Genre: Techno


Tracklist 12":
A1 Volpe - Inner Wisdom
A2 Volpe - Playful Spirit
B1 Volpe - Impermanence
B2 Volpe - Duality



Short Info:
Chord-driven and dubbed out uplifting Detroit inspired Techno workouts



Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin





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DE - 22113 Hamburg
Germany
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12" colored vinyl - transparent purple - with full cover print

TRACKLIST:

A. Jimmy Edgar - Strike (Hardspace Mix)

B1. Robert Armani - Up (Hardspace Mix)
B2. Robert Armani - Road Tour (Hardspace Mix)


INFO:

For the seventh installment of his Hardspace series, Len Faki selects three standout tracks from his personal vault - polishing them up with signature flair for maximum impact.

The A-side features a powerhouse mix of Jimmy Edgar´s Strike. Len Faki brings extra drive and spatial depth to the mix: sizzling hi-hats pan sharply across a tight stereo field, vocal chops flicker in and out, and the groove is stripped, slick, and forceful. A subtle reverb treatment adds atmosphere without compromising punch.

On the B-side, Faki dives into Robert Armani's 1994 album Right to Silence, revisiting two Chicago-style jacking tracks that are nodding to the Dance Mania era.
Up rides on a fierce hi-hat shuffle and a pounding stomp, centered around a bold vocal loop that captures the rough, battle-cry attitude of classic Chicago jack tracks. Faki's edit sharpens the angles and tightens the structure, giving the track even more bite.
Road Tour originally leaned on a harsh, detuned lead synth. Len´s Hardspace version removes the abrasive top line and lets the looping arp take center stage, which subtly shifts in tone and pans across the stereo field. The groove doesn't push forward so much as it sways side to side, creating a warped sense of motion. A pitched-up vocal sample-half command, half tease-injects just the right dose of jack attitude.
HS007 channels the raw, functional energy of vintage Chicago trax through Faki's modern lens - respectful to its roots, but fully tuned for today's sound systems.


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NO RETURN!

Limited to 500 Pieces, Vinyl Only, Mastered by DJ Steaw, Made in Europe

A1: A New Chapter
A2: Crazy Horse
B1: Pulp Disco
B2: 8000 in Italia


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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Rights: World excluding FR & UK

Packaging: 1 x Black LP 140 gs, 3mm spine sleeve UV matt finish with Spot UV gloss, cmyk vinyl labels, printed inner, marketing sticker

SHORT INFOS / KEY POINTS
- Following on from the success of the 2024 editions of The Age of Consent and the incredible viral activity for 'Smalltown Boy', London Records follow up with Forbidden Fruit - a remix compendium to The Age of Consent. Similarly to 1995's Hundreds and Thousands album, The Age of Consent has been re-interpolated to create a new remix album - traversing Hi-NRG, House, Italo Disco and more - while working together as a cohesive listening experience.

- The LP : 7 tracks for the first time on Vinyl ! features five re-workings specifically commissioned for this project, alongside mixes by Superchumbo and The Knocks appearing on vinyl for the very first time.
- The CD : 11 tracks, 9 for the first time on CD , additional 4 tracks exclusive to the CD version, and longer extended versions of the newly commissioned mixes.

VINYL
A1. WHY? (SUPERCHUMBO SUPER EXTENDED MIX FT. NEIL TENNANT) +
A2. SMALLTOWN BOY (BRONSKI BEAT & THE KNOCKS FT. PERFUME GENIUS - EXTENDED MIX) +
A3. JUNK (AN ELECTROGENETIC REMIX BY GARETH JONES) * +
A4. LOVE AND MONEY (RSF METROPOL ITALO REMIX) * +
B1. NEED A MAN BLUES (RSF METROPOL NRG REMIX) * +
B2. I FEEL LOVE / LOVE TO LOVE YOU BABY (ULTRAMIX) * +
B3. JOHNNIE REMEMBER ME (A JAZZ AFFAIR) * +

+ 7 tracks for the first time on vinyl
* 5 tracks previously unreleased


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DE - 22113 Hamburg
Germany
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Territories: WORLD EXCL UK,US,CA,BENELUX

LP - Black 180gram vinyl with Obi-strip


“The true follow up, 35 years later, to The KLF’s ‘Chill Out’”.
JD Twitch (Optimo).

