WAS EXCLUSIVE PRE-SALE
1
Moodymann - No
2
Eluize - Prowl
3
Move D - The Garden
4
Axel Boman - Lucky Luke
5
AWAY Soundsystem - Shifting Scenes
6
Lady Starlight - Ghzelian
7
Inland - Minerals
8
Mark Broom - Ain't No Thang
9
Discrete Circuit - Tenterhooks
10
Attila & Blivv - Unveiling
World excl. US
Tracklist:
A1. Moodymann - No
A2. Eluize - Prowl
A3. Move D - The Garden
B1. Axel Boman - Lucky Luke
B2. AWAY Soundsystem - Shifting Scenes
C1. Lady Starlight - Ghzelian
C2. Inland - Minerals
D1. Mark Broom - Ain't No Thang
D2. Discrete Circuit - Tenterhooks
D3. Attila & Blivv - Unveiling
Release Info:
BERLIN PARTY AWAY WILL CELEBRATE A DECADE OF EVENTS WITH LABEL COMPILATION "AWAY 10 YEARS" AND THREE WEEKEND PARTIES
"AWAY 10 Years" features 10 tracks from a family-and-friends lineup of influential powerhouses like Moodymann, Move D, Axel Boman, Lady Starlight, Mark Broom, Inland, and well-known talents Discrete Circuit, Eluize, AWAY Soundsystem, and Attila & Blivv
Founded by DJ and producer Discrete Circuit in 2012, AWAY was born in Berlin out of a purist desire to establish a party for timeless house and techno music. In the early days, AWAY moved from multiple in- and outdoor venues to showcases across Europe to ultimately finding a stable home base at the About Blank club in 2015. Quickly they earned a reputation as a must-attend event series without losing its underground credibility. The AWAY crew did not shy away from booking many veterans and legends of the genre, some of whom are now on the compilation "AWAY 10 Years".
More
Tracklist:
A1. Moodymann - No
A2. Eluize - Prowl
A3. Move D - The Garden
B1. Axel Boman - Lucky Luke
B2. AWAY Soundsystem - Shifting Scenes
C1. Lady Starlight - Ghzelian
C2. Inland - Minerals
D1. Mark Broom - Ain't No Thang
D2. Discrete Circuit - Tenterhooks
D3. Attila & Blivv - Unveiling
Release Info:
BERLIN PARTY AWAY WILL CELEBRATE A DECADE OF EVENTS WITH LABEL COMPILATION "AWAY 10 YEARS" AND THREE WEEKEND PARTIES
"AWAY 10 Years" features 10 tracks from a family-and-friends lineup of influential powerhouses like Moodymann, Move D, Axel Boman, Lady Starlight, Mark Broom, Inland, and well-known talents Discrete Circuit, Eluize, AWAY Soundsystem, and Attila & Blivv
Founded by DJ and producer Discrete Circuit in 2012, AWAY was born in Berlin out of a purist desire to establish a party for timeless house and techno music. In the early days, AWAY moved from multiple in- and outdoor venues to showcases across Europe to ultimately finding a stable home base at the About Blank club in 2015. Quickly they earned a reputation as a must-attend event series without losing its underground credibility. The AWAY crew did not shy away from booking many veterans and legends of the genre, some of whom are now on the compilation "AWAY 10 Years".
More






1
Blueboy - A1. Clearer
2
Blueboy - A2. Alison
3
Blueboy - A3. Popkiss
4
Blueboy - A4. Chelsea Guitar
5
Blueboy - A5. Fearon
6
Blueboy - B1. Meet Johnny Rave
7
Blueboy - B2. Elle/Air France
8
Blueboy - B3. Try Happiness
9
Blueboy - B4. A Gentle Sigh
10
Blueboy - B5. Stephanie
11
Blueboy - C1. River
12
Blueboy - C2. Nimbus
13
Blueboy - C3. Hit
14
Blueboy - C4. Dirty Mags
15
Blueboy - C5. Loony Tunes
16
Blueboy - D1. Toulouse
17
Blueboy - D2. Love Yourself
18
Blueboy - D3. Melancholia
19
Blueboy - D4. Marco Polo
20
Blueboy - D5. What Do People Do All Day?
2LP Gatefold sleeve, Artwork Insert, Postcard
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
A1 Clearer
A2 Alison
A3 Popkiss
A4 Chelsea Guitar
A5 Fearon
B1 Meet Johnny Rave
B2 Elle/Air France
B3 Try Happiness
B4 A Gentle Sigh
B5 Stephanie
C1 River
C2 Nimbus
C3 Hit
C4 Dirty Mags
C5 Loony Tunes
D1 Toulouse
D2 Love Yourself
D3 Melancholia
D4 Marco Polo
D5 What Do People Do All Day?
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
More
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
A1 Clearer
A2 Alison
A3 Popkiss
A4 Chelsea Guitar
A5 Fearon
B1 Meet Johnny Rave
B2 Elle/Air France
B3 Try Happiness
B4 A Gentle Sigh
B5 Stephanie
C1 River
C2 Nimbus
C3 Hit
C4 Dirty Mags
C5 Loony Tunes
D1 Toulouse
D2 Love Yourself
D3 Melancholia
D4 Marco Polo
D5 What Do People Do All Day?
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
More
1
Dave Aju & The Invisible Art Trio - A1: Next 2 You (Original Mix)
2
Dave Aju & The Invisible Art Trio - B1: Next 2 You (Stripped Dub)
3
Dave Aju & The Invisible Art Trio - B2: Next 2 You (Reprise)
Coming in blazing-hot off the heels of their very welcome reunion set for the recent
Glossolalia LP, Dave Aju & The Invisible Art Trio are apparently out for no mercy here on
their potent Elbow Grease debut for the label’s third offering. “Next 2 You” was a deep
jam session-based composition started overseas some 8+ years back in an earlier
incarnation, with the raw-edged flavors and voodoo feels of the OG underground era
and has now been unearthed and blessed for pure dancefloor detonation by the everelusive
LA-based musical squad.
The A-side Original Mix is yet again an extended multi-layered sonic voyage of driving
vibe-led hypnosis, loaded with rising modal chants, fiery free jazz horns, otherworldly
percussion literally orbiting around a solid throbbing 909 framework, and grinding lowend
funk pulsations via a sub-octave 303 acid line woven in at the core of the piece.
The generous EG release recipe also gives us the lethally mixable, wetted-up, and
straight to the percussive point B1 Stripped Dub version, as well as an endlessly
unfolding beatless Reprise on the B2 primed for any DJ set moment in need of
mesmerizing impactful bliss on the flip.
The trio states this work was inspired by various concepts from the sci-fi futurism of
VanderMeer’s Annhilation, field research on ancient Incan rituals, and of course the
cosmic lineage of core spiritual jazz astral travelers such as our recently earth-departed
Pharoah, along with respectful nods to the master teachers from the D. “Next 2 You”
indeed. More
Glossolalia LP, Dave Aju & The Invisible Art Trio are apparently out for no mercy here on
their potent Elbow Grease debut for the label’s third offering. “Next 2 You” was a deep
jam session-based composition started overseas some 8+ years back in an earlier
incarnation, with the raw-edged flavors and voodoo feels of the OG underground era
and has now been unearthed and blessed for pure dancefloor detonation by the everelusive
LA-based musical squad.
The A-side Original Mix is yet again an extended multi-layered sonic voyage of driving
vibe-led hypnosis, loaded with rising modal chants, fiery free jazz horns, otherworldly
percussion literally orbiting around a solid throbbing 909 framework, and grinding lowend
funk pulsations via a sub-octave 303 acid line woven in at the core of the piece.
The generous EG release recipe also gives us the lethally mixable, wetted-up, and
straight to the percussive point B1 Stripped Dub version, as well as an endlessly
unfolding beatless Reprise on the B2 primed for any DJ set moment in need of
mesmerizing impactful bliss on the flip.
The trio states this work was inspired by various concepts from the sci-fi futurism of
VanderMeer’s Annhilation, field research on ancient Incan rituals, and of course the
cosmic lineage of core spiritual jazz astral travelers such as our recently earth-departed
Pharoah, along with respectful nods to the master teachers from the D. “Next 2 You”
indeed. More
1
BREAKING NEWS - El Queeno, deado
2
Made in M - Pronto
3
Tom Doolie - Yacht
4
FloFilz - La Première Fois
5
Ellosophy - Lost in Music
6
digitalluc - Never Loose
7
Rick Flair - Freedom
8
imaginary friend - Joke
9
FloFilz - Meteora
10
Made in M - Balsa
11
digitalluc - Morgentau
12
Tom Doolie - Pick Up
13
Klaus Layer - Type 2
14
Ellosophy - Katanga Nights
Limited to 300 full cover
House / inst. HipHop
Introducing "Beats on Boat Vol. 2" - the highly anticipated compilation album featuring some of the most talented
and respected names in the lofi hiphop scene With tracks from the likes of FloFilz, Made in M, digitalluc, and
Klaus Layer, to name a few. This project promises to deliver a unique blend of chill beats and groovy rhythms that
will transport listeners to a world of laid-back vibes.
Released through ear-sight, tracks from "Beats on Boat Vol. 2" will be released every two weeks starting from
May 31st and will be accompanied by a live set, filmed on Berlins river Spree.
One of the standout features of this album is how each artist brings their own unique style to the table. From
FloFilz's jazzy beats to Made in M's dreamy soundscapes, listeners can expect a diverse range of sounds and
textures that will keep them hooked like fish on a rod.
Another thing that sets "Beats on Boat Vol. 2" apart from other compilations is the focus on both lofi hiphop and
lofi house. While these two genres may seem vastly different at first glance, they actually share a lot of common
ground - both are built on a foundation of warm textures, and infectious grooves.
A must-listen for anyone who loves lofi music, chill beats, or just wants to experience something truly unique.
With this roster of top-tier artists, the focus on both lofi hiphop and lofi house, and its live beat sets on a boat in
Berlin, this compilation is sure to make waves. Hop aboard and tune in!
Mastered by digitalluc
Cover design by Otto Stobbe
7 artists 14 tracks, 2 genres
Accompanies live beat sets filmed on boat on river spree in berlin
Creme of the crop of the lofi beat scene taking part
Tracklist:
A1 BREAKING NEWS - El Queeno, deado
A2 Made in M - Pronto
A3 Tom Doolie - Yacht
A4 FloFilz - La Première Fois
B1 Ellosophy - Lost in Music
B2 digitalluc - Never Loose
B3 Rick Flair - Freedom
C1 imaginary friend - Joke
C2 FloFilz - Meteora
C3 Made in M - Balsa
C4 digitalluc - Morgentau
D1 Tom Doolie - Pick Up
D2 Klaus Layer - Type 2
D3 Ellosophy - Katanga Nights More
House / inst. HipHop
Introducing "Beats on Boat Vol. 2" - the highly anticipated compilation album featuring some of the most talented
and respected names in the lofi hiphop scene With tracks from the likes of FloFilz, Made in M, digitalluc, and
Klaus Layer, to name a few. This project promises to deliver a unique blend of chill beats and groovy rhythms that
will transport listeners to a world of laid-back vibes.
Released through ear-sight, tracks from "Beats on Boat Vol. 2" will be released every two weeks starting from
May 31st and will be accompanied by a live set, filmed on Berlins river Spree.
One of the standout features of this album is how each artist brings their own unique style to the table. From
FloFilz's jazzy beats to Made in M's dreamy soundscapes, listeners can expect a diverse range of sounds and
textures that will keep them hooked like fish on a rod.
Another thing that sets "Beats on Boat Vol. 2" apart from other compilations is the focus on both lofi hiphop and
lofi house. While these two genres may seem vastly different at first glance, they actually share a lot of common
ground - both are built on a foundation of warm textures, and infectious grooves.
A must-listen for anyone who loves lofi music, chill beats, or just wants to experience something truly unique.
With this roster of top-tier artists, the focus on both lofi hiphop and lofi house, and its live beat sets on a boat in
Berlin, this compilation is sure to make waves. Hop aboard and tune in!
Mastered by digitalluc
Cover design by Otto Stobbe
7 artists 14 tracks, 2 genres
Accompanies live beat sets filmed on boat on river spree in berlin
Creme of the crop of the lofi beat scene taking part
Tracklist:
A1 BREAKING NEWS - El Queeno, deado
A2 Made in M - Pronto
A3 Tom Doolie - Yacht
A4 FloFilz - La Première Fois
B1 Ellosophy - Lost in Music
B2 digitalluc - Never Loose
B3 Rick Flair - Freedom
C1 imaginary friend - Joke
C2 FloFilz - Meteora
C3 Made in M - Balsa
C4 digitalluc - Morgentau
D1 Tom Doolie - Pick Up
D2 Klaus Layer - Type 2
D3 Ellosophy - Katanga Nights More
1
Bélver Yin - Una vida por delante (Candela´s song)
2
Bélver Yin - La manzana está en el árbol
3
Bélver Yin - ¡Que sensación tan extraña!
4
Bélver Yin - ¿Quién te va a querer ahora?
5
Bélver Yin - A veces no es fácil
6
Bélver Yin - Ayer como hoy
7
Bélver Yin - Tienes todo y no tienes nada
8
Bélver Yin - Escuchar el pasado
9
Bélver Yin - Bajo la mirada de las estrellas
10
Bélver Yin - Das lebewohl
LP
Tracklist
1. Una vida por delante (Candela´s song)
2. La manzana está en el árbol
3. ¡Que sensación tan extraña!
4. ¿Quién te va a querer ahora?
5. A veces no es fácil
6. Ayer como hoy
7. Tienes todo y no tienes nada
8. Escuchar el pasado
9. Bajo la mirada de las estrellas
10. Das lebewohl
Short info:
Spurred on by emergent footage of a recent live performance, Efficient Space delves deeper into the world of Spanish shoegaze outfit Bélver Yin, now solely helmed by founding member Pedro L. Orte-ga. An intimate collection of new recordings, Para Mi Madre is a parting gift to his mother, fulfilling a promise made in her final days.
Bélver Yin’s story begins at the turn of the ‘90s, blooming from a fixation with British ethereal alt-pop (Cocteau Twins, The Chameleons, The Cure et al.). Utilising guitar, bass and drum machine rhythms to record the cathartic 1991 debut Luz Bel, their quintessentially Mediterranean angle on slow, reverb and echo-laden atmospherics found a home on fleeting label Noisex Music. Despite radio play and con-certs around Spain, lack of distribution led to the album being largely overlooked, until Efficient Space’s faithful reissue in 2020.
With this newfound interest stoking Ortega’s fire, the wealth and strength of Para Mi Madre’s expres-sive impulses will woo fans and newcomers alike. Patiently moving from pastel hues, sepia-tones and balearic nostalgia, its crystallised instrumentals give a knowing nod to the wide-eyed possibilities of youthful summers as much as they do world-weary respite. Not wallowing in gloom, the deeply per-sonal and spirit-stirring memorandum documents Ortega coming to terms with the loss of his greatest champion.
More
Tracklist
1. Una vida por delante (Candela´s song)
2. La manzana está en el árbol
3. ¡Que sensación tan extraña!
4. ¿Quién te va a querer ahora?
5. A veces no es fácil
6. Ayer como hoy
7. Tienes todo y no tienes nada
8. Escuchar el pasado
9. Bajo la mirada de las estrellas
10. Das lebewohl
Short info:
Spurred on by emergent footage of a recent live performance, Efficient Space delves deeper into the world of Spanish shoegaze outfit Bélver Yin, now solely helmed by founding member Pedro L. Orte-ga. An intimate collection of new recordings, Para Mi Madre is a parting gift to his mother, fulfilling a promise made in her final days.
Bélver Yin’s story begins at the turn of the ‘90s, blooming from a fixation with British ethereal alt-pop (Cocteau Twins, The Chameleons, The Cure et al.). Utilising guitar, bass and drum machine rhythms to record the cathartic 1991 debut Luz Bel, their quintessentially Mediterranean angle on slow, reverb and echo-laden atmospherics found a home on fleeting label Noisex Music. Despite radio play and con-certs around Spain, lack of distribution led to the album being largely overlooked, until Efficient Space’s faithful reissue in 2020.
With this newfound interest stoking Ortega’s fire, the wealth and strength of Para Mi Madre’s expres-sive impulses will woo fans and newcomers alike. Patiently moving from pastel hues, sepia-tones and balearic nostalgia, its crystallised instrumentals give a knowing nod to the wide-eyed possibilities of youthful summers as much as they do world-weary respite. Not wallowing in gloom, the deeply per-sonal and spirit-stirring memorandum documents Ortega coming to terms with the loss of his greatest champion.
More

1
Molly - I'm Not Your…
2
Molly - Cover 3
3
Molly - Seeigel
4
Molly - Late At Night
5
Molly - No Excuse
Molly is a very creative player in the electronic music field today. She's always moving us forward in a very surprising way.
Composing her new EP for Groovement was a long, slow but self-empowering process, as she went through a lot of different vibrations these past years.
"Introspections" is a deep, beautiful and soulful journey about being tremendously human and sensitive.
5 new tracks in which we can enjoy the power to dance and the power to rest spiritually sane.
Tracklist:
A1. I'm Not Your…
A2. Cover 3
B1. Seeigel
B2. Late At Night
B3. No Excuse
More
Composing her new EP for Groovement was a long, slow but self-empowering process, as she went through a lot of different vibrations these past years.
"Introspections" is a deep, beautiful and soulful journey about being tremendously human and sensitive.
5 new tracks in which we can enjoy the power to dance and the power to rest spiritually sane.
Tracklist:
A1. I'm Not Your…
A2. Cover 3
B1. Seeigel
B2. Late At Night
B3. No Excuse
More
1
V.A-Bas Mooy, Pfirter & Grindvik, Pacou, - A1. Bas Mooy - Herfst
2
V.A-Bas Mooy, Pfirter & Grindvik, Pacou, - A2. Pfirter & Grindvik - Eliptic 5.8
3
V.A-Bas Mooy, Pfirter & Grindvik, Pacou, - A3. Pacou - Footwork
4
V.A-Bas Mooy, Pfirter & Grindvik, Pacou, - B1. Exos - Holy Mama
5
V.A-Bas Mooy, Pfirter & Grindvik, Pacou, - B2. Corpore Insepulto - Solvitur Ambulando
6
V.A-Bas Mooy, Pfirter & Grindvik, Pacou, - B3. Jorg Rodriguez - Torbellino
12" Marbled Blue Color Vinyl, full colour jacket.
Volume number 3 of 8 Vinyls, for the 16 Years of Illegal Alien Records
Tracklist:
A1. Bas Mooy - Herfst
A2. Pfirter & Grindvik - Eliptic 5.8
A3. Pacou - Footwork
B1. Exos - Holy Mama
B2. Corpore Insepulto - Solvitur Ambulando
B3. Jorg Rodriguez - Torbellino
4. SHORT INFO:
We are extremely happy and proud to present you Volume number 3 of our 16 Years anniversary project which
will be released in a limited 12' Vinyl edition and Digital format and will be split into 8 Volumes which includes a
total of 44 exclusive tracks and 46 great artists, from the early days of Techno till now. We immensely thank to all
the artists involved in this project, for believe in Illegal Alien Records, for joining us in this celebration and
contributing with their music to make this release even more special, it's a true honor to count with all of you,
thank you for being part of our history.
Our second volume belongs to greats Bas Mooy, Pfirter & Grindvik, Pacou, Exos, Corpore Insepulto, Jorg
Rodriguez More
Volume number 3 of 8 Vinyls, for the 16 Years of Illegal Alien Records
Tracklist:
A1. Bas Mooy - Herfst
A2. Pfirter & Grindvik - Eliptic 5.8
A3. Pacou - Footwork
B1. Exos - Holy Mama
B2. Corpore Insepulto - Solvitur Ambulando
B3. Jorg Rodriguez - Torbellino
4. SHORT INFO:
We are extremely happy and proud to present you Volume number 3 of our 16 Years anniversary project which
will be released in a limited 12' Vinyl edition and Digital format and will be split into 8 Volumes which includes a
total of 44 exclusive tracks and 46 great artists, from the early days of Techno till now. We immensely thank to all
the artists involved in this project, for believe in Illegal Alien Records, for joining us in this celebration and
contributing with their music to make this release even more special, it's a true honor to count with all of you,
thank you for being part of our history.
Our second volume belongs to greats Bas Mooy, Pfirter & Grindvik, Pacou, Exos, Corpore Insepulto, Jorg
Rodriguez More
1
Dominik Eulberg - Grauspecht (Acid Pauli Remix)
2
Dominik Eulberg - Gelbspötter (Etapp Kyle Remix)
3
Dominik Eulberg - Grauspecht (Isolee Remix)
4
Dominik Eulberg - Schwarzhalstaucher (Aera Remix)
Tracklist:
A1 Grauspecht (Acid Pauli Remix)
A2 Gelbspötter (Etapp Kyle Remix)
B1 Grauspecht (Isolee Remix)
B2 Schwarzhalstaucher (Aera Remix)
Release Info:
A year on from Dominik Eulberg's glorious Avichrom album on !K7 Records, he has enlisted a new series of interesting remixes. Etapp Kyle, Isolée, Acid Pauli and Aera all step up for a fresh four-track EP which is out this Spring.
Avichrom was conservationist Eulberg's sixth studio album and another one inspired by his love of nature. Each track was named after a native German bird and offered a kaleidoscope of musical colour. Now that vivid source material gets reworked for the club by some of the underground's most revered names.
First up is Ukrainian producer Etapp Kyle, someone known for his elegant techno on labels like Ostgut Ton. In his hands, 'Gelbspötter' takes flight on airy synths and slick, paddy broken beats. They suspend you amongst the serene and painterly synths to make for a joyful trip. Minimalist house shamen Isolée is an intricate groove specialist at home on the likes of Pampa and Playhouse. He brings his mix of ambient melody and underlapping grooves to 'Grauspecht'. It's a deep, wavy and fluid track with ever-changing melody patterns and hypnotic bass.
Next comes Acid Pauli, the Ouïe co-founder and versatile live act who brings real artistry and influences way outside the dance music world to his own work. His take on 'Grauspecht' is a beautifully organic affair with late-night melodies unfurling like lullabies over supple and rubbery drums. It's dreamy and captivating and perfect for those zoned out 5 am dance floors. Last but not least is Innervisions-veteran Aera, a producer with a deft touch and knack for delicate but impactful groovers, as he proves here. His deep and cuddly remix of 'Schwarzhalstaucher' is a quiet triumph with the sort of subtly uplifting and innocent melodies you want to hear as the light peaks in through the curtains after an all-night dance.
All four of these remixes bring fresh perspectives to Dominik Eulberg's still standout originals.
More
A1 Grauspecht (Acid Pauli Remix)
A2 Gelbspötter (Etapp Kyle Remix)
B1 Grauspecht (Isolee Remix)
B2 Schwarzhalstaucher (Aera Remix)
Release Info:
A year on from Dominik Eulberg's glorious Avichrom album on !K7 Records, he has enlisted a new series of interesting remixes. Etapp Kyle, Isolée, Acid Pauli and Aera all step up for a fresh four-track EP which is out this Spring.
Avichrom was conservationist Eulberg's sixth studio album and another one inspired by his love of nature. Each track was named after a native German bird and offered a kaleidoscope of musical colour. Now that vivid source material gets reworked for the club by some of the underground's most revered names.
First up is Ukrainian producer Etapp Kyle, someone known for his elegant techno on labels like Ostgut Ton. In his hands, 'Gelbspötter' takes flight on airy synths and slick, paddy broken beats. They suspend you amongst the serene and painterly synths to make for a joyful trip. Minimalist house shamen Isolée is an intricate groove specialist at home on the likes of Pampa and Playhouse. He brings his mix of ambient melody and underlapping grooves to 'Grauspecht'. It's a deep, wavy and fluid track with ever-changing melody patterns and hypnotic bass.
Next comes Acid Pauli, the Ouïe co-founder and versatile live act who brings real artistry and influences way outside the dance music world to his own work. His take on 'Grauspecht' is a beautifully organic affair with late-night melodies unfurling like lullabies over supple and rubbery drums. It's dreamy and captivating and perfect for those zoned out 5 am dance floors. Last but not least is Innervisions-veteran Aera, a producer with a deft touch and knack for delicate but impactful groovers, as he proves here. His deep and cuddly remix of 'Schwarzhalstaucher' is a quiet triumph with the sort of subtly uplifting and innocent melodies you want to hear as the light peaks in through the curtains after an all-night dance.
All four of these remixes bring fresh perspectives to Dominik Eulberg's still standout originals.
More

