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peter zummo - The Tape Is Chill
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peter zummo - How Does It Feel?
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peter zummo - Well Let Me Say Something
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peter zummo - Do You Know What To Wear Do You Know?
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peter zummo - What Do You Want To Do?
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peter zummo - Life Is Real
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peter zummo - Break Up The Pill
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peter zummo - Well Let Me Tell You Something
Peter Zummo (born 1948) is an American composer and musician. He plays the trombone, valve trombone, euphonium, synthesizer, other electronic instruments, and also sings. He is associated with the postminimalist and Downtown aesthetics, and he describes his music as "minimalism plus a whole lot more." He’s well-known for his work with Arthur Russell. “In this project for Optimo, the listener can hear that my musical food pyramid has musicians at top, or maybe they are at the bottom. In any case, they are important. That is why, from track to track, I selected segments in which one player or another is featured in the take. Some may think that we musicians do multiple takes to get the perfect performance, but I like to find the special interactions lurking in each excursion. Different players came forward in each of the takes, which were recorded in the studios Seaside Lounge and Headroom, in Brooklyn, and live in performances at Cube Cinema, in Bristol, U.K., as well as in Long Island City and on Staten Island, New York. In order to escape the tyranny of the lyric, I am exploring in this release the possibilities of nonsensical and non-emotional lyrics. These kinds of lyrics bring the singing voices into the mix without an overweening message. The tracks include open-form compositions in which the duration was not specified.”
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More records from peter zummo
Originally released in 1985 in an edition of 500 copies, this is the first time this album has been available on vinyl for nearly 30 years. Peter Zummo (born 1948) is an American composer and musician. He plays the trombone, valve trombone, euphonium, synthesizer, other electronic instruments, and also sings. He is associated with the postminimalist and Downtown aesthetics, and he describes his music as "minimalism plus a whole lot more." "I first discovered Peter Zummo when I first discovered Arthur Russell. I kept hearing THAT trombone sound throughout Arthur's music and through scanning through various label credits made the connection that this Peter Zummo character was a constant collaborator with Arthur. Zummo's trombone sound is one of those things that if I am feeling anxious or pissed off will instantly soothe me and make everything feel alright.
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More records from optimo
All proceeds go London based charity, Focus E15 which demands social housing, not social cleansing!
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1
stranded - Celine's Dilemma
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stranded - Celine's Dilemma (RSD dub)
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stranded - Time for Nothing
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stranded - Behind the Wall
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stranded - Nervous Splendor
Optimo Music presents a 5 track EP & also a debut release from Nashville’s Stranded, including a remix of title track “Celine’s Dilemma” by RSD, aka Rob Smith of Smith & Mighty fame. Despite hailing from Nashville, Stranded has a longing appreciation for the dance centric cities throughout the world whether it be Detroit, Manchester or Berlin, hence the moniker. Alienation, romantic rendezvous, 9 to 5 unease, and an apprehension of the future are just a few of the topics that surface on the debut EP, Celine's Dilemma, on Optimo Music. Sweeping and droning synths, jagged guitars, rolling bass, yearning and weary vocals, and disco beats propel the music and ideas showcased in the project. While using the backdrop of post punk, disco, and synth pop the music is a sonar call to places where people are gathering, working, and dancing.
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1
feon - Without Sound
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feon - The Sun Is High
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feon - Holland Fly By
A new Optimo Music Disco Plate and the debut release from Feon. When these tracks first came my way I instantly knew they were ripe for a release on the label. Original, idiosyncratic, full of imagination and featuring a couple of dancefloor hits, how could I resist? ’Also, “The Sun is High” was surely destined to become a sun-blissed summer anthem…..
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It’s the return of the sexual vigilante Sex Judas and his trusted sidekick Ricky. This time in full album mode. Norwegian producer Tore Gjedrem of Ost & Kjex fame, channels his love of comix, bohemia and fascination with human vice, the unspoken, the Red Light districts, the alleys of the mind into his alter ego. Inspiration ranges from Africa to 80’s NYC, from Bohannon to Quasimoto, from Norwegian New Wave to Acid House. With contributions by friends in the Oslo scene as hometown legend Dj Pål Strangefruit Nyhus, composer Ole-Henrik Moe, jazzpianist Bugge Wesseltoft, Sidiki Camara from Mali playing that beautiful Ngoni, and multi instrumentalist Ivar Snuten Winther, the album touches anything from blues, funk, disco and post-punk to IDM, acid house and electronic explorer music.
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womensaid - Magick!
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womensaid - I Killed My Boy
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womensaid - Soft Hell
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womensaid - The Red Eyed Raven
Another fierce and unique act from the depths of the Glasgow underground appear on Optimo Music with their debut Green Door studios recorded four track EP. Keyboard player Jim McKinven was previously in Altered Images, worked for many years in Martin Rushent's Genetic Studios, was in One Dove and previously appeared on Optimo Music as one half of Organs Of Love. He is however but one component of this transgenerational band. They describe their music far better than we could - "Seedy Electronica, consisting of 2 Basses, Electronic Drums, Synths and Dark Vocals. Inspired by the avant-garde that influenced the electronic music scene of the late '70's and early '80's.”
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Optimo Music is thrilled to release the new album from Jacob Yates. Not only is he one of our all-time favourite artists from Glasgow, but he is one of our favourite artists from anywhere. Criminally unknown except to a few who have been long transfixed by his recordings and performances, we hope this release will open a few more ears to his wondrous musical world. “The Hare, The Moon, The Drone” is the third album from Jacob Yates. This recording finds the band exploring dark hawthorn hedged lanes, moors and suburban, new build estates. There's something more earthy about the songs but the menace and darkness remains. Musically there is a big shift on this album, a field recording of a folk band from a dark, pine filled glen.
