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1
g.h. - Screamin Demon Pickups
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g.h. - Mickey Cosmos
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g.h. - Packhorse
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g.h. - Angels & Doormen
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g.h. - Yorkshire Fog
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g.h. - Bikini
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g.h. - Devils Bit Scabious
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g.h. - Housebound Demigod
rom the disputed border somewhere between Lancashire and Yorkshire, G..H. claims a no mans land where he is free to decimate distinctions between black metal, grime and concre`te techno by drawing upon an elusive, metaphysical force that’s exclusively common to music rooted in that region; from Muslimgauze and Autechre thru Shackleton and Demdike Stare. The inarguably mongrel Housebound Demigod is G.H.’s debut solo album, following the Ground EP (2011) and his involvement with the hexed Pendle Coven project & HATE, alongside Miles Whittaker and Andy Stott, respectively, between 2003 - 2009. It sounds like nothing out there; the result of countless hours at the grindstone, using sound as tonal therapy and a purely expressive sculptural material to best render the feel of his bleak but extraordinarily beautiful surroundings with all the rugged texture and captivating aesthetic of some ancient cave graffiti. The album unfolds as a treacherous topography of boggy drones, entrenched subbass and deforested, windswept feedback, strewn with the charred remains of black metal in opener Screaming Demon Pickups and the hollow-eyed stare down of Angels & Doormen, or prone to bury the senses with unpredictable slow techno mudslides in Mickey Cosmos or the subsidence of Packhorse.
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Flora Yin-Wong - No Title
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10"
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Cat-No:love115
Release-Date:03.07.2020
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Olivier Messiaen - No Title
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Label:Modern Love
Cat-No:love114
Release-Date:15.11.2019
Genre:Electronic
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Andy Sott - No Title
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Andy Sott - No Title
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Andy Sott - No Title
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Andy Sott - No Title
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Andy Sott - No Title
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Andy Sott - No Title
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Label:Modern love
Cat-No:love107
Release-Date:27.11.2017
Genre:Techno
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zomby - No Title
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zomby - No Title
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Label:modern love
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Outta the shadows and into the strobe-light, Alex Lewis aka Turinn debuts on Modern Love with a highly rinsable debut double-pack of sawn-off brukbeats and anxious, nerve-riding grooves brewed in the ravines of North Manchester. Turinn emerges from a new generation of producers in the city that include longtime spar Willow, and upcoming producer Croww, soon to offer up his own debut recordings. ?Crooked and rugged AF, but tempered by an acute emotive sensitivity, 18 1/2 Minute Gaps renders a bleedin’ cross-section of mongrel, hybrid style ’n pattern in a breathless, deceptively freehand fashion that comes riddled with an electric blue energy all of its own. ?Committing ten trax of fractious, mutant funk and sore feels, 18 1/2 minute Gaps serves to cap Turinn’s formative phase of production like a lead lid on a nuclear rave implosion; trapping original ‘ardcore ‘nuum, Detroit booty and dank post-punk elements in a perpetual flux of in-the-pocket grooves which ravenously attempt to split at the seams, alternately pushing into Muslimgauze-like buffer zones of distortion or resoundingly wide ambient dimensions, and often both at once. ?On the first plate, this ambiguous dichotomy is epitomised between the rare surge of quick/slow torque in Ovum, which almost sounds like Chris Carter sparring with Burial Hex, and then in his nod to the Italian new wave with Elba, which seems to find the square root between Lorenzo?Senni and some skudgy as heck Kassem Mosse grind, whereas the bittersweet soul of 1625 finds compatible links with his close peer, Workshop’s Willow as well as Japan’s Shinichi Atobe and scene enabler Move D, while Parratactico swaggers into quantum dancehall meters. ?The second disc is no less deadly: the album title track runs at a nexx level Detroit momentum?like DJ Stingray flipping Derrick May and Carl Craig’s Kaotic Harmonies, before ESO cuts in like?a super cranky El-B wearing itchy Primark underwear, and the bone-rattling hardcore jungle of Spawn soon enough gives way to the sweetlad couplet of Petrichor and Ondine, where his elusive, distressed melodic touch really shines thru. ?