1
Chudiy - Diamond Director
2
Chudiy - Ruby Director
3
Chudiy - Diamond Director (Shayde Remix)
4
Chudiy - Ruby Director (Dan Bay Remix)
5
Chudiy - Ruby in Diamond (Le Rubrique's Directors Cut Remix)
Red colored 12” vinyl with full inside out cover. 2 Tracks, 2 remixes and a “one track out of two remix” included.
GENRE/S:
Downtempo, Deephouse, Techno, Trance, Ketapop, Disco
TRACKLISTS:
A1 Diamond Director
A2 Ruby Director
B1 Diamond Director (Shayde Remix)
B2 Ruby Director (Dan Bay Remix)
B3 Ruby in Diamond (Le Rubrique's Directors Cut Remix)
SHORT INFO:
Shamanic call from the ethereal field where all shapes fluidly come to one. Inspired by the multilevel constant dynamics
of slowed down and pushing forward energies of one frequency.
“Diamond Director” with clear edges and smooth surfaces turns slowly glittering like the transparent stone under the sun
or the spots in the club.
“Ruby Director” is steady colored going deep into a simpler way of movement without losing its pressure of serious
laziness.
“Shayde's remix” means the state of trance after the glitter of the turning diamond occupying the personal view with little
sparkles.
“Dan Bay's remix” is the consequence of the deep slowed down original bringing the slow pressure back to faster
laziness again.
“Le Rubrique's remix” as a fusion of the two originals shows how different similarity can be and rolls up everything in a
new way.
More
GENRE/S:
Downtempo, Deephouse, Techno, Trance, Ketapop, Disco
TRACKLISTS:
A1 Diamond Director
A2 Ruby Director
B1 Diamond Director (Shayde Remix)
B2 Ruby Director (Dan Bay Remix)
B3 Ruby in Diamond (Le Rubrique's Directors Cut Remix)
SHORT INFO:
Shamanic call from the ethereal field where all shapes fluidly come to one. Inspired by the multilevel constant dynamics
of slowed down and pushing forward energies of one frequency.
“Diamond Director” with clear edges and smooth surfaces turns slowly glittering like the transparent stone under the sun
or the spots in the club.
“Ruby Director” is steady colored going deep into a simpler way of movement without losing its pressure of serious
laziness.
“Shayde's remix” means the state of trance after the glitter of the turning diamond occupying the personal view with little
sparkles.
“Dan Bay's remix” is the consequence of the deep slowed down original bringing the slow pressure back to faster
laziness again.
“Le Rubrique's remix” as a fusion of the two originals shows how different similarity can be and rolls up everything in a
new way.
More
1
The Mountain People - mountain022.1
2
The Mountain People - mountain022.2
Genre: House
Tracklist 12":
A1 mountain022.1
B1 mountain022.2
Short Info:
Deep house grooves for Summer floors
More
Tracklist 12":
A1 mountain022.1
B1 mountain022.2
Short Info:
Deep house grooves for Summer floors
More


1
DJ Koze - Wespennest (feat. Sophia Kennedy) (8:03)
2
DJ Koze - Candidasa (10:21)
12”
TRACK LIST
A1 - DJ Koze – Wespennest (feat. Sophia Kennedy) 8:03
B1 - DJ Koze – Candidasa 10:21
Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
A1 - Vocals and lyrics by Sophia Kennedy
Release Info:
DJ Koze unveils a spiritual and surprising journey into rapturous spheres with Wespennest EP. The visionary artist and master of electronic sound, presents his first own release after 2018's global club hit "Pick Up".
"Candidasa" and "Wespennest" are the result of DJ Kozes inspiring stay in a secluded Benedictine monastery on the enchanting island of Sulawesi. Amidst this idyllic setting, he found the perfect environment to unleash his musical vision. He composed all of the music of "Candidasa" while lying on his stomach, in an act of deepest devotion and self-reflection. In doing so, he fed exclusively on so-called heroin kebabs to immerse himself in a trance-like state of creative flow. The result is a soundscape of unimagined depth and beauty that enchants the senses and transports listeners to another dimension by massively increasing the frequency of flicker fusion.
On "Wespennest” the wonderful Sophia Kennedy takes the stage and breathes a new dimension into the music with her impactful lyrics and vocals. With generous dedication, Sophia has provided exclusive excerpts of her yet unreleased songs, giving this track a radiant psychedelic power. The combination of DJ Kozes musical genius and Sophia Kennedy's glorious vocals creates a club track full of wonderment, opening up a mystical rapturous world for listeners. Already an instant classic of German dance music.
With "Candidasa" and "Wespennest" DJ Koze has once again pushed the boundaries of electronic sounds and created a spiritual journey that touches the soul and frees the mind. This EP is the first harbinger of his highly anticipated new album, which will be released in 2024. The time until the release can be wonderfully bridged with the magical album "Hit Parade", which DJ Koze has produced for the British legend Róisín Murphy and on which we can be carried away into the world of musical brilliance.
More
TRACK LIST
A1 - DJ Koze – Wespennest (feat. Sophia Kennedy) 8:03
B1 - DJ Koze – Candidasa 10:21
Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
A1 - Vocals and lyrics by Sophia Kennedy
Release Info:
DJ Koze unveils a spiritual and surprising journey into rapturous spheres with Wespennest EP. The visionary artist and master of electronic sound, presents his first own release after 2018's global club hit "Pick Up".
"Candidasa" and "Wespennest" are the result of DJ Kozes inspiring stay in a secluded Benedictine monastery on the enchanting island of Sulawesi. Amidst this idyllic setting, he found the perfect environment to unleash his musical vision. He composed all of the music of "Candidasa" while lying on his stomach, in an act of deepest devotion and self-reflection. In doing so, he fed exclusively on so-called heroin kebabs to immerse himself in a trance-like state of creative flow. The result is a soundscape of unimagined depth and beauty that enchants the senses and transports listeners to another dimension by massively increasing the frequency of flicker fusion.
On "Wespennest” the wonderful Sophia Kennedy takes the stage and breathes a new dimension into the music with her impactful lyrics and vocals. With generous dedication, Sophia has provided exclusive excerpts of her yet unreleased songs, giving this track a radiant psychedelic power. The combination of DJ Kozes musical genius and Sophia Kennedy's glorious vocals creates a club track full of wonderment, opening up a mystical rapturous world for listeners. Already an instant classic of German dance music.
With "Candidasa" and "Wespennest" DJ Koze has once again pushed the boundaries of electronic sounds and created a spiritual journey that touches the soul and frees the mind. This EP is the first harbinger of his highly anticipated new album, which will be released in 2024. The time until the release can be wonderfully bridged with the magical album "Hit Parade", which DJ Koze has produced for the British legend Róisín Murphy and on which we can be carried away into the world of musical brilliance.
More
Label:Psssh Records
Cat-No:psssh003x
Release-Date:16.06.2023
Genre:House / Techno
Configuration:12" Excl
Label:Psssh Records
Cat-No:psssh003x
Release-Date:16.06.2023
Genre:House / Techno
Configuration:12" Excl
1
Dauwd - The Yuzer (DJ Plead Remix)
2
Dauwd - SpaceSamba (Electronic Live Mix)
3
Dauwd - The Yuzer (Deep Dub Mix)
4
Dauwd - SpaceSamba (Huerta Mix)
5
Dauwd - The Yuzer (Aubreys Solid Groove Mix)
GENRE/S: House / Techno
TRACKLISTS:
A1. The Yuzer (DJ Plead Remix)
A2. SpaceSamba (Electronic Live Mix)
A3. The Yuzer (Deep Dub Mix)
B1. SpaceSamba (Huerta Mix)
B2. The Yuzer (Aubreys Solid Groove Mix)
SHORT INFO:
PSSSH 003x enlists a diverse range of producers to reimagine the labels third offering. DJ Plead, Huerta and Aubrey all turn in stellar remixes along with 2 new remixes from Dauwd himself. DJ Plead kicks things off with his signature bass heavy sound on his version of The Yuzer, setting a high bar for what’s to come. Accompanying him on the A-side are a couple of cuts from label founder Dauwd. The first, “Electronic Live Mix” of SpaceSamba is inspired by Dauwd’s live performance at Mutek 2022 while his Deep Dub Mix of The Yuzer could be some of his best work to date on the imprint. On the flip Huerta houses up SpaceSamba which an excellent dance floor ready remix and Aubrey rounds things off with a solid groove interpretation of The Yuzer.
More
TRACKLISTS:
A1. The Yuzer (DJ Plead Remix)
A2. SpaceSamba (Electronic Live Mix)
A3. The Yuzer (Deep Dub Mix)
B1. SpaceSamba (Huerta Mix)
B2. The Yuzer (Aubreys Solid Groove Mix)
SHORT INFO:
PSSSH 003x enlists a diverse range of producers to reimagine the labels third offering. DJ Plead, Huerta and Aubrey all turn in stellar remixes along with 2 new remixes from Dauwd himself. DJ Plead kicks things off with his signature bass heavy sound on his version of The Yuzer, setting a high bar for what’s to come. Accompanying him on the A-side are a couple of cuts from label founder Dauwd. The first, “Electronic Live Mix” of SpaceSamba is inspired by Dauwd’s live performance at Mutek 2022 while his Deep Dub Mix of The Yuzer could be some of his best work to date on the imprint. On the flip Huerta houses up SpaceSamba which an excellent dance floor ready remix and Aubrey rounds things off with a solid groove interpretation of The Yuzer.
More
1
Rico Friebe - Don't Hurt Me Now (Radio Edit)
2
Rico Friebe - Don't Hurt Me Now (Piano Version)
3
Rico Friebe - Don't Hurt Me Now (Alternative Version)
4
Rico Friebe - Don't Hurt Me Now (Instrumental Edit)
5
Rico Friebe - ? (Bonus B-Side)
6
Rico Friebe - LOVE (Bonus B-Side)
7
Rico Friebe - Look At You ('Faces Meet' Outtake)
CD
Label Name: Time In The Special Practice Of Relativity
Genre: Pop / Indie Dance / Electro
Tracklist CD:
01 – Don't Hurt Me Now (Radio Edit)
02 – Don't Hurt Me Now (Piano Version)
03 – Don't Hurt Me Now (Alternative Version)
04 – Don't Hurt Me Now (Instrumental Edit)
05 – ? (Bonus B-Side)
06 – LOVE (Bonus B-Side)
07 – Look At You (“Faces Meet” Outtake)
Info:
Exactly 100 written songs after he came up with his initial "This Day" (from his recent debut album "Word Value") Rico Friebe, being in a phase of absolutely not feeling able to write anything new and meaningful anymore, brings "Don't Hurt Me Now" into this world - a somehow melancholic and moving yet catchy hit to dance into eternity.
"Don't Hurt Me Now" leads back to all of his defining past moments and one specific day in December 2021, perfectly pre-summing up all perspectives and emotions yet to be presented in heartbreaking detail on his next album "Faces Meet" in autumn 2023 and two further LPs in 2024, concluding a vast artistic and personal arch.
After improvising on the piano for hours, he suddenly found something he never searched for, writing the complete lyrics down in 90 seconds and recording instrument after instrument for several hours. The final version of the song is based on mistakenly muting the completely wrong tracks while presenting three different versions of "Don't Hurt Me Now" on the final release, showcasing his different approaches and perspectives of sound.
In addition to this single, Rico Friebe pulls out all the stops with some bonus B-side material and presents the cinematically heartbreaking journey "?" as well as the hope-flooded "LOVE".
"It might never go any deeper than '?' - an emotional torture to record and to listen to somehow" is the one thing Rico has to say about this...
More
Label Name: Time In The Special Practice Of Relativity
Genre: Pop / Indie Dance / Electro
Tracklist CD:
01 – Don't Hurt Me Now (Radio Edit)
02 – Don't Hurt Me Now (Piano Version)
03 – Don't Hurt Me Now (Alternative Version)
04 – Don't Hurt Me Now (Instrumental Edit)
05 – ? (Bonus B-Side)
06 – LOVE (Bonus B-Side)
07 – Look At You (“Faces Meet” Outtake)
Info:
Exactly 100 written songs after he came up with his initial "This Day" (from his recent debut album "Word Value") Rico Friebe, being in a phase of absolutely not feeling able to write anything new and meaningful anymore, brings "Don't Hurt Me Now" into this world - a somehow melancholic and moving yet catchy hit to dance into eternity.
"Don't Hurt Me Now" leads back to all of his defining past moments and one specific day in December 2021, perfectly pre-summing up all perspectives and emotions yet to be presented in heartbreaking detail on his next album "Faces Meet" in autumn 2023 and two further LPs in 2024, concluding a vast artistic and personal arch.
After improvising on the piano for hours, he suddenly found something he never searched for, writing the complete lyrics down in 90 seconds and recording instrument after instrument for several hours. The final version of the song is based on mistakenly muting the completely wrong tracks while presenting three different versions of "Don't Hurt Me Now" on the final release, showcasing his different approaches and perspectives of sound.
In addition to this single, Rico Friebe pulls out all the stops with some bonus B-side material and presents the cinematically heartbreaking journey "?" as well as the hope-flooded "LOVE".
"It might never go any deeper than '?' - an emotional torture to record and to listen to somehow" is the one thing Rico has to say about this...
More
1
Art Programming - Art Programming (Original Mix)
2
Art Programming - Art Programming (Alexander Arpeggio Edit)
Our label is thrilled to share yet another mind-blowing electro/proto-techno track by Art Programming (Art P), following the release of "Genscher Pull N Push". This track was originally the final piece on their self-titled album, released on cassette in 1983 under the P.A.P. label from Bremen.
To this day, the track remains almost completely unknown within collector's circles. However, let's take a moment to imagine what might have happened had the recording been released as a vinyl 12" back in 1983. Could it have been a game changer? We will never know for sure. Nevertheless, one thing is certain: with its punchy Roland 808 rhythms, and catchy synth lines and vocoder, it undoubtedly qualifies as a classic German electro track, and one of the earliest techno/proto-techno recordings.
At almost 8 minutes in length, this track includes one of the most exhilarating breaks in electro music of that era, showcasing extensive drum editing and effects. It strongly resembles the sound that Detroit would become famous for in the years to come, but make no mistake - this record was produced straight out of Bremen, a relatively small city in Northern Germany.
For the flip side of the single, we enlisted Alexander Arpeggio, the owner of Mond Musik und Eine Welt label, to edit the track while preserving its original spirit. As a member of the acid techno project Aufgang B and the synth-pop minimal duo OTTO, he not only has a deep understanding for this kind of music but also possesses the ability to give the song a different feel with greater dancefloor appeal. He has slightly reduced the tempo of the track and emphasized the instrumental and break parts, resulting in an exciting remix that is DJ-friendly and has everything you could ask for.
The 12" release comes with the original Art Programming logo in a vintage style, packaged in a generic black sleeve with hype sticker. It is limited to only 200 copies. This is a serious gem that you won't want to miss out on, so act fast!
Special remarks:
- Limited Edition, only 200 copies!
- Loud 45 cut by SST
- Black generic sleeve with hype sticker, vintage label design
- Fully Licenced, recorded in 1983
- Previously unissued on vinyl
- Alexander Arpeggio Edit (of Mond Musik / Eine Welt)
- Mastered by Robert Wenzel
A
Art Programming (Original Mix) 7:41
B
Art Programming (Alexander Arpeggio Edit) 6:52
More
To this day, the track remains almost completely unknown within collector's circles. However, let's take a moment to imagine what might have happened had the recording been released as a vinyl 12" back in 1983. Could it have been a game changer? We will never know for sure. Nevertheless, one thing is certain: with its punchy Roland 808 rhythms, and catchy synth lines and vocoder, it undoubtedly qualifies as a classic German electro track, and one of the earliest techno/proto-techno recordings.
At almost 8 minutes in length, this track includes one of the most exhilarating breaks in electro music of that era, showcasing extensive drum editing and effects. It strongly resembles the sound that Detroit would become famous for in the years to come, but make no mistake - this record was produced straight out of Bremen, a relatively small city in Northern Germany.
For the flip side of the single, we enlisted Alexander Arpeggio, the owner of Mond Musik und Eine Welt label, to edit the track while preserving its original spirit. As a member of the acid techno project Aufgang B and the synth-pop minimal duo OTTO, he not only has a deep understanding for this kind of music but also possesses the ability to give the song a different feel with greater dancefloor appeal. He has slightly reduced the tempo of the track and emphasized the instrumental and break parts, resulting in an exciting remix that is DJ-friendly and has everything you could ask for.
The 12" release comes with the original Art Programming logo in a vintage style, packaged in a generic black sleeve with hype sticker. It is limited to only 200 copies. This is a serious gem that you won't want to miss out on, so act fast!
Special remarks:
- Limited Edition, only 200 copies!
- Loud 45 cut by SST
- Black generic sleeve with hype sticker, vintage label design
- Fully Licenced, recorded in 1983
- Previously unissued on vinyl
- Alexander Arpeggio Edit (of Mond Musik / Eine Welt)
- Mastered by Robert Wenzel
A
Art Programming (Original Mix) 7:41
B
Art Programming (Alexander Arpeggio Edit) 6:52
More
1
TRICATEL - A1) Madrigal - Leo Blomov
2
TRICATEL - A2) Billy Joel - Lord
3
TRICATEL - A3) Plus vite - Charles Dollé
4
TRICATEL - A4) Dream - Comateens
5
TRICATEL - A5) Pôve tièsse - Guy Cabay
6
TRICATEL - A6) Fallen Snow - Louis Philppe
7
TRICATEL - A7) La mémoire des pierres - Catastrophe
8
TRICATEL - B1) Das Macht Dich Heiss - Ingrid Caven
9
TRICATEL - B2) Sweet Jesus !!! - Chassol
10
TRICATEL - B3) J'n'ai pas bougé d'ici - Stéphane Salvi & Kumisolo
11
TRICATEL - B4) Tee Shirt Finisher - A.S Dragon
12
TRICATEL - B5) The Girl of September - Bertrand Burgalat
13
TRICATEL - B6) Montées infinies - Karol Beffa
LP
On the occasion of its exceptional evening at the Cabaret Sauvage, Tricatel is releasing a superb vinyl compilation of thirteen tracks, including several previously unreleased ones. It's a collector's item for long-time fans and for those who want to discover the label.
The Tricatel Machine compilation pays tribute to this unique evening, including each artist present at the party. But not only that! Of the thirteen tracks, many are new or unreleased on vinyl.
Tracklist :
Face A
1) Madrigal - Leo Blomov
2) Billy Joel - Lord$
3) Plus vite - Charles Dollé
4) Dream - Comateens
5) Pôve tièsse - Guy Cabay
6) Fallen Snow - Louis Philppe
7) La mémoire des pierres - Catastrophe
Face B
1) Das Macht Dich Heiss - Ingrid Caven
2) Sweet Jesus !!! - Chassol
3) J'n'ai pas bougé d'ici - Stéphane Salvi & Kumisolo
4) Tee Shirt Finisher - A.S Dragon
5) The Girl of September - Bertrand Burgalat
6) Montées infinies - Karol Beffa
More
On the occasion of its exceptional evening at the Cabaret Sauvage, Tricatel is releasing a superb vinyl compilation of thirteen tracks, including several previously unreleased ones. It's a collector's item for long-time fans and for those who want to discover the label.
The Tricatel Machine compilation pays tribute to this unique evening, including each artist present at the party. But not only that! Of the thirteen tracks, many are new or unreleased on vinyl.
Tracklist :
Face A
1) Madrigal - Leo Blomov
2) Billy Joel - Lord$
3) Plus vite - Charles Dollé
4) Dream - Comateens
5) Pôve tièsse - Guy Cabay
6) Fallen Snow - Louis Philppe
7) La mémoire des pierres - Catastrophe
Face B
1) Das Macht Dich Heiss - Ingrid Caven
2) Sweet Jesus !!! - Chassol
3) J'n'ai pas bougé d'ici - Stéphane Salvi & Kumisolo
4) Tee Shirt Finisher - A.S Dragon
5) The Girl of September - Bertrand Burgalat
6) Montées infinies - Karol Beffa
More
WAS EXCLUSIVE RELEASES - OUT THIS WEEK
1
Mark - A. So You Betrayed The Creative Arts
2
Mark - B. For Your Own Personal Ends
LP+ Postcard Insert
A. So You Betrayed The Creative Arts
B. For Your Own Personal Ends
Shortinfo:
Over the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.
Mark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work.
Within these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages inspired by post-Second Viennese School disciples like Luigi Dallapiccola and composers such as Radulescu, Zemlinsky and Monteverdi.
Mark's ambition to bridge the sonic qualities of post-tonal composition and soundsystem frequencies is fulfilldd through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perceptio: what on the surface seems hostile reveals a catacomb of connections between elements that stake their claim, disappear, merge and finally reappear.
The album is deeply personal. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling. More
A. So You Betrayed The Creative Arts
B. For Your Own Personal Ends
Shortinfo:
Over the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.
Mark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work.
Within these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages inspired by post-Second Viennese School disciples like Luigi Dallapiccola and composers such as Radulescu, Zemlinsky and Monteverdi.
Mark's ambition to bridge the sonic qualities of post-tonal composition and soundsystem frequencies is fulfilldd through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perceptio: what on the surface seems hostile reveals a catacomb of connections between elements that stake their claim, disappear, merge and finally reappear.
The album is deeply personal. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling. More
1
Anthony Naples - Moto Verse
2
Anthony Naples - Orb Two
3
Anthony Naples - Morph
4
Anthony Naples - Silas
5
Anthony Naples - Gem
6
Anthony Naples - Ackee
7
Anthony Naples - Scars
8
Anthony Naples - Strobe (second single)
9
Anthony Naples - Tito
10
Anthony Naples - Unknow
Tracklist:
A1. Moto Verse
A2. Orb Two
A3. Morph
A4. Silas
A5. Gem
B1. Ackee
B2. Scars
B3. Strobe (second single
B4. Tito
B5. Unknow
Release Info:
Anthony Naples fifth full length LP “orbs” is a moody portal of shoegazed and slo-mo songs suspended in thin air. The album doesn’t reassemble the A.N. sound from the ground up, so much as enhance and expand its scope in all directions. Samples and Instruments meld together into new languorous and liquid forms that with or without the beat of drums, shift with the gentle movements of time.
More
A1. Moto Verse
A2. Orb Two
A3. Morph
A4. Silas
A5. Gem
B1. Ackee
B2. Scars
B3. Strobe (second single
B4. Tito
B5. Unknow
Release Info:
Anthony Naples fifth full length LP “orbs” is a moody portal of shoegazed and slo-mo songs suspended in thin air. The album doesn’t reassemble the A.N. sound from the ground up, so much as enhance and expand its scope in all directions. Samples and Instruments meld together into new languorous and liquid forms that with or without the beat of drums, shift with the gentle movements of time.
More
1
Woo - Cadenza d'Innocenza (Tagliabue Evasione Totale Remix)
2
Woo - Even More Notes (Leeway Remix)
3
Woo - Gold Star (Other Lands & Linkwood Remix)
Following the partnership between Altrimenti and Quindi for a suite of remixes of Cabaret du Ciel, the two Italian labels collaborate once again to explore three vivid versions of tracks from Woo's exquisite album Paradise In Pimlico. The verdant, delicate musicality of Woo's original material offers an abundance of riches for remixers, and the results are true to Altrimenti's stated purpose to explore and experiment in the fusion of different approaches to electronic music.
On the A side, Joseph Tagliabue offers up a snaking, psychedelically charged dancefloor vision of 'Cadenza d'Innocenza'. Milan-based Tagliabue has developed a potent sonic signature across releases for labels like Invisible Inc. and Sound Metaphors before starting his own Blue Sea Studio as an outlet for his expanding work into the field of contemporary soundtracks. That cinematic sensibility comes through in waves on this subtly trance-licked epic - a soaring set piece for the most dramatic of party situations.
On the B side, Leeway opens proceedings with his remix of 'Even More Notes'. As the founder of Wain Records and the Scram club night, the London-based producer is fostering a culture of leftfield dance music with an organic sensibility. On his interpretation of Woo, he offers up a more experimental, dub-informed strain of 4/4 club rhythms.
Completing the set, Other Lands & Linkwood join forces for their approach to 'Gold Star'. Other Lands is also known as Fudge Fingas, and alongside Linkwood he helped shape the warm, deeply rooted house sound of seminal label Firecracker Recordings. The duo's affinity for soulful musicianship and the disco roots of house music comes through in this spiralling, hazy rendition perfectly pitched at moments when a softer, more spiritual approach is needed without losing the guidance of an insistent groove.
Once again the overarching theme on this collection of remixes remains quality - a pursuit of meaningful expression, originality and open-hearted musicality. From the source material to the resulting remixes, the pursuit was a successful one.
A1 Cadenza d'Innocenza (Tagliabue Evasione Totale Remix)
B1 Even More Notes (Leeway Remix)
B2 Gold Star (Other Lands & Linkwood Remix)
More
On the A side, Joseph Tagliabue offers up a snaking, psychedelically charged dancefloor vision of 'Cadenza d'Innocenza'. Milan-based Tagliabue has developed a potent sonic signature across releases for labels like Invisible Inc. and Sound Metaphors before starting his own Blue Sea Studio as an outlet for his expanding work into the field of contemporary soundtracks. That cinematic sensibility comes through in waves on this subtly trance-licked epic - a soaring set piece for the most dramatic of party situations.
On the B side, Leeway opens proceedings with his remix of 'Even More Notes'. As the founder of Wain Records and the Scram club night, the London-based producer is fostering a culture of leftfield dance music with an organic sensibility. On his interpretation of Woo, he offers up a more experimental, dub-informed strain of 4/4 club rhythms.
Completing the set, Other Lands & Linkwood join forces for their approach to 'Gold Star'. Other Lands is also known as Fudge Fingas, and alongside Linkwood he helped shape the warm, deeply rooted house sound of seminal label Firecracker Recordings. The duo's affinity for soulful musicianship and the disco roots of house music comes through in this spiralling, hazy rendition perfectly pitched at moments when a softer, more spiritual approach is needed without losing the guidance of an insistent groove.
Once again the overarching theme on this collection of remixes remains quality - a pursuit of meaningful expression, originality and open-hearted musicality. From the source material to the resulting remixes, the pursuit was a successful one.
A1 Cadenza d'Innocenza (Tagliabue Evasione Totale Remix)
B1 Even More Notes (Leeway Remix)
B2 Gold Star (Other Lands & Linkwood Remix)
More