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phil kieran - No Title
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phil kieran - No Title
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phil kieran - No Title
After a year’s hiatus Optimo Music Disco Plates returns with the first of several planned releases. First up is long time friend Phil Kieran with an EP made specifically with Optimo in mind. It has been tried and tested over recent months and more than ticks all our boxes. We feel confident it will tick yours too. Phil says “The Ep was recorded in my house and made up of mostly live percussion performed live by Thomas Tettey Annang. Originally from Ghana, he moved to Belfast some years ago. It just so happens his wife is a close friend of my sisters and that was the first introduction. Thomas now runs "Releasing Rhythms” here in Belfast teaching drum classes. We used a wide selection of traditional African drums that all have their own name, each one has a style and a sound. The rhythms used in this record would stem back to South American rhythms but using African drums. This was a sound and rhythm that influenced early post punk records in New York and still has an influence on dance music today.”
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1
ted milton/ blurt - Love Is Like A Violence
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ted milton/ blurt - It's Only Recently That Stalins Have Begun To Roost
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ted milton/ blurt - The Ruminant Plinth
Blurt are perhaps the act who have played live at Optimo more than any other. Active for close to 40 years they are one of the UK’s all time great acts, phenomenal live and on record and supremely underrated. Blurt mainman Ted Milton is a living legend. Now in his 70s but more vibrant on stage than most artists 50 years his junior, he is a man of many talents; artist, poet, musician, performer…. In 1984 he released a solo 12”; “Love Is Like A Violence”, a no doubt accidental dancefloor gem completely out of kilter with any other music of the era that now makes total sense in 2017. Dubbed-out stabs, programmed rhythm, trademark sax squeals and a more subdued than normal vocal that is strangely reminiscent of Vincent Price. Thee definition of a cult classic and much in demand, side A of this 12” presents the A and B side (the equally outre “It’s Only Recently That Stalins Have Begun To Roost”) of this mighty 12” on one side of vinyl. “The Ruminant Plinth” is but one of multiple classic tracks in the Blurt catalogue and is a long, long time personal favourite that takes pride of place of the other side. Tribal hypno rhythms, chicken wire guitar, sax and Milton’s voice on fire, this was a genuine party starter on the Optimo dance floor on Sunday nights Glasgow. So louche it should probably be banned. 12” vinyl release in full picture sleeve designed by Glasgow artist Andrew Beltran.
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the golden filter - End Of Times
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the golden filter - Serenity
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the golden filter - Heart Control
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the golden filter - Darkness Falls
The whole EP is about being with the one(s) you love when everything else around you breaks down. Looking inward, with pure love, in the hope to radiate outward, rather than pushing for a fight, or running away. Recorded, written, and produced in isolation by Stephen and Penelope on our own in East London Studio space. The EP starts with the song "End Of Times" which is a dramatic, Shangri-Las influenced take on feeling powerless in a chaotic world, but still high on love. Happiness can be found in analog reverb. This is followed by "Serenity", a hard and tranquil meditation of past + future. Side 2 leads with "Heart Control", with a slight nod to Pink Floyd. A nine minute plea to ourselves to keep it all focused and under control… The EP closes with "Darkness Falls". The lyrics for this came from an apocalyptic dream that Penelope had, and wrote down in the morning. the music is 100% purely modular, er, except for the tiny bits of guitar at the end.
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Optimo Music is delighted to release a first album by Fantastic Twins (formerly known as The Twins). We’ll let them tell you the story behind this inspired and beguiling record - Obakodomo (Au Balcon Du Monde) is a soundtrack I created for a piece of contemporary dance, performed by two dancers for a young audience from the age of 4. It is the story of an imaginary journey in Antartica where two explorers go on an adventure. They encounter a colony of penguins and will progressively learn to understand their habits and respect their environment. Essentially, Au Balcon Du Monde is a metaphor of how to exist next to each other, how to share a territory, how to learn to live together and share resources. The scenography and stage accessories were designed in a minimalistic and non-obvious form to leave all the space for imagination. The penguins were made of translucent material to provide light effects and were programmed to move in a swaying motion, allowing interaction with the dancers and the music. LED system could be wireless piloted.
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lo kindre - Torment Of One
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lo kindre - Mardi, Ennui
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lo kindre - Wisdom Teeth Dub
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lo kindre - Distant Dreams
Optimo Music is delighted to present the debut EP from Glasgow-based Lo Kindre. Lo Kindre is Luxembourg-born and raised Irishman Daniel Magee's personal dub interpretation, the result of a year of On U indulgence and Tuff Dub encounters, and time spent honing a live show across venues in Glasgow. Debut EP 'Plant Up' presents a cosmic blend of swirling synth and low-slung bass offering Magee's own version of dub to the public for the very first time.
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1
the golden filter - We Are The Music
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the golden filter - Vibrational
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the golden filter - Now We Get Lost
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the golden filter - Nine
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the golden filter - //
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the golden filter - Questions
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the golden filter - Dust
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the golden filter - There Is No Love Between Us
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the golden filter - Rivers
Optimo Music are delighted to present the second full-length from The Golden Filter, "STILL // ALONE". After relocating to London and playing shows around Europe for a year and a half, self-imposed pariahs Penelope Trappes and Stephen Hindman delved into creating a two-sided existential opus by renting out old studio spaces around the UK and using mostly analog 80's instruments, machines and effects. An album about being in love with pure solitude, when STILL // ALONE is separated into two distinct sides, record one, STILL, is a hypnotic meditation for the nightclub. Wavy patterns of sound and light bounce off of Penelope’s literary vocal bursts, layered over the ominous deep synths and arpeggiators, held together only by a strict 4/4 beat. The rhythm, ironically forcing the body to move, however internally focused and mindful, still.
Record two, ALONE, takes the club offline and into the fringes of raw, odd pop.
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Record two, ALONE, takes the club offline and into the fringes of raw, odd pop.
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1
kiwi - Throwdown
2
kiwi - Throwdown ( latin freestyle mix )
London’s Alex Warren, AKA Kiwi presents “ThrowDown”, a cover version of Carmen’s cult and in demand 1986 Electro Funk hit. It comes in two versions, a 4/4 club mix and at the suggestion of JD Twitch, an updated take on a Latin Freestyle mix. Both versions feature full vocals from Ciara Haidar and have “summer hit” written all over them.