An ambient journey reflecting on friendship, the British landscape - and The KLF’s landmark album Chill Out

"This record and film are just lovely. You need this in your life. Moo-Moo!” Balearic Mike (Down To The Sea & Back)

"The album is a perfect companion to the KLF classic, utilising the British countryside as the setting, occasionally reminding you that Mother Nature is not to be messed with.” Strictly Kev (DJ Food)

"A beautiful ambient journey into the landscape, taking the listener from reality to dream state and back again. A mystical realm full of mysterious chanting, rattling trains and sounds from the very depths of the earth."
Lally MacBeth & Matthew Shaw (Stone Club)

File under: Ambient


Side 1:

Swaledale to Blakeney Straits

Side 2:

Laugharne Estuary to Welcombe Mouth


Recorded in a remote cabin on the Devon coast, STILL OUT is an album-length collaboration between musician-filmmakers – and childhood friends – Will Cookson and Tom Haverly. A reflection on friendship, landscape and the passing of time, it inspired a road trip from North Yorkshire to North Devon they took together in the summer of 2024, and forms the soundtrack to a film of the same name which had its premiere screening as part of Stroud Film Festival in March 2025.

Like the film, STILL OUT is also an oblique homage to The KLF’s iconic 1990 album Chill Out, which the Gloucestershire-based pair revisited after it turned up unexpectedly a few years back in Tom’s dad’s record collection. Inspired to create their own recording using a similarly free-spirited process, Will and Tom relocated to the Devon coast in late summer 2023, splicing together a 40-minute mix from their personal archive of recordings and found sounds in a remote cabin with no electricity or mobile reception.

"It came together using cut-and-paste techniques, with ongoing shifts and tweaks,” says Will. “The final result was an audio collage that felt like something [legendary hip hop producers] The Bomb Squad might make - if ambient music was the only material in their sample library."

Using ‘ambient’ as a starting-point rather than an end in itself, they took inspiration from across the musical spectrum – classic-period Brian Eno, Philip Glass, Bill Evans, plus outliers such as 80s singer-songwriter Virginia Astley and the late DJ-producer Andrew Weatherall. The connections, though, are anything but obvious as the audio shifts seamlessly from field recordings and spoken-word interludes to mood pieces and snatches of vintage pop.

Edited and assembled using freely available open source programs, the source material was often radically altered using tools such as “PaulStretch”, a digital sound-morphing algorithm that allows users to stretch audio files to extreme lengths.

"When we found ourselves in a creative slump or unsure how to navigate a tricky part, we'd say, ‘Let's put some syrup on it and slow it down,’” says Tom. “That always helped us get back on track during late-night recording sessions at the cabin."

Part-soundtrack, part-meditative experiment, STILL OUT is intended as a reflection on the mental and emotional shift that occurs when stepping away from the routine of daily life – an album that forms a celebration of our ever-changing relationship to the world around us and the mystery of what it means to pass through time and space.


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12"

Genre/s:

house, techno, ambient house, dub techno


Tracklist


1: e Dub (Eduardo’s The Cosmic Journey Revisited Remix)
2: Hold Lightly
3: Obi Swing
4: e Dub (Eduardo’s Acidtroit Remix)

Short Info


Miris returns to the fold, this time featuring two remixes by Eduardo De La Calle.

Vital Sales Points


8th Release on Australian label Vessel
Features remixes by Eduardo De La Calle








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Germany
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2LP,30th Anniversary Re Edition, 2025 Remaster

File Under: Downbeat / Ambient

A1. Dave Yang & Steve Yin De-Swish T' Swish
A2. A Zed And Two L's

B1. Leggy
B2. At Home In Space

C1. 6ft Wasp
C2. Slacker

D1. Harmonicas Are Shite
D2. Extract Of Pineal Gland
D3. Subtle Body

30 years old and sounding better than ever!
The growing bin is over the moon to present a vinyl reissue of Maim That Tune,
the timeless downbeat album that many regard as Cobby & McSherry's best joint effort.
Back on wax for it's 30th birthday - remastered with finesse by master Sergey Luginin
it will blow the minds of those who have listened to to it for hundreds of times
and those who have the pleasure to be At Home In Space for the first time.


Music by Steve Cobby & David McSherry
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg



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Skyscraper - Waves From the Past

The incredible story that began with The Most Mysterious Song on the Internet (TMMS) now enters an exciting new chapter: Skyscraper, the debut album by FEX.

Skyscraper features ten original tracks recorded in the early to mid-1980s-carefully re-transferred, remastered, and brought back to life. The album cover, designed by Darius S., brings the story full circle. Darius is the very person who preserved the now-iconic track Subways of Your Mind by recording it from NDR radio in the mid-80s. Without him, FEX may never have been discovered.

