality (3) of voices he feels will optimally position this release in today’s unforgiving Neo-Centrist landscape. This stunning grassfed vinyl 12” opens with a remix by Berlin-based vinyl-only DJ Héctor Oaks, who has
been described as “operating at the absolute vanguard of rave.” Please remember
that describing people this way is basically injecting them with Imposter Syndrome.
The release also features a remix by Der Zyklus, an alias of Gerald Donald, the
epochal genius from Drexciya, Dopplereffekt, Japanese Telecom, Abstract Thought,
Zerkalo, Zwischenwelt, and many other fantastic projects. Finally, Decius closes out
the EP with all the British Mischief you might expect from UK luminaries from Trashmouth Records, Fat White Family, and Paranoid London.
"I’ve designed my entire life around the concept of ease,” adds Tiga. "I never wanted
to work for a law firm. I wanted to make beats for a law firm. I’ve always been selfemployed, and that why my street cred’s off the street charts. And I’ve let as much of
that freedom trickle down to the audience as I can. Because when it comes to music,
there’s no such thing as an acceptable minimum wage. You gotta know that you gotta
give it all you got or you’re gonna get got.”



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Tracklist
A1 Original Mix
B1 Butch's 80's Warehouse Acid Remix
B2 Jasper James Remix

Tiga is back to tell you what you've always needed to hear with his new single "Eye Luv U." Co-produced by one half of Paranoid London, the new single harnesses all the pure source energy of what enlightened club-goers often describe as their favourite emotion.

"The title came to me while I was playing a pyramid that had been converted into a multi-purpose event space," says the Canadian DJ/Producer. "The hieroglyphics over what is now the coat check made me imagine a world in which pictures could mean words and words could mean anything. The thing about wordplay is that it's fascinating to conceive of different realities informed by different systems of meaning, and how each reality would invariably bend to vault me to the pinnacle of all possible worlds. It's humbling, really."

Rising Scottish talent Jasper James darkens the tone considerably on his remix, which would not be out of place at a classic off-the-grid warehouse rave. But not so fast, because Butch's equally great "80s Warehouse Acid Remix" also lays claim to that warehouse, challenging what it means to be "warehouse" in an age when corporations pay people to throw parties in what used to be underground settings.

"Warehouse is a state of mind," adds Tiga helpfully. "It's that indescribable feeling that transports you back to the first time you read an oral history about dance culture. I read one sponsored by Mountain Dew about three years ago, and I've never looked back."


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12", full cover sleeved!

Tracklist
A1 The Black Madonna Immaterial Girl Remix
B1 Tiga's Elevation Mix
B2 Instrumental

The latest single taken from No Fantasy Required, "Blondes Have More Fun" exemplifies Tiga's knack for deceptively deep songwriting and lush production. It is accompanied by a trio of remixers from contemporary electronica royalty: prolific Swedish producer on-the-rise on part 1 Jonas Rathsman, Running Back boss Gerd Janson and and international house and techno breakout du jour, The Black Madonna on part 2.

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12", full cover sleeved!

Tracklist
A1 Make Me Fall In Love (Extended Mix)
B1 Make Me Fall In Love (Edu Imbernon Remix)
B2 Make Me Fall In Love (Prosumer Mysti Mix)


Tiga is a pioneer of Canadian electronic music. He is not one to shy away from new sounds, and is somewhat a veteran of half a dozen different music styles. His latest album phenomenon 'No Fantasy Required' showcased his eclectic, individual and much-loved production style. His original single 'Make Me Fall In Love' oozes with groovyness and has been remixed by Benny Benassi, Audion and Prosumer for digital release last April via Counter Records.

Alas - the Make Me Fall In Love 12" vinyl EP arrives on Turbo Recordings September 30th, featuring the aforementioned Prosumer remix and exclusive Edu Imbernon & Extended mixes.

The new remix from Edu Imbernon is clean, lean and punchy - Edu comes through with the deepness while maintaining a certain degree of energy that he has become know for in his latest productions. A delightful, almost ethereal mixture of synth and vox takes this jam deep into the night, and is bound to become an Ibiza closing anthem.



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Tracklist
A1 Dense & Pika Remix
B1 Danny Daze Remix
B2 Melé Remix

Turbo Recordings is proud to present the definitive collection of remixes for "Planet E", Tiga's collaboration with Hudson Mohawke from this years No Fantasy Required LP. In fact, we're so proud and excited that we're going to jump straight into blow-by-blow trackdescriptions while the passion's hot.

01- Dense & Pika Remix
Hypercolour label boss Alex Jones and Chris Spero (aka Glimpse) deliver what canresponsibly be called one of the year's biggest chart-topping smash remixes. This wasalso released on Counter Records as part of Tiga's album deal, so at worst you have aspare copy for your bomb shelter.

02- Danny Daze Polyester Mix
We have been trying to get this Miami-based producer on the label for years, and thisremix is the closest we've gotten so far. Sometimes life is about compromise, and if youget enough future-italo-electro hits like this one you may be lucky enough to forget whatyou wanted in the first place.

03- Melé Remix
Don't you ever dare say that Turbo doesn't care about young UK producers. Until youstop for good, we'll keep tapping talents like Melé, whose love of Brazilian beats, classichouse tracks, and trans-Atlantic hip-hop shine through on this mix. But while genre
checklists are great and vital and exciting and so much of the reason we do what we do, it's the music that's the pudding you'll find your proof in.