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mr tc - Surf and Destroy
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mr tc - Teeth feat. Merlin Nova
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mr tc - Brothers Bed
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mr tc - Mobiliser
After a sell out first EP on Optimo Music, MR TC follows it up with EP 2, "Surf & Destroy" four more tracks of analogue plus live instruments delirium. MR TC has been taking his live show (which involves a four-piece band) out on the road to great acclaim. His music and DJ sets encompass Leftfield Disco, Tropical Oddity, House and Techno whilst channelling the spirit of a youth spent playing in psychedelic rock bands in Luxembourg, listening to krautrock and worshipping Lou Reed and David Bowie. This is just the beginning……
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1
junto club - Nothing Above
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junto club - Mr. Kind Electric Man
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junto club - Look Down
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junto club - Isaac
Glasgow's Junto Club return with their second EP. In their own words... This is the second in our planned trilogy of Junto Club EPs. If the first was the birth of the Junto Club, this is the middle-aged existential crisis. We've followed the same ethos as the first EP, allowing the music to develop organically rather than being restricted by considerations of genre. Naturally, this was shaped by our experiences of the first EP. While the first EP developed through our experimentation with new sounds behind closed doors, this EP was the result of our attempts to retrospectively understand those creations and the interpretations of others. These reflections were mixed with our reimagining of those discoveries and our experiences of their live performance. Warm Me Up is not the same as the Junto Club EP because those virgin sessions can never be recreated. Nor should they be. This is the middle aged existential crisis of the Junto Club. And we hope you enjoy dancing to it. OM say: it’s electronic pop speaking oot the side of its mooth.
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1
junto club - Leaving Forever
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junto club - SGC
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junto club - Freedom From the Known
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junto club - Let Me In
Next up on Optimo Music is the next wave of unique talent to emerge from Glasgow, once again recorded in the near-legendary Green Door studio. Four tracks of highly original, impossible to pigeonhole, dancefloor-not-dancefloor music. Junto Club are four men from Glasgow who have remained friends since they were teenagers through creating music they love. Whilst learning new instruments during a long winter, their sound was fashioned unexpectedly with sporadic melodies overlaid on taut drum machines, synthesizers and bass guitar. Many humble dance moves followed as the band began to carouse behind closed doors with their newly-found rhythm.
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1
noo - Must Be the Music
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noo - Heaven's Gate
Noo are Daze Dasen (aka Plastique De Reve) and Sami Liuski (aka Bangkok Impact / Putsch '79. They return with their second 12" (Noo 2) and the third in the Optimo Music Disco Plate series. Their first 12" was a summer of 2014 smash hit. This second double A side 12" single is built out of imaginative sampling combined with analogue machines. Phenomenally produced, modern disco epics that fully work their magic in a club setting. Two ten-minute tracks. "Must Be The Music" : Absolutely guaranteed not to appeal to moody techno fucks. Epic disco-ness abounds. Features breakdance potential breakdown at around 6 minutes. Already huge with Pete Waterman. "Heaven's Gate" : a soundtrack for evacuating the planet. Road tested on our last star trip to Sirius.
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1
reel houze - The Chance (DJ D Dub Plate Mix)
2
reel houze - No Difference (Reel Houze Dub)
Following on from the summer hit that was Noo's Optimo Disco Plate one, we are delighted to present the second plate, this one an archival release from London's Reel Houze. Reel Houze are/were Dominic Dawson and Rob Mello, and these two tracks were originally released in 1996. Big with Twitch at the time, he dug out "No Difference" again last year and started playing it once more and then did the same with "The Chance". They felt and sounded timeless so it seemed a good idea to make these Dub Disco wonders available again to a new generation. 'The Chance" is based on a sample form Dinosaur L's "Go Bang". It is nearly 11 minutes of dubbed out disco madness featuring one of thee all time greatest Moog solos, played live by Rob Mello. DJ Harvey gets frenetic on the percussion (he's playing a toilet seat!). It's loose, it's a little debauched and is further proof that disco music can be out there, wild, modern and any tempo it goddamn wants to be. "No Difference" is the closest thing we can imagine to Basic Channel doing disco. Loose, long, extremely dubbed out and mesmeric, in the right hands it is swinging, sexy club hypnotiser.
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Customers who bought this also bought this
1
Who's Who - Palace Palace (5:39)
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Who's Who - Hypno Dance (4:44)
3
Who's Who - Popeden (4:29)
4
Who's Who - Roll Jacky Roll (4:42)
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Who's Who - Ad Libitum 80 (5:08)
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Who's Who - Dancin' Machine (5:10)
Format Notes: Hyper-rare disco dynamite from Thomas Bangalter's (Daft Punk) dad. 2025 first time ever, official vinyl reissue, 140g vinyl
Track List:
A1 Palace Palace 5:39
A2 Hypno Dance 4:44
A3 Popeden 4:29
B1 Roll Jacky Roll 4:42
B2 Ad Libitum 80 5:08
B3 Dancin' Machine 5:10
Release Notes:
"Daft Punk brought me here, he brought me Daft Punk"
Just knowing that this slice of hyper-rare disco dynamite was crafted by Thomas Bangalter's dad should be enough for you to buy this on sight, if only to understand a little bit more about Thomas and Daft Punk's background. But this is so much more than a Daft Punk family curio.
Born Bangalter in 1947, Daniel Vangarde is a French songwriter and producer. In 1975, Vangarde founded his label, Zagora Records, who we have worked closely with on this lovingly curated reissue. For years, Vangarde wrote and produced songs that remained underground, under several pseudonyms and for various artists. Dubbed "the secret father of French disco" this here groove-fulled firecracker - using his Who’s Who moniker - is for disco-funk, library music and cosmic beat lovers.