Rights: World excluding France, UK, Germany & Austria
1 x CD , 4 page 4/4 Gatefold Sleeve,UV gloss finish, 8 page booklet, marketing sticker
CD
1. READY TO CONNECT 2. MAD RUSH 3.ACT ONE (FEAT. MYKKI BLANCO) 4. IN YOUR HEAD NOW (FEAT. AZEKEL) 5. SOBA (FEAT. KOM_I) 6.FUTURE (FEAT. MARINA HERLOP) 7. DOTTED LINE 8. THIS FEELING (FEAT. SOPHIE HUNGER) 9.RITUALS 10. CLOSER TO YOU (FEAT. DUANE HARDEN) 11. PERPETUATE 12. FAITH
SHORT BIOG
German neo-classical techno trio Brandt Brauer Frick is back with “Multi Faith Prayer Room” their fifth album and probably their mots ambitious to date . Recorded over the past two years, it includes collaborations with Mykki Blanco, Azekel, Marina Herlop, Kom_I, Sophie Hunger and Duane Harden. Their new album is a great example of their modern and hybrid approach to electronic music. The band still combines acoustic drumming and drums machines, syncopated layered bass and hectic Steve Reich-inspired piano to create simultaneously analogic and synthetic techno tracks.
The album comes hand-in-hand with an audio visual art installation by the same name which will be debuted at Art Basel Miami on December 1st . The band will be presenting the album live starting February 2023 with an extensive European tour, and more dates to follow.
More
1 x CD , 4 page 4/4 Gatefold Sleeve,UV gloss finish, 8 page booklet, marketing sticker
CD
1. READY TO CONNECT 2. MAD RUSH 3.ACT ONE (FEAT. MYKKI BLANCO) 4. IN YOUR HEAD NOW (FEAT. AZEKEL) 5. SOBA (FEAT. KOM_I) 6.FUTURE (FEAT. MARINA HERLOP) 7. DOTTED LINE 8. THIS FEELING (FEAT. SOPHIE HUNGER) 9.RITUALS 10. CLOSER TO YOU (FEAT. DUANE HARDEN) 11. PERPETUATE 12. FAITH
SHORT BIOG
German neo-classical techno trio Brandt Brauer Frick is back with “Multi Faith Prayer Room” their fifth album and probably their mots ambitious to date . Recorded over the past two years, it includes collaborations with Mykki Blanco, Azekel, Marina Herlop, Kom_I, Sophie Hunger and Duane Harden. Their new album is a great example of their modern and hybrid approach to electronic music. The band still combines acoustic drumming and drums machines, syncopated layered bass and hectic Steve Reich-inspired piano to create simultaneously analogic and synthetic techno tracks.
The album comes hand-in-hand with an audio visual art installation by the same name which will be debuted at Art Basel Miami on December 1st . The band will be presenting the album live starting February 2023 with an extensive European tour, and more dates to follow.
More

Rights: World excluding France, UK, Germany & Austria
1 x 140 G Black Vinyl, printed 3mm spine sleeve with spot UV gloss, heavy weight printed inner sleeve, 30cmx30cm insert, marketing sticker.
TRACKLISTING
VINYL
A SIDE : 1. READY TO CONNECT 2. MAD RUSH 3.ACT ONE (FEAT. MYKKI BLANCO) 4. IN YOUR HEAD NOW (FEAT. AZEKEL) 5. SOBA (FEAT. KOM_I) 6.FUTURE (FEAT. MARINA HERLOP)
B SIDE : 1. DOTTED LINE 2. THIS FEELING (FEAT. SOPHIE HUNGER) 3.RITUALS
4. CLOSER TO YOU (FEAT. DUANE HARDEN) 5. PERPETUATE 6. FAITH
SHORT BIOG
German neo-classical techno trio Brandt Brauer Frick is back with “Multi Faith Prayer Room” their fifth album and probably their mots ambitious to date . Recorded over the past two years, it includes collaborations with Mykki Blanco, Azekel, Marina Herlop, Kom_I, Sophie Hunger and Duane Harden. Their new album is a great example of their modern and hybrid approach to electronic music. The band still combines acoustic drumming and drums machines, syncopated layered bass and hectic Steve Reich-inspired piano to create simultaneously analogic and synthetic techno tracks.
The album comes hand-in-hand with an audio visual art installation by the same name which will be debuted at Art Basel Miami on December 1st . The band will be presenting the album live starting February 2023 with an extensive European tour, and more dates to follow.
More
1 x 140 G Black Vinyl, printed 3mm spine sleeve with spot UV gloss, heavy weight printed inner sleeve, 30cmx30cm insert, marketing sticker.
TRACKLISTING
VINYL
A SIDE : 1. READY TO CONNECT 2. MAD RUSH 3.ACT ONE (FEAT. MYKKI BLANCO) 4. IN YOUR HEAD NOW (FEAT. AZEKEL) 5. SOBA (FEAT. KOM_I) 6.FUTURE (FEAT. MARINA HERLOP)
B SIDE : 1. DOTTED LINE 2. THIS FEELING (FEAT. SOPHIE HUNGER) 3.RITUALS
4. CLOSER TO YOU (FEAT. DUANE HARDEN) 5. PERPETUATE 6. FAITH
SHORT BIOG
German neo-classical techno trio Brandt Brauer Frick is back with “Multi Faith Prayer Room” their fifth album and probably their mots ambitious to date . Recorded over the past two years, it includes collaborations with Mykki Blanco, Azekel, Marina Herlop, Kom_I, Sophie Hunger and Duane Harden. Their new album is a great example of their modern and hybrid approach to electronic music. The band still combines acoustic drumming and drums machines, syncopated layered bass and hectic Steve Reich-inspired piano to create simultaneously analogic and synthetic techno tracks.
The album comes hand-in-hand with an audio visual art installation by the same name which will be debuted at Art Basel Miami on December 1st . The band will be presenting the album live starting February 2023 with an extensive European tour, and more dates to follow.
More

1
Cleveland Eaton - Keep It Funky 5:20
2
Cleveland Eaton - Day Dreaming 3:36
3
Cleveland Eaton - Here Comes Funky Lou 4:00
4
Cleveland Eaton - Betcha By Golly Wow 4:15
5
Cleveland Eaton - People Make The World Go Round 5:34
6
Cleveland Eaton - Slipping Into Darkness 7:15
7
Cleveland Eaton - Missing You 3:17
8
Cleveland Eaton - John's Groove 2:55
9
Cleveland Eaton - The Love Gangster 3:20
10
Cleveland Eaton - Lie 2:15
11
Cleveland Eaton - Ah Movin' On 4:00
Format Notes: 2023 reissue, 140g vinyl
Territories: Worldwide no restrictions
Track List:
A1 Keep It Funky 5:20
A2 Day Dreaming 3:36
A3 Here Comes Funky Lou 4:00
A4 Betcha By Golly Wow 4:15
A5 People Make The World Go Round 5:34
B1 Slipping Into Darkness 7:15
B2 Missing You 3:17
B3 John's Groove 2:55
B4 The Love Gangster 3:20
B5 Lie 2:15
B6 Ah Movin' On 4:00
Release Notes:
"Every cut on our albums are what we call "A" sides" - Cleveland Eaton, on Half And Half
Like the winged half-man/half-bull that dominates its outrageous cover, Cleveland Eaton's Half And Half is a mutant bass-heavy monster that absolutely slays. Incredible jazz-funk from 1973, it's been largely overlooked for decades, and unfairly so. This is just sensational music - a crate digger's delight. It's super funky throughout, with lots of layers, jazz breaks for days, dripping with style and gritty class. This is the first reissue of what has been a hard to find record for many years; it's long overdue. Joyous music for mind, soul and body.
Cleveland Eaton was a revered bassist who played an active role in the backing of Count Basie, the Donald Byrd Quintet, The Ramsey Lewis Trio, Terry Callier and Minnie Riperton; amongst many, many others. Half And Half was the first album released under his own name, initially released as a private press record on his - awkwardly named - Cle An Thair Records. It was then picked up by Gamble & Huff for Gamble Records. Varied, string-adorned and with stupid funky grooves, it's just exceptionally good.
Whilst Half And Half is treasured for its famously brilliant interpretations of gold funk-soul standards, Eaton proves an imaginative composer in his own right. Indeed, the album opens with a striking original; the earthy, laconic jazz-guitar-funk fusion of "Keep It Funky". Cleveland and co. do exactly that. Up next is a properly moving cover of Aretha Franklin's eternal "Day Dreaming". The flute and guitar combo truly achieve celestial greatness here. "Here Comes Funky Lou" rides a bassline from the Gods and a driving soul-jazz groove allows the track to go off in all sorts of directions. Serene guitar soul of the breezy variety one moment, crazy hectic violin-driven wig outs the next, courtesy of Ed Green who played with Dorothy Ashby and Alice Coltrane.
His blistering two track salvo of Stylistics covers to close out this A-Side of A-Sides will leave your jaw dropped, and they're likely the reason you're here for this. And why not? "Betcha By Golly Wow", which uses a bed of acidy synths and harmonica to create a unique atmosphere, is on some next level business. Melancholic, wistful, beautiful. "People Make the World Go Round" is so good, dripping in wonderful horns and ace percussive breaks, it could even be regarded as the definitive version. Seriously!
Opening Side B, War's gigantic "Slipping Into Darkness" is tightly tailored to Eaton's funky flute fusion arrangement whilst the insistent "Missing You" is a swaggering horn-heavy version of Luther Ingram's track from the Dilla/Ghostface-linked LP, I've Been Here All The Time. The creeping, screeching guitar-drenched original "John's Groove" features more fantastic horn lines and neck-snapping percussion whilst "The Love Gangster", written by Bill Wyman and Stephen Stills for his seminal Manassas LP, contains a heavy break with slick drums high in the mix and fuzzy guitars.
The album closes with two more Eaton originals. Written with Johnny Guitar Watson, "Lie" is one hell of a funky string and guitar-driven gem whilst the wild, celebratory "Ah Movin' On" cleverly quotes "Wade In The Water" (which he'd recorded with Ramsey Lewis in 1966) folding it into his new free-jazz composition. A message to his old boss, perhaps, as a sign-off?
We've worked on this reissue for 3.5 years, spending the whole time making it sound super sharp and looking as perfect as it possibly can. An absolute must-have for fans of soulful jazz-funk, Half And Half was mastered for vinyl by Simon Francis and cut by Pete Norman at Final Tweak. The bizarre artwork, mutant beast and all, was restored at Be With HQ over many painstaking months! Hopefully, this new edition, a real labour of love, should bring Cleveland Eaton into the homes and record boxes of many more people.
More
Territories: Worldwide no restrictions
Track List:
A1 Keep It Funky 5:20
A2 Day Dreaming 3:36
A3 Here Comes Funky Lou 4:00
A4 Betcha By Golly Wow 4:15
A5 People Make The World Go Round 5:34
B1 Slipping Into Darkness 7:15
B2 Missing You 3:17
B3 John's Groove 2:55
B4 The Love Gangster 3:20
B5 Lie 2:15
B6 Ah Movin' On 4:00
Release Notes:
"Every cut on our albums are what we call "A" sides" - Cleveland Eaton, on Half And Half
Like the winged half-man/half-bull that dominates its outrageous cover, Cleveland Eaton's Half And Half is a mutant bass-heavy monster that absolutely slays. Incredible jazz-funk from 1973, it's been largely overlooked for decades, and unfairly so. This is just sensational music - a crate digger's delight. It's super funky throughout, with lots of layers, jazz breaks for days, dripping with style and gritty class. This is the first reissue of what has been a hard to find record for many years; it's long overdue. Joyous music for mind, soul and body.
Cleveland Eaton was a revered bassist who played an active role in the backing of Count Basie, the Donald Byrd Quintet, The Ramsey Lewis Trio, Terry Callier and Minnie Riperton; amongst many, many others. Half And Half was the first album released under his own name, initially released as a private press record on his - awkwardly named - Cle An Thair Records. It was then picked up by Gamble & Huff for Gamble Records. Varied, string-adorned and with stupid funky grooves, it's just exceptionally good.
Whilst Half And Half is treasured for its famously brilliant interpretations of gold funk-soul standards, Eaton proves an imaginative composer in his own right. Indeed, the album opens with a striking original; the earthy, laconic jazz-guitar-funk fusion of "Keep It Funky". Cleveland and co. do exactly that. Up next is a properly moving cover of Aretha Franklin's eternal "Day Dreaming". The flute and guitar combo truly achieve celestial greatness here. "Here Comes Funky Lou" rides a bassline from the Gods and a driving soul-jazz groove allows the track to go off in all sorts of directions. Serene guitar soul of the breezy variety one moment, crazy hectic violin-driven wig outs the next, courtesy of Ed Green who played with Dorothy Ashby and Alice Coltrane.
His blistering two track salvo of Stylistics covers to close out this A-Side of A-Sides will leave your jaw dropped, and they're likely the reason you're here for this. And why not? "Betcha By Golly Wow", which uses a bed of acidy synths and harmonica to create a unique atmosphere, is on some next level business. Melancholic, wistful, beautiful. "People Make the World Go Round" is so good, dripping in wonderful horns and ace percussive breaks, it could even be regarded as the definitive version. Seriously!
Opening Side B, War's gigantic "Slipping Into Darkness" is tightly tailored to Eaton's funky flute fusion arrangement whilst the insistent "Missing You" is a swaggering horn-heavy version of Luther Ingram's track from the Dilla/Ghostface-linked LP, I've Been Here All The Time. The creeping, screeching guitar-drenched original "John's Groove" features more fantastic horn lines and neck-snapping percussion whilst "The Love Gangster", written by Bill Wyman and Stephen Stills for his seminal Manassas LP, contains a heavy break with slick drums high in the mix and fuzzy guitars.
The album closes with two more Eaton originals. Written with Johnny Guitar Watson, "Lie" is one hell of a funky string and guitar-driven gem whilst the wild, celebratory "Ah Movin' On" cleverly quotes "Wade In The Water" (which he'd recorded with Ramsey Lewis in 1966) folding it into his new free-jazz composition. A message to his old boss, perhaps, as a sign-off?
We've worked on this reissue for 3.5 years, spending the whole time making it sound super sharp and looking as perfect as it possibly can. An absolute must-have for fans of soulful jazz-funk, Half And Half was mastered for vinyl by Simon Francis and cut by Pete Norman at Final Tweak. The bizarre artwork, mutant beast and all, was restored at Be With HQ over many painstaking months! Hopefully, this new edition, a real labour of love, should bring Cleveland Eaton into the homes and record boxes of many more people.
More
Label:Counterchange Recordings
Cat-No:counter035
Release-Date:02.06.2023
Genre:Techno
Configuration:2LP Excl


Label:Counterchange Recordings
Cat-No:counter035
Release-Date:02.06.2023
Genre:Techno
Configuration:2LP Excl
1
Fred Mann - Cometh
2
Fred Mann - Gate
3
Fred Mann - Remains
4
Fred Mann - The Plains
5
Fred Mann - Abundance
6
Fred Mann - Fuming
7
Fred Mann - What A Pity
8
Fred Mann - Horizon
9
Fred Mann - Ease
10
Fred Mann - Welcoming The Familiar Dream
11
Fred Mann - Zenith
12
Fred Mann - Entropics
Genre: Electronica / Ambient / Techno
Tracklist Vinyl:
A1 Fred Mann - Cometh
A2 Fred Mann - Gate
A3 Fred Mann - Remains
B1 Fred Mann - The Plains
B2 Fred Mann - Abundance
B3 Fred Mann - Fuming
C1 Fred Mann - What A Pity
C2 Fred Mann - Horizon
C3 Fred Mann - Ease
D1 Fred Mann - Welcoming The Familiar Dream
D2 Fred Mann - Zenith
D3 Fred Mann - Entropics
Full Info:
'In Thy Domain' is a concept album and audio-visual work by British artist Fred Mann. The 12-track, double-vinyl album is a cinematic voyage tracking the evolution of mankind, key themes of human advancement, technology, life after AI, and beyond.
The album traverses multiple genres - including ambient, electronica, broken-beat techno, and experimental drone - to create an immersive musical experience that mirrors the dynamism of human evolution.
The work aligns with the latest scientific knowledge, drawing inspiration from the tipping points of human civilization and the defining timelines that have shaped our species. The music is complemented by a series of artworks and scrapbook images, visible in the vinyl gatefold, which symbolize each track and its corresponding era.
Many of the tracks feature additional production, synthesizers, flute and clarinet by Chris Taylor (Grizzly Bear / Warp), and additional production and drum programming by Inland (Ed Davenport / Counterchange).
Fred Mann premiered ‘In Thy Domain’ live in Prague, October 2019, alongside Alessandro Cortini for Dietl Archive x Polygon.
The album version comes presented on heavyweight double vinyl in a gatefold sleeve designed by the artist himself.
More
Tracklist Vinyl:
A1 Fred Mann - Cometh
A2 Fred Mann - Gate
A3 Fred Mann - Remains
B1 Fred Mann - The Plains
B2 Fred Mann - Abundance
B3 Fred Mann - Fuming
C1 Fred Mann - What A Pity
C2 Fred Mann - Horizon
C3 Fred Mann - Ease
D1 Fred Mann - Welcoming The Familiar Dream
D2 Fred Mann - Zenith
D3 Fred Mann - Entropics
Full Info:
'In Thy Domain' is a concept album and audio-visual work by British artist Fred Mann. The 12-track, double-vinyl album is a cinematic voyage tracking the evolution of mankind, key themes of human advancement, technology, life after AI, and beyond.
The album traverses multiple genres - including ambient, electronica, broken-beat techno, and experimental drone - to create an immersive musical experience that mirrors the dynamism of human evolution.
The work aligns with the latest scientific knowledge, drawing inspiration from the tipping points of human civilization and the defining timelines that have shaped our species. The music is complemented by a series of artworks and scrapbook images, visible in the vinyl gatefold, which symbolize each track and its corresponding era.
Many of the tracks feature additional production, synthesizers, flute and clarinet by Chris Taylor (Grizzly Bear / Warp), and additional production and drum programming by Inland (Ed Davenport / Counterchange).
Fred Mann premiered ‘In Thy Domain’ live in Prague, October 2019, alongside Alessandro Cortini for Dietl Archive x Polygon.
The album version comes presented on heavyweight double vinyl in a gatefold sleeve designed by the artist himself.
More
1
Orofino - Amsterdam
2
Orofino - Amsterdam - DJ Tennis Remix
Tracklist:
A1. Amsterdam
B1. Amsterdam - DJ Tennis Remix
Release Info:
Sicilian musician Luigi Orofino delivers his debut single Amsterdam for Life and Death records, due for release on 19th May. The song features regular Erlend Øye collaborators La Comitiva, and comes together with a dancefloor friendly remix by DJ Tennis.
Amsterdam might sound effortless, but the laid-back groove and easy atmosphere that Luigi has conjured up isn’t something you can just pluck out of thin air. It’s taken everyone involved several years of playing together to get just the right marinade of Brazilian rhythm and Mediterranean musicianship. It’s a flavor they’ve mastered while on the road with Erlend Øye as La Comitiva, and their touring schedule has become a way of life. When the travel ban was finally lifted, Luigi headed straight to his friends in Amsterdam, and that freedom to travel once more inspired this song. That trip put the color back into life, and the result was this timeless slice of sunny samba rock.
The song has many collaborators, all operating under the gentle guidance of Luigi. Players from La Comitiva and I Calafatari gelled in the studio, also accompanied by Lucio Aquilina (NuGenea) and Luigi Scialdone (Fitness Forever), while the lyrics were written together with Alberto Locatelli. A breezy piece of Brazilian-tinged funk and easy soul, Amsterdam is more than the sum of its parts - it’s the sound of friends playing together and simply enjoying life.
The single is topped off with a remix by Life and Death chief Manfredi Romano aka DJ Tennis, who boosts the kicks while keeping the loose samba magic. The pair met in Mexico, and the kindred spirits immediately hit it off. After bouncing versions back and forth between Siracusa and also a studio in Paris, the final version was realized, full of floaty Rhodes chords and cavaquinho thrills that will lighten any dance.
It’s a testament to Amsterdam’s catchiness that many of Luigi’s friends are involved - the song is reflected in the people it brings together, and in this sense, it’s as much about the art of encounters as it is about the city.
More
A1. Amsterdam
B1. Amsterdam - DJ Tennis Remix
Release Info:
Sicilian musician Luigi Orofino delivers his debut single Amsterdam for Life and Death records, due for release on 19th May. The song features regular Erlend Øye collaborators La Comitiva, and comes together with a dancefloor friendly remix by DJ Tennis.
Amsterdam might sound effortless, but the laid-back groove and easy atmosphere that Luigi has conjured up isn’t something you can just pluck out of thin air. It’s taken everyone involved several years of playing together to get just the right marinade of Brazilian rhythm and Mediterranean musicianship. It’s a flavor they’ve mastered while on the road with Erlend Øye as La Comitiva, and their touring schedule has become a way of life. When the travel ban was finally lifted, Luigi headed straight to his friends in Amsterdam, and that freedom to travel once more inspired this song. That trip put the color back into life, and the result was this timeless slice of sunny samba rock.
The song has many collaborators, all operating under the gentle guidance of Luigi. Players from La Comitiva and I Calafatari gelled in the studio, also accompanied by Lucio Aquilina (NuGenea) and Luigi Scialdone (Fitness Forever), while the lyrics were written together with Alberto Locatelli. A breezy piece of Brazilian-tinged funk and easy soul, Amsterdam is more than the sum of its parts - it’s the sound of friends playing together and simply enjoying life.
The single is topped off with a remix by Life and Death chief Manfredi Romano aka DJ Tennis, who boosts the kicks while keeping the loose samba magic. The pair met in Mexico, and the kindred spirits immediately hit it off. After bouncing versions back and forth between Siracusa and also a studio in Paris, the final version was realized, full of floaty Rhodes chords and cavaquinho thrills that will lighten any dance.
It’s a testament to Amsterdam’s catchiness that many of Luigi’s friends are involved - the song is reflected in the people it brings together, and in this sense, it’s as much about the art of encounters as it is about the city.
More
1
Noema - Antipodes
2
Noema - Antipodes (Auntie Flo Remix)
3
Noema - Was Late
The third release on The Magic Movement features the label's A&R Noema from Berlin. "Antipodes" starts off with a funky bass-line, trippy bells and syncopated claps which set an psychedelic Afro vibe from the very beginning. Mystical noises increase this mood, till a hypnotising Moog hook calls for action. And at the latest when the sub bass finally drops in, the scenery transforms into an ecstatic ritual dance.
On the flipside you'll find Aunti Flo's remix with a a more dubby feel of the title track. A spheric choir pad unfolds over strong Afro percussions, while a rattle snake like shaker excitedly rises and falls.
"Late at Night" feels like a nocturnal walk through streets in twilight. The Groove, which sounds like odd clockwork, gets occasionally enhanced by more interesting percussion sounds. The melodies, played by a Marimba-like instrument and filtered synth, is accompanied by a warm pad and a disco bassline, whilst a female voice moans in the back.
More
On the flipside you'll find Aunti Flo's remix with a a more dubby feel of the title track. A spheric choir pad unfolds over strong Afro percussions, while a rattle snake like shaker excitedly rises and falls.
"Late at Night" feels like a nocturnal walk through streets in twilight. The Groove, which sounds like odd clockwork, gets occasionally enhanced by more interesting percussion sounds. The melodies, played by a Marimba-like instrument and filtered synth, is accompanied by a warm pad and a disco bassline, whilst a female voice moans in the back.
More