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Tracklist:
A1 / Impossible (Eating The Sun)
A2 / Bongo Funeral
B1 / Snacks At Waco
B2 / Parasocially There For You
B3 / Nimby Orgy



Short Info
Hot off his killer 2024 remix of Tiga and Hudson Mohawke’s “BUYBUYSELL,” UK-New Zealand DJ/Producer Keepsakes makes his proper Turbo debut with the Impossible (Eating the Sun) EP. From merciless techno bangers to caustic track titles that will absolutely shred your preconceived notions about the world and sneer at them as they writhe bleeding on the cold, hard ground, this release validates our label’s OCD-level commitment to living on the edge of something at all times.

The title track doubles as a massive forest rave bomb AND the No. 1 battle weapon for opening DJs looking to fuck over the headliner, while “Bongo Funeral” reimagines tribal techno as the chief export of a village ruled by emotionally unavailable gremlins. Next, “Snacks at Waco” makes skillful use of a hammering industrial beat to hammer home the importance of loyalty and community, and “Parasocially There for You” deftly soundtracks anxiety dreams about meeting your favorite podcaster. Finally, closer “Nimby Orgy” likely represents the very first sexual aftercare banger. NOTE: we’ve heard bad things about both NIMBYs and YIMBYs, and as such have adopted a militantly neutral position on the matter of who is f-ing and s-ing in our backyard.

Given that Keepsakes is a vinyl-only DJ, we’ve done him the courtesy of making this release available both on vinyl and digitally. While this would have been an incredible opportunity to completely shut him out of playing his own tracks, we decided that this would be unfair to the music itself. Because at the end of the day, Turbo takes its marching orders from Harmony, Melody, Rhythm, and Timbre, and to betray even one of our ethereal masters would be tantamount to kicking our own vision square in the nuts. IOW: ain’t never gonna happen.

Key Selling Points
- New Zealand’s Keepsakes drops his first EP on Tiga’s Turbo Recordings
- Slamming modern hardcore techno with just enough of a timeless touch



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Tracklist:
A1 / New York Is Dead
A2 / Black Hole At The Disco
A3 / Last Song Before Sunrise
B1 / Break Your Back
B2 / Mind Control

Short Info
It’s always fun to let our audience peer through the party peephole with some hot behind-the-scenes info. For months, Black Light Smoke’s Control EP has supplied several of label head Tiga’s secret DJ weapons. In fact, he’s been sneaking out constantly after 9pm to play it out anywhere they’ll have him. And it’s little wonder to those who wonder why, as the Chicago-born producer’s top-flight mix of EBM, electro and Benadryl-soaked vocals has all the right people dancing.

Leadoff track "New York Is Dead” eulogizes the famous Big Apple Dance Party Scene in a way that will confuse the many who have embraced the city’s thriving “Groove With the Avengers” day rave series in Times Square. But the nihilism-liking doesn’t stop there, with the Friday-Til-I-Die attitude of “Black Hole at the Disco,” the pleather-dreaded post-cyberpunk of “Last Song Before Sunrise”, and the oxygen-deprived acid of “Break Your Back” culminating in the 11:45am-peak-time industrial trance of closer “Mind Control.”

Because we want this to be available to as many inhabitants of the blasted apocalyptic landscape we have pencilled in for 2034 or so, we have decided to make this release available both digitally and on vinyl. So whether you’ve managed to jack in illegally to a Spotify Wind Farm or you’re relegated to the hand-cranked misery of a Victrola while living in a barn or something, we’ve got you covered!

Key Selling Points
- Black Light Smoke drops his first EP on Tiga’s Turbo Recordings
- The Chicago-born producer’s top-flight mix of EBM, electro and Benadryl-soaked vocals has all the right people dancing.


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Tracklist:
A1 / IN ORDER 2 (Quelza Remix)
B1 / IN ORDER 2 (Jump Source Remix)
B2 / Silence of Love ft. Jesse Boykins III (Reznik Remix)

Short Info
Within Tiga’s stripped-down electronic funk and Hudson Mohawke’s grandiose beats exists a common thread; an idea Tiga expresses as “hardcore romance”. Recorded in Los Angeles over the last few years, these commonalities ebbed and flowed through various recordings, culminating in their debut album - L’Ecstasy. Turbo revisits the album with a set of club-driven remixes, bringing together Keinemusik’s Reznik, Montreal masters Priori & Patrick Holland as Jump Source, and Berghain stalwart Quelza. Pressed loud on a stunning 12” picture disc, featuring imagery from none-other-than Wolfgang Tillmans.

Key Selling Points
- Tiga & Hudson Mohawke are remixed by two of Berlin’s very best, plus a pair of Montreal masters.
- Stunning 12” picture disc features imagery from none-other-than Wolfgang Tillmans.


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GENRE/S: Techno

Tracklist:
A1 / Eternity Land
A2 / Tubular Funk
A3 / Rousing Rhythms
B1 / Steampunk
B2 / Vapours
B3 / Teenagers From Outer Space



Short Info
Years of simmering mutual admiration between Turbo and Architectural finally erupt with Good Night, Whatever That Is, the Asturian producer's first release on the label.

Nothing gets us hot and bothered like the prospect of featuring a true artist on Turbo. In fact, we are so f-ing jazzed to be working with techno genius Architectural that we even dropped scrappy “fun-house” producer Archie Textures from our roster to avoid confusion.