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Label:modern love
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1
low jack - Saab Prelude
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low jack - Six In The Morning
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low jack - Thin Platforms
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low jack - Coquelin Cloarec (Steps)
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low jack - Coquelin Cloarec (Emotions)
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low jack - Judo Coaster
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low jack - SolidorJoint
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low jack - An Other Swim (Skit)
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Modern Love very rarely reaches out to artists outside of its immediate surroundings; it’s happened just a couple of times in the last 14 years. But there’s something about Philippe Hallais that compelled the label to ask him if he wanted to do something together. Philippe has released music on a bunch of cool labels (L.I.E.S., The Trilogy Tapes, Delsin, In Paradisum), but hearing the first tracks recorded for Lighthouse Stories, it was obvious Philippe was hitting on something new: a kinda weird slow/fast dance music that sounded like a Footwork variant sewn up with an exotic production style that was impossible to pin down. These tracks eventually splintered off into different directions, held together by a strong sense of narrative and motion harking back to a teenage obsession with Turntablism, Detroit electro and Ghetto house, and eventually Juke and Grime. Although he’s spent the last few years focusing on more industrial dancefloor variants, for Lighthouse Stories Philippe turned to these foundational influences, as well as his love of mixtapes and sound collages full of unfinished ideas, skits and experiments; all things that inform the flow of this new album.
Lighthouse Stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. Frames of reference are hard, but in places it reminds us of the dusted swagger of Anthony Shake Shakir, the acquatic Drexciyan movements of Ultradyne, a loose-limbed take on Shangaan, and of Actress at his most submerged.
But ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.
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Lighthouse Stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. Frames of reference are hard, but in places it reminds us of the dusted swagger of Anthony Shake Shakir, the acquatic Drexciyan movements of Ultradyne, a loose-limbed take on Shangaan, and of Actress at his most submerged.
But ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.
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Label:modern love
Cat-No:love98cd
Release-Date:10.11.2014
Genre:Techno
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The album straddles analogue club music and vocal pop songs - rough, dark, extraordinary.
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Label:modern love
Cat-No:love96
Release-Date:18.07.2014
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demdike stare - Procrastination
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demdike stare - Past Majesty
7 months on from TP#4, Demdike return with the 5th instalment in their ongoing research and development series - a double-headed monster split between gnarly reductions on the A-side, and industrial strength edits on the flip. 'Procrastination' edges through Grimey detritus and gunshot snares within a vast open space perfectly primed for that Demdike slow build. 'Past Majesty' on the flip offers up a feral take on some kind of cyber-industrial insanity, somewhere between Ministry and Powell - with a denouement which should probably come with a public health warning attached to it. All we're saying is - watch yr eardrums
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Label:modern love
Cat-No:love094cd
Release-Date:28.03.2014
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Millie & Andrea are Miles Whittaker and Andy Stott, fellow labelmates at Modern Love who collaborated on an occasional series of 12" releases between 2008 and 2010. It's been four years since we last heard from them but they now return with "Drop The Vowels", their debut album. Produced fast and loose through late 2013 / early 2014, it's an album that recalls the strict and stripped funk of Anthony Shakir as much as it does Leila's incredible debut 'Like Weather', eschewing the dark aesthetic both producers are best known for in favour of something much more visceral. It's an album borne from a love of both pop and club music, made to evoke an adrenalised, hedonistic, as well as an emotional response. Opener GIF RIFF brings to life a Gamelan edit stripped bare before the over-compressed 'Stay Ugly' breaks out with a tumbling, broken arrangement situated somewhere between Richard D James and Jai Paul. "Temper Tantrum" and "Spectral Source" follow, versions of tracks originally released on the second and third Daphne EP's respectively, the former a rugged rave anthem tempered by blue strings, the latter a proper dancefloor destroyer recalling Shake's mighty 'Madmen'. 'Corrosive' flits between a fillibrating, arpeggiated steppers rhythm and a brutal jungle breakdown, while 'Drop The Vowels' further explores and strips bare bass & drums before the slow but jacking warehouse killer "Back Down" provides pure percussive abandon. Quay ends the set with something quieter, a sublime coda made entirely from field recordings.