The intense, evocative opener "Palace Palace" positively throbs with raw energy and sounds, honestly, like something off Daft Punk's Discovery. The title refers to the fashionable Parisian club Le Palace, essentially the Parisian Studio 54. "I’d been to a nightclub in New York, a big ring where people were roller skating with a whistle. The atmosphere was great. The music was all disco. I made this song when I came back. A vocoder transformed my voice. Back then, it wasn’t used much." The track rides a killer groove and is deceptively complex, with layers of fantastic percussion and ace synth work going on all over it. Listed to on repeat, it's brilliance is simply undeniable.
The louche, slo-mo heater "Hypno Dance" is, in Be With's opinion, *the* deadly dancefloor track. A svelte slice of ace space disco again geared towards the roller skating dance mania of the day. So deep, so disco, so instrumental. An unreal track and, as the title hints at, totally hypnotic. The side closes with the somewhat throwaway "Popeden" - it's a jaunty number that you're probably best skipping, in all honesty. Have we ever steered you wrong?
The B-Side opens with the frankly enormous "Roll Jacky Roll" is another thrilling, high class roller-rink jam with beautiful melodies that's adored the world over. The wonky, abstract "Ad Libitum 80" is a super dope, swirling, staccato electro-funk bounce which sounds light years ahead of its time. This might be the real lowkey sleeper gem on this record. CHECK! This remarkable LP rounds out with the huge "Dancin' Machine". It's got sleek drums that emit an absolutely ace swagger and elements of Italo synth funk feels. A relaxed, slow rhythm throughout ensures you can't help but get your funk on when this crashes soundsystems. We'll leave the final word on this to Daniel: "It amuses me to think that my son Thomas was influenced by "Dancin’ Machine" for "Around The World", he says. Both songs being based on an hypnotic repetitive refrain. Both songs being, of course, timeless pieces of Euro genius.
Who's Who really is a fantastic late-70s-early 80s roller disco-funk essential. The audio has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland.
When it came to the sleeve for this we were presented with an unusual problem: we usually have to rely on an original sleeve as the starting point for the restoration, but instead we were able to scan the original 35mm transparency of the front cover photo. The problem is that with a modern scanner the results were far sharper than when they made the original sleeve. We’ve played around with the exposure and the colour grading but we’re sorry to say that our version of the front cover still ended up looking too good! Don’t hate us.
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Germany
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Track List:
A1 Palace Palace 5:39
A2 Hypno Dance 4:44
A3 Popeden 4:29
B1 Roll Jacky Roll 4:42
B2 Ad Libitum 80 5:08
B3 Dancin' Machine 5:10
Release Notes:
"Daft Punk brought me here, he brought me Daft Punk"
Just knowing that this slice of hyper-rare disco dynamite was crafted by Thomas Bangalter's dad should be enough for you to buy this on sight, if only to understand a little bit more about Thomas and Daft Punk's background. But this is so much more than a Daft Punk family curio.
Born Bangalter in 1947, Daniel Vangarde is a French songwriter and producer. In 1975, Vangarde founded his label, Zagora Records, who we have worked closely with on this lovingly curated reissue. For years, Vangarde wrote and produced songs that remained underground, under several pseudonyms and for various artists. Dubbed "the secret father of French disco" this here groove-fulled firecracker - using his Who’s Who moniker - is for disco-funk, library music and cosmic beat lovers.
The intense, evocative opener "Palace Palace" positively throbs with raw energy and sounds, honestly, like something off Daft Punk's Discovery. The title refers to the fashionable Parisian club Le Palace, essentially the Parisian Studio 54. "I’d been to a nightclub in New York, a big ring where people were roller skating with a whistle. The atmosphere was great. The music was all disco. I made this song when I came back. A vocoder transformed my voice. Back then, it wasn’t used much." The track rides a killer groove and is deceptively complex, with layers of fantastic percussion and ace synth work going on all over it. Listed to on repeat, it's brilliance is simply undeniable.
The louche, slo-mo heater "Hypno Dance" is, in Be With's opinion, *the* deadly dancefloor track. A svelte slice of ace space disco again geared towards the roller skating dance mania of the day. So deep, so disco, so instrumental. An unreal track and, as the title hints at, totally hypnotic. The side closes with the somewhat throwaway "Popeden" - it's a jaunty number that you're probably best skipping, in all honesty. Have we ever steered you wrong?
The B-Side opens with the frankly enormous "Roll Jacky Roll" is another thrilling, high class roller-rink jam with beautiful melodies that's adored the world over. The wonky, abstract "Ad Libitum 80" is a super dope, swirling, staccato electro-funk bounce which sounds light years ahead of its time. This might be the real lowkey sleeper gem on this record. CHECK! This remarkable LP rounds out with the huge "Dancin' Machine". It's got sleek drums that emit an absolutely ace swagger and elements of Italo synth funk feels. A relaxed, slow rhythm throughout ensures you can't help but get your funk on when this crashes soundsystems. We'll leave the final word on this to Daniel: "It amuses me to think that my son Thomas was influenced by "Dancin’ Machine" for "Around The World", he says. Both songs being based on an hypnotic repetitive refrain. Both songs being, of course, timeless pieces of Euro genius.
Who's Who really is a fantastic late-70s-early 80s roller disco-funk essential. The audio has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland.
When it came to the sleeve for this we were presented with an unusual problem: we usually have to rely on an original sleeve as the starting point for the restoration, but instead we were able to scan the original 35mm transparency of the front cover photo. The problem is that with a modern scanner the results were far sharper than when they made the original sleeve. We’ve played around with the exposure and the colour grading but we’re sorry to say that our version of the front cover still ended up looking too good! Don’t hate us.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:phantasy sound
Cat-No:BEC5676819
Release-Date:07.05.2021
Genre:Indie Rock/Alternative
Configuration:LP Excl
Label:phantasy sound
Cat-No:BEC5676819
Release-Date:07.05.2021
Genre:Indie Rock/Alternative
Configuration:LP Excl
Territories: World excl France, Uk
Limited Splatter Vinyl edition (5 colors - Clear vinyl basis)
Celebrating 10th anniversary of Connan Mockasin 's both debut album "Forever Dolphin Love" & career, Phantasy and Because Music release new editions of long time out of stock "Forever Dolphin Love" & "Caramel" (2nd album) Lps. Exclusive Splatter 2021 Editions .