The Good Night, Whatever That Is EP imbues the timeless platonic forms of techno with an energy, craft and depth that will feel instantly familiar to anyone who has built a cathedral with their bare hands. And yet the unadulterated power of lead single “Steampunk” and the even-less-adulterated power of “Tubular Funk,” confirm that this release also has one foot squarely planted on the secular dance floor, coursing with the searing bio-fluids that drive and torment all sexual beings. Meanwhile, your deep human need for contrast will be sated by the IDM-ambient euphorics of “Eternity Land” and the highbrow breaks of “Rousing Rhythms”.

In the interest of exposing this work to as many thought-hungry minds as possible, we will be randomly hiding 10,000 copies of the EP on CD-R in bottles of Drakkar Noir energy drink at participating supermarkets throughout the Americas and Eurasia. Our hope is that this marks the moment many of you finally become teachable, fully accepting that getting razor-like shards of CD-R lodged in your throat is simply the price of admission to the Idea Man’s Ball.


Key Selling Points
- Architectural debuts on Turbo Recordings with a 6 pack of pure gems.
- Timeless dub techno, for the dancers.



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GENRE/S: Techno

Tracklist:
A1 / Grindmaster
A2 / Angry Elektro
B1 / Angry Halibut
B2 / Save City
B3 / Flunk

Short Info
You gotta sweat it up your entire life to earn the right to call your record Grindmaster. Whether you're pulling your life partner in real close and personal on your living room dance floor, or pursuing brain-dead entrepreneurship with every single fibre of your trust fund, The Grind remains an exacting Snake-God, riding humanity face-first into its eternal reward.

To this end, everyone at Turbo is grateful beyond words that venerable veteran’s veterans Extrawelt are bringing the full bore of their two decades’ experience to bear on this slice of genre-defiling excellence. The German due open with the thorax-pummeling EBM of the title track, followed up by the angry electro of “Angry Elektro.” And if you think the EP lets up from there, keep listening to find out just how wrong what you think is, because the next track is called “Angry Halibut” and sounds exactly what you’re terrified that sounds like. Grindmaster culminates with the goalie-on-acid-fantasy acid banger “Save City” and bottomless warehouse trip-soundtrack “Flunk.”

Those of you who choose not to support your local record store will be rewarded accordingly, as Extrawelt’s own “Drop Outs in Heaven Remix” of “Flunk” is yours as a digital exclusive. We have no real problem with vinyl lovers but they should probably come to terms with the fact that digital music - and by extension, digital exclusives - is perhaps the defining trend of 2024. You probably know someone with a computer, so maybe they can help you out.


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Tracklist:
A1 / Jaulas En El Cielo
A2 / Baila
A3 / Salseros
B1 / Baila (Roza Terenzi Remix)
B2 / Baila (DNGDNGDNG Remix)

Short Info
Ambien Baby is the collaborative project by D Tiffany and NAP, which serves as a borderless zone for both friends to channel a freewheeling experimentation with whatever sounds they happen to be jiving with in the moment. Simply put, Ambien Baby is two BFF's letting loose with no rules, just pure freak and joy. The nature of this joint exploration is clearly evident throughout their raucous and varied releases, which have ranged from downtempo to electro and deep into techno and trance regions.

We're delighted to have Ambien Baby landing on Turbo for their collaborative debut on the label. The Canadian connection bears fruit with the Masa EP, which lifts off from a psychedelic foundation drenched in Latin influence. Across the three original tracks, D Tiffany & NAP shift through percussive breakbeats, dubbed-out techno, and trippy vocal chops a-plenty. Roza Terenzi & DNGDNGDNG provide remixes for the late-night affairs.

Key Selling Points
- Ambien Baby is the collaborative alias of D Tiffany & NAP, who make their debut on Turbo with this project
- Canadian connection with both artists & the label all being from Montreal & Vancouver
- Remixes from Roza Terenzi and DNGDNGDNG

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Tracklist:
A1 / Feel The Rush
A2 / Feel The Rush (Honey Dijon Remix)
B1 / Feel The Rush (Mr G’s Love Mantra)
B2 / Feel The Rush (Johnny Aux Remix)

Short Info
Tiga & Hudson Mohawke recently released their hit single 'Feel The Rush', featuring none-other-than Channel Tres. After landing in Tiga's recent Boiler Room set, Feel The Rush created a full-on ID frenzy prior to release. The original track harnesses a signature Tres vocal over a low-slung LMZgroove. Turbo have enlisted three dance music legends for the remix project : Honey Dijon, Mr. G, and Johnny Aux (of Paranoid London). Tech-house + Detroit techno + Acid House... just in time for summer 2024.

Key Selling Points
- Turbo debuts for Honey Dijon, Mr. G, and Channel Tres
- The first set of remixes from Tiga & Hudson Mohawke’s debut collaborative album - L’Ecstasy
- Early nod for song of the summer 2024

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GENRE/S: Techno

Tracklist:
A1 / Flashback
B1 / I See You


Key Selling Points
- The legendary techno icon Sven Väth makes his debut on Montreal's titanic Turbo Recordings, alongside his longtime collaborator Gregor Tresher.

- When it comes to foundational figures of electronic music, few are more impactful than Sven. Through his label Cocoon, and his widely respected DJing and parties over the last 30+ years, Väth has tremendously influenced of the global techno scene.

- Sven Vath almost never releases on labels other than his own (Cocoon). This is a rare treat to have him on another imprint.