FEX's debut opens with its namesake, Skyscraper-a brooding, previously unreleased track the band once described as part of their "psychedelic phase." With haunting synth-helicopter textures and deep guitar riffs, it immediately sets the tone and raises tension.

The release flows naturally into the energetic and fully remastered studio version of Subways of Your Mind. This version of the TMMS - re-discovered on the "yellow label tape" by Reddit user Marijn-was long believed to be from a smaller home studio, but was actually recorded in November 1984 at Hawkeye Studios in Ganderkesee, near Hamburg.

Goldrush, first teased in raw form on FEX's YouTube channel, bends toward mechanical rhythm and shimmering synths, a snapshot of the band's experiments with programmed drum machine sound. Rückwardt's lyrics point to greed and criticizes materialism, and while the music leans toward pop sensibilities, it carries a raw, fractured edge.

Heart in Danger and I've Got My Eyes On You offer contrasting experiences-one rooted in classic post-punk tension, the other floating in melodic synth layers. The latter in particular feels like a fragment from a parallel radio history: a precise and one of a kind synth pop love song with a progressive touch.

From a rehearsal tape comes Dirty Slapstick, its urgency intact. Missing keyboard parts were later reconstructed by Michael Hädrich using his original DX7 synthesizer-recovering lost elements without rewriting the past. The lyrics take a wry look at forced optimism. Also included are the songs Talking Hands, Jenny and Strange Feeling, the latter being a slower blues-tinged cut, revealing yet another facet of the band's reach and Rückwardt's songwriting diversity.

The album closes where the legend began-with the original radio recording of Subways of Your Mind from Darius' cassette. This version of The Most Mysterious Song features alternate vocal effects, contributing to the track's enigmatic aura. Digitally transferred using a high-end Revox machine and carefully remastered, it now has its long-deserved official release.

The cover features a photo of the Eichenberg Bunker in Kiel-one of FEX's original rehearsal spaces and a symbolic monument to their sonic legacy.

" VITAL SALES POINTS:

- Includes "The Most Mysterious Song On The Internet"
- Fully Licenced, recorded in 1984
- Previously unissued recordings
- Gatefold sleeve

Tracklist:

Side A
1. Skyscraper
2. Subways Of Your Mind
3. Goldrush
4. Heart In Danger
5. Dirty Slapstick

Side B
6. I Got My Eyes On You
7. Talking Hands
8. Strange Feeling
9. Jenny
10. Subways Of Your Mind (TMMS Darius Version)


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Germany
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Rights: World excl. FR, UK & US

Packaging: 2 x 180 grs Black Vinyl, 5mm spine sleeve, 2 x printed inner sleeve, marketing front sticker

TRACKLISTING - DOUBLE VINYL.
Exclusive 2025 repress - Double Heavyweight black LP , printed inners

A 1 Dry The Rain
A 2 I Know
A 3 B + A
B 1 Dogs Got a Bone
B 2 Inner Meet Me
B 3 The House Song
C 1 The Monolith
C 2 She's the One
D 1 Push It Out
D 2 It's Over
D 3 Dr. Baker
D 4 Needles In My Eyes

BIOGRAPHY BY IRVINE WELSH
I discovered the Beta Band, like I discovered a lot of great music, basically through eventually surrendering to the enthused urgings of a mate who was cooler than me. He continually evangelized about the EP's. I was lost to the concert hall and firmly ensconced on the dancefloor by then and highly resistant, but quite taken by the idea that a band would bring out extended plays rather than singles. When I did check them out, I was instantly smitten by their originality and power.

The band, therefore, were pivotal for me in terms of my own musical journey, in that they represented a gateway back into indie guitar music, which I'd basically given up since becoming obsessed with rave and acid house.

The Beta Band were definitely a band for the cool cognoscenti- like my buddy- the ones you make a bit of a tit of yourself trying to convert quite straight boring people to.

The emotions they induced were a kind of throwback to school days when you were very pompous and prescriptive about what you liked, and derisive towards non believers. It's a testimony to the power of the music that they could take me to the raw state of the younger man.

I took it personally that they didn't hit the mainstream commercial base. At least two of the three albums they made deserved quadruple platinum status. Hot Shots II and Heroes to Zeros are permanently lodged very high in my top one hundred albums of all time.

So, the return of the Beta Band has me moving into the same mode of immature, adolescent anticipation. Everyone should have the Beta Band albums and EP's in their collection. It still kind of annoys me - in fact it bugs the shit out of me - that most of them don't.

And that really is something.


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