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1
millie & andrea - Gif Riff
2
millie & andrea - Stay Ugly
3
millie & andrea - Temper Tantrum
4
millie & andrea - Spectral Source
5
millie & andrea - Corrosive
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millie & andrea - Drop The Vowels
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millie & andrea - Back Down
8
millie & andrea - Quay
Millie & Andrea are Miles Whittaker and Andy Stott, fellow labelmates at Modern Love who collaborated on an occasional series of 12" releases between 2008 and 2010. It's been four years since we last heard from them but they now return with "Drop The Vowels", their debut album. Produced fast and loose through late 2013 / early 2014, it's an album that recalls the strict and stripped funk of Anthony Shakir as much as it does Leila's incredible debut 'Like Weather', eschewing the dark aesthetic both producers are best known for in favour of something much more visceral. It's an album borne from a love of both pop and club music, made to evoke an adrenalised, hedonistic, as well as an emotional response. Opener GIF RIFF brings to life a Gamelan edit stripped bare before the over-compressed 'Stay Ugly' breaks out with a tumbling, broken arrangement situated somewhere between Richard D James and Jai Paul. "Temper Tantrum" and "Spectral Source" follow, versions of tracks originally released on the second and third Daphne EP's respectively, the former a rugged rave anthem tempered by blue strings, the latter a proper dancefloor destroyer recalling Shake's mighty 'Madmen'. 'Corrosive' flits between a fillibrating, arpeggiated steppers rhythm and a brutal jungle breakdown, while 'Drop The Vowels' further explores and strips bare bass & drums before the slow but jacking warehouse killer "Back Down" provides pure percussive abandon. Quay ends the set with something quieter, a sublime coda made entirely from field recordings.
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Label:modern love
Cat-No:love92
Release-Date:07.03.2014
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Released almost exactly a year on from their debut 'Struck' EP, Liam Morley and Dan Valentine return with 'New Brutalism', an exploration of angular, brittle club music. Referencing the stripped-down, utilitarian aesthetic of Brutalist architecture (a detail of Preston bus station features on the cover), the 5 tracks here mine looped, blocky source material gradually embellished with more complex percussive and atmospheric layers that are at once robust and introspective. From the opening woodblock/rave dismantling "UK WIll Not Survive" to the heady Hardcore of "Three Day Jag", the EP evokes a distinctly Northern British Weltanschauung, a joyous revelling in melancholy that goes as far back as the earliest dances documented in Mark Leckey's 'Fiorucci Made Me Hardcore' - somehow unique to British nightlife. The EP closes with the industrial clang of "Run Out', the cacophony slowly converging into an alignment of percussion and space, trigerring that feeling of re-emerging into daylight at the end of a long night. Blinded by all the light... by all the possibilities.
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Label:modern love
Cat-No:love93
Release-Date:21.02.2014
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The second EP from Jack Dice sees a huge leap in ambition for the project, a 5 track session that's more addictive, direct and heady than its predecessor. 'Sip Paint' centres around 'Stash's Theme' featuring rapper and producer Stash Marina, a track that deploys crisp triplets and saturated production straddling mainstream signatures on the one hand and a world of analogue/deviant recording techniques on the other. It's an odd, hyper-addictive track - available here in both vocal and instrumental versions. 'Low Glo', 'Kerosene' and 'Radium Dial' are more subdued and immersive; you could draw lines straight through the material here to a number of different projects Twells has been involved with through the last decade, though he seems to benefit immeasurably from Chambliss' presence. The pair find a perfect balance between their respective disciplines, resulting in an EP that at different points throws stylistic references to everything from Prince's Black Album to The Art of Noise, Drake, Philip Jeck and Evian Christ's DUGA 3 sessions - without ever sounding overworked or too knowing, a feat in itself.