- Sven performs vocals on both tracks, which is also a rare & special occurrence.

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GENRE/S: Techno

TRACKLISTS:
A1 / I’d Love to Do It
B1 / Paradox & Puzzle
B2 / Moments of Inertia

SHORT INFO:
Turbo Recordings is proud to present the label debut of Anastasia Kristenen, with her Moments of Inertia EP. As we enter our 26th year of existence, Turbo is constantly and violently shocked that exciting techno music is still being made. After a certain point, you
expect yourself to look a genre square in the face and say “Enough!” But we consider ourselves the luckiest vanity imprint on the planet to be able to harness the talent of artists like Copenhagen-based DJ-producer Anastasia Kristensen and serve it up to you in
this - your darkest hour.
Escaping the massive shadow of Norway’s hip-hop scene, ‘Moments of Inertia’ captures a sound that evokes nothing but itself, as though Kristenen were recording sub-rosa dimensional machinery at oblique angles and arranging the best parts with the kind of
narrative grandeur most techno artists would never dare interrogate. It should also be noted that the track “Paradox & Puzzle" shares a name with Tiga’s moderately successful escape room gastropub.
The A1 ‘I’d Love To Do It’ leads with vivacious drum programming and Kristensen’s enigmatic vocals setting the stage for 'Paradox & Puzzle’ which shares a name with Tiga’s moderately successful escape room gastropub. The title track closes the show with
slamming industrial tones, summarizing Anastasia’s bespoke futuristic flow.
If you think Turbo might start slowing down in its mid-20s, we respectfully ask you to get real. And while you’re at it, get a clue. ‘Cause we know in our heart of hearts that music can and will save the day, even if it’s just for just one day.


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GENRE/S: Techno, House : Melodic, Dub, Minimal

TRACKLISTS:
A1 / Getting Into It
A2 / I Told You We’d Make It
B1 / Exhilaration
B2 / The Offering

SHORT INFO:
Martinou lands on Turbo for the very first time, as the Swedish producer connects with Tiga’s Montreal-based label following years of mutual admiration. His melancholic sound, dripping in masterfully balanced tones, continues to impact both heady at-home listeners & season club dancers. A pair of albums on Rotterdam’s Nous’Klaer Audio have both been on constant rotation throughout the Turbo community, thus adding to the widespread excitement for Martinou’s debut on the imprint.
The Sheltered Planet is a four-track record at the cross-section of Martinou’s bespoke sound & Turbo’s historic Techno influence. The aptly titled opener - Getting Into It - elevates senses through an exploitative and rising
soundscape, flowing right into the beat-driven house cut - I Told You We’d Make It; crisp drum programming opens way to soaring melodics, with a deeply analog feel to the A2 groover.
On the flip, Martinou effortlessly glides through another movement-laden melody, as Exhilaration turns the dial ever-so-slightly towards the Swede’s take on a peak-time selection - The Offering. Rounded yet punchy synth lines ebb & flow from the distance, oozing into the groove by the time the break lifts brings us to the EP’s crescendo; a masterful dance track for the finest of dance parties.


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Tracklist:
A1. Cold War (Nuclear War)
A2. Nuclear War (Part II)
A3. Nuclear Winter
A4. Human Clones
B1. Future Man
B2. The Elohim
B3. The Golden Age
B4. Star Gate

Release Info:
DMX Krew unearths the lost Cold War LP.
Created for 1983. Created in 2003. Released in 2023.
In mistrust and blindness mankind wages a COLD WAR, East against West in a spiraling
cycle of mindless escalation. For 40 years the madness continues until it reaches its
inevitable climax, NUCLEAR WAR. Armageddon is achieved at the push of a button, millions
of lives are destroyed. Those who are spared struggle for survival in the bleak conditions of
NUCLEAR WINTER. Acid rain destroys the landscape, darkness falls across the face of the
earth and hope is lost as the population falls prey to radiation sickness and cancer.
Deep underground, the last survivor works feverishly in his isolated laboratory. A lone
scientist attempting desperately to save mankind, he uses occult technology and
deep-frozen human tissue to create a group of 12 radiation-resistant HUMAN CLONES.
They set forth to rebuild and repopulate the planet, whilst the scientist continues his work to
improve and strengthen mankind. He develops a technique to fuse his own living flesh with
the transistorized mind of a supercomputer, transforming himself into FUTURE MAN.
Synergy of man and machine. Having transcended his mortal condition, he is now deemed
ready to meet THE ELOHIM, a race of super-evolved aliens who created mankind 40000
years ago and have been watching and waiting ever since for the day when man at last
becomes enlightened. They descend from the heavens in their storship telling Future Man to
rejoice, for the trials of mankind are over and they sing to him of their long wait and THE
GOLDEN AGE which is about to begin. Future Mom and the Clones are taken on board the
spacecraft whereupon the Elohim transport them through the STAR GATE to a planet
paradise where they are able to live in peace and happiness and once again become
prosperous and many.