Product informations
- "Forever Dolphin Love" : Limited Splatter Vinyl edition (5 colors - Clear vinyl basis)
Tracklist
FOREVER DOLPHIN LOVE (SPLATTER 2021 EDITION)
A1 Megumi The Milkway Above
A2 It's Choade My Dear
A3 Faking Jazz Together
A4 Quadropuss Island
A5 Forever Dolphin Love
B1 Muss
B2 Egon Hosford
B3 Unicorn in Uniform
B4 Grampa Moff
B5 Please Turn Me Into The Snat
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited Splatter Vinyl edition (5 colors - Clear vinyl basis)
Celebrating 10th anniversary of Connan Mockasin 's both debut album "Forever Dolphin Love" & career, Phantasy and Because Music release new editions of long time out of stock "Forever Dolphin Love" & "Caramel" (2nd album) Lps. Exclusive Splatter 2021 Editions .
Product informations
- "Forever Dolphin Love" : Limited Splatter Vinyl edition (5 colors - Clear vinyl basis)
Tracklist
FOREVER DOLPHIN LOVE (SPLATTER 2021 EDITION)
A1 Megumi The Milkway Above
A2 It's Choade My Dear
A3 Faking Jazz Together
A4 Quadropuss Island
A5 Forever Dolphin Love
B1 Muss
B2 Egon Hosford
B3 Unicorn in Uniform
B4 Grampa Moff
B5 Please Turn Me Into The Snat
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
System Olympia - On Repeat feat Reinen
2
System Olympia - One & Only feat Tatyana
3
System Olympia - Tu Secreto feat Daisybelle
4
System Olympia - Love Bites feat Legzdina
5
System Olympia - Coexistence feat Ms Ray
incl. 30*60cm Poster / Green Split Vinyl! lim. Edition!
London-based producer, vocalist, and DJ System Olympia is set to unveil her latest project, M3 Opera,
a five-track EP that fuses her signature sensual synth soundscapes with a bold conceptual twist.
Dropping on April 25th 2025 via her own Okay Nature Records, the EP features a unique collaboration with five distinct female vocalists, each lending their voice to a standalone "act" in this sonic drama.
Inspired by the sleek power of the BMW M3 and the theatrical grandeur of opera, M3 Opera reimagines the EP format as a multi-act narrative.
Each song accelerates through a different emotional gear—romance, tension, liberation—while the lush pads, gritty drums, and dreamy melodies System Olympia is known for provide the horsepower. "This is about motion and drama," System Olympia explains. "The M3 is that late-night drive, the pulse of the road. The opera is the story unfolding with every voice, every act."
The EP showcases an all-female lineup of vocalists, each bringing their own flavour to the journey. From sultry confessions to soaring crescendos, the tracks weave together a tapestry of feminine energy that’s both intimate and expansive—think *Delta of Venus* meets horsepower under green neon lights.
Following the success of 2024’s *Sanctified* EP with Working Men’s Club and her acclaimed NTS Radio residency, M3 Opera solidifies System Olympia’s reputation as a visionary who blends retro-futuristic
sounds with raw emotion. The EP promises to be a ride worth taking, whether cruising the streets or losing yourself on the dance floor.
M3 Opera will be available on all major streaming platforms and for purchase via Okay Nature Records on 25th April 2025.
1. On Repeat feat Reinen 03:15
2. One & Only feat Tatyana 03:14
3. Tu Secreto feat Daisybelle 03:33
4. Love Bites feat Legzdina 03:04
5. Coexistence feat Ms Ray 03:34
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
London-based producer, vocalist, and DJ System Olympia is set to unveil her latest project, M3 Opera,
a five-track EP that fuses her signature sensual synth soundscapes with a bold conceptual twist.
Dropping on April 25th 2025 via her own Okay Nature Records, the EP features a unique collaboration with five distinct female vocalists, each lending their voice to a standalone "act" in this sonic drama.
Inspired by the sleek power of the BMW M3 and the theatrical grandeur of opera, M3 Opera reimagines the EP format as a multi-act narrative.
Each song accelerates through a different emotional gear—romance, tension, liberation—while the lush pads, gritty drums, and dreamy melodies System Olympia is known for provide the horsepower. "This is about motion and drama," System Olympia explains. "The M3 is that late-night drive, the pulse of the road. The opera is the story unfolding with every voice, every act."
The EP showcases an all-female lineup of vocalists, each bringing their own flavour to the journey. From sultry confessions to soaring crescendos, the tracks weave together a tapestry of feminine energy that’s both intimate and expansive—think *Delta of Venus* meets horsepower under green neon lights.
Following the success of 2024’s *Sanctified* EP with Working Men’s Club and her acclaimed NTS Radio residency, M3 Opera solidifies System Olympia’s reputation as a visionary who blends retro-futuristic
sounds with raw emotion. The EP promises to be a ride worth taking, whether cruising the streets or losing yourself on the dance floor.
M3 Opera will be available on all major streaming platforms and for purchase via Okay Nature Records on 25th April 2025.
1. On Repeat feat Reinen 03:15
2. One & Only feat Tatyana 03:14
3. Tu Secreto feat Daisybelle 03:33
4. Love Bites feat Legzdina 03:04
5. Coexistence feat Ms Ray 03:34
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Grauzone - Plastikherz
2
Grauzone - My Eyes
3
Grauzone - Animals Dance
4
Grauzone - Alone In The Jungle
5
Grauzone - Sommer 80
6
Grauzone - Funky Punk
7
Grauzone - Moskau
8
Grauzone - Waiting For A Light
9
Grauzone - Grauzone
Territories: WORLD
LP: Limited Edition White Vinyl, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Plastikherz
A2. My Eyes
A3. Animals Dance
A4. Alone In The Jungle
A5. Sommer 80
B1. Funky Punk
B2. Moskau
B3. Waiting For A Light
B4. Grauzone
WRWTFWW Records is very happy to release Swiss cult band Grauzone’s recording of their April 12th 1980 live show at Gaskessel in their hometown of Bern. The 9-track album, documenting the very beginnings of the group, is available as a limited edition white vinyl LP in heavy 350gsm sleeve with special artwork by band member Stephan Eicher.