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Label:modern love
Cat-No:love89
Release-Date:16.12.2013
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Includes an insert with artwork by Alex Solman and handstamped sleeves Searing, tormented darkside f**kery from Miles Whittaker and Sean Canty’s Demdike Stare on their rinse and run Testpressing series. A-side ‘Fail’ is a slowly descending panic attack of pealing hi-end frequencies and impending bass doom reaching a pit of noisy no return. B-side ‘Null Results’ bruks loose with a scything jungle attack; frantic 16th note hi-hats and cone-crumpling subs laced with a rudeboy mentasm to incite warehouse capoeira. Come test.
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Label:modern love
Cat-No:love95
Release-Date:16.12.2013
Genre:Techno
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Earlier on this year Andy Stott found himself playing on the same bill as New York “Heavy Metal hoarders” Batillus. Despite operating in completely different spheres, Batillus had been playing ‘Luxury Problems’, Stott’s most recent album, on their tourbus and suggested a remix.
The result is pressed up on this one-sided 12”, a deadly reduction that pitches the original down into the abyss,...
Andy Stott will be back in 2014 with new material.
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The result is pressed up on this one-sided 12”, a deadly reduction that pitches the original down into the abyss,...
Andy Stott will be back in 2014 with new material.
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Label:modern love
Cat-No:love87
Release-Date:13.06.2013
Configuration:12"
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Tommy Guerrero - So Blue It's Black
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Tommy Guerrero - Azule
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Tommy Guerrero - Black Sheep Blues
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Tommy Guerrero - 30
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Tommy Guerrero - Introspection Section
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Tommy Guerrero - In My Head
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Tommy Guerrero - Soul Miner
Format Notes: Part of Be With x Tommy Guerrero Reissue Campaign, 2024 first time vinyl reissue with original artwork, 140g vinyl
Track List:
A1 B.W.s Blues
A2 So Blue It's Black
A3 Keep On Keepin On
A4 Azule
A5 Black Sheep Blues
A6 30
B1 Pollo Caliente
B2 Never
B3 Solow
B4 Introspection Section
B5 Gone
B6 In My Head
B7 Soul Miner
Release Notes:
Loose Grooves & Bastard Blues is Tommy Guerrero's sublime debut. Of this beloved masterpiece, the legendary skater himself says: "my 1st album. It was never meant to be released. I was just recording for the fun of it.. still my fave. Oh so naive..." And you know what? It's definitely Be With's fave too. An astonishingly great record. A chill, blissful, deeply moving album, it was rightly garlanded as an instant classic.
A laidback, fusionistic ride replete with loopy drum tracks underpinning Tommy's trademark reflective guitar stylings, Loose Grooves & Bastard Blues remains powerfully evergreen. Originally released in 1997, there's elements of jazz, trip hop, rock and downtempo groove. All shot through with a heavy dose of soul. Thirteen tracks of lo-fi (mostly) instrumental freshness fused with Cuban, Latin and blues, it's a must for fans of Money Mark, J Dilla, RJD2, DJ Shadow and Pete Rock. As ever with Tommy's records, the title sums up the music contained within most aptly. And writing about his songs, his vibes, is one of the trickier things to do, it has to be said. It's just all gorgeous!
A total vibe throughout, to blast Loose Grooves & Bastard Blues is a majestic experience, one that suits a start-to-finish listen and renders the picking out of highlights totally redundant. Featuring nagging, deeply melodic guitar lines - both electric and acoustic - over simple rhythms with such sumptuous elegance, the hypnotic playing against unrushed percussion releases a crystal clear stream of healing frequencies. It's ust divine. This album laid the blueprint from which Tommy Guerrero would subsequently explore further on A Little Bit of Somethin' and Soul Food Taquiera.
Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track List:
A1 B.W.s Blues
A2 So Blue It's Black
A3 Keep On Keepin On
A4 Azule
A5 Black Sheep Blues
A6 30
B1 Pollo Caliente
B2 Never
B3 Solow
B4 Introspection Section
B5 Gone
B6 In My Head
B7 Soul Miner
Release Notes:
Loose Grooves & Bastard Blues is Tommy Guerrero's sublime debut. Of this beloved masterpiece, the legendary skater himself says: "my 1st album. It was never meant to be released. I was just recording for the fun of it.. still my fave. Oh so naive..." And you know what? It's definitely Be With's fave too. An astonishingly great record. A chill, blissful, deeply moving album, it was rightly garlanded as an instant classic.
