Fresh from drops on Clone Jack For Daze, Non Plus & Ultramajic - San Fran’s Vin Sol returns to UTTU where he debuted his first material (the incredible Edges Of A Vortex back in 2012 one of the 1st ever UTTU releases!). Nutthin butt ghetto azz acid bombs for the klubb!

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We are honored to announce the debut album from Vin Sol, who’s taken club-goers on a trip with his tracks and sets for the past two decades. Vin Sol is a third-generation San Franciscan of Salvadorean descent who has released on Unknown to the Unknown, Clone, Delft, Honey Soundsystem, and Ultramajic. His DJ sets expertly span the genres of house, electro, techno, italo, disco, soul, funk, and whatever other finds he digs up. He’s also a musical partner of Matrixxman, AKA Charlie Duff, with whom he started the Soo Wavey label. His current focus is on the wild monthly party and label Club Lonely, which he runs with Primo Pitino and Jeremy Castillo.

‘Planet Trash’ consists of 10 tracks spread across 2 slabs of vinyl and a bonus flexi disc. Vin started working on the album in the winter of 2017 while taking a break from making club tracks. Simultaneously he also wanted to disconnect from the grip of the internet and 24 hour news cycle. Spending more time outside, he became entranced by the Bay Area fog. Sutro Tower wholly enveloped in mist is a view that inspired the ambient tracks on the album. You will also hear hints of the Latin freestyle and classic acid that informed Vin's youth. By spring of 2018 Vin headed to Berlin to finish the album and work on a collaboration with Matrixxman, an homage to SF musical institution Bottom of the Hill that kicks off side C. Vin's musical approach is honest, using the tools of the trade to both innovate upon and pay respect to classic forms. All songs have been mastered for vinyl by George Horn at Fantasy Studios in Berkeley. Each copy is housed in a jacket using photos by Vin Sol, and designed by Kevin McCaughey of Boot Boyz Biz. It includes a 4-color giant newsprint fold-out poster and golden flexi disc.

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Vin Sol has arrived back on the scene with his outstanding and varied album on Dark Entries. On his debit Craigie Knowes EP however it's back to the gritty stuff. Acid, ghetto tech and slammin' house jams. It is an EP of club rocking beats from beginning to end.

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Fresh From Releases On Honey Soundsystem & Non Plus, Vin Sol Returns To Uttu's Dance Trax Series For Vol.14 Bringing His Magic Touch Of Ghetto House Over 4 Original Productions! Fresh Cuts For The Floor!

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There is no artist in the history of our label that we have given a harder time to than Vin Sol. At some point between us rejecting killer track after killer track he must have given up, pushing out his orphan tunes on other labels while we took our sweet time. We finally made our peace, and selected the four tracks that encompass the Moonchild EP you have here... You see, Vin and Hny have history and to make this marriage official we needed it to be just right. Big daddy Vincente might be known around the world for his sure-fire dance-floor bombs, but not as commonly known for his Queer Ally reputation in San Francisco. Using his production prowess and dj knowledge to help bring up the Bay Area gay dance scene has built him a fanbase of all walks of life. We think this might be his most accomplished musical work to date, not just because it is for our label, but because it's a labor of love. The EP reads like a metaphor for the two sides of the city where it was made. Moonchild and Electrical Storms reminisce the mystical and spiritual love affair San Francisco has had since the 60s while Patronize and Bondage Taped reference the sexually adventurous side the city indoctrinates to all its visitors. This record feels big to us and mostly because it reps our home and a hometown hero so hard. Enjoy.

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Fresh from drops on Clone Jack For Daze, Non Plus & Ultramajic - San Fran’s Vin Sol returns to UTTU where he debuted his first material (the incredible Edges Of A Vortex back in 2012 one of the 1st ever UTTU releases!). Nutthin butt ghetto azz acid bombs for the klubb!

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The sixth instalment in the Rhythm Nation catalogue comes from American talent and Ultramajic, NonPlus and Clone affiliate, Vin Sol. Jacking, uptempo ghetto-tech fire crackers from start to finish. Bosh

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Creepin' in plays with the gray areas that exist between genres, contrasting with the clarity of the digital synths and over saturated analog drums. Next up Ineffekt is acid electro cut with thrashing percussion held together with 808 drums. Red Alert is the only track with a vocal. Classic Roland drums, deep sub and hardware synths mixed with the hypnotic vocal overlays make this one for the freaks. Sky Pager is slow cooked mid 90's jacking business, the kind I'm known for. 808 Trash Pile is an acid hammer of a cut with the drum and synth doing a maniacal game of call and response.
More than ever I used digital and analog together creating more sinister vibes on these tracks. The tracks for me also reside in a gray area that is in between house and techno and at the same time analog and digital.

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Club Lonely's first 12 Inch coming from San Francisco drum machine freak Vin Sol. Vinyl Only wild Chicago trax for club destruction. West coast producer and Clone affiliate Vin Sol has been steadily banging the box creating his twisted takes on house, techno and whatever weird ass grey area that exists between the two. His sound is uncompromising; carefully crafted trax for the dance floor hinging on raw and stripped back grooves with relentless movement. This sentiment is also expertly conveyed in his DJ sets and mixes. Whether it's releasing house 12's with Tyree Cooper on vocals, sultry edits of the high priestess of Balearic Soul Sade with long-time collaborator and partner in Soo Wavey records Matrixxman, or creating straight up jacking mayhem for Clone Jack For Daze, Vin is paving his own distinct path of musical expression.

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Vin Sol, our San Fran drummachine fiend, makes his second appearance on Jack For Daze. Four of his "brutalist" style Chicago tinged house tracks tailored for sweaty, dark, raw concrete basements.