Experience the early Grauzone days, live from Bern, Switzerland, with a concert recorded at legendary local venue Gaskessel, with Martin Eicher on guitar and vocals, Christian G.T. Trüssel on bass, Marco Repetto on drums, Stephan Eicher on synth, and Claudine Chirac on saxophone. The performance is a true time capsule of the early 80s underground, showcasing the punk side of Grauzone with renditions of songs that were never officially released, as well as future fan-favorite “Moskau”. A piece of Swiss music history, This limited release is a must have for all Grauzone fans and DIY archivists.
About Grauzone:
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Points of interests
- For fans of punk, DIY, underground, post-punk, cold wave, Swiss wave, Neue Deutsche Welle, 80s, Stephan Eicher, Marco Repetto, Switzerland, mountains, polar bears, xerox machines, guitars and drums, Bern, important artifacts, archives.
- Official release of Grauzone Live at Gaskessel, Bern, Switzerland, recorded on April 12th 1980! Limited edition white vinyl, artwork by Stephan Eicher.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: Limited Edition White Vinyl, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Plastikherz
A2. My Eyes
A3. Animals Dance
A4. Alone In The Jungle
A5. Sommer 80
B1. Funky Punk
B2. Moskau
B3. Waiting For A Light
B4. Grauzone
WRWTFWW Records is very happy to release Swiss cult band Grauzone’s recording of their April 12th 1980 live show at Gaskessel in their hometown of Bern. The 9-track album, documenting the very beginnings of the group, is available as a limited edition white vinyl LP in heavy 350gsm sleeve with special artwork by band member Stephan Eicher.
Experience the early Grauzone days, live from Bern, Switzerland, with a concert recorded at legendary local venue Gaskessel, with Martin Eicher on guitar and vocals, Christian G.T. Trüssel on bass, Marco Repetto on drums, Stephan Eicher on synth, and Claudine Chirac on saxophone. The performance is a true time capsule of the early 80s underground, showcasing the punk side of Grauzone with renditions of songs that were never officially released, as well as future fan-favorite “Moskau”. A piece of Swiss music history, This limited release is a must have for all Grauzone fans and DIY archivists.
About Grauzone:
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Points of interests
- For fans of punk, DIY, underground, post-punk, cold wave, Swiss wave, Neue Deutsche Welle, 80s, Stephan Eicher, Marco Repetto, Switzerland, mountains, polar bears, xerox machines, guitars and drums, Bern, important artifacts, archives.
- Official release of Grauzone Live at Gaskessel, Bern, Switzerland, recorded on April 12th 1980! Limited edition white vinyl, artwork by Stephan Eicher.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2025 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Cortex - X
2
Cortex - U
3
Cortex - Y
4
Cortex - Z
5
Cortex - P
6
Cortex - S
7
Cortex - W
8
Cortex - M
9
Cortex - I
10
Cortex - A
11
Cortex - AI
12
Cortex - AF
13
Cortex - AL
Tracklisting :
A1- X
A2 - U
A3 - Y
A4 - Z
A5 - P
A6 - S
A7 - W
A8 - M
A9 - I
A10 - A
B1 - AI
B2 - AF
B3 - AL
For the first time on vinyl a collection of tracks by Cortex, Alain Neffe (Bene Gesserit,Insane Music) experimental spoken-word project originally released on tape in 1984.
Cortex was never intended to be a conventional musical project.
From the very beginning it was centered around free live performances. These encounters were stripped down and highly visual: Alain Neffe constructed a trapezoidal fluorescent white screen lit by black light.
The narrator—la récitante—was only illuminated in the face, while the rest of the stage remained in complete darkness.
This created a ghostly effect where the audience could see only her glowing face and dark silhouette. She was a beautiful young woman, with a striking presence, and beside her, Alain Neffe played synthesizer and created sonic effects.
The aim of Cortex was to deliver a minimalist and emotional experience, one centered on text and the voice of the narrator.
Most of the tracks that exist today were recorded informally during rehearsals, using two microphones placed in front of Marshall amps, captured directly to cassette.
La récitante could choose a text from a collection of hundreds. Then, the music was improvised in real time around her voice. That process, simple, direct, and instinctive produced a body of work that’s rough around the edges, but full of presence. It’s not polished, but that’s the point.
Cortex was focused entirely on the connection between voice and sound.
Limited to 300 copies
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1- X
A2 - U
A3 - Y
A4 - Z
A5 - P
A6 - S
A7 - W
A8 - M
A9 - I
A10 - A
B1 - AI
B2 - AF
B3 - AL
For the first time on vinyl a collection of tracks by Cortex, Alain Neffe (Bene Gesserit,Insane Music) experimental spoken-word project originally released on tape in 1984.
Cortex was never intended to be a conventional musical project.
From the very beginning it was centered around free live performances. These encounters were stripped down and highly visual: Alain Neffe constructed a trapezoidal fluorescent white screen lit by black light.
The narrator—la récitante—was only illuminated in the face, while the rest of the stage remained in complete darkness.
This created a ghostly effect where the audience could see only her glowing face and dark silhouette. She was a beautiful young woman, with a striking presence, and beside her, Alain Neffe played synthesizer and created sonic effects.
The aim of Cortex was to deliver a minimalist and emotional experience, one centered on text and the voice of the narrator.
Most of the tracks that exist today were recorded informally during rehearsals, using two microphones placed in front of Marshall amps, captured directly to cassette.
La récitante could choose a text from a collection of hundreds. Then, the music was improvised in real time around her voice. That process, simple, direct, and instinctive produced a body of work that’s rough around the edges, but full of presence. It’s not polished, but that’s the point.