A laidback, fusionistic ride replete with loopy drum tracks underpinning Tommy's trademark reflective guitar stylings, Loose Grooves & Bastard Blues remains powerfully evergreen. Originally released in 1997, there's elements of jazz, trip hop, rock and downtempo groove. All shot through with a heavy dose of soul. Thirteen tracks of lo-fi (mostly) instrumental freshness fused with Cuban, Latin and blues, it's a must for fans of Money Mark, J Dilla, RJD2, DJ Shadow and Pete Rock. As ever with Tommy's records, the title sums up the music contained within most aptly. And writing about his songs, his vibes, is one of the trickier things to do, it has to be said. It's just all gorgeous!
A total vibe throughout, to blast Loose Grooves & Bastard Blues is a majestic experience, one that suits a start-to-finish listen and renders the picking out of highlights totally redundant. Featuring nagging, deeply melodic guitar lines - both electric and acoustic - over simple rhythms with such sumptuous elegance, the hypnotic playing against unrushed percussion releases a crystal clear stream of healing frequencies. It's ust divine. This album laid the blueprint from which Tommy Guerrero would subsequently explore further on A Little Bit of Somethin' and Soul Food Taquiera.
Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Be With Records
Cat-No:bewith156lp
Release-Date:12.04.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804144438
in stock
Last in:23.02.2024
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in stock
Last in:23.02.2024
Label:Be With Records
Cat-No:bewith156lp
Release-Date:12.04.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804144438
1
Tommy Guerrero - And The Folklore Continues
2
Tommy Guerrero - La Califas Perdido
3
Tommy Guerrero - I Would Go With You
4
Tommy Guerrero - No Time For Time
5
Tommy Guerrero - Calling For Ya!
6
Tommy Guerrero - Bloodinthemud
7
Tommy Guerrero - Zapata's Boots
8
Tommy Guerrero - Mosaic Man
9
Tommy Guerrero - What Have I Been Doing Since I Was Gone?
10
Tommy Guerrero - Paper Switchblade
11
Tommy Guerrero - Never Forget To Remember
12
Tommy Guerrero - Run With The Hunted
13
Tommy Guerrero - New Terrain
14
Tommy Guerrero - 40 Summers
15
Tommy Guerrero - The Simple Man
Format Notes:
Part of Be With x Tommy Guerrero Reissue Campaign, 2024 first time vinyl reissue, 140g vinyl
Track List:
A1 And The Folklore Continues
A2 La Califas Perdido
A3 I Would Go With You
A4 No Time For Time
A5 Calling For Ya!
A6 Bloodinthemud
A7 Zapata's Boots
A8 Mosaic Man
B1 What Have I Been Doing Since I Was Gone?
B2 Paper Switchblade
B3 Never Forget To Remember
B4 Run With The Hunted
B5 New Terrain
B6 40 Summers
B7 The Simple Man
Release Notes:
Yes! Tommy Guerrero’s revered Return Of The Bastard gets its first ever vinyl reissue. Endearingly simple but beautifully beguiling, it's lo-fi dusty break business with the most elegant guitars this side of Vini Reilly and Gabor Szabo. Tommy's breezy drum-machine guitar-soul should be prescribed to soothe an aching world. By rights, he should also be a Balearic god. Here's 14 tracks of drop-dead laconic beauty, all of them combining to create this unheralded masterpiece. Working with Tommy directly, the LP has been fully remastered and sounds as dazzlingly, heartbreakingly beautiful as it did back in 2007.
Coolly opening the album, "And The Folklore Continues" can be said to be both a titular and actual nod to his past work. As ever, there's heavenly Latin guitar stylings that make you swoon and the melancholic vibe is accentuated by the addition of some melodic wordless vocals from Tommy. Just divine. The sparkling "La Califas Perdido" follows, all dreamy melodic guitars and twinkling vibes over dusty drums and a fine bassline. The shuffling, conga-assisted "I Would Go With You" is a gentle, romantic gem whilst the brief but beautiful "No Time For Time" feels in a hurry to let us know that Tommy can work with more propulsive rhythms. In this case, they underpin Tommy's gorgeous, shimmering guitars wonderfully well.