1
Kiriku - Santa Rita
2
Kiriku - Jacaranda
3
Kiriku - Washingtonia
4
Kiriku - Washingtonia (Noema Edit)
5
Kiriku - Jaccaranda (Chris Coco Remix)
Electronica / Brazilian / Downbeat
Without a doubt, Kiriku is the hottest upcoming producer of contemporary Balearic Beat music of this year.
Kiriku lives between London and Ibiza, two poles which are well audible in his versatile style, ranging from
groovy Downtempo to clubby House. Uplifting Balearic atmospheres meet jazzy club vibes, featuring loose
drum programming, jazzy chords, bouncy basses, laid back vocals and sophisticated sampling. From song
structures to straight up club track, his tunes always combine electronic and acoustic instruments, which
results in a throughout warm and organic feel.
His new EP for The Magic Movement is co-produced and mixed by The Magic Movement' label head
honcho Noema, who gave "Washingtonia" an extended balearic club treatment. If you liked Dj Gregory's
"Elle" back in the days, this will be right up your alley. "Santa Rita" features the vocalists Monblume , Yalisaxx on Saxophone and comes with an bouncy uptempo club version of Brazil' own Kurup. "Jacaranda" features Hallyx on Vocals and is accompanied by a remix by no one else then legendary Balearic Beat DJ, poducer and label owner Chris Coco, who gave the track a dubby and extended chill-out sunset-sound treatment. Smell the sea, and feel the sky. Let your soul and spirit fly!
A1 - Santa Rita
A2 - Jacaranda
A3 - Washingtonia
B1 - Washingtonia (Noema Edit)
B2 - Jaccaranda (Chris Coco Remix)
More
Without a doubt, Kiriku is the hottest upcoming producer of contemporary Balearic Beat music of this year.
Kiriku lives between London and Ibiza, two poles which are well audible in his versatile style, ranging from
groovy Downtempo to clubby House. Uplifting Balearic atmospheres meet jazzy club vibes, featuring loose
drum programming, jazzy chords, bouncy basses, laid back vocals and sophisticated sampling. From song
structures to straight up club track, his tunes always combine electronic and acoustic instruments, which
results in a throughout warm and organic feel.
His new EP for The Magic Movement is co-produced and mixed by The Magic Movement' label head
honcho Noema, who gave "Washingtonia" an extended balearic club treatment. If you liked Dj Gregory's
"Elle" back in the days, this will be right up your alley. "Santa Rita" features the vocalists Monblume , Yalisaxx on Saxophone and comes with an bouncy uptempo club version of Brazil' own Kurup. "Jacaranda" features Hallyx on Vocals and is accompanied by a remix by no one else then legendary Balearic Beat DJ, poducer and label owner Chris Coco, who gave the track a dubby and extended chill-out sunset-sound treatment. Smell the sea, and feel the sky. Let your soul and spirit fly!
A1 - Santa Rita
A2 - Jacaranda
A3 - Washingtonia
B1 - Washingtonia (Noema Edit)
B2 - Jaccaranda (Chris Coco Remix)
More
1
Muudu - 1. Three Wishes (feat. Erki Pärnoja)
2
Muudu - 2. Simply Good (feat. jonas.f.k)
3
Muudu - 3. airBNB
4
Muudu - 4. Starmer (feat. Sander Mölder)
5
Muudu - 5. Lion King (feat. Freestyle Man)
6
Muudu - 6. Slow Jim
LP
GENRE/S: indie, electronica, lo-fi, deep-house
TRACKLISTS:
1. Three Wishes (feat. Erki Pärnoja)
2. Simply Good (feat. jonas.f.k)
3. airBNB
4. Starmer (feat. Sander Mölder)
5. Lion King (feat. Freestyle Man)
6. Slow Jim
SHORT INFO:
Please add a short info text.
Berlin-based Estonian producer Muudu is releasing his first LP called "Who Let The Bear In The Studio".
Mixing Nordic indie-prog-rock influences with low-fi dance music, this one right here is for the people who love the sounds of Juno60 & Mono/Poly.
The LP features house-music legend Freestyle Man and many favorite Estonian artists, producers, and composers, such as jonas.f.k, Sander Mölder and Erki Pärnoja.
The album is mixed by Martin "Muudu" Kuut and mastered by Klas "Sasse" Lindblad.
More
GENRE/S: indie, electronica, lo-fi, deep-house
TRACKLISTS:
1. Three Wishes (feat. Erki Pärnoja)
2. Simply Good (feat. jonas.f.k)
3. airBNB
4. Starmer (feat. Sander Mölder)
5. Lion King (feat. Freestyle Man)
6. Slow Jim
SHORT INFO:
Please add a short info text.
Berlin-based Estonian producer Muudu is releasing his first LP called "Who Let The Bear In The Studio".
Mixing Nordic indie-prog-rock influences with low-fi dance music, this one right here is for the people who love the sounds of Juno60 & Mono/Poly.
The LP features house-music legend Freestyle Man and many favorite Estonian artists, producers, and composers, such as jonas.f.k, Sander Mölder and Erki Pärnoja.
The album is mixed by Martin "Muudu" Kuut and mastered by Klas "Sasse" Lindblad.
More
1
Tobias. & Friends - Used To 2:27
2
Tobias. & Friends - All We Ever Wanted 4:03
3
Tobias. & Friends - Gut Feeling/Slap Your Mammy 5:06
4
Tobias. & Friends - My Sex 3:04
5
Tobias. & Friends - Pure Jam 4:33
6
Tobias. & Friends - Outside Tokyo 2:16
7
Tobias. & Friends - Static Gravity 3:03
8
Tobias. & Friends - Her Story 4:20
9
Tobias. & Friends - Battery Brides 4:37
10
Tobias. & Friends - Permafrost 5:22
Format :LP
GENRE/S:
Post Punk Cover Album
TRACKLIST:
A1. Used To 2:27
A2. All We Ever Wanted 4:03
A3. Gut Feeling/Slap Your Mammy 5:06
A4. My Sex 3:04
A5. Pure Jam 4:33
B1. Outside Tokyo 2:16
B2. Static Gravity 3:03
B3. Her Story 4:20
B4. Battery Brides 4:37
B5. Permafrost 5:22
SHORT INFO:
Tobias Freund, the Berlin based producer, musician, and label owner of Non Standard Productions has created
an incredible cover record that pays tribute to some of the most iconic and influential artists of the past four
decades.
The album Tobias. & Friends - TOP TEN places a unique spin on the original tracks, with its combination of
electronic sounds and vocal performances from Javiera González, Barbie Williams, Cormac McAdam, Carlos
Cabezas, and Stian Westerhus.
Having already worked with Javiera González on the recent post punk album release “The Mutual Torture -
Don’t” (NSP 19), Tobias has once again used his talents to honour some of his favourite bands.
Each track has been carefully re-produced at Non Standard Studios in Berlin, resulting in a perfectly balanced
mix of old and new.
Highlights from the record include “Used To” by Wire, “All We Ever Wanted” by Bauhaus, and “Gut Feeling/Slap
Your Mammy” by DEVO.
The tracks range from the upbeat, 80s-inspired “Pure Jam” by YMO to the more sombre “My Sex” by Ultravox.
Tobias has given us a thoughtful, creative, and enjoyable record that is sure to please any fan of these bands.
All in all, this is an exceptional release, a masterful blend of past and present, and a perfect tribute to some of the
greatest musical acts of our time.
More
GENRE/S:
Post Punk Cover Album
TRACKLIST:
A1. Used To 2:27
A2. All We Ever Wanted 4:03
A3. Gut Feeling/Slap Your Mammy 5:06
A4. My Sex 3:04
A5. Pure Jam 4:33
B1. Outside Tokyo 2:16
B2. Static Gravity 3:03
B3. Her Story 4:20
B4. Battery Brides 4:37
B5. Permafrost 5:22
SHORT INFO:
Tobias Freund, the Berlin based producer, musician, and label owner of Non Standard Productions has created
an incredible cover record that pays tribute to some of the most iconic and influential artists of the past four
decades.
The album Tobias. & Friends - TOP TEN places a unique spin on the original tracks, with its combination of
electronic sounds and vocal performances from Javiera González, Barbie Williams, Cormac McAdam, Carlos
Cabezas, and Stian Westerhus.
Having already worked with Javiera González on the recent post punk album release “The Mutual Torture -
Don’t” (NSP 19), Tobias has once again used his talents to honour some of his favourite bands.
Each track has been carefully re-produced at Non Standard Studios in Berlin, resulting in a perfectly balanced
mix of old and new.
Highlights from the record include “Used To” by Wire, “All We Ever Wanted” by Bauhaus, and “Gut Feeling/Slap
Your Mammy” by DEVO.
The tracks range from the upbeat, 80s-inspired “Pure Jam” by YMO to the more sombre “My Sex” by Ultravox.
Tobias has given us a thoughtful, creative, and enjoyable record that is sure to please any fan of these bands.
All in all, this is an exceptional release, a masterful blend of past and present, and a perfect tribute to some of the
greatest musical acts of our time.
More
1
Black Spuma - Spumatore
2
Black Spuma - Giro D'Italia
3
Black Spuma - Decathlon
4
Black Spuma - Fracture
5
Black Spuma - Pendio Acid
6
Black Spuma - No No No
7
Black Spuma - Dillingen
8
Black Spuma - Obereggen
9
Black Spuma - Corporate Mind Disintegration
10
Black Spuma - Alpha Synthauri
Tracklist
A1 Spumatore
A2 Giro D'Italia
A3 Decathlon
A4 Fracture
A5 Pendio Acid
B1 No No No
B2 Dillingen
B3 Obereggen
B4 Corporate Mind Disintegration
B5 Alpha Synthauri
Short Info
A famous anthem once begged: “Don’t Make Me Wait.” Sometimes, though, it’s good to make ‘em wait—even just a little bit. Case in point: The production duo of Fabrizio Mammarella and Phillip Lauer, known to clubbers, DJs and music heads as Black Spuma.
Three years after their last EP—and nearly a decade into their production existence—the duo have finally given us a full-length manifesto. Sure, there have been a smattering of remixes and EPs over the years on labels like Futureboogie, International Feel and Live At Robert Johnson. But on their new LP “No No No,” the Spumas at last get to stretch out and give us their full-meal-deal.
The pair birthed the tracks at Lauer’s famed Pyramide III studio, with 10 tunes finalised and selected remotely, thanks to the wonders of high-speed Internet. While the Spumas are well-known (both together and as solo acts) for their melodic, 80s-tinged club workouts, the album format has allowed the guys to push their sound into parts unknown. The album drops at the end of May on Permanent Vacation, and it distils all the things we love about the duo: The melody, the playfulness and the musicianship of two veterans in full command of their powers.
Take the tune “Obereggen,” which expands a punchy, staccato bassline into that sweet spot where trance and italo can play next to each other. Or the cut “Fracture,” which is built on a Detroit-like chassis but makes room for gorgeous pads, subby bass and a nimble breakbeat.
For the established fans, there’ll be plenty to latch onto, including the title cut (and first single), which sounds like something Robocop may have produced if he’d taught a violence diversion program.
Meanwhile, cuts like “Dillingen” remind us of one of those lost Eurythmics B-sides that show up in the dark corners of MixesDB. The album was mixed and mastered by Lopazz, and boasts a colourful cover from Berlin-based artist Ilja Karilampi.
So, 17 years after initially meeting, we finally have a full album from these Spuma Men. And in the end, it was worth the wait.
More
A1 Spumatore
A2 Giro D'Italia
A3 Decathlon
A4 Fracture
A5 Pendio Acid
B1 No No No
B2 Dillingen
B3 Obereggen
B4 Corporate Mind Disintegration
B5 Alpha Synthauri
Short Info
A famous anthem once begged: “Don’t Make Me Wait.” Sometimes, though, it’s good to make ‘em wait—even just a little bit. Case in point: The production duo of Fabrizio Mammarella and Phillip Lauer, known to clubbers, DJs and music heads as Black Spuma.
Three years after their last EP—and nearly a decade into their production existence—the duo have finally given us a full-length manifesto. Sure, there have been a smattering of remixes and EPs over the years on labels like Futureboogie, International Feel and Live At Robert Johnson. But on their new LP “No No No,” the Spumas at last get to stretch out and give us their full-meal-deal.
The pair birthed the tracks at Lauer’s famed Pyramide III studio, with 10 tunes finalised and selected remotely, thanks to the wonders of high-speed Internet. While the Spumas are well-known (both together and as solo acts) for their melodic, 80s-tinged club workouts, the album format has allowed the guys to push their sound into parts unknown. The album drops at the end of May on Permanent Vacation, and it distils all the things we love about the duo: The melody, the playfulness and the musicianship of two veterans in full command of their powers.
Take the tune “Obereggen,” which expands a punchy, staccato bassline into that sweet spot where trance and italo can play next to each other. Or the cut “Fracture,” which is built on a Detroit-like chassis but makes room for gorgeous pads, subby bass and a nimble breakbeat.
For the established fans, there’ll be plenty to latch onto, including the title cut (and first single), which sounds like something Robocop may have produced if he’d taught a violence diversion program.
Meanwhile, cuts like “Dillingen” remind us of one of those lost Eurythmics B-sides that show up in the dark corners of MixesDB. The album was mixed and mastered by Lopazz, and boasts a colourful cover from Berlin-based artist Ilja Karilampi.
So, 17 years after initially meeting, we finally have a full album from these Spuma Men. And in the end, it was worth the wait.
More
1
Redshape - A1. Acid Leak
2
Redshape - A2. Wing Wing
3
Redshape - B1. Acid Flow
4
Redshape - B2. Frantic
Tracklist
A1. Acid Leak
A2. Wing Wing
B1. Acid Flow
B2. Frantic
An acid house always leaks!
Redshape's visits to Running Back are a welcome recurrence and a soothing reminder that techno and house can still come in several shapes and sizes. Related and referring to earlier acid studies on Release Me and to a certain extend on Rise, the masked man continues to find new approaches to the 303 canon with Acid Leak.
True to form, the seasoned producer choses groove over governance, lets batteries leak and strikes a chord or two with old lovers and new votaries of the classic club techno titans of the nineties - strings included.
Wing Wing is an exemplary excursion into the special and unmatched Redshape zone that rejoins rock and dental drillers, while Acid Flow counterpoints the titles track's opulence with a dub version - both hit like a streak. The curveball and icing on the cake is Frantic. Hi-tech-jazz in technique and -soul in attitude, it feels like a late contender to the quintessential Deepest Shade of Techno compilations. Four to the floor!
More
A1. Acid Leak
A2. Wing Wing
B1. Acid Flow
B2. Frantic
An acid house always leaks!
Redshape's visits to Running Back are a welcome recurrence and a soothing reminder that techno and house can still come in several shapes and sizes. Related and referring to earlier acid studies on Release Me and to a certain extend on Rise, the masked man continues to find new approaches to the 303 canon with Acid Leak.
True to form, the seasoned producer choses groove over governance, lets batteries leak and strikes a chord or two with old lovers and new votaries of the classic club techno titans of the nineties - strings included.
Wing Wing is an exemplary excursion into the special and unmatched Redshape zone that rejoins rock and dental drillers, while Acid Flow counterpoints the titles track's opulence with a dub version - both hit like a streak. The curveball and icing on the cake is Frantic. Hi-tech-jazz in technique and -soul in attitude, it feels like a late contender to the quintessential Deepest Shade of Techno compilations. Four to the floor!
More
1
BLACK LIGHT SMOKE - Sprinkles Says
2
BLACK LIGHT SMOKE - 727 Anthem (House Is Black)
3
BLACK LIGHT SMOKE - Hearts Not Broken feat. Léah Lazonick
4
BLACK LIGHT SMOKE - Pleasure Chaser
5
BLACK LIGHT SMOKE - The Beat Direct
6
BLACK LIGHT SMOKE - Love Triangle
7
BLACK LIGHT SMOKE - Ghosts feat. Léah Lazonick
8
BLACK LIGHT SMOKE - Out From Within
9
BLACK LIGHT SMOKE - Prisoner
10
BLACK LIGHT SMOKE - At Home In Strange Places
11
BLACK LIGHT SMOKE - Resonate
12
BLACK LIGHT SMOKE - In The Valley
Double-LP, Gatefold-Sleeve
GENRE/S:
Deep House, Lo-Fi House, Minimal / Deep Tech, House
TRACKLISTS:
A1. Sprinkles Says
A2. 727 Anthem (House Is Black)
A3. Hearts Not Broken feat. Léah Lazonick
B1. Pleasure Chaser
B2. The Beat Direct
B3. Love Triangle
C1. Ghosts feat. Léah Lazonick
C2. Out From Within
C3. Prisoner
D1. At Home In Strange Places
D2. Resonate
D3. In The Valley
SHORT INFO:
Black Light Smoke is the electronic music moniker of Jordan Lieb - producer, songwriter, and award winning film and TV composer. A Chicago native, Jordan transplanted to New York City in 2001, where his career as a multi-disciplined musician has taken flight in many forms.
Currently residing in upstate New York, Black Light Smoke returns to Scissor and Thread for his first full length debut-album: Ghosts.
The 12 tracks (plus three digital bonus tracks) span everything from 90s house, smooth and deep soulful beats, dusty grooves and thoughtful treaties on the state of creativity, capitalism and identity.
It’s a collection that sits together as a listening experience perfectly, building peaks and sliding into serene troughs, all with a strong sense of radical thought and creative experimentation. Tracks bend and warp in unexpected directions, while gritty, distortion and overdrive counterpoint classic rave stabs and vocal samples. Taken as a whole, the album could be the soundtrack to a night drive through the city, as much as certain tracks will no doubt find themselves woven into the sets of the more leftfield and genre pushing DJs. Either way, it’s an essential release from one of the most exciting and vital producers out there and the first artist signed to Scissor and Thread back in 2011.
The album title, Ghosts, tells two stories. One is personal - an artist embracing the shadows of his past in order to move forward and complete a body of work. The second story is a search for the original meaning of house music - not just the usual sample, appropriation or casual nod to the originators of house - but a meditation on the living story of Black America in which house music is an inseparable chapter. Both stories are a reflection on grief and the transformation of trauma into celebration.
100% of Jordan Lieb’s personal proceeds from this record will go to Little Bit Foundation, empowering students living in poverty to achieve their academic goals.
More
GENRE/S:
Deep House, Lo-Fi House, Minimal / Deep Tech, House
TRACKLISTS:
A1. Sprinkles Says
A2. 727 Anthem (House Is Black)
A3. Hearts Not Broken feat. Léah Lazonick
B1. Pleasure Chaser
B2. The Beat Direct
B3. Love Triangle
C1. Ghosts feat. Léah Lazonick
C2. Out From Within
C3. Prisoner
D1. At Home In Strange Places
D2. Resonate
D3. In The Valley
SHORT INFO:
Black Light Smoke is the electronic music moniker of Jordan Lieb - producer, songwriter, and award winning film and TV composer. A Chicago native, Jordan transplanted to New York City in 2001, where his career as a multi-disciplined musician has taken flight in many forms.
Currently residing in upstate New York, Black Light Smoke returns to Scissor and Thread for his first full length debut-album: Ghosts.
The 12 tracks (plus three digital bonus tracks) span everything from 90s house, smooth and deep soulful beats, dusty grooves and thoughtful treaties on the state of creativity, capitalism and identity.
It’s a collection that sits together as a listening experience perfectly, building peaks and sliding into serene troughs, all with a strong sense of radical thought and creative experimentation. Tracks bend and warp in unexpected directions, while gritty, distortion and overdrive counterpoint classic rave stabs and vocal samples. Taken as a whole, the album could be the soundtrack to a night drive through the city, as much as certain tracks will no doubt find themselves woven into the sets of the more leftfield and genre pushing DJs. Either way, it’s an essential release from one of the most exciting and vital producers out there and the first artist signed to Scissor and Thread back in 2011.
The album title, Ghosts, tells two stories. One is personal - an artist embracing the shadows of his past in order to move forward and complete a body of work. The second story is a search for the original meaning of house music - not just the usual sample, appropriation or casual nod to the originators of house - but a meditation on the living story of Black America in which house music is an inseparable chapter. Both stories are a reflection on grief and the transformation of trauma into celebration.
100% of Jordan Lieb’s personal proceeds from this record will go to Little Bit Foundation, empowering students living in poverty to achieve their academic goals.
More
Label:Topic Drift Music
Cat-No:TPCDRFT4502
Release-Date:14.07.2023
Genre:Soul/Funk
Configuration:7" Excl

Label:Topic Drift Music
Cat-No:TPCDRFT4502
Release-Date:14.07.2023
Genre:Soul/Funk
Configuration:7" Excl
1
James Knight & The Butlers - Baby Please Pretty Please
2
James Knight & The Butlers - Space Guitar
1
Rod Modell - Triangulation 02:58
2
Rod Modell - Reiki 05:18
3
Rod Modell - ITO 05:55
4
Rod Modell - Riga 05:38
5
Rod Modell - Jade 06:12
6
Rod Modell - Tracer 06:19
7
Rod Modell - Scrawler 05:32
8
Rod Modell - Qurra 05:44
9
Rod Modell - Air-Port 07:41
Territories: World excl. UK + North America
FORMAT 180g. 2LP vinyl w/ download code / Special pantone printed sleeve
2023 repress
TRACKLIST:
A1. Triangulation 02:58
A2. Reiki 05:18
B1. ITO 05:55
B2. Riga 05:38
B3. Jade 06:12
C1. Tracer 06:19
C2. Scrawler 05:32
D1. Qurra 05:44
D2. Air-Port 07:41
Release Info:
Tresor Records is delighted to welcome Rod Modell to its catalogue, with the release of his new album
Captagon.
Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely
noticeable change, Modell resculptures perceptions. His sound-design echoes cinematic ethereality, where
ferric artefacts slam against percussion, rusty delays filter observation - the resulting web is a complex,
radiating ambience that etches a natural ebb and flow.
Transformative sounds alight from the outset, “Triangulation” recalls flickering harmonies and grains, a
tectonic swipe. Fast-paced dub techno emerges in “Reiki”, the disorienting clangs suggesting a step away
from his recent ambient excursions. “Ito” crunches the pulse further with insistent noise, into soaring
epiphanies of darkened transmissions.
Modell singularly uproots standard sonic hierarchies of techno production, crisp static as forceful as his
beats, a provocation of rhythm and noise. Unceasing in its fast tempo, “Jade” is trademark Tresor business -
the seismic sub-sonics underpin a momentous drive, with reverberated vocal inflections disfiguring warped,
dancing materials. “Scrawler” is upfront and direct, a slamming groove and swaying chords diusing
ethereality. Enter vast chambers of smeared minimalism.
Where Modell’s recent releases had indicated a priority for ambient sounds, this new album extends Modell’s
essential vision within techno. Closing track “Air-Port” shows Modell at his most crucial best - an ethereal
colossus of sub-bass weight and morphing geometry.
More
FORMAT 180g. 2LP vinyl w/ download code / Special pantone printed sleeve
2023 repress
TRACKLIST:
A1. Triangulation 02:58
A2. Reiki 05:18
B1. ITO 05:55
B2. Riga 05:38
B3. Jade 06:12
C1. Tracer 06:19
C2. Scrawler 05:32
D1. Qurra 05:44
D2. Air-Port 07:41
Release Info:
Tresor Records is delighted to welcome Rod Modell to its catalogue, with the release of his new album
Captagon.
Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely
noticeable change, Modell resculptures perceptions. His sound-design echoes cinematic ethereality, where
ferric artefacts slam against percussion, rusty delays filter observation - the resulting web is a complex,
radiating ambience that etches a natural ebb and flow.
Transformative sounds alight from the outset, “Triangulation” recalls flickering harmonies and grains, a
tectonic swipe. Fast-paced dub techno emerges in “Reiki”, the disorienting clangs suggesting a step away
from his recent ambient excursions. “Ito” crunches the pulse further with insistent noise, into soaring
epiphanies of darkened transmissions.
Modell singularly uproots standard sonic hierarchies of techno production, crisp static as forceful as his
beats, a provocation of rhythm and noise. Unceasing in its fast tempo, “Jade” is trademark Tresor business -
the seismic sub-sonics underpin a momentous drive, with reverberated vocal inflections disfiguring warped,
dancing materials. “Scrawler” is upfront and direct, a slamming groove and swaying chords diusing
ethereality. Enter vast chambers of smeared minimalism.
Where Modell’s recent releases had indicated a priority for ambient sounds, this new album extends Modell’s
essential vision within techno. Closing track “Air-Port” shows Modell at his most crucial best - an ethereal
colossus of sub-bass weight and morphing geometry.
More