Cortex was focused entirely on the connection between voice and sound.
Limited to 300 copies
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alex Kassian - Body Singer
2
Alex Kassian - Kinship
3
Alex Kassian - Skinship
4
Alex Kassian - Trippy Gas
5
Alex Kassian - Mirror Of The Heart
After the hugely successful 'Leave Your Life' & 'Strings Of Eden' EPs, Alex Kassian continues to defy convention and expectation with his return to Pinchy and Friends Recordings. The 'Body Singer' EP channels Alex's teenage dream of being in a band, taking inspiration from his love of 80’s movies, complete with Analog New Wave / Psyche / Kraut Rock influences. Its a trip down memory lane, or perhaps the soundtrack to something magical that hasn't happened yet. It's the audio behind that montage in that film you're watching, but the film is in fact, your own life.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Nail - Cassiopeia
2
Nail - Cassiopeia (2019 Remix)
Mysticisms’ is delighted to reissue Nail’s timeless debut release, Cassiopeia. Appearing on the DiY Collective’s ‘Strictly 4 Groovers’ compilation album for Warp Records in 1993, the original appears as a stand alone at last and is backed with a specially created 2019 Remix.
Starting in 1989 and centered around Nottingham, the collective, also known as DiY Sound System, were a focal point for the burgeoning house scene in the midlands. Promoting an alternative take on post-acid house’s creeping commercialisation, DiY kept to simple ethos of good music and a good party and were at the forefront of the new Free Party movement.
Alongside parties, the collective set up a studio and label and young Neil Tolliday was introduced by in-house engineer Damian Stanley. ‘Nail’ was born and during studio downtime, the 18 year old wrote Cassiopeia around the S1000 sampler, Juno 106, Oberheim Matrix 1000 and Roland SH101.
Cassiopeia became the stand out inclusion on the compilation and rightly, is still highly prized. Fitting in and outside the Deep House vibe DiY were known, it fuses elements of ambient and even trance, with a beautiful arpeggio and vocal sample atop simple, but killer bass line and claps. Tolliday’s 2019 Remix is a fitting accompaniment, stretching towards dub techno before house kicks back perfectly for today’s heads.
Bounce the Mystery.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Starting in 1989 and centered around Nottingham, the collective, also known as DiY Sound System, were a focal point for the burgeoning house scene in the midlands. Promoting an alternative take on post-acid house’s creeping commercialisation, DiY kept to simple ethos of good music and a good party and were at the forefront of the new Free Party movement.
Alongside parties, the collective set up a studio and label and young Neil Tolliday was introduced by in-house engineer Damian Stanley. ‘Nail’ was born and during studio downtime, the 18 year old wrote Cassiopeia around the S1000 sampler, Juno 106, Oberheim Matrix 1000 and Roland SH101.
Cassiopeia became the stand out inclusion on the compilation and rightly, is still highly prized. Fitting in and outside the Deep House vibe DiY were known, it fuses elements of ambient and even trance, with a beautiful arpeggio and vocal sample atop simple, but killer bass line and claps. Tolliday’s 2019 Remix is a fitting accompaniment, stretching towards dub techno before house kicks back perfectly for today’s heads.
Bounce the Mystery.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:phantasy sound
Cat-No:BEC5676820
Release-Date:07.05.2021
Genre:Indie Rock/Alternative
Configuration:LP Excl
Label:phantasy sound
Cat-No:BEC5676820
Release-Date:07.05.2021
Genre:Indie Rock/Alternative
Configuration:LP Excl
Territories: World excl France, Uk
Limited Splatter Vinyl Edition (2 colors - clear Vinyl basis). Sleeve with gold hot stamping.
Celebrating 10th anniversary of Connan Mockasin 's both debut album "Forever Dolphin Love" & career, Phantasy and Because Music release new editions of long time out of stock "Forever Dolphin Love" & "Caramel" (2nd album) Lps. Exclusive Splatter 2021 Editions .
Product informations
- "Caramel" : Limited Splatter Vinyl Edition (2 colors - clear Vinyl basis). Sleeve with gold hot stamping.
CARAMEL (SPLATTER 2021 EDITION)
A1 Nothing Last Forever
A2 Caramel
A3 I'm The Man , That Will Find you
A4 Do I make You Feel Shy ?
A5 Why Are You Crying ?
B1 It's Your Body 1
B2 It's Your Body 2
B3 It's Your Body 3
B4 It's Your Body 4
B5 It's Your Body 5
B6 I Wanna Roll With You
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited Splatter Vinyl Edition (2 colors - clear Vinyl basis). Sleeve with gold hot stamping.
Celebrating 10th anniversary of Connan Mockasin 's both debut album "Forever Dolphin Love" & career, Phantasy and Because Music release new editions of long time out of stock "Forever Dolphin Love" & "Caramel" (2nd album) Lps. Exclusive Splatter 2021 Editions .
Product informations
- "Caramel" : Limited Splatter Vinyl Edition (2 colors - clear Vinyl basis). Sleeve with gold hot stamping.
CARAMEL (SPLATTER 2021 EDITION)
A1 Nothing Last Forever
A2 Caramel
A3 I'm The Man , That Will Find you
A4 Do I make You Feel Shy ?
A5 Why Are You Crying ?
B1 It's Your Body 1
B2 It's Your Body 2
B3 It's Your Body 3
B4 It's Your Body 4
B5 It's Your Body 5
B6 I Wanna Roll With You
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Impossible Dreamers - Spin
2
The Impossible Dreamers - Spin (NAD Reversion)
3
The Impossible Dreamers - Spin (NAD Riddims Reprise)
Repress!
Emotional Rescue completes the series of non-defined reissues where the label licenses an all-time favourite, remasters and then reappraised with new interpretations by contemporary producers for today’s collectors.