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Format: 12” Vinyl (140g, Black)

Tracklist:
A1 / Variations
B1 / Selected Faces
B2 / Atmosphere

Release Info:
Turbo celebrates the 10th anniversary of Gesaffelstein’s seminal work on the
Montreal-based imprint with a long-awaited repress of all three EPs: Variations,
Conspiracy Pt. 1, and Conspiracy Pt. 2.
Every track on 'Variations' is a battle-tested bomb. Gesaffelstein’s sound is clearly
influenced by New Wave and the Gigolo-era electro (2001-2) of fellow Frenchmen
The Hacker and David Carretta, but it sounds like a fresh update rather than
pastiche, revitalized and refined down to a modern and versatile core. These tracks
work in Tiga's festival sets alongside some of the summer's biggest anthems, yet are
equally at home in a more underground setting, e.g. Von Party's 5am warm-up
before Ivan Smagghe at a London warehouse party.
The title track has the most attitude, establishing a palette of dark staccato basslines,
crunching hi-hats, hands-in-the-air cowbells and trippy synth leads. Selected Faces
and Atmosphere are arguably even more straightforward club weapons, their
breakdowns creating just enough 'insanity' without getting annoying, their grooves
dropping back in with a cool, restrained power that will win over hiss-weary DJs.
With remixes upcoming for Turbo and Institubes, a follow-up EP for Turbo in the
works... if you want an idea as to how big Gesaffelstein will get this year, just think of
him as 'Brodinkelstein.'



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Format: 12” Vinyl (140g, Black)

Tracklist:
A1 / Hatred
B1 / Aufstand
B2 / The Lack Of Hope

Release Info:
Turbo celebrates the 10th anniversary of Gesaffelstein’s seminal work on the
Montreal-based imprint with a long-awaited repress of all three EPs: Variations,
Conspiracy Pt. 1, and Conspiracy Pt. 2.
Gesaffelstein's 'Variations' EP set an all-time record for feedback at Turbo. For a new
artist to attract that kind of attention from such a broad cross-section of DJs is
extremely special and a clear sign that he's tapped into something very, very big. To
the younger generation of clubbers and DJs for whom the funtastic era of 2001-2003
revivalism was a missed experience, Gesaffelstein represents a double-breasted
jacket of nostalgia for everything from the power of Industrial and 80s New Wave to
the Gigolo-glam of early Kittin & the Hacker, Steril, Vitalic, Fixmer, and yes, Tiga.
We have no hesitation in declaring that he has single-handedly updated an entire
genre, sharpened the edges, and notably traded in the camp and pastiche that made
Electroclash a dirty word for a refined and stylish simplicity. The breakdowns are
massive and very French, but never out of order. These are futuristic party bombs
which skillfully draw from our favorite dance music of the last 30 years... and add
more cowbell!


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Format: 12” Vinyl (140g, Black)

Tracklist:
A1 / Viol
B1 / Opr
B2 / Conspiracy Origins

Release Info:
Turbo celebrates the 10th anniversary of Gesaffelstein’s seminal work on the
Montreal-based imprint with a long-awaited repress of all three EPs: Variations,
Conspiracy Pt. 1, and Conspiracy Pt. 2.
Supremely confident, Gesaffelstein drops the M way down on the lead tracks,
drawing out an even heavier sound than on his last records. The slower tempo brings
tougher beats and even meaner synth sounds. Incredibly, he's found a way to make
his now-familiar palette sound completely fresh again. More clearly than before, one
can trace the development of an artist with a very refined musical agenda.
Viol begins like the tuning of a modernist symphony, a brilliant aesthetic flourish
before the track kicks off. OPR breaks down into a beautiful, futuristic synth-a-pella
that recalls the best of Detroit techno, reminiscent of Dopplereffekt.
Finally, on Conspiracy Origins - the only track composed in standard club tempo -
tension builds and builds, waves of rising paranoia and driving rage run straight off a
cliff. This is an outro with major attitude, inflected with violence and even contempt.
He clearly knows exactly what the crowd wants, but has the good taste and restraint
to only give them what HE wants, which is, incidentally, what they need.

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Tracklist:
A1 – There Is No Distance Between Us
B1 – There Is No Distance Between Us (u.r.trax remix)

Release Info:
Turbo Recordings is proud to present a 12”-inch vinyl release of Tiga’s trance pilgrimage to the centre of your personal space, “There Is No Distance Between Us.”
Co-produced by Tiga and on-again/off-again musical life partner Jesper Dahlback,
the track was originally released digitally as a b-side to the Tiga mega-hit “Easy” earlier this year, and is now available in its glorious physical manifestation with an insane after-hours techno remix from Paris producer u.r. trax, perhaps the first Turbo
artist with a Master’s Degree in something other than Comparative Tiga Studies.
“Yeah, I’m back up in your area,” says Tiga from atop the rock-climbing wall inside
his virtual panic room. “Something just didn’t sit right with me about this track not existing on the material plane. Here I am singing about human connection and not giving you something you can hold in your filthy hands? Anyone who knows me knows I
hate hypocrisy, so I had to make things right, vinyl-style. If I could make the world’s
problems go away by pressing records, I would. And I can, so I will. This is only the
beginning."