1
Dave Mathmos - ENCORE UNE HISTOIRE D'AMOUR
2
Dave Mathmos - OH BOY! YOU TURN ME ON
3
Dave Mathmos - LATE AT NIGHT
4
Dave Mathmos - BETCHA!
5
Dave Mathmos - MY BABY DON'T CARE
6
Dave Mathmos - WONDERFUL FEELING
7
Dave Mathmos - WHISPERS
Super smooth and funky, soulful 7 track EP, limited double 10 Inch.
We celebrate our 15th TSTD EDITS volume with a BANG! Australian Dave Mathmos, the master of smooth, soulful Disco Edits returns with a new E.P.. The producer delivers a limited 7!!! track E.P., full of new, unreleased sophisticated club-diamonds. From Slow Jams to Soul-Dancefloor gold! Everything that will warm your heart and soul. It is a return, as Dave Mathmos also was the artist of the first real TSTD EDITS EP, the now legendary and completely sold out "Your Love (Contemporary Soul Mix By Dave Mathmos)". The E.P. sold out in a minute as a vinyl and up until today it is the most successful digital release we ever did, with several million plays on the spotifyyoutubeapples.... Well done, Dave!
TRACKLIST:
01 ENCORE UNE HISTOIRE D'AMOUR
02 OH BOY! YOU TURN ME ON
03 LATE AT NIGHT
04 I BETCHA!
05 MY BABY DON'T CARE
06 WONDERFUL FEELING
07 WHISPERS More
We celebrate our 15th TSTD EDITS volume with a BANG! Australian Dave Mathmos, the master of smooth, soulful Disco Edits returns with a new E.P.. The producer delivers a limited 7!!! track E.P., full of new, unreleased sophisticated club-diamonds. From Slow Jams to Soul-Dancefloor gold! Everything that will warm your heart and soul. It is a return, as Dave Mathmos also was the artist of the first real TSTD EDITS EP, the now legendary and completely sold out "Your Love (Contemporary Soul Mix By Dave Mathmos)". The E.P. sold out in a minute as a vinyl and up until today it is the most successful digital release we ever did, with several million plays on the spotifyyoutubeapples.... Well done, Dave!
TRACKLIST:
01 ENCORE UNE HISTOIRE D'AMOUR
02 OH BOY! YOU TURN ME ON
03 LATE AT NIGHT
04 I BETCHA!
05 MY BABY DON'T CARE
06 WONDERFUL FEELING
07 WHISPERS More

1
ILL COMMUNICATION - A1. There Was a Bird (Original Mix)
2
ILL COMMUNICATION - A2. There Was a Bird (Jonas Kopp Frequency Mix)
3
ILL COMMUNICATION - B1. Rooibos (Original Mix)
4
ILL COMMUNICATION - B2. Rooibos (Not A Headliner Remix)
GENRE/S: Electronic, techno.
TRACKLISTS:
- [12"]
A1. There Was a Bird (Original Mix)
A2. There Was a Bird (Jonas Kopp Frequency Mix)
B1. Rooibos (Original Mix)
B2. Rooibos (Not A Headliner Remix)
SHORT INFO:
EP (12'' vinyl) of _ILL COMMUNICATION_ (formation composed by Unkle Fon and Javier Gantz) with remixes by Not A Headliner and Jonas Kopp.
VITAL SALES POINTS:
We are proud to present the first EP (12'' vinyl) of _ILL COMMUNICATION_ (formation composed by Unkle Fon and Javier Gantz) with remixes by Not A Headliner and Jonas Kopp.
*Utopia Society* is a techno record label based in Madrid, Spain.
Mastering by _Manuel Cano_ at *MANUAL Studio Mastering*.
Early supported by : Amotik, Answer Code Request, Kanding Ray, Sigha, Rodhad, Takaaki Itoh, Marcel Dettmann, Dax J, Samuli Kemppi and many More.
More
Label:Watergate Records
Cat-No:wgvinyl57
Release-Date:02.06.2023
Genre:House / Techno
Configuration:12" Excl
Label:Watergate Records
Cat-No:wgvinyl57
Release-Date:02.06.2023
Genre:House / Techno
Configuration:12" Excl
1
WhoMadeWho & Artbat - Montserrat (Artbat Edit)
2
WhoMadeWho & Artbat - Closer feat. WhoMadeWho
Repress WG standard sleeve
Tracklist
A) WhoMadeWho – Montserrat (Artbat Edit)
B) WhoMadeWho – Closer feat. WhoMadeWho
Coming in hot with the first of three EP’s from WhoMadeWho’s Watergate 26 is two of the standout tracks from the mix. Both tracks come from WhoMadeWho and Artbat, yet with a unique twist each one sees the collaborators exchange creative roles.
Kicking things off Artbat’s edit of WhoMadeWho’s ‘Monsterrat’ is as deep and hypnotic as it is soulful and energetic as traces of Rock harmonize with low slung House and shimmers of Disco resulting in an eternal dance floor weapon.
Flipping sides WhoMadeWho features on Artbat’s ‘Closer’ where we witness the two outfits concoct a dramatic, emotional ride into celestial spaces where sweltering vocals balance delicately on massive bursts of low end and dreamy progressions creating an incredibly tense yet captivating outcome. Indulge in these two timeless cuts until we bring you more soon from the stellar WhoMadeWho Watergate 26. Enjoy!
More
Tracklist
A) WhoMadeWho – Montserrat (Artbat Edit)
B) WhoMadeWho – Closer feat. WhoMadeWho
Coming in hot with the first of three EP’s from WhoMadeWho’s Watergate 26 is two of the standout tracks from the mix. Both tracks come from WhoMadeWho and Artbat, yet with a unique twist each one sees the collaborators exchange creative roles.
Kicking things off Artbat’s edit of WhoMadeWho’s ‘Monsterrat’ is as deep and hypnotic as it is soulful and energetic as traces of Rock harmonize with low slung House and shimmers of Disco resulting in an eternal dance floor weapon.
Flipping sides WhoMadeWho features on Artbat’s ‘Closer’ where we witness the two outfits concoct a dramatic, emotional ride into celestial spaces where sweltering vocals balance delicately on massive bursts of low end and dreamy progressions creating an incredibly tense yet captivating outcome. Indulge in these two timeless cuts until we bring you more soon from the stellar WhoMadeWho Watergate 26. Enjoy!
More
WAS LAST WEEK'S EXCLUSIVES AND TIPS
1
Move D & Pete Namlook - Silk Route part 1
2
Move D & Pete Namlook - Sleeplearnin
black vinyl
Tracklist
A Silk Route part 1
B Sleeplearnin
Release Info:
Berlin party series and label AWAY Music continues its limited vinyl series called "Reissued", dedicated to re-releasing iconic cuts from the vast collaborative catalog of Move D & Pete Namlook. The second installment "Reissued 2", which follows the series' inaugural EP from 2019, features again some exceptional pieces that were previously only available on CD.
Move D and Pete Namlook are electronic visionaries whose 26-album relationship explored and intertwined psychedelic synthscapes, deep house and techno, future jazz, and downtempo on Namlook's cult imprint Fax Records. Their innovative and influential works keep inspiring electronic music producers today, showcasing their willingness to collaborate and push the boundaries of electronic music.
"Silk Route Part 1", which comes from their 2008 album "Travelling The Silk Route", occupies the A-side with a 12-minute journey full of jazz-infused ambient soundscapes meeting oriental melodies with sophisticated percussion patterns. A truly immersive listening experience!
On the flip, "Sleeplearnin'" was described as psycho-active electronica when it first came out on the "Sons of Kraut" album 17 years ago. Translated, we're talking about minimal house that carries their warm trademark sound, enriched by pulsating echoes, space noises, and relapsing vocoder shreds. It conveys the pair's unique energy that embraces the improvisational moment to create a hypnotic flow that's nothing but timeless.
"Reissued 2" is a true testament to the innovative spirit and pioneering work of Move D and Pete Namlook. With these tracks now available on vinyl for the first time, AWAY's limited series is a must-have for old and new fans alike.
More
Tracklist
A Silk Route part 1
B Sleeplearnin
Release Info:
Berlin party series and label AWAY Music continues its limited vinyl series called "Reissued", dedicated to re-releasing iconic cuts from the vast collaborative catalog of Move D & Pete Namlook. The second installment "Reissued 2", which follows the series' inaugural EP from 2019, features again some exceptional pieces that were previously only available on CD.
Move D and Pete Namlook are electronic visionaries whose 26-album relationship explored and intertwined psychedelic synthscapes, deep house and techno, future jazz, and downtempo on Namlook's cult imprint Fax Records. Their innovative and influential works keep inspiring electronic music producers today, showcasing their willingness to collaborate and push the boundaries of electronic music.
"Silk Route Part 1", which comes from their 2008 album "Travelling The Silk Route", occupies the A-side with a 12-minute journey full of jazz-infused ambient soundscapes meeting oriental melodies with sophisticated percussion patterns. A truly immersive listening experience!
On the flip, "Sleeplearnin'" was described as psycho-active electronica when it first came out on the "Sons of Kraut" album 17 years ago. Translated, we're talking about minimal house that carries their warm trademark sound, enriched by pulsating echoes, space noises, and relapsing vocoder shreds. It conveys the pair's unique energy that embraces the improvisational moment to create a hypnotic flow that's nothing but timeless.
"Reissued 2" is a true testament to the innovative spirit and pioneering work of Move D and Pete Namlook. With these tracks now available on vinyl for the first time, AWAY's limited series is a must-have for old and new fans alike.
More
1
Move D & Pete Namlook - Silk Route part 1
2
Move D & Pete Namlook - Sleeplearnin
Red Vinyl
Tracklist
A Silk Route part 1
B Sleeplearnin
Release Info:
Berlin party series and label AWAY Music continues its limited vinyl series called "Reissued", dedicated to re-releasing iconic cuts from the vast collaborative catalog of Move D & Pete Namlook. The second installment "Reissued 2", which follows the series' inaugural EP from 2019, features again some exceptional pieces that were previously only available on CD.
Move D and Pete Namlook are electronic visionaries whose 26-album relationship explored and intertwined psychedelic synthscapes, deep house and techno, future jazz, and downtempo on Namlook's cult imprint Fax Records. Their innovative and influential works keep inspiring electronic music producers today, showcasing their willingness to collaborate and push the boundaries of electronic music.
"Silk Route Part 1", which comes from their 2008 album "Travelling The Silk Route", occupies the A-side with a 12-minute journey full of jazz-infused ambient soundscapes meeting oriental melodies with sophisticated percussion patterns. A truly immersive listening experience!
On the flip, "Sleeplearnin'" was described as psycho-active electronica when it first came out on the "Sons of Kraut" album 17 years ago. Translated, we're talking about minimal house that carries their warm trademark sound, enriched by pulsating echoes, space noises, and relapsing vocoder shreds. It conveys the pair's unique energy that embraces the improvisational moment to create a hypnotic flow that's nothing but timeless.
"Reissued 2" is a true testament to the innovative spirit and pioneering work of Move D and Pete Namlook. With these tracks now available on vinyl for the first time, AWAY's limited series is a must-have for old and new fans alike.
More
Tracklist
A Silk Route part 1
B Sleeplearnin
Release Info:
Berlin party series and label AWAY Music continues its limited vinyl series called "Reissued", dedicated to re-releasing iconic cuts from the vast collaborative catalog of Move D & Pete Namlook. The second installment "Reissued 2", which follows the series' inaugural EP from 2019, features again some exceptional pieces that were previously only available on CD.
Move D and Pete Namlook are electronic visionaries whose 26-album relationship explored and intertwined psychedelic synthscapes, deep house and techno, future jazz, and downtempo on Namlook's cult imprint Fax Records. Their innovative and influential works keep inspiring electronic music producers today, showcasing their willingness to collaborate and push the boundaries of electronic music.
"Silk Route Part 1", which comes from their 2008 album "Travelling The Silk Route", occupies the A-side with a 12-minute journey full of jazz-infused ambient soundscapes meeting oriental melodies with sophisticated percussion patterns. A truly immersive listening experience!
On the flip, "Sleeplearnin'" was described as psycho-active electronica when it first came out on the "Sons of Kraut" album 17 years ago. Translated, we're talking about minimal house that carries their warm trademark sound, enriched by pulsating echoes, space noises, and relapsing vocoder shreds. It conveys the pair's unique energy that embraces the improvisational moment to create a hypnotic flow that's nothing but timeless.
"Reissued 2" is a true testament to the innovative spirit and pioneering work of Move D and Pete Namlook. With these tracks now available on vinyl for the first time, AWAY's limited series is a must-have for old and new fans alike.
More
1
Nikki Nair - A1.Cant't Wait
2
Nikki Nair - B.1 Can't Wait (Peder Mannerfelt Remix)
House, Techno, Electro/Ambient, Pop
Something never heard before from man of the moment Nikki Nair
Nikki singing full vocals for the first time on record
Comes with a b*nging remix from Stockholm avant-techno ledge Peder Mannerfelt
TRACKLISTS:
-[7” vinyl]
-A1.Cant't Wait
-B.1 Can't Wait (Peder Mannerfelt Remix)
Something never heard before from man of the moment Nikki Nair (or anyone else, for that matter): Whimsical glitchpop-blues with Nikki singing full vocals for the first time on record - lamenting the 9-to-5 struggle, yearning for summer &
getting fucked up on the beach.
The idiosyncratic, strangely addictive original comes with a b*nging remix from Stockholm avant-techno ledge Peder
Mannerfelt going full chaotic evil mode, warping Nikki's vocals into a menacing call to arms for the modern hedonist.
Nikki Nair's latest single arrives on Stockholm label Studio Barnhus, both tracks release digitally and on 7'' vinyl. More
Something never heard before from man of the moment Nikki Nair
Nikki singing full vocals for the first time on record
Comes with a b*nging remix from Stockholm avant-techno ledge Peder Mannerfelt
TRACKLISTS:
-[7” vinyl]
-A1.Cant't Wait
-B.1 Can't Wait (Peder Mannerfelt Remix)
Something never heard before from man of the moment Nikki Nair (or anyone else, for that matter): Whimsical glitchpop-blues with Nikki singing full vocals for the first time on record - lamenting the 9-to-5 struggle, yearning for summer &
getting fucked up on the beach.
The idiosyncratic, strangely addictive original comes with a b*nging remix from Stockholm avant-techno ledge Peder
Mannerfelt going full chaotic evil mode, warping Nikki's vocals into a menacing call to arms for the modern hedonist.
Nikki Nair's latest single arrives on Stockholm label Studio Barnhus, both tracks release digitally and on 7'' vinyl. More



1
Nucleus - 1916 (1:11)
2
Nucleus - Elastic Rock (4:05)
3
Nucleus - Striation (2:14)
4
Nucleus - Taranaki (1:38)
5
Nucleus - Twisted Track (5:19)
6
Nucleus - Crude Blues (Part 1) (0:54)
7
Nucleus - Crude Blues (Part 2) (2:38)
8
Nucleus - 1916 (The Battle Of Boogaloo) (2:58)
9
Nucleus - Torrid Zone (8:41)
10
Nucleus - Stonescape (2:39)
11
Nucleus - Earth Mother (5:15)
12
Nucleus - Speaking For Myself, Personally, In My Own Opinion, I Think… (1:31)
13
Nucleus - Persephone’s Jive (2:14)
Format Notes: 2023 reissue, 140g vinyl, remastered from the original Vertigo Master Tapes for this edition by Simon Francis, original gatefold die-cut sleeve replicated in fine detail
Territories: Worldwide no restrictions
Track List:
A1 : 1916 (1:11)
A2 : Elastic Rock (4:05)
A3 : Striation (2:14)
A4 : Taranaki (1:38)
A5 : Twisted Track (5:19)
A6 : Crude Blues (Part 1) (0:54)
A7 : Crude Blues (Part 2) (2:38)
A8 : 1916 (The Battle Of Boogaloo) (2:58)
--
B1 : Torrid Zone (8:41)
B2 : Stonescape (2:39)
B3 : Earth Mother (5:15)
B4 : Speaking For Myself, Personally, In My Own Opinion, I Think… (1:31)
B5 : Persephone’s Jive (2:14)
Release Notes:
Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.
Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.
The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.
The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.
The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.
This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.
More
Territories: Worldwide no restrictions
Track List:
A1 : 1916 (1:11)
A2 : Elastic Rock (4:05)
A3 : Striation (2:14)
A4 : Taranaki (1:38)
A5 : Twisted Track (5:19)
A6 : Crude Blues (Part 1) (0:54)
A7 : Crude Blues (Part 2) (2:38)
A8 : 1916 (The Battle Of Boogaloo) (2:58)
--
B1 : Torrid Zone (8:41)
B2 : Stonescape (2:39)
B3 : Earth Mother (5:15)
B4 : Speaking For Myself, Personally, In My Own Opinion, I Think… (1:31)
B5 : Persephone’s Jive (2:14)
Release Notes:
Nucleus's Elastic Rock is undisputedly a milestone in Jazz-Rock. A beautiful and vital debut album, it was first released on Vertigo in 1970. Original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
The very title Elastic Rock could be regarded as the group's MO, describing a melting point between their rock and jazz impulses. Indeed, housed in a memorable gatefold jacket designed by Roger Dean, the die cut molten teardrop shape on the front sleeve opens to reveal a fiery volcanic crater. On the back, Dean's drawing has Carr with saxophonist Brian Smith, guitarist Chris Spedding, drummer John Marshall, bassist Jeff Clyne and sax, oboe and pianist Karl Jenkins in a circle, the central core of a movement and the basis for its activity.
Recorded over four days in January 1970, Elastic Rock didn't sound like any other British jazz album. Exploding out the gate, "1916" opens with Marshall's frantic pounding before melancholic horns enter. The smooth title track, "Elastic Rock" is just a gorgeous electric blues track. Light drums, gentle melodic horns, piano and a solid bassline serve as the perfect bed for Spedding's graceful bluesy guitar melodies. The serene "Striation", a Clyne and Spedding collaboration, is led by bowed bass and is the epitome of calm before the late night laid back vibe of "Taranaki" breezes along sweetly and smoothly with great trumpet and tenor.
The truly emotional "Twisted Track" is elegant with horns, while guitar is gently played with drums and bass. Initially deeply soothing, it gradually builds with various solos and duets. "Crude Blues (Part 1)" features an excellent oboe part by Jenkins with laconic guitar helping out. "Part 2" is livelier, with a heavy backbeat and great wind parts. "1916 (Battle Of Boogaloo)" features a steady bassline and great call and response parts from the horn section.
The highly-charged centrepiece of the record, the mesmeric epic "Torrid Zone" features an hypnotic bassline and hi-hat with some of the ensemble's best soloing. Brilliantly encapsulating the jazz fusion aesthetic so desired by the group, the rhythm section is rock-influenced but magically retains a laid-back jazz vibe. Just perfection. Spacey jazz in the style of In a Silent Way, the semi-ambient "Stonescape" features smooth, muted brass, warm, smokey keys and a barely-there rhythm section. Heavenly.
The bubbling, fragile restraint of "Earth Mother" partially utilises the "Torrid Zone" bassline but takes the energy in a different direction with Marshall's frenetic drumming and Spedding's unpredictable riffing. Next comes the very idiosyncratic drum solo track by Marshall in the appropriately-titled "Speaking for Myself, Personally, in My Own Opinion, I Think." The album closes with the raucous "Persephones Jive", a track that ends the album frantically, riotously, just as it began.
This Be With edition of Elastic Rock has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut gatefold sleeve has been restored in all its molten glory.
More



1
Nucleus - Song For The Bearded Lady (7:22)
2
Nucleus - Sun Child (5:16)
3
Nucleus - Lullaby For A Lonely Child (4:21)
4
Nucleus - We’ll Talk About It Later (6:13)
5
Nucleus - Oasis (9:44)
6
Nucleus - Ballad Of Joe Pimp (3:45)
7
Nucleus - Easter 1916 (8:49)
Format Notes: 2023 reissue, 140g vinyl, remastered from the original Vertigo Master Tapes for this edition by Simon Francis, original gatefold die-cut sleeve replicated in fine detail
Territories: Worldwide no restrictions
Track List:
A1 : Song For The Bearded Lady (7:22)
A2 : Sun Child (5:16)
A3 : Lullaby For A Lonely Child (4:21)
A4 : We’ll Talk About It Later (6:13)
--
B1 : Oasis (9:44)
B2 : Ballad Of Joe Pimp (3:45)
B3 : Easter 1916 (8:49)
Release Notes:
Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.
The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.
The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.
This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.
More
Territories: Worldwide no restrictions
Track List:
A1 : Song For The Bearded Lady (7:22)
A2 : Sun Child (5:16)
A3 : Lullaby For A Lonely Child (4:21)
A4 : We’ll Talk About It Later (6:13)
--
B1 : Oasis (9:44)
B2 : Ballad Of Joe Pimp (3:45)
B3 : Easter 1916 (8:49)
Release Notes:
Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.
The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.
The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.
This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.
More



1
Nucleus - Elements I & II (2:28)
2
Nucleus - Changing Times (4:44)
3
Nucleus - Bedrock Deadlock (6:52)
4
Nucleus - Spirit Level (9:20)
5
Nucleus - Torso (6:12)
6
Nucleus - Snakehips’ Dream (15:28)
Format Notes: 2023 reissue, 140g vinyl, remastered from the original Vertigo Master Tapes for this edition by Simon Francis, original gatefold sleeve replicated in fine detail
Territories: Worldwide no restrictions
Track List:
A1 : Elements I & II (2:28)
A2 : Changing Times (4:44)
A3 : Bedrock Deadlock (6:52)
A4 : Spirit Level (9:20)
--
B1 : Torso (6:12)
B2 : Snakehips’ Dream (15:28)
Release Notes:
What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I & I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. CHANGING TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is a reference to the famous dancer 'Snakehips' Johnson)."
Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It Later, but they're augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It's more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.
The haunting synth-and-bass soundscape "Elements I and II" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock" features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.
The breezy soul of "Torso" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it's a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We could easily listen to this all day long.
This Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package. More
Territories: Worldwide no restrictions
Track List:
A1 : Elements I & II (2:28)
A2 : Changing Times (4:44)
A3 : Bedrock Deadlock (6:52)
A4 : Spirit Level (9:20)
--
B1 : Torso (6:12)
B2 : Snakehips’ Dream (15:28)
Release Notes:
What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I & I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. CHANGING TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is a reference to the famous dancer 'Snakehips' Johnson)."
Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It Later, but they're augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It's more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.
The haunting synth-and-bass soundscape "Elements I and II" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock" features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.
The breezy soul of "Torso" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it's a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We could easily listen to this all day long.
This Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package. More

