More bold and brash sickness from Gay Marvine. It just gets more perverted when you think about every song from a red hanky perspective. A side = pure disco and deep funk reshaped as tools for today. B side = total cult classics re-visioned to devastate any dance floor.
A1 I Want Yr Love See how well it fits! The classic insidious groove. This is the sound of cocaine, people. The Gay Marvine interpretation takes the shape that another Detroiter found on his political disco classic and allows the full song to reveal itself. A dance floor treasure.
A2 Pitch Black City Originally recorded in Bologna, Italy with the vocals added at the Power Station in NYC. Luther Vandross is not on this one. A major reshape, a real improvement! A highlight of any night.
B side B1 Hilltop In Detroit this was called Techno, because that's what you called Electro then. A knock them dead thunderous classic from an unappreciated uk band. This is an edit of the Bernard Sumner remix, giving it a kind of EBM / new
beat feel, before that even existed. Nice 303. Most likely the inspiration for UR 003 “The Final Frontier”. Restructured by Gay Marvine, fixing all
the off time edits, so that you can destroy the dance floor with ease.
B2 Meatin Don't slap me, because I'm not in the mood. I’d Hate to come down to their level and become a BW. Campy classic

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More sickness from Gay Marvine. A side pure disco and deep funk reshaped as tools for today. B side total cult classics revisioned to devestate any dance floor.

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New Secret Mixes sub-label f/Gay Marvine's best secret weapons of gay disco. 3 steamy classics restructured for your pleasuring: First Choice - Love Thang, Sister Sledge - Lost in Music, Shalamar - Make That Move.


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More bold and brash sickness from Gay Marvine. It just gets more perverted when you think about every song from a red hanky perspective. A side = pure disco and deep funk reshaped as tools for today. B side = total cult classics re-visioned to devastate any dance floor.
A1 I Want Yr Love See how well it fits! The classic insidious groove. This is the sound of cocaine, people. The Gay Marvine interpretation takes the shape that another Detroiter found on his political disco classic and allows the full song to reveal itself. A dance floor treasure.
A2 Pitch Black City Originally recorded in Bologna, Italy with the vocals added at the Power Station in NYC. Luther Vandross is not on this one. A major reshape, a real improvement! A highlight of any night.
B side B1 Hilltop In Detroit this was called Techno, because that's what you called Electro then. A knock them dead thunderous classic from an unappreciated uk band. This is an edit of the Bernard Sumner remix, giving it a kind of EBM / new
beat feel, before that even existed. Nice 303. Most likely the inspiration for UR 003 “The Final Frontier”. Restructured by Gay Marvine, fixing all
the off time edits, so that you can destroy the dance floor with ease.
B2 Meatin Don't slap me, because I'm not in the mood. I’d Hate to come down to their level and become a BW. Campy classic

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More sickness from Gay Marvine. A side pure disco and deep funk reshaped as tools for today. B side total cult classics revisioned to devestate any dance floor.

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Tracklisting
A1 Gary Beck - Upside Criminal
A2 Gary Beck - Sambana
B1 Gary Beck - Pepper Track
B2 Gary Beck - Rejected
B3 Gary Beck - Ghost

Sales Note
Gary Beck returns to Mutual Rytm as he unveils a selection of impactful cuts across his debut 12'' on the label, 'Upside Criminal'.

Bek Audio boss and Glasgow techno mainstay Gary Beck has long been a key figure in the scene with a unique sound that has shaped a vast discography. One of the genre's best, with appearances across iconic institutions and collaborations with legendary talents, he is a definitive talent. Returning to SHDW's Mutual Rytm imprint, his new EP lands following his recent appearance on the label's 'Federation Of Rytm III' VA, with the tracks on the package proving as go-to favourites for the label boss over recent months.

''Mutual Rytm has been nothing short of inspirational to me over the last years. I've been playing almost
everything from the label, as the tracks really suited what I was selecting in my DJ sets. The high-quality output really got my juices going to create something for the label, and I was delighted when Marco liked what I sent. This EP signals exactly where I am musically. I'm an absolute sucker for tracks with relentless groovy energy and little breaks, so it felt like a perfect fit. Tracks from the EP have been an absolute joy to play in my sets recently,
and I'm so excited to deliver this EP on my current favourite label, Mutual Rytm.'' - Gary Beck.

The powerful 'Upside Criminal' kicks off with hammering drums and pounding hits that create an inescapable wall of sound that will dominate dance floors of any size. There is more loopy energy to 'Sambana' with its ever more jagged synth stabs and fizzing drum textures while 'Pepper Track' is a futuristic techno workout with rattling snares and mutant synth details peeling off the straight-up groove. 'Rejected' is built around trapped vocal fragments that swirl about the mix to a disorientating effect as the high-speed drums and sheet metal synths race onwards, 'while
Ghost' closes out with a subtle sense of uplifting celebration from the synths that rise up through rusty, rickety techno grooves. Digital Bonus 'Variation 6.1' offers another searing and funky techno stomp, once again providing an extra gem for digital purchasers.