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Tracklist:
A1 – Easy (Héctor Oaks Difficulty Adjusted Mix)
B1 – Easy (Der Zyklus - Quantum Matrix)
B2 – Easy (Decius Remix)


Release Info:
We are proud to present he latest from Turbo Recordings Executive Honcho Tiga, a
massive ode to passive-aggressive income remixed by Héctor Oaks, Der Zyklus, and
Decius.
“No one wants to work their body anymore,” says the Montreal merrymaker from atop
a throne in the exact shape of a digital wallet. “I get it. Who wants their surplus sweat
equity vacuumed up off the dance floor by corporate parasites when the real future’s
in decentralized skanking? But that’s why people in my position - the top one-percent
in terms of nightlife and hospitality take-home pay - have to offer real benefits to risking it all in the clubs. I’m talking dance-move insurance, competitive drink ticket
packages, and - most of all - the kind of brick-and-mortar bangers Rhythm Nation
was founded upon back in 1814.”
While gratingly content with the original version, Tiga has nonetheless chosen to
flood the Marketplace of Ideas with a plurality (3) of voices he feels will optimally position this release in today’s unforgiving Neo-Centrist landscape. This stunning grassfed vinyl 12” opens with a remix by Berlin-based vinyl-only DJ Héctor Oaks, who has
been described as “operating at the absolute vanguard of rave.” Please remember
that describing people this way is basically injecting them with Imposter Syndrome.
The release also features a remix by Der Zyklus, an alias of Gerald Donald, the
epochal genius from Drexciya, Dopplereffekt, Japanese Telecom, Abstract Thought,
Zerkalo, Zwischenwelt, and many other fantastic projects. Finally, Decius closes out
the EP with all the British Mischief you might expect from UK luminaries from Trashmouth Records, Fat White Family, and Paranoid London.
"I’ve designed my entire life around the concept of ease,” adds Tiga. "I never wanted
to work for a law firm. I wanted to make beats for a law firm. I’ve always been selfemployed, and that why my street cred’s off the street charts. And I’ve let as much of
that freedom trickle down to the audience as I can. Because when it comes to music,
there’s no such thing as an acceptable minimum wage. You gotta know that you gotta
give it all you got or you’re gonna get got.”



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Genre: Techno, Tribal, Electronic


TRACKLIST

Al Yarra
A2 Water Sirens
B1 Yacu
B2 Sun Bleed

Special thanks to Joern Wilkens for his didgeridoo performance on Yarra.


ALBUM OVERVIEW

A scorched expanse, the air thick, sand shifting in slow waves. Didgeridoo rises from the dust, circling in dry spirals. The earth cracks open, voices calling from below. Drums roll, electric currents move like eels. Sunlight bleeds through the haze.
From arid to humid, SDM006 unfolds in four movements-ritualistic, tactile, lost between fire and flood. Percussive, club-ready heat.



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Tracklist:

1. Cherry
2. Blush
3. Grasshopper
4. Brown
5. Bubbles
6. Old Vine
7. Jaune
8. Summer Rot
9. Hogshead
10. Legends
11. Botrytis
12. Daddles


Short info:

Wilson Tanner return to dry land with Legends, a wine-soaked agricultural fantasy, made among the grapevines at Manon Farm in South Australia. Where their earlier works settled into the sun-struck torpor of a suburban Perth backyard (69) or drifted off-course on a riverboat on Port Phillip Bay (ii), Legends trades salt air for vineyard sweat, the scrape of boots on dry earth and workers’ radios humming with the summer test cricket season.

Through this agricultural haze an image of a working vineyard emerges - ducks, dogs and plovers intrude; tractors and quads fly-by; stainless steel gleams at the edges. Recorded without mains power, the Manon demos overflow with farmyard ingenuity. Wind, brass, balalaika, balloon, pipe and synth are trained onto the staff with wire, tape and string.

A caricature of Australian viticulture, Legends is packed to the horns with the mythology and manure of natural wine. Swigging and belching in camaraderie, Wilson Tanner press their surroundings into something raw and unfiltered, letting bum notes, leftovers and sediment linger in the bottle. A cornucopia of biodynamic sounds.




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Tracklist:
A1 / IN ORDER 2 (Quelza Remix)
B1 / IN ORDER 2 (Jump Source Remix)
B2 / Silence of Love ft. Jesse Boykins III (Reznik Remix)

Short Info
Within Tiga’s stripped-down electronic funk and Hudson Mohawke’s grandiose beats exists a common thread; an idea Tiga expresses as “hardcore romance”. Recorded in Los Angeles over the last few years, these commonalities ebbed and flowed through various recordings, culminating in their debut album - L’Ecstasy. Turbo revisits the album with a set of club-driven remixes, bringing together Keinemusik’s Reznik, Montreal masters Priori & Patrick Holland as Jump Source, and Berghain stalwart Quelza. Pressed loud on a stunning 12” picture disc, featuring imagery from none-other-than Wolfgang Tillmans.

Key Selling Points
- Tiga & Hudson Mohawke are remixed by two of Berlin’s very best, plus a pair of Montreal masters.
- Stunning 12” picture disc features imagery from none-other-than Wolfgang Tillmans.


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Non Exclsuive Title!

Format: LP, 300 copies. 180g audiophile vinyl with extensive book. Comes with Obi.


Tracklist:

a1. Kingdom of Lo 12:34

b1. Chasing the Demon 12:50

While they’ve been active for more than two decades, it’s only been in
recent years that the Berlin and New York based contemporary sonic arts
platform, Soundwalk Collective, has begun to gather the accolades and
attention that they rightfully deserve. Firmly rooted within a
multi-disciplinary practice that engages the narrative potential of
sound within the contexts of visual art, dance, music and film, as well
as tapping anthropological, ethnographic, and psycho-geographic
research, they’ve gained great note for collaborations with Jean-Luc
Goddard, Nan Goldin, Sasha Waltz, Charlotte Gainsbourg, and numerous others.