1
Nucleus - Rat’s Bag (5:49)
2
Nucleus - Alive & Kicking (9:24)
3
Nucleus - Rachel’s Tune (6:58)
4
Nucleus - Snakehips Etcetera (10:23)
5
Nucleus - Pussyfoot (3:59)
6
Nucleus - Heyday (7:43)
Format Notes: 2023 reissue, 140g vinyl, remastered from the original Vertigo Master Tapes for this edition by Simon Francis, original sleeve replicated in fine detail
Territories: Worldwide no restrictions
Track List:
A1 : Rat’s Bag (5:49)
A2 : Alive & Kicking (9:24)
A3 : Rachel’s Tune (6:58)
--
B1 : Snakehips Etcetera (10:23)
B2 : Pussyfoot (3:59)
B3 : Heyday (7:43)
Release Notes:
The distinctive rolling grooves, growling basslines and blasting horns of Snakehips Etcetera combined to present Nucleus's most energetic record. First released on Vertigo in 1975, original copies of Snakehips Etcetera are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”
With all restraint out the window, 1975's pimped-up Snakehips Etcetera is the outrageous - in both cover art and sound - follow-up to the brooding Under The Sun. It's perhaps not one for the jazz purists! It finds Nucleus pared down to a core group of six, with Carr, Bob Bertles (sax), Ken Shaw (guitar), Geoff Castle (keys), Roger Sutton (bass) and Roger Sellers (drums) comprising the collective. Snakehips Etcetera reflects a period where the compositions start to become a little more direct and less-cerebral in comparison to some of Nucleus' previous releases. And why would we begrudge them some fun? This one rocks, swings and funks with no little soul. And more than a little jazzy sleaze. Clearly, they were having a good time.
The album has a real live, jamming feel to it, no surprise given the extent to which they were touring at the time. The band is tight and grooving throughout, none more so than on Bob Bertles's effervescent opener, "Rat’s Bag". So darn funky it stings, it's an infectious gem full of punchy clean lines over a killer bassline from Sutton. The thick, driving jazz-rock of "Alive And Kicking" is exactly that. It has a very improvisational feel, but an inspired one at that and features a wailing guitar solo from Ken Shaw that simply slays. The funky "Rachel’s Tune" is amazing, bringing you back to Canterbury days with its fuzzed-out organ solos to close out Side A.
Opening up Side B, the cool psychedelic title track unfolds slowly and sensually over its ten-plus minutes. A stoned soul stew of sorts, each member of the crew gets their chance to shine over Sellers's steady drums. The melodic funk fusion of "Pussyfoot" pairs Carr with Bertles on ace solo flute for a bright, springy melody. This one really gleams over shuffling drums. Changing the pace to close out this memorable set, the particularly cool "Heyday" is a reflective, sober tune which reinforces the sumptuous Nucleus palette, the acoustic guitar and bass high in the mix to make the neck snap, the horns elegantly blasting to help you swoon.
This Be With edition of Snakehips Etcetera has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The striking, lascivious sleeve has been restored in all its seductive/ridiculous beauty. More
Territories: Worldwide no restrictions
Track List:
A1 : Rat’s Bag (5:49)
A2 : Alive & Kicking (9:24)
A3 : Rachel’s Tune (6:58)
--
B1 : Snakehips Etcetera (10:23)
B2 : Pussyfoot (3:59)
B3 : Heyday (7:43)
Release Notes:
The distinctive rolling grooves, growling basslines and blasting horns of Snakehips Etcetera combined to present Nucleus's most energetic record. First released on Vertigo in 1975, original copies of Snakehips Etcetera are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”
With all restraint out the window, 1975's pimped-up Snakehips Etcetera is the outrageous - in both cover art and sound - follow-up to the brooding Under The Sun. It's perhaps not one for the jazz purists! It finds Nucleus pared down to a core group of six, with Carr, Bob Bertles (sax), Ken Shaw (guitar), Geoff Castle (keys), Roger Sutton (bass) and Roger Sellers (drums) comprising the collective. Snakehips Etcetera reflects a period where the compositions start to become a little more direct and less-cerebral in comparison to some of Nucleus' previous releases. And why would we begrudge them some fun? This one rocks, swings and funks with no little soul. And more than a little jazzy sleaze. Clearly, they were having a good time.
The album has a real live, jamming feel to it, no surprise given the extent to which they were touring at the time. The band is tight and grooving throughout, none more so than on Bob Bertles's effervescent opener, "Rat’s Bag". So darn funky it stings, it's an infectious gem full of punchy clean lines over a killer bassline from Sutton. The thick, driving jazz-rock of "Alive And Kicking" is exactly that. It has a very improvisational feel, but an inspired one at that and features a wailing guitar solo from Ken Shaw that simply slays. The funky "Rachel’s Tune" is amazing, bringing you back to Canterbury days with its fuzzed-out organ solos to close out Side A.
Opening up Side B, the cool psychedelic title track unfolds slowly and sensually over its ten-plus minutes. A stoned soul stew of sorts, each member of the crew gets their chance to shine over Sellers's steady drums. The melodic funk fusion of "Pussyfoot" pairs Carr with Bertles on ace solo flute for a bright, springy melody. This one really gleams over shuffling drums. Changing the pace to close out this memorable set, the particularly cool "Heyday" is a reflective, sober tune which reinforces the sumptuous Nucleus palette, the acoustic guitar and bass high in the mix to make the neck snap, the horns elegantly blasting to help you swoon.
This Be With edition of Snakehips Etcetera has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The striking, lascivious sleeve has been restored in all its seductive/ridiculous beauty. More
1
Kaiser - Run (Original Mix)
2
Kaiser - Lupi (Original Mix)
3
FORUM - Incunabulum (Original Mix)
4
FORUM - Sartorial (Original Mix)
Genre: Techno
Tracklist:
Kaiser – Run (Original Mix)
Kaiser – Lupi (Original Mix)
FORUM – Incunabulum (Original Mix)
FORUM – Sartorial (Original Mix)
Short Info:
The second release on the BINÄR-Label is a split between Kaiser and FORUM. The EP starts with a bouncy track, continues with dreamy noises and ends with two massaging and tooly tunes. The tracks are mastered by Nihad Tule.
More
Tracklist:
Kaiser – Run (Original Mix)
Kaiser – Lupi (Original Mix)
FORUM – Incunabulum (Original Mix)
FORUM – Sartorial (Original Mix)
Short Info:
The second release on the BINÄR-Label is a split between Kaiser and FORUM. The EP starts with a bouncy track, continues with dreamy noises and ends with two massaging and tooly tunes. The tracks are mastered by Nihad Tule.
More
1
GAZNEVADA - A01 - NEVADA GAZ
2
GAZNEVADA - A02 - GOING UNDERGROUND
3
GAZNEVADA - A03 - JAPANESE GIRL
4
GAZNEVADA - A04 - SHOCK ANTISTATICO
5
GAZNEVADA - A05 - PORDENONE UFO ATTACK
6
GAZNEVADA - B01 - TIJ-U-WAN
7
GAZNEVADA - B02 - OIL TUBES
8
GAZNEVADA - B03 - NIGHTMARE TELEGRAPH
9
GAZNEVADA - B04 - WALKIN TALKIN
10
GAZNEVADA - B05 - NOW I WANT TO KILL
LP album
Genre: Rock
Tracklist 12":
A01 - NEVADA GAZ
A02 - GOING UNDERGROUND
A03 - JAPANESE GIRL
A04 - SHOCK ANTISTATICO
A05 - PORDENONE UFO ATTACK
B01 - TIJ-U-WAN
B02 - OIL TUBES
B03 - NIGHTMARE TELEGRAPH
B04 - WALKIN TALKIN
B05 - NOW I WANT TO KILL
Short Info:
SYNTH SOUNDTRACK: by GAZNEVADA. "
Synth Soundtrack is a re-work of Sick Soundtrack, the first album by Gaznevada, the legendary new wave no wave rock dance punk band of the 70s-80s.
The Sick Soundtrack multitrack no longer exists, it was lost many years ago: no multitrack no remixes. And, in fact, Synth Soundtrack is NOT a remix.
No possibility of removing or correcting sounds, synthesizers, rhythms, it was only possible to add. Basically today's Gaznevada played together with original Gaznevada. A time machine jam session. A kind of techno-musical psychoanalysis. Synth Soundtrack moves away from Sick Soundtrcak to take its own original path.
Was there ever anyone in the history of rock who ever did something like this?
Hmm... Oh... So... Maybe... No... No, definitely not. Nobody.
More
Genre: Rock
Tracklist 12":
A01 - NEVADA GAZ
A02 - GOING UNDERGROUND
A03 - JAPANESE GIRL
A04 - SHOCK ANTISTATICO
A05 - PORDENONE UFO ATTACK
B01 - TIJ-U-WAN
B02 - OIL TUBES
B03 - NIGHTMARE TELEGRAPH
B04 - WALKIN TALKIN
B05 - NOW I WANT TO KILL
Short Info:
SYNTH SOUNDTRACK: by GAZNEVADA. "
Synth Soundtrack is a re-work of Sick Soundtrack, the first album by Gaznevada, the legendary new wave no wave rock dance punk band of the 70s-80s.
The Sick Soundtrack multitrack no longer exists, it was lost many years ago: no multitrack no remixes. And, in fact, Synth Soundtrack is NOT a remix.
No possibility of removing or correcting sounds, synthesizers, rhythms, it was only possible to add. Basically today's Gaznevada played together with original Gaznevada. A time machine jam session. A kind of techno-musical psychoanalysis. Synth Soundtrack moves away from Sick Soundtrcak to take its own original path.
Was there ever anyone in the history of rock who ever did something like this?
Hmm... Oh... So... Maybe... No... No, definitely not. Nobody.
More

1
Acid Jerks - Utopia Vision
2
Acid Jerks - Instant
3
Acid Jerks - The Catalyst
4
Acid Jerks - Narcotic Illusion
After 3 successful releases on Nu Groove and Refuge Rec. comes the fourth strike of the Acid Jerks.
Eighties and nineties inspired house music, powerful and stylistically confident
TRACKLISTS:
A1. Acid Jerks - Utopia Vision (07.04 min)
A2. Acid Jerks - Instant (05.54 min)
B1. Acid Jerks - The Catalyst (06.18 min)
B2. Acid Jerks - Narcotic Illusion (05.11 min)
More
Eighties and nineties inspired house music, powerful and stylistically confident
TRACKLISTS:
A1. Acid Jerks - Utopia Vision (07.04 min)
A2. Acid Jerks - Instant (05.54 min)
B1. Acid Jerks - The Catalyst (06.18 min)
B2. Acid Jerks - Narcotic Illusion (05.11 min)
More

Territories: WORLD EXCL FRANCE
Tracklist CD:
1_Bengue
2_LoBa
3_Ndomè
4_Li Yanga
5_Wata
6_Nop
7_Hola Mè
8_Séa
9_Bissaï
10_Touye
11_Mètam
12_Lep
Short Info:
African Singer-songwriter Blick Bassy is back with a fifth album, again sung in the Baasa language of Cameroon. Madíbá brings together twelve songs in the form of fables, dedicated to the theme of water, in which his high and angelic voice dominates, carried by delicate guitar, synthesizer melodies, and sober brass arrangements. The cuts are diaphanous and nevertheless modernist songs, which testify to a contemporary and poetic Africanity at the crossroads of soul, folk, and electro.
Blick Bassy’s albums have a humanist and universal dimension. His fifth and new solo album, titled Madíbá, which means water in the Douala language of Cameroon, comes in the form of songs close to the fable, in which Bassy explores "a theme shared by all” of water, the source of life. The fables of the album, all born in the imagination of Blick, explore in a more concrete way different themes related to water, its rarity, its necessity, its energy or its vital power. The twelve songs all bring together a series of figures, animals, or various characters, embodied in turn by Blick Bassy. "I have fun stepping into the shoes of a bird, a cat conversing with an elephant, a flower worrying about its declining beauty, a monkey looking for a spring or a storyteller with his grandchildren. In these texts, water can even take on a human appearance.”
Beyond the tale, the texts of the album also refer to our climate crisis, or to the problems of access to water, a way for the artist to approach serious subjects through a poetic form which avoids didactic or moralizing speeches.
More
Tracklist CD:
1_Bengue
2_LoBa
3_Ndomè
4_Li Yanga
5_Wata
6_Nop
7_Hola Mè
8_Séa
9_Bissaï
10_Touye
11_Mètam
12_Lep
Short Info:
African Singer-songwriter Blick Bassy is back with a fifth album, again sung in the Baasa language of Cameroon. Madíbá brings together twelve songs in the form of fables, dedicated to the theme of water, in which his high and angelic voice dominates, carried by delicate guitar, synthesizer melodies, and sober brass arrangements. The cuts are diaphanous and nevertheless modernist songs, which testify to a contemporary and poetic Africanity at the crossroads of soul, folk, and electro.
Blick Bassy’s albums have a humanist and universal dimension. His fifth and new solo album, titled Madíbá, which means water in the Douala language of Cameroon, comes in the form of songs close to the fable, in which Bassy explores "a theme shared by all” of water, the source of life. The fables of the album, all born in the imagination of Blick, explore in a more concrete way different themes related to water, its rarity, its necessity, its energy or its vital power. The twelve songs all bring together a series of figures, animals, or various characters, embodied in turn by Blick Bassy. "I have fun stepping into the shoes of a bird, a cat conversing with an elephant, a flower worrying about its declining beauty, a monkey looking for a spring or a storyteller with his grandchildren. In these texts, water can even take on a human appearance.”
Beyond the tale, the texts of the album also refer to our climate crisis, or to the problems of access to water, a way for the artist to approach serious subjects through a poetic form which avoids didactic or moralizing speeches.
More

Territories: WORLD EXCL FRANCE
Tracklist LP:
A_side
A1_Bengue
A2_LoBa
A3_Ndomè
A4_Li Yanga
A5_Wata
A6_Nop
B_side
B1_Hola Mè
B2_Séa
B3_Bissaï
B4_Touye
B5_Mètam
B6_Lep
Short Info:
African Singer-songwriter Blick Bassy is back with a fifth album, again sung in the Baasa language of Cameroon. Madíbá brings together twelve songs in the form of fables, dedicated to the theme of water, in which his high and angelic voice dominates, carried by delicate guitar, synthesizer melodies, and sober brass arrangements. The cuts are diaphanous and nevertheless modernist songs, which testify to a contemporary and poetic Africanity at the crossroads of soul, folk, and electro.
Blick Bassy’s albums have a humanist and universal dimension. His fifth and new solo album, titled Madíbá, which means water in the Douala language of Cameroon, comes in the form of songs close to the fable, in which Bassy explores "a theme shared by all” of water, the source of life. The fables of the album, all born in the imagination of Blick, explore in a more concrete way different themes related to water, its rarity, its necessity, its energy or its vital power. The twelve songs all bring together a series of figures, animals, or various characters, embodied in turn by Blick Bassy. "I have fun stepping into the shoes of a bird, a cat conversing with an elephant, a flower worrying about its declining beauty, a monkey looking for a spring or a storyteller with his grandchildren. In these texts, water can even take on a human appearance.”
Beyond the tale, the texts of the album also refer to our climate crisis, or to the problems of access to water, a way for the artist to approach serious subjects through a poetic form which avoids didactic or moralizing speeches.
More
Tracklist LP:
A_side
A1_Bengue
A2_LoBa
A3_Ndomè
A4_Li Yanga
A5_Wata
A6_Nop
B_side
B1_Hola Mè
B2_Séa
B3_Bissaï
B4_Touye
B5_Mètam
B6_Lep
Short Info:
African Singer-songwriter Blick Bassy is back with a fifth album, again sung in the Baasa language of Cameroon. Madíbá brings together twelve songs in the form of fables, dedicated to the theme of water, in which his high and angelic voice dominates, carried by delicate guitar, synthesizer melodies, and sober brass arrangements. The cuts are diaphanous and nevertheless modernist songs, which testify to a contemporary and poetic Africanity at the crossroads of soul, folk, and electro.
Blick Bassy’s albums have a humanist and universal dimension. His fifth and new solo album, titled Madíbá, which means water in the Douala language of Cameroon, comes in the form of songs close to the fable, in which Bassy explores "a theme shared by all” of water, the source of life. The fables of the album, all born in the imagination of Blick, explore in a more concrete way different themes related to water, its rarity, its necessity, its energy or its vital power. The twelve songs all bring together a series of figures, animals, or various characters, embodied in turn by Blick Bassy. "I have fun stepping into the shoes of a bird, a cat conversing with an elephant, a flower worrying about its declining beauty, a monkey looking for a spring or a storyteller with his grandchildren. In these texts, water can even take on a human appearance.”
Beyond the tale, the texts of the album also refer to our climate crisis, or to the problems of access to water, a way for the artist to approach serious subjects through a poetic form which avoids didactic or moralizing speeches.
More

1
JOE PARIOTA - No Title
2
JOE PARIOTA - No Title
3
JOE PARIOTA - No Title
4
JOE PARIOTA - No Title
5
JOE PARIOTA - No Title
GENRE/S: House / Deep House
TRACKLISTS:
A1 - Joe Pariota - Contest
A2 - Joe Pariota - Crystal_JKs Dub Mix
A3 - Joe Pariota - Contest Nico Brun Remix
B1 - Joe Pariota - Lost In The Atmosphere (They Make House)
B2 - Joe Pariota - Don't Bother Me
SHORT INFO:
Joe Pariota is back on LOVEiT to provide you with four Chicago-house indebted floorfillers that tick all the right boxes: Irresistible driving grooves? Check. Catchy vocal snippets? Check. Funky piano lines? Check! This already impressive package is rounded up by JKs stripped down Dub Mix endlessly floating on a sea of reverb and Nico Bruns Remix, a spaced out downtempo head nodder.
-morri313
VITAL SALES POINTS:
- First full EP of Joe Pariota on LOVEiT
- Release party on the 17th of February in Stuttgart
More
TRACKLISTS:
A1 - Joe Pariota - Contest
A2 - Joe Pariota - Crystal_JKs Dub Mix
A3 - Joe Pariota - Contest Nico Brun Remix
B1 - Joe Pariota - Lost In The Atmosphere (They Make House)
B2 - Joe Pariota - Don't Bother Me
SHORT INFO:
Joe Pariota is back on LOVEiT to provide you with four Chicago-house indebted floorfillers that tick all the right boxes: Irresistible driving grooves? Check. Catchy vocal snippets? Check. Funky piano lines? Check! This already impressive package is rounded up by JKs stripped down Dub Mix endlessly floating on a sea of reverb and Nico Bruns Remix, a spaced out downtempo head nodder.
-morri313
VITAL SALES POINTS:
- First full EP of Joe Pariota on LOVEiT
- Release party on the 17th of February in Stuttgart
More

1
Noema - Sky, Horse and Catch
2
Noema - Minhoco
3
Noema - Sky, Horse and Catch (Khidja Rmx)
2023 Repress!
We complete 2019 with the "Sky, Horse and Catch EP" by label boss Noema himself. On his quest to "Bring the Jams", the world traveling DJ delivers two stunning tunes, streaked with percussions that he recorded on a trip to Sao Paulo. Last but not least, Noema's EP comes along with a mind-bending remix by our favorite Romanians Khidja.
The title track "Sky, Horse and Catch" translates a 90's Detroit House Groove to the present day and adds Cuica, Berimbau and several other Brazilian drums on top. Riding the complex groove, you encouter eccentric synths, mysterious soundscapes and of course the horse on this 11 minute long hack. Minhocão" trades the horse for a racing car and takes you on a cruise on the same-named elevated highway that leads through the city of Sao Paulo. Surrounded by driving beats, guitar single-notes, massive synthbass howls and a gritty Moog theme, this jam is a hell of a joyride!
Khidja strips down the original the title track to its core and creates a solely percussive version in a half-time groove. By adding a virtuos Qanon/Saz-like sound the tune develops an arabesque flavour with a dubby bass as the cherry on the top.
A1 - Sky, Horse and Catch
B1 - Minhoco
B2 - Sky, Horse and Catch (Khidja Rmx)
More
We complete 2019 with the "Sky, Horse and Catch EP" by label boss Noema himself. On his quest to "Bring the Jams", the world traveling DJ delivers two stunning tunes, streaked with percussions that he recorded on a trip to Sao Paulo. Last but not least, Noema's EP comes along with a mind-bending remix by our favorite Romanians Khidja.
The title track "Sky, Horse and Catch" translates a 90's Detroit House Groove to the present day and adds Cuica, Berimbau and several other Brazilian drums on top. Riding the complex groove, you encouter eccentric synths, mysterious soundscapes and of course the horse on this 11 minute long hack. Minhocão" trades the horse for a racing car and takes you on a cruise on the same-named elevated highway that leads through the city of Sao Paulo. Surrounded by driving beats, guitar single-notes, massive synthbass howls and a gritty Moog theme, this jam is a hell of a joyride!
Khidja strips down the original the title track to its core and creates a solely percussive version in a half-time groove. By adding a virtuos Qanon/Saz-like sound the tune develops an arabesque flavour with a dubby bass as the cherry on the top.
A1 - Sky, Horse and Catch
B1 - Minhoco
B2 - Sky, Horse and Catch (Khidja Rmx)
More
1
The Mountain People - mountain021.1
2
The Mountain People - mountain021.2
3
The Mountain People - mountain021.3
Genre: Micro House
Tracklist 12":
A1 mountain021.1
A2 mountain021.2
B1 mountain021.3
Short Info:
House basslines with a bit of deeper techno in between.
More
Tracklist 12":
A1 mountain021.1
A2 mountain021.2
B1 mountain021.3
Short Info:
House basslines with a bit of deeper techno in between.
More
1
Cedric Vermue - 1 Prologue
2
Cedric Vermue - 2 Magnesia
3
Cedric Vermue - 3 Aether
4
Cedric Vermue - 4 Pendulum
5
Cedric Vermue - 5 Patterns
6
Cedric Vermue - 6 Solace
7
Cedric Vermue - 7 Variations
8
Cedric Vermue - 8 Sanctus (featuring Marc Vilajuana)
9
Cedric Vermue - 9 Heavens Be My Friend
10
Cedric Vermue - 10 Epilogue
Special remarks : Perpetua is an ambient/neo-classical album by Cedric Vermue. A surrealistic dream where traditional instruments and studio-processed instruments meet. Limited Edition Gatefolded CD (150 only)
Genre: Neoclassical, Ambient, Electronic
Tracklist album:
1 Prologue
2 Magnesia
3 Aether
4 Pendulum
5 Patterns
6 Solace
7 Variations
8 Sanctus (featuring Marc Vilajuana)
9 Heavens Be My Friend
10 Epilogue
Short Info
Perpetua is an ambient/neo-classical album by Cedric Vermue. A surrealistic dream where traditional instruments and studio-processed instruments meet. In this album Cedric has been exploring new aesthetics and sound. Digital production techniques and electronics are essential in the storytelling and listening experience of this album. If anything it is an experimental studio album where acoustic spaces and instruments meet with a modern electronic world.
More
Genre: Neoclassical, Ambient, Electronic
Tracklist album:
1 Prologue
2 Magnesia
3 Aether
4 Pendulum
5 Patterns
6 Solace
7 Variations
8 Sanctus (featuring Marc Vilajuana)
9 Heavens Be My Friend
10 Epilogue
Short Info
Perpetua is an ambient/neo-classical album by Cedric Vermue. A surrealistic dream where traditional instruments and studio-processed instruments meet. In this album Cedric has been exploring new aesthetics and sound. Digital production techniques and electronics are essential in the storytelling and listening experience of this album. If anything it is an experimental studio album where acoustic spaces and instruments meet with a modern electronic world.
More

1
youANDme - Swell | Repeat
2
youANDme - Swell | Repeat (Renato Ratier Remix)
3
youANDme - Swell | Repeat (Kenny Larkin Remix)
Special Remarks: Recycled Brown Sleeve
Tracklist:
A1 - "Swell | Repeat"
A2 - "Swell | Repeat" (Renato Ratier Remix)
B - "Swell | Repeat" (Kenny Larkin Remix)
Short info:
The new Rotary Cocktail features a deep and effective bassline roller by youANDme and 2 remixes by Detroit legend Kenny Larkin and Brazilian hero Renato Ratier.
More
Tracklist:
A1 - "Swell | Repeat"
A2 - "Swell | Repeat" (Renato Ratier Remix)
B - "Swell | Repeat" (Kenny Larkin Remix)
Short info:
The new Rotary Cocktail features a deep and effective bassline roller by youANDme and 2 remixes by Detroit legend Kenny Larkin and Brazilian hero Renato Ratier.
More