After the series started back in 2019 with Hawkwind’s sprawling psychedelic electronics, featuring deep drone mixes by the esteemed digger Cherrystones (ERC074), the bouncing cosmic-Balearics of Thomas Leer with wonderful reworkings by friend and producer Bullion (ERC075) and then the post punk dubs of The Embrace and Timothy J Faiplay’s brooding italo-dub excursions (ERC076), there was always one artist and producer left out. Finally, then the percussive excursion of the early 80s band The Impossible Dreamers and their cult B side jam, Spin, coming with 9 minutes percussion-dub extravaganza of an extended reversion, plus a dub heavy reprise, by label go-to Dan Tyler (Idjut Boys /Noid), under his NAD moniker.
Started by a group of friends while at Exeter University that centered around Caroline Radcliffe, James Hood, Justin Adams and Nick Waterhouse, their debut 12” record is one of just three on the 100 Things To Do label. The other two releases have already been covered with the Hamburger All Stars ‘Swinging London’ 12” (ERC114) of 2022.
Recorded before the move to West London, ‘Life On Earth’ was a raw post punk vocal pop cut, with influences of dub, funk, hip-hop and African music shining through, there were in their own words, “young music fans starting out, with no agenda”.
However, it was on the B side that things got interesting. Enamored by the growing trend of extended 12” singles, they decided, with the A side wrapped up, to have some studio experimentation by recording a drumming jam, with all the members playing percussion, followed by some overdubbing. Memories are hazy, but at the time the band was an 8-piece, so the results a chaotic explosion, capturing the essence of that time. Featuring Nick and James on 4 hand piano, plus Caroline on Oboe, with some additional hollering and wooping vocals, Spin was a 5-minute burst of energy.
In effect, self-released in 1982, the band didn’t expect much to come of it, but the 12” acted as a calling card leading them to London and later signing for RCA. At the same time, Spin was being discovered in the early eighties alternative club world. On a trip to New York, the track was heard being played Downtown, and on enquiring it was discovered the DJ was playing a 7” that was never an official release but cut in the US solely for the club DJs there.
Its resonance extended further, to Italy and the Cosmic club of the resident, an ever-searching Danielle Baldelli, before being picked up a few years later by a young Andrew Weatherall during his pursuit of an alternative “Balearic” beat during the late eighties Summers of Love and has even recently received the Joe Clausell edit treatment back again in NYC.
For the remake to fit the label series, it was only right to ask label friend Dan Tyler to do what he does so well, putting the original through his array of dub machines and pedals, extending and cutting with aplomb to create an incendiary ‘Reversion’ that will send dancefloors literally in a spin. Teasing the percussion incandescent, looping and teasing, the piano held back before finally releasing in a haze of dub effects.
This is followed by the ‘Riddim Reprise’. Working with London based drummer Matt Bruce (Claptrap), this is the perfect DJ tool, taking the original idea of the band, to just jam see what happens, twisting it full of space echo and reverb, to offer a perfect 12” Extended Mix.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Emotional Rescue completes the series of non-defined reissues where the label licenses an all-time favourite, remasters and then reappraised with new interpretations by contemporary producers for today’s collectors.
After the series started back in 2019 with Hawkwind’s sprawling psychedelic electronics, featuring deep drone mixes by the esteemed digger Cherrystones (ERC074), the bouncing cosmic-Balearics of Thomas Leer with wonderful reworkings by friend and producer Bullion (ERC075) and then the post punk dubs of The Embrace and Timothy J Faiplay’s brooding italo-dub excursions (ERC076), there was always one artist and producer left out. Finally, then the percussive excursion of the early 80s band The Impossible Dreamers and their cult B side jam, Spin, coming with 9 minutes percussion-dub extravaganza of an extended reversion, plus a dub heavy reprise, by label go-to Dan Tyler (Idjut Boys /Noid), under his NAD moniker.
Started by a group of friends while at Exeter University that centered around Caroline Radcliffe, James Hood, Justin Adams and Nick Waterhouse, their debut 12” record is one of just three on the 100 Things To Do label. The other two releases have already been covered with the Hamburger All Stars ‘Swinging London’ 12” (ERC114) of 2022.
Recorded before the move to West London, ‘Life On Earth’ was a raw post punk vocal pop cut, with influences of dub, funk, hip-hop and African music shining through, there were in their own words, “young music fans starting out, with no agenda”.
However, it was on the B side that things got interesting. Enamored by the growing trend of extended 12” singles, they decided, with the A side wrapped up, to have some studio experimentation by recording a drumming jam, with all the members playing percussion, followed by some overdubbing. Memories are hazy, but at the time the band was an 8-piece, so the results a chaotic explosion, capturing the essence of that time. Featuring Nick and James on 4 hand piano, plus Caroline on Oboe, with some additional hollering and wooping vocals, Spin was a 5-minute burst of energy.
In effect, self-released in 1982, the band didn’t expect much to come of it, but the 12” acted as a calling card leading them to London and later signing for RCA. At the same time, Spin was being discovered in the early eighties alternative club world. On a trip to New York, the track was heard being played Downtown, and on enquiring it was discovered the DJ was playing a 7” that was never an official release but cut in the US solely for the club DJs there.
Its resonance extended further, to Italy and the Cosmic club of the resident, an ever-searching Danielle Baldelli, before being picked up a few years later by a young Andrew Weatherall during his pursuit of an alternative “Balearic” beat during the late eighties Summers of Love and has even recently received the Joe Clausell edit treatment back again in NYC.
For the remake to fit the label series, it was only right to ask label friend Dan Tyler to do what he does so well, putting the original through his array of dub machines and pedals, extending and cutting with aplomb to create an incendiary ‘Reversion’ that will send dancefloors literally in a spin. Teasing the percussion incandescent, looping and teasing, the piano held back before finally releasing in a haze of dub effects.
This is followed by the ‘Riddim Reprise’. Working with London based drummer Matt Bruce (Claptrap), this is the perfect DJ tool, taking the original idea of the band, to just jam see what happens, twisting it full of space echo and reverb, to offer a perfect 12” Extended Mix.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More