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Classy 1994 House gem carefully re-issued

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Rare Downtempo Italo, House reissue from 1989. Bomb ! ! ! ? Don’t sleep !


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Reissue from 1991, Killer Egyptian cover version of Suzanne Vega - Toms Diner by Simone, Egyptian singer and actress. Originally only released on CD, now remastered for vinyl and pressed on 12" maxi format. Including a bonus beat edit of "Rekka" by Castro.


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There are certain occasions when you can truly feel the stars align. One of these is when the interstellar voyager of cosmic soul Jimi Tenor finally lands his spaceship at full force on a Timmion recording. In 2024, he will be serving us two spaced out album sessions recorded together with Cold Diamond & Mink. Jimi is no stranger in these space ways as he has operated behind the Timmion scenes for years, furnishing several of the label's artists with his flute and reeds artistry. The first album out is titled "Is There Love In Outer Space?", which begs the question with the force of five extended tracks that are guaranteed to blow your mind to the stratosphere. The pieces are loaded with whooshing and glistening synth noises and span from lofi space funk to cinematic soundscapes. The sweetly floating title track is like some of those galactic ballads that rare soul collectors are spending their pensions on. At the other side of the spectrum, album closer `What Are You Doing?' sounds like Sun Ra sat down at a JBs session, and is straight up meant to get that booty moving. Combined with the raw soul prowess of CD&M, Jimi is able to refine new shades from his already impressive repertoire of talent. Even if you are a friend of his previous work you might not have heard him get down quite like this.



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Thought is the essence of where you are now.

Composed in an era where people weren't concerned with music labels but just wanted to hear fresh new sounds and go out to clubs religiously, “Digital Imagination - The Essence of Thought” is a sci-fi inspired mixture of House, full- speed Trance and Trip Hop coming from a young Ted Heinz falling in love with electronic music in the thriving early 90s Boston rave scene. Originally release by Concept Records in 1993 and with original copies now hard to get ahold of, Sunny Crypt is happy to give this record a full reissue treatment with audio restored from the original DAT tape and a new graphic design.

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repress of this incredible disco classic by Arthur Russell.

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When the house music phenomenon was beginning, Chicago DJs like Ron Hardy and New Yorkers such as Frankie Knuckles and Larry Levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. Warehouse Classics Vol.1 holds 4 killer tracks going from obscure disco to new wave, first popularised at the Music Box and rarely heard anywhere else.
Sir Leon Greg (another incarnation of Perseus Traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. These are basic, raw ideas thrown down quickly and capturing the energy on 1/4” tape before moving on to the next set of sounds.
Musically, it's as delightfully funky and uncomplicated as you'd expect, a mesh of disco tracks and heavy, effect laden, machine-funk. Essential Item !



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Those who have been following the Cosmology series from its inception will no doubt be familiar with the ad hoc release schedule and will perhaps have grown accustomed to the diverse range of styles that their ep's encompass. Each one has trodden a different path in the pursuit of updating pivotal dancefloor memories and Cosmology volume four is the most ambitious reworking to date. The choice for this instalment's source material is a topical one as the influence here comes from Herman Sonny Blount, better known as the Free Jazz pioneer Sun Ra. The start point for this project was some snatched vocals and the saxophone from the 1972 opus, 'Space is the Place'. The sax riff was originally recorded in a Quintuple (an unusual 5/4 meter, which anyone familiar with Sun Ra will attest that his chaotic band leading makes the edit process nigh on impossible). Ever up for the challenge, Laurie somehow managed to cajole this into a more friendly 4/4 time signature, which forms the off kilter and strangely hypnotic bassline that underpins the track, leaving just the faintest whisper of the original intact. This mid tempo burner increases the intensity as it progresses, taking its time to wrap itself round you, into your mind and once this haunting melody gets you, you stay got. Left of field adventurers will have fun trying testing their crowd with this, and figuring out what to file it under. Flip it over and we return to more familiar soulful surroundings, albeit with a notably different sphere of influence and approach from the A side. This too retains that trademark Cosmologist other-world spaciness and crate diggers and modern soul aficionados will identify the lush, swirling disco gem from Flowers, a hard to come by rarity, entitled "For Real". Oozing soul from the opening bar, we have a track where very little reconstruction work was needed, so instead a nuanced yet restrained alteration is employed which retains all the class, and gives it a respectful re-calibration, opening it to a slightly wider range of DJ's to program. This was recorded during the Christmas break of 2013, but sat in the can for almost a year awaiting another track to pair it up with. Two wildly contrasting edits that will add something to the ongoing what is a remix/ edit debate, this double header will be the perfect storm to bring in the new-year and comes beautifully presented on 180g heavyweight vinyl, with black inner and a spined manila sleeve. Under the influence, and always under the radar…

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