1
Frank Harris & Maria Marquez - A1- Loveroom - Frankie's Deluxe Mix
2
Frank Harris & Maria Marquez - A2- Down By The Rio - Frankie's Deluxe Mix
3
Frank Harris & Maria Marquez - B1- Down by the Rio - Frakas Mix
4
Frank Harris & Maria Marquez - B2- Down by the Rio - Julien Dyne Mix
12" - Essential Balearic heat beat! Follow up to the labels previous album of Frank & Maria's work 'Echoes' SL104
Tracklist:
Side A
A1- Loveroom - Frankie's Deluxe Mix
A2- Down By The Rio - Frankie's Deluxe Mix
Side B
B1- Down by the Rio - Frakas Mix
B2- Down by the Rio - Julien Dyne Mix
Short info:
Deep into lockdown, Frank pulled out Bernie Grundman's original 24 track masters of the "In a Minor Mode" ep, digitizing and exploring the original multi track recordings. Inspired by newly rediscovered parts recovered from the editing floor, what followed was a faithful but full-blown reimagining of 'Loveroom' Strangelove are proud to present this definitive version alongside a deep dive into Echoes LP favourite 'Down By The Rio' Frank's FM friendly take flipped on the B side with Frakas' trippy diced up vibe alongside a bumping beatdown version from New Zealand's finest Julien Dyne. Essential Balearic heat beat!
More
Tracklist:
Side A
A1- Loveroom - Frankie's Deluxe Mix
A2- Down By The Rio - Frankie's Deluxe Mix
Side B
B1- Down by the Rio - Frakas Mix
B2- Down by the Rio - Julien Dyne Mix
Short info:
Deep into lockdown, Frank pulled out Bernie Grundman's original 24 track masters of the "In a Minor Mode" ep, digitizing and exploring the original multi track recordings. Inspired by newly rediscovered parts recovered from the editing floor, what followed was a faithful but full-blown reimagining of 'Loveroom' Strangelove are proud to present this definitive version alongside a deep dive into Echoes LP favourite 'Down By The Rio' Frank's FM friendly take flipped on the B side with Frakas' trippy diced up vibe alongside a bumping beatdown version from New Zealand's finest Julien Dyne. Essential Balearic heat beat!
More
1
The Vision - K-Force 04:21
2
The Vision - Liquification 02:01
3
The Vision - Weapons 02:41
4
The Vision - Gamma Scale 05:47
5
The Vision - Chrome 03:23
6
The Vision - Projectile Darts 05:06
7
The Vision - The Protector 03:28
8
The Vision - Magnetic Storm 05:41
Territories: World minus UK & US
2023 repress
FORMAT 2x12" 180g vinyl, full printed sleeve, dl card
TRACKLIST:
1. / A1. K-Force 04:21
2. / A2. Liquification 02:01
3. / B1. Weapons 02:41
4. / B2. Gamma Scale 05:47
5. / C1. Chrome 03:23
6. / C2. Projectile Darts 05:06
7. / D1. The Protector 03:28
8. / D2. Magnetic Storm 05:41
Release Info:
The reissue of classic and seminal releases from the Tresor catalogue comes round to Waveform Transmission Vol.
2 by The Vision aka Robert Hood which celebrates its 30th anniversary this year.
Released in the same year he left UR and his hometown of Detroit, Waveform Transmission Vol. 2 represents a
pivotal moment in Hood’s career as his move to New York with fellow UR co-founder Je Mills led to Hood
experimenting with a new work ethos through which he settled on his trademark sound.
Fast, aurally assaulting, yet funky - the release is techno as eective as it can possibly be; in this version,
remastered by Thomas P. Heckmann, we see the first results of his transmutation as Hood manipulates the raw
sounds he would soon distil into seminal works like Internal Empire and Minimal Nation.
Ever philosophical and spiritual, in the sleeve notes for the release Hood dedicated the release “to the form of
simplicity[,] the reasoning of vision[,] the understanding of where we came from and how we got here and to the
perspective we use to construct over destiny” - words which from our early 2020s vantage point almost foresee
the influence this intuitive work would have on artists working from Birmingham to Berlin and beyond over the next
three decades.
More
2023 repress
FORMAT 2x12" 180g vinyl, full printed sleeve, dl card
TRACKLIST:
1. / A1. K-Force 04:21
2. / A2. Liquification 02:01
3. / B1. Weapons 02:41
4. / B2. Gamma Scale 05:47
5. / C1. Chrome 03:23
6. / C2. Projectile Darts 05:06
7. / D1. The Protector 03:28
8. / D2. Magnetic Storm 05:41
Release Info:
The reissue of classic and seminal releases from the Tresor catalogue comes round to Waveform Transmission Vol.
2 by The Vision aka Robert Hood which celebrates its 30th anniversary this year.
Released in the same year he left UR and his hometown of Detroit, Waveform Transmission Vol. 2 represents a
pivotal moment in Hood’s career as his move to New York with fellow UR co-founder Je Mills led to Hood
experimenting with a new work ethos through which he settled on his trademark sound.
Fast, aurally assaulting, yet funky - the release is techno as eective as it can possibly be; in this version,
remastered by Thomas P. Heckmann, we see the first results of his transmutation as Hood manipulates the raw
sounds he would soon distil into seminal works like Internal Empire and Minimal Nation.
Ever philosophical and spiritual, in the sleeve notes for the release Hood dedicated the release “to the form of
simplicity[,] the reasoning of vision[,] the understanding of where we came from and how we got here and to the
perspective we use to construct over destiny” - words which from our early 2020s vantage point almost foresee
the influence this intuitive work would have on artists working from Birmingham to Berlin and beyond over the next
three decades.
More
WAS EXCLUSIVE "BACK IN's": THIS WEEK
1
Kimiko Kasai With Herbie Hancock - No Title
2
Kimiko Kasai With Herbie Hancock - No Title
3
Kimiko Kasai With Herbie Hancock - No Title
4
Kimiko Kasai With Herbie Hancock - No Title
5
Kimiko Kasai With Herbie Hancock - No Title
6
Kimiko Kasai With Herbie Hancock - No Title
7
Kimiko Kasai With Herbie Hancock - No Title
8
Kimiko Kasai With Herbie Hancock - No Title
Territories: World ex Japan
More
1
Victor Cavini - Pictures Of Japan (3:41)
2
Victor Cavini - Pictures Of Japan II (1:00)
3
Victor Cavini - Pictures Of Japan III (1:08)
4
Victor Cavini - Pictures Of Japan IV (2:28)
5
Victor Cavini - Pictures Of Japan V (1:52)
6
Victor Cavini - Pictures Of Japan VI (1:52)
7
Victor Cavini - Pictures Of Japan VII (2:59)
8
Victor Cavini - Pictures Of Japan VIII (1:33)
9
Victor Cavini - Pictures Of Japan IX (1:57)
10
Victor Cavini - Pictures Of Japan X (3:18)
11
Victor Cavini - Pictures Of Japan XI (1:50)
12
Victor Cavini - Pictures Of Japan XII (2:05)
13
Victor Cavini - Pictures Of Japan XIII (2:46)
14
Victor Cavini - Pictures Of Japan XIV (2:44)
Territories:
Worldwide no restrictions
Track List:
A1 : Pictures Of Japan (3:41)
A2 : Pictures Of Japan II (1:00)
A3 : Pictures Of Japan III (1:08)
A4 : Pictures Of Japan IV (2:28)
A5 : Pictures Of Japan V (1:52)
A6 : Pictures Of Japan VI (1:52)
A7 : Pictures Of Japan VII (2:59)
B1 : Pictures Of Japan VIII (1:33)
B2 : Pictures Of Japan IX (1:57)
B3 : Pictures Of Japan X (3:18)
B4 : Pictures Of Japan XI (1:50)
B5 : Pictures Of Japan XII (2:05)
B6 : Pictures Of Japan XIII (2:46)
B7 : Pictures Of Japan XIV (2:44)
Release Notes:
The first Be With foray into the archives of revered German library institution Selected Sound is one of our favourites on the label - the super in-demand Japan from Victor Cavini, originally released in 1983.
Rare and sought-after for many years now, this is one of those cult library LPs that never turn up. With Daibutsu the giant Buddha of Kamakura’s presence gracing the hefty front cover, this is a record bursting with dope samples for adventurous producers: it’s koto-funk madness!
Victor Cavini was the library music pseudonym of prolific German composer and musician Gerhard Trede. He was known for exploring instruments and styles from around the world (he played over 50 different instruments himself) and Japan is
his collection of 14 musical sketches painted with traditional Japanese wind and string instruments. These are the sounds of traditional Japanese folk music re-interpreted through Western ears, with the occassional contemporary twist. Contemporary for 1983, of course.
These “Pictures of Japan” are hypnotic, sometimes frantic, but always beautiful. The first twelve tracks offer airy explorations of koto and flute, with other strings and percussion being added and then given their own space. Indeed “Pictures of Japan XII” is just drums.
And then “Pictures of Japan XIII” seems to come out of nowhere. But the subtle sleaze of its full band sound still doesn’t quite prepare you for the towering climax of “Pictures of Japan XIV”.
This is Japan’s undoubted standout piece, completely and wonderfully at odds with the rest of the album. It’s the reason this has become such a must-have record. It keeps the traditional Japanese instruments but combines them with shuffling funk breaks, electric bass high in the mix and a Godzilla-sized psychedelic fuzz guitar sound that might actually be a traditional reed flute pushed to its limits. Whatever it is, it sounds awesome.
Recalling both Rino de Filippi’s Oriente Oggi and Giancarlo Barigozzi’s Oriente, the track’s a real head-nod groove for b-boys and b-girls alike that sounds straight out of a late 70s Yakuza film. Indeed, if you were told The RZA or Onra had cooked this up in the lab this century, you’d be convinced. It’s crazy that this dates from 1983.
The audio for Japan has been sensitively remastered for vinyl by Be With regular Simon Francis to keep all the character of the original recordings. Richard Robinson has handled the careful restoration of the original Selected Sound sleeve. Essential.
More
Worldwide no restrictions
Track List:
A1 : Pictures Of Japan (3:41)
A2 : Pictures Of Japan II (1:00)
A3 : Pictures Of Japan III (1:08)
A4 : Pictures Of Japan IV (2:28)
A5 : Pictures Of Japan V (1:52)
A6 : Pictures Of Japan VI (1:52)
A7 : Pictures Of Japan VII (2:59)
B1 : Pictures Of Japan VIII (1:33)
B2 : Pictures Of Japan IX (1:57)
B3 : Pictures Of Japan X (3:18)
B4 : Pictures Of Japan XI (1:50)
B5 : Pictures Of Japan XII (2:05)
B6 : Pictures Of Japan XIII (2:46)
B7 : Pictures Of Japan XIV (2:44)
Release Notes:
The first Be With foray into the archives of revered German library institution Selected Sound is one of our favourites on the label - the super in-demand Japan from Victor Cavini, originally released in 1983.
Rare and sought-after for many years now, this is one of those cult library LPs that never turn up. With Daibutsu the giant Buddha of Kamakura’s presence gracing the hefty front cover, this is a record bursting with dope samples for adventurous producers: it’s koto-funk madness!
Victor Cavini was the library music pseudonym of prolific German composer and musician Gerhard Trede. He was known for exploring instruments and styles from around the world (he played over 50 different instruments himself) and Japan is
his collection of 14 musical sketches painted with traditional Japanese wind and string instruments. These are the sounds of traditional Japanese folk music re-interpreted through Western ears, with the occassional contemporary twist. Contemporary for 1983, of course.
These “Pictures of Japan” are hypnotic, sometimes frantic, but always beautiful. The first twelve tracks offer airy explorations of koto and flute, with other strings and percussion being added and then given their own space. Indeed “Pictures of Japan XII” is just drums.
And then “Pictures of Japan XIII” seems to come out of nowhere. But the subtle sleaze of its full band sound still doesn’t quite prepare you for the towering climax of “Pictures of Japan XIV”.
This is Japan’s undoubted standout piece, completely and wonderfully at odds with the rest of the album. It’s the reason this has become such a must-have record. It keeps the traditional Japanese instruments but combines them with shuffling funk breaks, electric bass high in the mix and a Godzilla-sized psychedelic fuzz guitar sound that might actually be a traditional reed flute pushed to its limits. Whatever it is, it sounds awesome.
Recalling both Rino de Filippi’s Oriente Oggi and Giancarlo Barigozzi’s Oriente, the track’s a real head-nod groove for b-boys and b-girls alike that sounds straight out of a late 70s Yakuza film. Indeed, if you were told The RZA or Onra had cooked this up in the lab this century, you’d be convinced. It’s crazy that this dates from 1983.
The audio for Japan has been sensitively remastered for vinyl by Be With regular Simon Francis to keep all the character of the original recordings. Richard Robinson has handled the careful restoration of the original Selected Sound sleeve. Essential.
More

1
Ian Carr’s Nucleus - A1 : Roots (9:24)
2
Ian Carr’s Nucleus - A2 : Images (4:55)
3
Ian Carr’s Nucleus - A3 : Caliban (4:35)
4
Ian Carr’s Nucleus - B1 : Whapatiti (3:22)
5
Ian Carr’s Nucleus - B2 : Capricorn (4:00)
6
Ian Carr’s Nucleus - B3 : Odokamona (3:24)
7
Ian Carr’s Nucleus - B4 : Southern Roots And Celebration (7:45)
Format Notes: 2021 re-issue, 140g vinyl, remastered from the original analogue tapes
Track List:
1 A1 : Roots (9:24)
2 A2 : Images (4:55)
3 A3 : Caliban (4:35)
4 B1 : Whapatiti (3:22)
5 B2 : Capricorn (4:00)
6 B3 : Odokamona (3:24)
7 B4 : Southern Roots And Celebration (7:45)
Release Notes:
What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records.
Maybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels.
Working together with producer Fritz Fryer and engineer Roger Wake, the seven compositions by Carr, Brian Smith and Dave MacRae that make up Roots flirt with perfection, and Nucleus at that time made up of the cream of 1970s UK jazz with Brian Smith on tenor saxophones and flutes, Dave MacRae on piano and electric piano, Jocelyn Pitchen on guitar, Roger Sutton on bass, both Clive Thacker and Aureo De Souza on drums and percussion, Joy Yates delivering the vocals and of course Carr on trumpet.
The spellbinding title track immediately renders the album indispensable. Riding the illest of loping breakbeats, “Roots” is low-slung, doped-out heist-funk. An absolute monster. If it sounds familiar then that’s likely down to it being sampled by Madlib for Lootpack and Quasimoto’s “Loop Digga”, as well as by a whole host of beat manipulators. “Roots” conjures prime instrumental hip-hop / beat music, only 20 years ahead of its time. Truly, these are the roots. Through sinuous bass, twinkling keys and a hypnotic guitar riff, a smoky brass motif weaves its way into a gloriously deep haze around Carr’s solos. “Roots” is over 9 minutes long, but there’s not a single wasted second, not surprising given that this is a condensed version of an originally 40 minute long commissioned composition.
The soothing vocal fusion delight of “Images” follows. Meticulously constructed, with gorgeous flute work from Brian Smith, with Joy Yates’ silky vocals and Dave MacRae’s Rhodes never sounding better. The cool, driving “Caliban” closes out the first side. Originally the third movement in a four part commission to celebrate Shakespeare’s birthday it stands up on its own, all robust rhythms and blended brass. Keyboard colour and Carr’s trumpet are splashed across the funk drums and basslines (and there’s even some bamboo flute). This really is fusion: the elements of jazz and rock coming together in beautifully synthesis.
Side two opens in riotous fashion with the short, thrilling samba of “Wapatiti”. Next up, “Capricorn” forms a smoothed-out, jazzy constellation. Mellow and dreamy, its twinkling percussion and languid horns slowly build the vibe before head-nod drums and a killer bassline enter the fray. With a distinct heaviness that Black Sabbath would’ve envied, “Odokamona” is a venomous slice of riff-soaked jazz metal (yes, you read that right), elevated by Carr’s wah-wah horns.
The album closes with MacRae’s exceptionally cosmic “Southern Roots and Celebration”. Very much in conversation with Weather Report, it opens as a languorous, spiritual jazz of chiming keys and serene guitar that turns slowly, gorgeously into a mid-paced, brass-laced banger. It’s another sure-fire party starter and the sound of the band having a righteous blast, building an ecstatic chaos that ends with Yates screaming.
And of course we need to talk about Keith Davis’ cover for Roots. Perhaps the coolest record cover of all time? Certainly one of the most bonkers. Just your run-of-the-mill high-gloss, acid-tinged airbrush dystopian/utopian living-room party scene. Consider this your chemical flashback trigger warning.
Front-and-centre the hip-to-death green robot holds court with their giant ball of yellow barbwire wool, hooked up to… something(?) being teased out from under the stairs (probably best not to ask). A thoroughly zoned-out, long-legged Pop Art party-goer lounges half-plugged in to the painting behind her as a pair of legs flail into shot from the the top of the stairs opposite. We won’t even begin to guess what the chap’s up to in the middle, but the view out of the windows is rather nice, and someone’s already got the hoover out ready to tidy up. All of the Nucleus sleeves are something special, but this particular one? Crikey.
This Be With edition of Roots has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The crazy cover has been restored at Be With HQ as the finishing touch to this long overdue re-issue.
More
Track List:
1 A1 : Roots (9:24)
2 A2 : Images (4:55)
3 A3 : Caliban (4:35)
4 B1 : Whapatiti (3:22)
5 B2 : Capricorn (4:00)
6 B3 : Odokamona (3:24)
7 B4 : Southern Roots And Celebration (7:45)
Release Notes:
What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records.
Maybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels.
Working together with producer Fritz Fryer and engineer Roger Wake, the seven compositions by Carr, Brian Smith and Dave MacRae that make up Roots flirt with perfection, and Nucleus at that time made up of the cream of 1970s UK jazz with Brian Smith on tenor saxophones and flutes, Dave MacRae on piano and electric piano, Jocelyn Pitchen on guitar, Roger Sutton on bass, both Clive Thacker and Aureo De Souza on drums and percussion, Joy Yates delivering the vocals and of course Carr on trumpet.
The spellbinding title track immediately renders the album indispensable. Riding the illest of loping breakbeats, “Roots” is low-slung, doped-out heist-funk. An absolute monster. If it sounds familiar then that’s likely down to it being sampled by Madlib for Lootpack and Quasimoto’s “Loop Digga”, as well as by a whole host of beat manipulators. “Roots” conjures prime instrumental hip-hop / beat music, only 20 years ahead of its time. Truly, these are the roots. Through sinuous bass, twinkling keys and a hypnotic guitar riff, a smoky brass motif weaves its way into a gloriously deep haze around Carr’s solos. “Roots” is over 9 minutes long, but there’s not a single wasted second, not surprising given that this is a condensed version of an originally 40 minute long commissioned composition.
The soothing vocal fusion delight of “Images” follows. Meticulously constructed, with gorgeous flute work from Brian Smith, with Joy Yates’ silky vocals and Dave MacRae’s Rhodes never sounding better. The cool, driving “Caliban” closes out the first side. Originally the third movement in a four part commission to celebrate Shakespeare’s birthday it stands up on its own, all robust rhythms and blended brass. Keyboard colour and Carr’s trumpet are splashed across the funk drums and basslines (and there’s even some bamboo flute). This really is fusion: the elements of jazz and rock coming together in beautifully synthesis.
Side two opens in riotous fashion with the short, thrilling samba of “Wapatiti”. Next up, “Capricorn” forms a smoothed-out, jazzy constellation. Mellow and dreamy, its twinkling percussion and languid horns slowly build the vibe before head-nod drums and a killer bassline enter the fray. With a distinct heaviness that Black Sabbath would’ve envied, “Odokamona” is a venomous slice of riff-soaked jazz metal (yes, you read that right), elevated by Carr’s wah-wah horns.
The album closes with MacRae’s exceptionally cosmic “Southern Roots and Celebration”. Very much in conversation with Weather Report, it opens as a languorous, spiritual jazz of chiming keys and serene guitar that turns slowly, gorgeously into a mid-paced, brass-laced banger. It’s another sure-fire party starter and the sound of the band having a righteous blast, building an ecstatic chaos that ends with Yates screaming.
And of course we need to talk about Keith Davis’ cover for Roots. Perhaps the coolest record cover of all time? Certainly one of the most bonkers. Just your run-of-the-mill high-gloss, acid-tinged airbrush dystopian/utopian living-room party scene. Consider this your chemical flashback trigger warning.
Front-and-centre the hip-to-death green robot holds court with their giant ball of yellow barbwire wool, hooked up to… something(?) being teased out from under the stairs (probably best not to ask). A thoroughly zoned-out, long-legged Pop Art party-goer lounges half-plugged in to the painting behind her as a pair of legs flail into shot from the the top of the stairs opposite. We won’t even begin to guess what the chap’s up to in the middle, but the view out of the windows is rather nice, and someone’s already got the hoover out ready to tidy up. All of the Nucleus sleeves are something special, but this particular one? Crikey.
This Be With edition of Roots has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The crazy cover has been restored at Be With HQ as the finishing touch to this long overdue re-issue.
More



1
Ian Carr With Nucleus - Origins (2:57)
2
Ian Carr With Nucleus - Bull Dance (8:17)
3
Ian Carr With Nucleus - Ariadne (7:47)
4
Ian Carr With Nucleus - Arena Part I (1:49)
5
Ian Carr With Nucleus - Arena Part II (5:12)
6
Ian Carr With Nucleus - Exultation (6:02)
7
Ian Carr With Nucleus - Naxos (12:22)
Format Notes: 2022 re-issue, 140g vinyl, gatefold sleeve, remastered from the original tapes
Territories: Worldwide no restrictions
Track List:
A1 : Origins (2:57)
A2 : Bull Dance (8:17)
A3 : Ariadne (7:47)
A4 : Arena Part I (1:49)
B1 : Arena Part II (5:12)
B2 : Exultation (6:02)
B3 : Naxos (12:22)
Release Notes:
Labyrinth is dark, brooding, beat-heavy, melancholic mood music courtesy of Ian Carr and the Nucleus crew. A favourite of Madlib, it goes without saying that this is one magnificent record. Originally released on Vertigo in 1973, Labyrinth was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
At this point Carr had parted ways with guitarist Alan Holdsworth and as a result the Nucleus sound found itself returning to the core elements of groove and melody. Carr had become bolder and more self-confident in his compositions and it shows in the sheer ambition of Labyrinth. Composed by Carr, and with lyrics written by his wife Sandy, Labyrinth was the result of a commission from the Park Lane Group and funded by the Arts Council of Great Britain. Originally a live performance by an augmented Nucleus, some of the expanded cast were brought back for the recording sessions, including vocalist Norma Winstone. So as the front cover of the finished album says, this is literally “Nucleus Plus”.
Labyrinth is presented as a suite, based on the ancient Greek legend of the Minotaur with musical instruments representing the various elements of the mythology. According to the LP’s original sleeve notes, the bass clarinet represents the tragic element, the trumpet represents the heroic element and the voice represents the human element. The rest of the musicians represent the two societies of Athens and Crete and their comments on the story as it unfolds.
The album opens with the experimental, sumptuously dissonant “Origins”. Teasing strands of atmospheric bass clarinet introduce the first theme before swiftly fading out with a startling blast of staccato fanfares and big drums. Heavy. The album soon finds its rhythm as it alights on the spell-binding and groove-friendly “Bull-Dance”, showing off the best Nucleus has to offer: subtle trumpet melodies, compelling rhythms, a psych-rock vibe and tight soloing. And of course there’s Norma Winstone’s stunning wordless vocals, that also take the lead in the next track “Ariadne”, a spacey-jazz song with beautiful piano, flute and clarinet, and the only recognisable lyrics on the album. You might recognise a snatch of it being looped by Madlib on Quasimoto’s “Astro Travellin”. The first part of the improvised “Arena” closes out the first side of the album, a short experimental piece with piano and horns.
Over on the flip-side, the powerful second part of “Arena” introduces a new theme. It swiftly builds, with vocal melodies, piano and horns all pronounced over the thick drums snapping your neck. It comes on like an alternate take on “Bull-Dance”, noisier, with a looser rhythm. The triumphant, shuffling Latin-jam “Exultation” leans on more scintillating vocals from Winstone, and a chunky counter melody from the rhythm section. It’ll get you moving.
The final track, the haunting, twelve minute “Naxos”, is an incredible way to close out this remarkable record. A circling bass guitar loop inspiring the group to a meditative psychedelic jazz rock improvisation in a silent, Miles kind of way, with a great flugelhorn solo from Carr and an ace synth climax.
This Be With edition of Labyrinth has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. Another great Keith Davis sleeve has been restored in all its airbrushed Golden Age of comics, gatefold splendour. Complete with Minotaur of course.
More
Territories: Worldwide no restrictions
Track List:
A1 : Origins (2:57)
A2 : Bull Dance (8:17)
A3 : Ariadne (7:47)
A4 : Arena Part I (1:49)
B1 : Arena Part II (5:12)
B2 : Exultation (6:02)
B3 : Naxos (12:22)
Release Notes:
Labyrinth is dark, brooding, beat-heavy, melancholic mood music courtesy of Ian Carr and the Nucleus crew. A favourite of Madlib, it goes without saying that this is one magnificent record. Originally released on Vertigo in 1973, Labyrinth was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
At this point Carr had parted ways with guitarist Alan Holdsworth and as a result the Nucleus sound found itself returning to the core elements of groove and melody. Carr had become bolder and more self-confident in his compositions and it shows in the sheer ambition of Labyrinth. Composed by Carr, and with lyrics written by his wife Sandy, Labyrinth was the result of a commission from the Park Lane Group and funded by the Arts Council of Great Britain. Originally a live performance by an augmented Nucleus, some of the expanded cast were brought back for the recording sessions, including vocalist Norma Winstone. So as the front cover of the finished album says, this is literally “Nucleus Plus”.
Labyrinth is presented as a suite, based on the ancient Greek legend of the Minotaur with musical instruments representing the various elements of the mythology. According to the LP’s original sleeve notes, the bass clarinet represents the tragic element, the trumpet represents the heroic element and the voice represents the human element. The rest of the musicians represent the two societies of Athens and Crete and their comments on the story as it unfolds.
The album opens with the experimental, sumptuously dissonant “Origins”. Teasing strands of atmospheric bass clarinet introduce the first theme before swiftly fading out with a startling blast of staccato fanfares and big drums. Heavy. The album soon finds its rhythm as it alights on the spell-binding and groove-friendly “Bull-Dance”, showing off the best Nucleus has to offer: subtle trumpet melodies, compelling rhythms, a psych-rock vibe and tight soloing. And of course there’s Norma Winstone’s stunning wordless vocals, that also take the lead in the next track “Ariadne”, a spacey-jazz song with beautiful piano, flute and clarinet, and the only recognisable lyrics on the album. You might recognise a snatch of it being looped by Madlib on Quasimoto’s “Astro Travellin”. The first part of the improvised “Arena” closes out the first side of the album, a short experimental piece with piano and horns.
Over on the flip-side, the powerful second part of “Arena” introduces a new theme. It swiftly builds, with vocal melodies, piano and horns all pronounced over the thick drums snapping your neck. It comes on like an alternate take on “Bull-Dance”, noisier, with a looser rhythm. The triumphant, shuffling Latin-jam “Exultation” leans on more scintillating vocals from Winstone, and a chunky counter melody from the rhythm section. It’ll get you moving.
The final track, the haunting, twelve minute “Naxos”, is an incredible way to close out this remarkable record. A circling bass guitar loop inspiring the group to a meditative psychedelic jazz rock improvisation in a silent, Miles kind of way, with a great flugelhorn solo from Carr and an ace synth climax.
This Be With edition of Labyrinth has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. Another great Keith Davis sleeve has been restored in all its airbrushed Golden Age of comics, gatefold splendour. Complete with Minotaur of course.
More