Building on the back of 2023’s brilliant “All the Beauty and the
Bloodshed”, Soundwalk Collective now returns with “Khandroma”, one of
their most fascinating and singular endeavours to date, which re-engages
their enduring creative partnerships with Patti Smith. Issued by Ubi Ku,
a brand new imprint founded by the Italian Buddhist Union dedicated to
the relationships between Buddhist cultures, music, and sound, across
the album’s stunning two sides this incredible ensemble draws
inspiration from and conjures Tibetan deities, the Himalayan Plateau,
the valleys of Nepal and the highest peaks where the most ancient
Buddhist temples reside, culminating as a sprawling sonic tapestry like
little else. Issued as a beautifully produced, limited edition vinyl LP
and CD, mixed and mastered by Giuseppe Ielasi, complete with a booklet
featuring liner note essays penned by Chiara Bellini and Filippo
Lunardo, and images by Stephan Crasneanscki, it’s hands down among our
favourite releases by Soundwalk Collective to date and not to be missed!

An international experimental sound art collective founded in 2001 by
the artists Stephan Crasneanscki, who was joined in 2008 by producer
Simone Merli, Soundwalk Collective is a contemporary sonic arts
platform, featuring a rotating constellation of artists and musicians,
that, in vastly varied number of ways, has continuously explored the
remarkable potential of sound within the contexts of visual art, dance,
music and film, offering particular emphasis to anthropological,
ethnographic, and psycho-geographic research, examining conceptual,
literary or artistic themes. In addition to their many collaborations
and accolades that attend to an increased ambitious catalog of releases,
they scored Laura Poitras’ film, “All the Beauty and the Bloodshed”,
which won the Golden Lion at the 2022 Venice Film Festival, as well
performed and exhibited at Berghain, CTM Festival, documenta, Manifesta,
New Museum, and Centre Pompidou, where they notably opened “Evidence”, a
exhibition with Patti Smith comprising an audio-visual journey from the
work of French poets Arthur Rimbaud, Antonin Artaud and René Daumal.
While Soundwalk Collective’s output and use of sonority - sometimes
original composition and others manipulated archival recordings - and
context is varied, the project’s endeavours are unified by a focus on
sound as material that is both tactile and poetic, pursuing layered
narratives that address ideas of memory, time, love and loss. Their
latest, “Khandroma”, enlisting Patti Smith’s contribution on one of its
tracks, stands among the most exciting and rich of these explorations yet.

Perhaps the best way of approaching “Khandroma” is through Soundwalk
Collective’s longstanding focus on the discipline of psycho-geography -
a practice that interrogates the impact of an environment’s embedded
histories and meanings on the psychology of the present - as well as the
group’s integration of observations of nature, and uses of non-linear
narrative, as a vehicle for recording and the synthesis of meaning. Like
previous projects that have encountered them traveling extensively
across the world, occupying diverse environments for long periods of
investigation and fieldwork, during which they source materials for
subsequent works, the material roots of “Khandroma” are a body of field
recordings made by Crasneanscki, Francisco López, and Merli at altitudes
between 2,760 and 4,500 meters, in varying locations across Upper
Mustang during 2016.

Drawing the album’s title from the Tibetan feminine deity who reigns the
skies, the album’s two compositions weave a stunning sonic tapestry from
collaged sounds of nature, bells, drones, unplaceable tones and vocals,
and in the case of its second piece, “Chasing the Demon”, the voice of
Patti Smith, culminating as a deeply emotive and imagistic expanse that
taps something far more profound than any of its single parts. As the
collective states: “the album traces the continuous morphing of the wind
into sound expressions. The Himalayan Plateau seems designed to amplify
and echo the encounter of the breaths, the prayers, and the chants
emerging from around and within those temples; amid the sounding of
bells, the turning of prayer wheels, and the billowing of flags. A
resonant musical body that we recorded so as to capture its boundless
mutations; an unstoppable force that cries, whispers, and blows through
and over stones, wood, empty halls and monastic robes, etching an
ever-changing sonic landscape onto the surfaces it encounters.”

Immersive, stunningly beautiful, and haunting, “Khandroma” draws the
ancient and distant into the consciousness of the present, close to
home, bordering on the profound. Issued by Ubi Ku as a beautifully
produced, limited edition vinyl LP and CD, mixed and mastered by
Giuseppe Ielasi, complete with a booklet featuring liner note essays
penned by Chiara Bellini and Filippo Lunardo, and images by Stephan
Crasneanscki, we can’t recommend it enough.

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Format: 2LP (180 gr., Bio Vinyl, Limited Full Cover)

Track list:
A1. Home
A2. Not enough feat. Haile Supreme
A3. The present is always perfect
A4. Girl feat. Faye Meana
B1. Run, run, run
B2. Only ever now
B3. Open feat. Samson
C1. I need you
C2. Bloom feat. Joep Beving
C3. Some day feat. Ric Wilson
C4. Kiki feat. LYMA
D1. Is this love?
D2. It's okay, I can wait
D3. Closer

Release Info:
Amsterdam natives Maarten Smeets and Lars Dales, aka Dam Swindle, unveil their third long-player with the release of a new track, the first to be shared from the upcoming album, ‘Open’ - out on 30 May 2025 via Heist Recordings.

The new album sees the acclaimed duo dive far beyond the deep sonic waters they’re most known for, exploring lower tempos, synthwave, hip-house, and ambient across fourteen tracks. With a gestation period that traces back several years, ‘Open’ is their most intimate and personal body of work thus far, birthed during a time of self-reflection away from touring and personal transformation as individuals.