The head-nod funk of "Calling For Ya!" (get it?) features Curumin delivering the clever title as a hypnotic vocal refrain peppered throughout, all hung around some buried spoken word vocals and gorgeous cello work from Lenny Gonzalez. "Bloodinthemud" is a low-down gritty funk workout whilst "Zapata's Boots" is a total low-key groover, all Latin percussion and Morricone muscle aided by a whistled Spaghetti Western melody. The startling instrumental "Mosaic Man" closes out the side with a lean slice of mellifluous, virtuoso guitar bliss.
The reflective "What Have I Been Doing Since I Was Gone?" opens the B-side in glorious fashion, the type of melancholic melodic head music that should soundtrack a bright walk on a cold winter's day. The hypnotic groover "Paper Switchblade" is a razor-sharp fuzz-funk whilst the beautifully downbeat "Never Forget To Remember" is a kaleidoscopic kalimba-koolout. Galloping cop-funk breaks workout "Run With The Hunted" is a rollicking ride and it's followed by the fresh chiming guitar funk of "New Terrain".
The upbeat and bright "40 Summers", featuring congas from Alfredo Ortiz, is as clean and poppy as Tommy gets and it really is a look he wears incredibly well. Just straight up guitar pop. "The Simple Man" a gorgeous, melancholic ballad, closes out the record with deeply yearning vocals from Tommy, a rarity and a treasured one at that.
Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Part of Be With x Tommy Guerrero Reissue Campaign, 2024 first time vinyl reissue, 140g vinyl
Track List:
A1 And The Folklore Continues
A2 La Califas Perdido
A3 I Would Go With You
A4 No Time For Time
A5 Calling For Ya!
A6 Bloodinthemud
A7 Zapata's Boots
A8 Mosaic Man
B1 What Have I Been Doing Since I Was Gone?
B2 Paper Switchblade
B3 Never Forget To Remember
B4 Run With The Hunted
B5 New Terrain
B6 40 Summers
B7 The Simple Man
Release Notes:
Yes! Tommy Guerrero’s revered Return Of The Bastard gets its first ever vinyl reissue. Endearingly simple but beautifully beguiling, it's lo-fi dusty break business with the most elegant guitars this side of Vini Reilly and Gabor Szabo. Tommy's breezy drum-machine guitar-soul should be prescribed to soothe an aching world. By rights, he should also be a Balearic god. Here's 14 tracks of drop-dead laconic beauty, all of them combining to create this unheralded masterpiece. Working with Tommy directly, the LP has been fully remastered and sounds as dazzlingly, heartbreakingly beautiful as it did back in 2007.
Coolly opening the album, "And The Folklore Continues" can be said to be both a titular and actual nod to his past work. As ever, there's heavenly Latin guitar stylings that make you swoon and the melancholic vibe is accentuated by the addition of some melodic wordless vocals from Tommy. Just divine. The sparkling "La Califas Perdido" follows, all dreamy melodic guitars and twinkling vibes over dusty drums and a fine bassline. The shuffling, conga-assisted "I Would Go With You" is a gentle, romantic gem whilst the brief but beautiful "No Time For Time" feels in a hurry to let us know that Tommy can work with more propulsive rhythms. In this case, they underpin Tommy's gorgeous, shimmering guitars wonderfully well.
The head-nod funk of "Calling For Ya!" (get it?) features Curumin delivering the clever title as a hypnotic vocal refrain peppered throughout, all hung around some buried spoken word vocals and gorgeous cello work from Lenny Gonzalez. "Bloodinthemud" is a low-down gritty funk workout whilst "Zapata's Boots" is a total low-key groover, all Latin percussion and Morricone muscle aided by a whistled Spaghetti Western melody. The startling instrumental "Mosaic Man" closes out the side with a lean slice of mellifluous, virtuoso guitar bliss.