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Following two previous appearances on the label (a collaboration with Matrixxman for Delft 004 and a remix of Alden Tyrell on 006), San Francisco's Vin Sol makes his full solo debut on Delft with the Memory Scan EP: four rough & ready analogue jams fizzing with the effervescent energy that has characterised the producer's output for Unknown To The Unknown, Clone Jack For Daze and his own Soo Wavey imprint.



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(coloured vinyl in gatefold sleeve with UV spot gloss) Multimedia Artist Pilar Zeta Releases Debut Album "Moments of Reality" An avant-garde new age LP produced by Jimmy Edgar.


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(first pressing white vinyl) The son of Jackson 5's first producer, Rondell is the newest exclusive Ultramajic signing, after a chance meeting from Robert Armani and Traxman.

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(album sampler) Jimmy Edgar's Ultramajic is very excited to announce the release of Kris Wadsworth's 'Infiltrator' LP. Besides Kris being a celebrated DJ and producer, he is also Jimmy's close friend.


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System Preferences sees L-Vis 1990's alias, Dance System, follow-up his appearance on Ultramajic's Metaphysix series with a full EP.



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Earlier this year saw the launch of Jimmy Edgar's Fabriclive 79 compilation, and within it oscillated the robotic undertones of Submission - the latest collaborative project between Ultramajic and LA native Truncate (aka Audio Injection). Coupling Truncate's aptitude for mechanical DJ tools and Edgar's chunky synthetic elegance, Ultramajic will showcase the Submission EP on November 13th. Submission's machine-gun hats, dissected by crunchy thunder claps, lay foundation to the clockwork repetition of an overbearing artificial intelligence. Truncate's rework applies generous reverb for a more dense spatial distribution, whilst Edgar retains the track's original minimalism, sparingly peppering additional synthetic tones over the top. Movement is then created in Kris Wadsworth's rework, infusing textures and synthesis for a more evolving composition.


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Fresh off the release of his remix of Dorisburg's "Dimension Sculpture" via his own label Myth Music, Lando offers up five slick hypnotic tracks, with pulsing basslines that are right at home in the Ultramajic universe.


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"EEEWalk." The same track will reappear on the first Crystal Bandito solo EP alongside three new productions, which label boss Jimmy Edgar has included on his forthcoming mix for the FABRICLIVE compilation series.



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Jimmy Edgar's Ultramajic outpost is building a core of secretive producers. After closing out 2014 with a record from unknown newcomer Crystal Bandito, the label will return in 2015 with an offering from semi-anonymous beatmaker Aden.


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Jimmy Edgar’s blossoming Ultramajic imprint gets off to a typically brazen start in 2014 with an EP of fiercely visceral club music from US born, Berlin-based producer Danny Daze. A self-confessed lover of classic electro, the 3 tracks present contain the mechanical aesthetics and skewed sonics of the labels he holds close to heart, whilst packing an undeniable punch that will see these drawn for time and time again. Released on 12” vinyl and digital, Daze is the first in a whole slew of acts to be welcomed onto the roster over the course of the year, and marks another exciting chapter for the burgeoning label.

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Continuing a busy 2013 after Ultramajic's inaugural release "Hot Inside" as well as debuts from the elusive Aden and Creepy Autograph, Jimmy Edgar returns to his own occult-inspired Ultramajic imprint with the Mercurio EP, three tracks of throbbing sampladelia as undeniably robotic as they are irresistibly funky. Ultramajic has lofty aims, uniting Edgar's twin passions for ritual magick and meditation while focusing on developing new artists and a new personal sound. Having just wrapped up a summer of touring his collaborative JETS project with label partner Travis Stewart aka Machinedrum, Mercurio suggests a restless energy honed by enthusiastic crowd response to the martial beats. The title track "Mercurio" is a flurry of competing crescendos and fractured vocal samples over a bulbous bassline. "Qlinda" is equally celebratory, utilizing microtonal shifts in the stereo field and exuberant sampling before morphing into a half-time ooze. "Ultraviolet" highlights Edgar's special skill with modular synthesis to craft an electro-tinged jack, machines on the edge of collapse. With artwork by longtime collaborator Pilar Zeta, Jimmy Edgar continues to play with new age philosophies and esoteric inspirations in the deluxe, hand-crafted packaging for the label's releases.

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With the exuberant 'Hot Inside' EP still ringing clearly in the consciousness of revellers across the world, Berlin-resident Jimmy Edgar hands over the reigns of his newly-minted Ultramajic imprint for another vivacious outing to launch the 'Metaphysix' series, a concept that was developed alongside long-time creative partner Pilar Zeta. As Edgar goes on to explain, "reality is based upon thought systems and this is the core of music and vibration, each chapter of the series we will give these ideas to the artists for them to interpret in any way they choose." The inaugural edition finds two producers working around the theme of Mentalism, defined most simply as "The All is Mind, The Mind is All; the Universe is Mental". The elusive Aden commences proceedings, with two claustrophobic cuts steeped in dub-techno sensibilities that have already garnered support from such established figureheads as Boys Noize and Scuba. On the flip, credits belong to Creepy Autograph, a rotating group of Detroit natives whose members were once all involved with the enigmatic Dopplereffekt project, as vocalists. Here, they're on rambunctious form, providing two jacking cuts imbued with salacious intent and oozing chrome-plated cosmic funk. Featuring collaborative artwork with Pilar Zeta that explores Edgar's interest in ancient magic and new domains of knowing, it equates to a truly immersive experience, and one that assures a fruitful future for this tantalising concept. http://www.tailored-communication.com/release/metaphysix-i-mentalism

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