“We felt the need to tell a very personal story through our music as a translation of our personal development in the past years. We also wanted to make music without a specific goal in mind; We simply wanted to create. By taking away the grid of dance music and any expectations of what a Dam Swindle song should sound like, the creativity started to flow naturally with songs in many different styles and tempos. The result is an album that feels refreshing and uplifting and still very much true to the heart and soul of our sound.” - Dam Swindle, January 2025.

While the trademark Dam Swindle four-to-the-floor beats are still ever-present on tracks like ‘The Present Is Always Perfect’, ‘I Need You’, and ‘Is This Love?’, it’s the gentle waves of synths on opener ‘Home’, the contemplative piano chords of ‘Bloom’ featuring Joep Beving, and the lo-fi ambience of ‘It’s Okay, I Can Wait’ that showcase a melancholic, ethereal sensibility previously uncharted by the duo. Collaborations with vocalists such as NYC’s Haile Supreme on ‘Not Enough’ and Neo-soul singer Faye Meana on ‘Girl’ expertly find room in between the dancefloor and home listening sessions, and a clear standout on the LP is the title cut where message-heavy rapped vocals from UK artist Samson ebb and flow amongst iridescent grooves.

Under the helm of Maarten and Lars’ adept A&R, their Heist imprint has become a beloved home for house heads of both schools old and new, platforming some of dance music’s biggest names from Cinthie to DJ Sneak as well as the musical dawnings of artists such as Kassian and Makèz. The Dam Swindle alias has achieved house music royalty-like status across a storied 15-year career that includes two critically lauded full-lengths, collaborations with the likes of Tom Misch and Kerri Chandler, and a globetrotting touring schedule. This album stands as their most profoundly personal work of art to date, and they can’t wait to share it with you.


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Territory: WW

Track list:
A1. Will Saul & Fink - Slo-Mo Life
A2. Will Saul & Fink - Slo-Mo Life (Sideshow Remix)

B1. Will Saul & James Alexander Bright - Blue
B2. Will Saul & James Alexander Bright - Blue (James Alexander Bright Remix)

Aus Music founder Will Saul collaborates with Fink and James Alexander Bright on the final EP in the AUS200.

After music from the likes of Quantic, Dam Swindle, K-Lone and Cinithe, Will Saul brings celebrations around his label's 200th release to a close with one track alongside long-time friend Fink and one with James Alexander Bright, an artist he discovered and signed to !K7 during a 10-year stint A&Ring with the label.

Saul's music has provided the backbone of the label since day one. His club-ready EPs and more immersive, expansive albums have helped to define its melodically rich fusion of bass and house. Just as importantly, his A&R has helped it evolve over the last two decades so it remains as relevant as ever with the current generation while providing a platform for contemporary talents to shine.

First up here he links up with his old friend, singer, songwriter, guitarist and producer Fink who, as Sideshow, was behind the first-ever release on Aus back in 2006. Since then, he and Saul have continued a fruitful working relationship which now bears juicy musical fruit once more. Their 'Slo-mo Life' is six sublime minutes of deep, dubbed-out downtempo. It's powered by a prowling bassline with tender melodies and introspective chords next to subtle vocal loops that cannot fail to bliss you out. Fink then offers up a remix as Sideshow that rides on airy jungle breaks while evocative synths are smeared in painterly fashion before decaying in endless reverb to an angelic ambient sound.

British multi-hyphenate James Alexander Bright has built up a colourful body of albums and EPs that soundtrack everything from hazy daydreams to lazy afternoons in the park via dance floor trips. The singer has worked with, among others, Groove Armada’s Tom Findlay and Girls Of The Internet and always brings a lovably lo-fi and intoxicating sensibility.

'Blue' is a raw, live sound with crashing hits and broken kick patterns. Bright's nagging vocal speaks of emotional pain while shimmering chords bring the heat. Bright's remix reworks the track into a widescreen hazy breakbeat soul track that gives his vocals extra room to make their mark while the exquisite live drums from Joris Feiertag keep you moving.

Will Saul, Fink & James Alexander Bright's 'Paradise Ave EP' arrives digitally and on 12” the 7th May




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Format: 2LP, incl inlay - 2025 Re Edition

Tracklist

A1. A Sea Of Love
A2. Lifeblood (Naïve Melody)
B1. Hear Me Out
B2. Kraanvogel
C1. On The Embankment
C2. Marked For Life
C3. Cubist Camouflage
D1. Promises Of Fertility
D2. The Sacred Dance

Monolithic and stark but extremely warm, intensely personal, and for every one in every which way. We are very happy to present to you "For Those Of You Who Have Never (And Also Those Who Have), an album by Huerco S.”















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No Return!

A veteran of the UK reggae scene, Peter Spence meets young and ambitious Portuguese singer Fidel of Real Rockers posse, both providing their very own unique style with sharp lyrics and flow on the brand new 'Suburban' riddim.
"Outlaw" encourages to seek for righteousness and keep on pursuing what's yours, and Peter Spence here makes his best with vocals and lyrics.
Fidel's "More Love" is a message of peace, unity and cooperation - the simple things that we always need to remember about.
This EP is the first one to feature Seafront Crew on production duties.

Tracklist:

A1 Peter Spence - Outlaw
A2 Seafront Crew - Suburban Rhythm
B1 Fidel - More Love
B2 Fidel, Seafront Crew - More Love Dub





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