The reflective "What Have I Been Doing Since I Was Gone?" opens the B-side in glorious fashion, the type of melancholic melodic head music that should soundtrack a bright walk on a cold winter's day. The hypnotic groover "Paper Switchblade" is a razor-sharp fuzz-funk whilst the beautifully downbeat "Never Forget To Remember" is a kaleidoscopic kalimba-koolout. Galloping cop-funk breaks workout "Run With The Hunted" is a rollicking ride and it's followed by the fresh chiming guitar funk of "New Terrain".
The upbeat and bright "40 Summers", featuring congas from Alfredo Ortiz, is as clean and poppy as Tommy gets and it really is a look he wears incredibly well. Just straight up guitar pop. "The Simple Man" a gorgeous, melancholic ballad, closes out the record with deeply yearning vocals from Tommy, a rarity and a treasured one at that.
Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP Excl
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Label:Be With Records
Cat-No:bewith024LP
Release-Date:08.11.2019
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:5050580679504
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Last in:21.04.2022
+ Show full info- Close
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Last in:21.04.2022
Label:Be With Records
Cat-No:bewith024LP
Release-Date:08.11.2019
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:5050580679504
1
Tommy Guerrero - A1 : Blue Masses
2
Tommy Guerrero - A2 : Four Trk Samba
3
Tommy Guerrero - A3 : Tiny
4
Tommy Guerrero - A4 : Numb Millenium
5
Tommy Guerrero - B1 : 100 Years
6
Tommy Guerrero - B2 : Pescadito
7
Tommy Guerrero - B3 : Azucar
8
Tommy Guerrero - C1 : Flux And Meter
9
Tommy Guerrero - C2 : It’s Raining Again
10
Tommy Guerrero - C3 : Today Like Everyday
11
Tommy Guerrero - C4 : Soul Miner
12
Tommy Guerrero - D1 : As The Sea Holds Creatures Vast And True
13
Tommy Guerrero - D2 : So Blue It’s Black
14
Tommy Guerrero - D3 : Little Chin
Territories:
Worldwide no exceptions
Format:
double LP
Format Notes:
2019 re-press, remastered, 180g vinyl, expanded to double LP, gatefold sleeve
Track List:
A1 : Blue Masses
A2 : Four Trk Samba
A3 : Tiny
A4 : Numb Millenium
B1 : 100 Years
B2 : Pescadito
B3 : Azucar
C1 : Flux And Meter
C2 : It’s Raining Again
C3 : Today Like Everyday
C4 : Soul Miner
D1 : As The Sea Holds Creatures Vast And True
D2 : So Blue It’s Black
D3 : Little Chin
Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary "Bones Brigade" team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There's a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we're honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we've worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
A Little Bit Of Somethin’ is a quietly majestic gem. Brimming with Guerrero’s horizontal “loose grooves”, these brief but innovative instrumentals demonstrate a rich variety and, as such, comprise an LP that is aptly titled. An enchanting start-to-finish listen, it was instantly regarded as essential upon release via Mo Wax in 2000. It has aged remarkably well.
Throughout this inspired collection, simplicity is key. In deploying it, Guerrero presents a beautifully crafted melodic soundscape. The distinctive, mellifluous approach of his guitar style, blending Brazilian, Cuban, Mexican, soul and jazz motifs, is at once startlingly new and tantalisingly familiar. Set against unrushed percussion, the music releases a crystal clear stream of healing frequencies to create a fragile, hypnotic atmosphere.
Each track clocks in at around three minutes and, with a lack of studio polish or commitment to traditional song structure, it’s a wonder how this enigmatic record demands your attention. However, through its gentle dynamism and impressive playing, it does just that. Whilst resolutely low-key, this lo-fi aesthetic feels genuinely organic and remarkably personal; its powerful intimacy truly connects. It’s what makes this album so beloved of those lucky enough to be already familiar with it. From Margaret Kilgallen's truly iconic cover artwork to the music contained within, it's all brilliantly effortless.
Guerrero’s musical ideas are consistently compelling throughout, making it impossible to select highlights. The album’s laconic drift touches upon jazz-fusion workouts and slow-mo hip-hop drums, Tortoise-style experimental post-rock and cinematic sound textures. It’s at once hazy, light and bouncy yet sombre and bluesy. The Latin soul of El Chicano blends with the breezy jazz of Grant Green. By employing guitars and drum machines to create a stripped down rhythmic tapestry of spellbinding, addictive songs, there are even traces of The Durutti Column. A little bit of country, a little bit of rock & roll. A Little Bit Of Somethin’, indeed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Worldwide no exceptions
Format:
double LP
Format Notes:
2019 re-press, remastered, 180g vinyl, expanded to double LP, gatefold sleeve
Track List:
A1 : Blue Masses
A2 : Four Trk Samba
A3 : Tiny
A4 : Numb Millenium
B1 : 100 Years
B2 : Pescadito
B3 : Azucar
C1 : Flux And Meter
C2 : It’s Raining Again
C3 : Today Like Everyday
C4 : Soul Miner
D1 : As The Sea Holds Creatures Vast And True
D2 : So Blue It’s Black
D3 : Little Chin
Release Notes:
It’s rare that a certain sound is entirely an artist’s own. Although undeniably a stew of impeccable influences – from blues to folk to Latin to dusty funk, soul and hip-hop – one cannot hear a Tommy Guerrero song without immediately recognising it as his - and his only.
The cult skater from San Francisco is globally renowned as one of the original members of the legendary "Bones Brigade" team. And as an accomplished multi-instrumentalist, his laid-back soul is beloved by all who’ve basked in its blissful glow.
There’s something elemental about this music that really stirs the soul. Strikingly beautiful and instantly addictive, it’s a kind of funk-fuelled, melody-driven, groove-based magic. There's a serenity and heart in the playing that radiates warmth and splendour, as if crafted for endless sunsets. His albums that surfaced on Mo Wax at the turn of the century have been treasured since their release and it’s two of his most vital LPs that we're honoured to reintroduce.
The originals were quietly pressed on to a single piece of vinyl so we've worked closely with Tommy this year to bring you these fresh, limited editions. They have been lovingly remastered, cut nice and loud on to heavyweight double vinyl and presented in deluxe gatefold jackets.
A Little Bit Of Somethin’ is a quietly majestic gem. Brimming with Guerrero’s horizontal “loose grooves”, these brief but innovative instrumentals demonstrate a rich variety and, as such, comprise an LP that is aptly titled. An enchanting start-to-finish listen, it was instantly regarded as essential upon release via Mo Wax in 2000. It has aged remarkably well.
Throughout this inspired collection, simplicity is key. In deploying it, Guerrero presents a beautifully crafted melodic soundscape. The distinctive, mellifluous approach of his guitar style, blending Brazilian, Cuban, Mexican, soul and jazz motifs, is at once startlingly new and tantalisingly familiar. Set against unrushed percussion, the music releases a crystal clear stream of healing frequencies to create a fragile, hypnotic atmosphere.
Each track clocks in at around three minutes and, with a lack of studio polish or commitment to traditional song structure, it’s a wonder how this enigmatic record demands your attention. However, through its gentle dynamism and impressive playing, it does just that. Whilst resolutely low-key, this lo-fi aesthetic feels genuinely organic and remarkably personal; its powerful intimacy truly connects. It’s what makes this album so beloved of those lucky enough to be already familiar with it. From Margaret Kilgallen's truly iconic cover artwork to the music contained within, it's all brilliantly effortless.
Guerrero’s musical ideas are consistently compelling throughout, making it impossible to select highlights. The album’s laconic drift touches upon jazz-fusion workouts and slow-mo hip-hop drums, Tortoise-style experimental post-rock and cinematic sound textures. It’s at once hazy, light and bouncy yet sombre and bluesy. The Latin soul of El Chicano blends with the breezy jazz of Grant Green. By employing guitars and drum machines to create a stripped down rhythmic tapestry of spellbinding, addictive songs, there are even traces of The Durutti Column. A little bit of country, a little bit of rock & roll. A Little Bit Of Somethin’, indeed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More