1
Nucleus - In Procession (2:52)
2
Nucleus - The Addison Trip (3:53)
3
Nucleus - Pastoral Graffiti (3:28)
4
Nucleus - New Life (7:01)
5
Nucleus - A Taste Of Sarsaparilla (0:40)
6
Nucleus - Theme 1 - Sarsaparilla (6:45)
7
Nucleus - Theme 2 - Feast Alfresco (5:56)
8
Nucleus - Theme 3 - Rites Of Man (9:58)
Format Notes: 2022 re-issue, 140g vinyl, remastered from the original tapes
Territories: Worldwide no restrictions
Track List:
A1 : In Procession (2:52)
A2 : The Addison Trip (3:53)
A3 : Pastoral Graffiti (3:28)
A4 : New Life (7:01)
A5 : A Taste Of Sarsaparilla (0:40)
B1 : Theme 1 - Sarsaparilla (6:45)
B2 : Theme 2 - Feast Alfresco (5:56)
B3 : Theme 3 - Rites Of Man (9:58)
Release Notes:
Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has stayed relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
Under The Sun opens with the crisp, medium tempo “In Procession”. It’s a typically inventive Carr track with layers of dramatic, riff-led themes and repeating brass blasts. Bryan Spring’s “The Addison Trip” is a moody funk piece, with Kieran White guesting on wordless vocals. Roger Sutton contributes some fine bass guitar on this track, particularly the great solo at around the two minute mark. The excellently-named cool, jazzy ballad “Pastoral Graffiti” paints bucolic pictures with its mellow sonics, plaintive horns and Bob Bertles’ flute.
Sutton’s superb, bass-driven “New Life” brings a different dynamic. Horns, guitar and electric piano swirl over the head-nod bass motif and a killer Ken Shaw guitar solo. A false fade out halfway through brings in a new bass riff that’s picked up by the whole ensemble as Carr wah-wah noodles over the top. It’s full-on. The gorgeous, laidback “A Taste of Sarsaparilla” is exactly that - closing out the first side with a cute blast of what is to come over on the killer flip.
The whole of Under The Sun’s second side is a suite of three “Themes” written by Ian Carr. The uptempo first theme “Sarsaparilla” is comfortably one of Nucleus’ best. What would’ve been a cluttered mess in the hands of most is instead an effortless lesson in clarity and zing. Between Geoff Castle’s electric piano solo, the relentless funky drumming and more wild wah-wah trumpet from Carr, Nucleus show you how it’s done.
The languid groove of second theme “Feast Alfresco” is much more typical of “classic” Nucleus and sounds like something that might’ve been on Roots. A Bertles baritone solo and a guitar solo from Shaw weave around the core, serpentine brass theme.
The darker “Rites of Man”, the third and final theme, is a slow build to a solid bass and electric piano riff, shored up by some tricky brass. Carr takes the theme even further and there’s still plenty of room for soloing from all corners of the Nucleus. As usual, the dynamic Sutton/Spring, bass/drums duo is holding down the rhythm for the rest to jam around.
This Be With edition of Under The Sun has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The bleak, rain-dappled cover matches the melancholic vibe of the record and has been restored as the finishing touch to this long overdue re-issue.
More
Territories: Worldwide no restrictions
Track List:
A1 : In Procession (2:52)
A2 : The Addison Trip (3:53)
A3 : Pastoral Graffiti (3:28)
A4 : New Life (7:01)
A5 : A Taste Of Sarsaparilla (0:40)
B1 : Theme 1 - Sarsaparilla (6:45)
B2 : Theme 2 - Feast Alfresco (5:56)
B3 : Theme 3 - Rites Of Man (9:58)
Release Notes:
Under The Sun is the follow-up to the astonishing Roots and contains yet more absolutely essential Nucleus material. Originally released on Vertigo in 1974, Under The Sun was never re-pressed and of course those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has stayed relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
Under The Sun opens with the crisp, medium tempo “In Procession”. It’s a typically inventive Carr track with layers of dramatic, riff-led themes and repeating brass blasts. Bryan Spring’s “The Addison Trip” is a moody funk piece, with Kieran White guesting on wordless vocals. Roger Sutton contributes some fine bass guitar on this track, particularly the great solo at around the two minute mark. The excellently-named cool, jazzy ballad “Pastoral Graffiti” paints bucolic pictures with its mellow sonics, plaintive horns and Bob Bertles’ flute.
Sutton’s superb, bass-driven “New Life” brings a different dynamic. Horns, guitar and electric piano swirl over the head-nod bass motif and a killer Ken Shaw guitar solo. A false fade out halfway through brings in a new bass riff that’s picked up by the whole ensemble as Carr wah-wah noodles over the top. It’s full-on. The gorgeous, laidback “A Taste of Sarsaparilla” is exactly that - closing out the first side with a cute blast of what is to come over on the killer flip.
The whole of Under The Sun’s second side is a suite of three “Themes” written by Ian Carr. The uptempo first theme “Sarsaparilla” is comfortably one of Nucleus’ best. What would’ve been a cluttered mess in the hands of most is instead an effortless lesson in clarity and zing. Between Geoff Castle’s electric piano solo, the relentless funky drumming and more wild wah-wah trumpet from Carr, Nucleus show you how it’s done.
The languid groove of second theme “Feast Alfresco” is much more typical of “classic” Nucleus and sounds like something that might’ve been on Roots. A Bertles baritone solo and a guitar solo from Shaw weave around the core, serpentine brass theme.
The darker “Rites of Man”, the third and final theme, is a slow build to a solid bass and electric piano riff, shored up by some tricky brass. Carr takes the theme even further and there’s still plenty of room for soloing from all corners of the Nucleus. As usual, the dynamic Sutton/Spring, bass/drums duo is holding down the rhythm for the rest to jam around.
This Be With edition of Under The Sun has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The bleak, rain-dappled cover matches the melancholic vibe of the record and has been restored as the finishing touch to this long overdue re-issue.
More

1
Nucleus - Phaideaux Corner (6:17)
2
Nucleus - Alleycat (14:15)
3
Nucleus - Splat (11:41)
4
Nucleus - You Can’t Be Sure (4:14)
5
Nucleus - Nosegay (4:51)
Format Notes: 2022 re-issue, 140g vinyl, remastered from the original tapes
Territories: Worldwide no restrictions
Track List:
A1 : Phaideaux Corner (6:17)
A2 : Alleycat (14:15)
B1 : Splat (11:41)
B2 : You Can’t Be Sure (4:14)
B3 : Nosegay (4:51)
Release Notes:
Come for the leopard, stay for the stone cold jams. Yet another thrilling, funky-prog jazzy-rock fusion beauty from Ian Carr’s Nucleus. Originally released on Vertigo in 1975, Alleycat was never re-pressed so those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has stayed relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
Alleycat was the last Nucleus album recorded for the Vertigo label. Released in 1975, it was again meticulously produced by Jon Hiseman and is every bit as sinuous as anything else the group had recorded. As far as riff-laden accidental cop-funk goes, there’s so much energy coursing through the music that at times it sounds like a live recording. It’s pretty unbeatable.
Uptempo opener “Phaideaux Corner” is a funk-flavoured opus with a groove that simply swaggers. This trademark Roger Sutton piece benefits from Trevor Tomkins’s percussive expertise and some excellent sax and keyboard soloing. Check out Geoff Castle on squelchy, stabbing Moog duties. Ian Carr’s elegantly laidback title track is a lengthy suite of magisterial themes. Typically complex, it still gets you hooked and is just riddled with the funk. Carr builds up his initially “straight” trumpet solo with later use of echo to mesmeric effect. And there’s some excellent wah-wah guitar shredding by Ken Shaw too. Nice.
The second side opens with the killer “Splat” and finds Nucleus really ripping it up. A fat, funky bass guitar riff introduces us to the track and stays with us until the end. The often mangled bass groove is pushed along by rattling drums and percussion, dropping out for some restful moments of spacey calm, and along the way picking up some lengthy keyboard noodling by Castle. So so good.
The cool “You Can’t Be Sure” is a gentle jam with Shaw on 12-string acoustic guitar, together with Carr’s muted trumpet and some marvellous fretless work from Sutton for extra colour. The album closes with Bob Bertles’ galloping “Nosegay”, written perhaps as a response to some of the faster Mahavishnu Orchestra pieces. It’s an example of well crafted jazz-rock that doesn’t compromise any of its jazziness, yet it still very definitely rocks.
This Be With re-issue of Alleycat has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The cool AF cover - that leopard was just a cat before he heard Nucleus, you know - has been restored as the finishing touch to this long overdue re-issue.
More
Territories: Worldwide no restrictions
Track List:
A1 : Phaideaux Corner (6:17)
A2 : Alleycat (14:15)
B1 : Splat (11:41)
B2 : You Can’t Be Sure (4:14)
B3 : Nosegay (4:51)
Release Notes:
Come for the leopard, stay for the stone cold jams. Yet another thrilling, funky-prog jazzy-rock fusion beauty from Ian Carr’s Nucleus. Originally released on Vertigo in 1975, Alleycat was never re-pressed so those original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has stayed relevant. To steal a line from a recent review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
Alleycat was the last Nucleus album recorded for the Vertigo label. Released in 1975, it was again meticulously produced by Jon Hiseman and is every bit as sinuous as anything else the group had recorded. As far as riff-laden accidental cop-funk goes, there’s so much energy coursing through the music that at times it sounds like a live recording. It’s pretty unbeatable.
Uptempo opener “Phaideaux Corner” is a funk-flavoured opus with a groove that simply swaggers. This trademark Roger Sutton piece benefits from Trevor Tomkins’s percussive expertise and some excellent sax and keyboard soloing. Check out Geoff Castle on squelchy, stabbing Moog duties. Ian Carr’s elegantly laidback title track is a lengthy suite of magisterial themes. Typically complex, it still gets you hooked and is just riddled with the funk. Carr builds up his initially “straight” trumpet solo with later use of echo to mesmeric effect. And there’s some excellent wah-wah guitar shredding by Ken Shaw too. Nice.
The second side opens with the killer “Splat” and finds Nucleus really ripping it up. A fat, funky bass guitar riff introduces us to the track and stays with us until the end. The often mangled bass groove is pushed along by rattling drums and percussion, dropping out for some restful moments of spacey calm, and along the way picking up some lengthy keyboard noodling by Castle. So so good.
The cool “You Can’t Be Sure” is a gentle jam with Shaw on 12-string acoustic guitar, together with Carr’s muted trumpet and some marvellous fretless work from Sutton for extra colour. The album closes with Bob Bertles’ galloping “Nosegay”, written perhaps as a response to some of the faster Mahavishnu Orchestra pieces. It’s an example of well crafted jazz-rock that doesn’t compromise any of its jazziness, yet it still very definitely rocks.
This Be With re-issue of Alleycat has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The cool AF cover - that leopard was just a cat before he heard Nucleus, you know - has been restored as the finishing touch to this long overdue re-issue.
More
Label:Modern Obscure Music
Cat-No:MOM041
Release-Date:05.05.2023
Genre:Electronica
Configuration:12" Excl
Label:Modern Obscure Music
Cat-No:MOM041
Release-Date:05.05.2023
Genre:Electronica
Configuration:12" Excl
1
The Purge Of Tomorrow (Shackleton) - Time Moving
2
The Purge Of Tomorrow (Shackleton) - Waves
Constantly evolving and adapting his sound, Shackleton has releases
spanning labels such as Honest Jon’s, Perlon and his own imprints, Skull
Disco (co-founded with Appleblim) and Woe to the Septic Heart!.
Shackleton now finds a home for a brand new project on the
Barcelona-based, Modern Obscure Music.
Undoubtedly Shackleton, but taking the meditative aspects of his sound
to a new plane, The Purge of Tomorrow, is an alias born to transmit a
less dancefloor-orientated experience to whomever is ready to receive it.
‘The Other Side of Devastation’ is an investigation into a novel form of
deepness. Adverse to the reductive label of ‘Ambient’, these tracks are
spawned from a live performance context. The essence was to create an
immersive encounter where listeners are called on to actively unburden
their mind of unnecessary thoughts. Staying true to the trance elements
that Shackleton is renowned for, this EP is not dependent on traditional
structures or a linear narrative.
‘Time Moving’ presents itself through a journey of disquieted moments
and contemplative states. Hypnotic strings provided by Kathy Alberici
construct pastoral phrases that mesh with the larger looming drones,
culminating to conjure a daydream-like energy. Following on, ‘Waves’
twists through various forms, awash with cascading vocal splices and
soothing murmurs contrasted with rousing sub pressure.
Reflective and sometimes provocative, as an artist who resents the
pigeon-holes of genre, The Purge of Tomorrow presents an exciting new
direction for Shackleton. Bursting-at-the-seams with emotional
complexity as to echo the woes of the human condition, this EP is
steeped in feelings of forgone events doomed to be replicated.
Artwork by Juaki Pesudo
Design by Andrea di Franco
Mastered by Rupert Clervaux
A1. The Purge of Tomorrow - Time Moving
B1. The Purge of Tomorrow - Waves More
spanning labels such as Honest Jon’s, Perlon and his own imprints, Skull
Disco (co-founded with Appleblim) and Woe to the Septic Heart!.
Shackleton now finds a home for a brand new project on the
Barcelona-based, Modern Obscure Music.
Undoubtedly Shackleton, but taking the meditative aspects of his sound
to a new plane, The Purge of Tomorrow, is an alias born to transmit a
less dancefloor-orientated experience to whomever is ready to receive it.
‘The Other Side of Devastation’ is an investigation into a novel form of
deepness. Adverse to the reductive label of ‘Ambient’, these tracks are
spawned from a live performance context. The essence was to create an
immersive encounter where listeners are called on to actively unburden
their mind of unnecessary thoughts. Staying true to the trance elements
that Shackleton is renowned for, this EP is not dependent on traditional
structures or a linear narrative.
‘Time Moving’ presents itself through a journey of disquieted moments
and contemplative states. Hypnotic strings provided by Kathy Alberici
construct pastoral phrases that mesh with the larger looming drones,
culminating to conjure a daydream-like energy. Following on, ‘Waves’
twists through various forms, awash with cascading vocal splices and
soothing murmurs contrasted with rousing sub pressure.
Reflective and sometimes provocative, as an artist who resents the
pigeon-holes of genre, The Purge of Tomorrow presents an exciting new
direction for Shackleton. Bursting-at-the-seams with emotional
complexity as to echo the woes of the human condition, this EP is
steeped in feelings of forgone events doomed to be replicated.
Artwork by Juaki Pesudo
Design by Andrea di Franco
Mastered by Rupert Clervaux
A1. The Purge of Tomorrow - Time Moving
B1. The Purge of Tomorrow - Waves More

1
todd terje - Ragysh
2
todd terje - Snooze 4 Love
3
todd terje - Bonysh
2022 Repress
Touched by the hand of Todd...Drumroll, please…New 12-Inch with original productions since…Ragysh, Bonysh and Snooze 4 Love...First edition comes in super nice recycling sleeves, second edition in not so nice sleeves... Trans dance from the Norwegian Chief inspector that is Todd Terje…Greatysh hypnotism, properysh beats and a lovelysh Terjerine dream to round it all off…Vinyl contains some hidden tracks and extra elements… Cannot stop listening to it… …Touched by the hand of Todd…
Tracklisting:
A: Ragysh
B1: Snooze 4 Love
B2: Bonysh
More
Touched by the hand of Todd...Drumroll, please…New 12-Inch with original productions since…Ragysh, Bonysh and Snooze 4 Love...First edition comes in super nice recycling sleeves, second edition in not so nice sleeves... Trans dance from the Norwegian Chief inspector that is Todd Terje…Greatysh hypnotism, properysh beats and a lovelysh Terjerine dream to round it all off…Vinyl contains some hidden tracks and extra elements… Cannot stop listening to it… …Touched by the hand of Todd…
Tracklisting:
A: Ragysh
B1: Snooze 4 Love
B2: Bonysh
More
1
OXIA - Domino Original Rework
2
OXIA - Domino Robag's Lasika Cafa
3
OXIA - Domino Matador Remix
Oxia's classic 'Domino' gets reworked for it's ten year anniversary - in 2 vinyl parts.
A decade after initially seeing the light, Oxia's now classic 'Domino' get's reworked to celebrate it's anniversary. The new release features a new cut by Oxia himself as well as several remixes by none other than Frankey & Sandrino, Robag Wruhme and Matador. The EP will be released through Agoria's newly found record label Sapiens on February 24th.
Ten years ago the track made waves in the international dance music circuit, striking up chords with techno, trance and house DJs alike to quickly become an all-time classic. Having never expected the track to reach the status that it his, it's a very dear project to Oxia and he needed quite some persuading to give in and let Agoria and his team create something that was worthy of the original. The set of tracks are the first officially commissioned remixes by Oxia ever.
"Finding remixers took some time, the amazing Frankey & Sandrino who's track 'Acamar' is my absolute favourite of 2015, Matador that just launched his Rukus label as well is the multi-talented ex label mate at Kompakt Robag Wruhme. They are all incredibly gifted and fortunately patient enough to wait for this EP" - OXIA
Tracklisting Vinyl 1
A1. Domino (Original rework )
A2. Domino ( Robag's Lasika Cafa Nb)
B1. 4. Domino (Matador Remix)
More
A decade after initially seeing the light, Oxia's now classic 'Domino' get's reworked to celebrate it's anniversary. The new release features a new cut by Oxia himself as well as several remixes by none other than Frankey & Sandrino, Robag Wruhme and Matador. The EP will be released through Agoria's newly found record label Sapiens on February 24th.
Ten years ago the track made waves in the international dance music circuit, striking up chords with techno, trance and house DJs alike to quickly become an all-time classic. Having never expected the track to reach the status that it his, it's a very dear project to Oxia and he needed quite some persuading to give in and let Agoria and his team create something that was worthy of the original. The set of tracks are the first officially commissioned remixes by Oxia ever.
"Finding remixers took some time, the amazing Frankey & Sandrino who's track 'Acamar' is my absolute favourite of 2015, Matador that just launched his Rukus label as well is the multi-talented ex label mate at Kompakt Robag Wruhme. They are all incredibly gifted and fortunately patient enough to wait for this EP" - OXIA
Tracklisting Vinyl 1
A1. Domino (Original rework )
A2. Domino ( Robag's Lasika Cafa Nb)
B1. 4. Domino (Matador Remix)
More

1
DJ "S" - Groovin'
2
DJ "S" - Sweet Love
3
DJ "S" - Back again
4
DJ "S" - U
Limited Colored Vinyl Edition!
Super smooth 4 track EP, limited silver 10 Inch. What an exciting moment, when you can work with one of the legends of the game. Greek producer DJ "S" is one of the early Edit producers around, and with his own downbeat sound he quickly became one of the big names in the European Disco scene. He perfected his craft as a multi-talented music producer, experimenting with vintage black sounds and reviving old-classics in the form of remixes which made a serious impact among the internet and on his YouTube Channel which counts thousands (over 260k) of faithful followers!
A1 Dj "S" - Groovin'
A2 Dj "S" - Sweet Love
B1 Dj "S" - Back again
B2 Dj "S" - U
More
Super smooth 4 track EP, limited silver 10 Inch. What an exciting moment, when you can work with one of the legends of the game. Greek producer DJ "S" is one of the early Edit producers around, and with his own downbeat sound he quickly became one of the big names in the European Disco scene. He perfected his craft as a multi-talented music producer, experimenting with vintage black sounds and reviving old-classics in the form of remixes which made a serious impact among the internet and on his YouTube Channel which counts thousands (over 260k) of faithful followers!
A1 Dj "S" - Groovin'
A2 Dj "S" - Sweet Love
B1 Dj "S" - Back again
B2 Dj "S" - U
More
1
Gesloten Cirkel - cryformechicago
2
Gesloten Cirkel - pkbday
3
Gesloten Cirkel - didit (Turbo Mix)
4
Gesloten Cirkel - detoon
Tracklist:
A1 Gesloten Cirkel - cryformechicago
A2 Gesloten Cirkel - pkbday
B1 GPU - didit (Turbo Mix)
B2 Gesloten Cirkel – detoon
Release Note:
We wanted Turbo’s 218th release to be special, so we’re proud to announce that we’ve harpooned and skinned one of our white whales, Gesloten Cirkel. Label boss Tiga pursued several leads, most of which went nowhere (the artist's real name is not, as it turns out, "Jesse Circle”), before cornering the elusive Cirkel in Berlin, where he promptly befriended the shit out of him.
With killer releases on legendary Dutch electro/acid imprint Murdercapital, Gesloten Cirkel’s banger credentials are unimpeachable. For his Turbo debut, he flooded our modest Metaverse offices with over 60 demos. If you guessed that the tracks on Detoon represent all the very best of that material, you just might have what it takes to run a label of your own one day. But you’d also be wrong, because there’s a second Turbo EP on the horizon. Never forget: with Turbo, you’re always here to learn.
More
A1 Gesloten Cirkel - cryformechicago
A2 Gesloten Cirkel - pkbday
B1 GPU - didit (Turbo Mix)
B2 Gesloten Cirkel – detoon
Release Note:
We wanted Turbo’s 218th release to be special, so we’re proud to announce that we’ve harpooned and skinned one of our white whales, Gesloten Cirkel. Label boss Tiga pursued several leads, most of which went nowhere (the artist's real name is not, as it turns out, "Jesse Circle”), before cornering the elusive Cirkel in Berlin, where he promptly befriended the shit out of him.
With killer releases on legendary Dutch electro/acid imprint Murdercapital, Gesloten Cirkel’s banger credentials are unimpeachable. For his Turbo debut, he flooded our modest Metaverse offices with over 60 demos. If you guessed that the tracks on Detoon represent all the very best of that material, you just might have what it takes to run a label of your own one day. But you’d also be wrong, because there’s a second Turbo EP on the horizon. Never forget: with Turbo, you’re always here to learn.
More
german exclusive & essential picks
1
Unknown Artist - Untitled A1
2
Unknown Artist - Untitled A2
3
Unknown Artist - Untitled B1
4
Unknown Artist - Untitled B2
A basement, West London, 1994. An unknown artist surrounded by machines. The sun peeking through the curtain - a reminder that at some point, you really need to go to bed.
But not yet, there’s still tunes to be made.
The mysterious and highly sought after Sun-D EP gets a well deserved reissue on AGT Records. With shades of early progressive house, trance and bleep, this record is ready for the sunrise moments we’ve been waiting a long, long time for. More
But not yet, there’s still tunes to be made.
The mysterious and highly sought after Sun-D EP gets a well deserved reissue on AGT Records. With shades of early progressive house, trance and bleep, this record is ready for the sunrise moments we’ve been waiting a long, long time for. More
1
Z-Formation - Sound Waves
2
Z-Formation - Beyond The Bounds
3
Z-Formation - Secret Departure
4
Z-Formation - Deep Meditation
Back To Life continues with its quality reissues. This time it is the turn of Z-Formation's 'Intense EP'. A 1991 classic originally released by Hi-Bias Records.
Four timeless tracks, a mix of deep house and early techno. More
Four timeless tracks, a mix of deep house and early techno. More
1
Edmondson - Flamingo Tripper
2
Edmondson - Flamingo Tripper (Letherette Redux)
3
Edmondson - Diamond Life (Ten Sticks Version)
4
Edmondson - Saturday (Dream Cycle Recycle)
5
Edmondson - On & On (Edmondson's Claremont Skies Revisit)
Tip!
First released in late 2016, flamingo tripper is a rough-hewn, glowing piece of after hours house music which continues to charm years later.
Originally described as "near perfection" by dj mag, this revisited edition features a remaster of the title track alongside fresh reinterpretations of the original ep.
A side: ninja tune’s letherette bring a sublime golden-era 90bpm instrumental, newcastle duo ten sticks craft kaleidoscopic dub techno of the ~scape records ilk.
B side: dream cycle & edmondson provide low end-heavy, panoramic club tracks - crisp, hi-res sonics and smoked-out atmospherics in the outer ukg realm. More
First released in late 2016, flamingo tripper is a rough-hewn, glowing piece of after hours house music which continues to charm years later.
Originally described as "near perfection" by dj mag, this revisited edition features a remaster of the title track alongside fresh reinterpretations of the original ep.
A side: ninja tune’s letherette bring a sublime golden-era 90bpm instrumental, newcastle duo ten sticks craft kaleidoscopic dub techno of the ~scape records ilk.
B side: dream cycle & edmondson provide low end-heavy, panoramic club tracks - crisp, hi-res sonics and smoked-out atmospherics in the outer ukg realm. More
Caterina Barbieri is set to release the sister album of her 2019"s acclaimed "Ecstatic Computation". "Myuthafoo" will be out on June 2 on light-years, followed by the "Ecstatic Computation" reissue with an extra new track. "Myuthafoo" was written at the same time as "Ecstatic Computation", which Barbieri regards as a sister album. Both albums are based on creative sequencing processes that playfully unravel Barbieri"s deeprooted interest in time, space, memory and emotion.
More
LTD Colored Vinyl!
Caterina Barbieri is set to release the sister album of her 2019"s acclaimed "Ecstatic Computation". "Myuthafoo" will be out on June 2 on light-years, followed by the "Ecstatic Computation" reissue with an extra new track. "Myuthafoo" was written at the same time as "Ecstatic Computation", which Barbieri regards as a sister album. Both albums are based on creative sequencing processes that playfully unravel Barbieri"s deeprooted interest in time, space, memory and emotion. More
Caterina Barbieri is set to release the sister album of her 2019"s acclaimed "Ecstatic Computation". "Myuthafoo" will be out on June 2 on light-years, followed by the "Ecstatic Computation" reissue with an extra new track. "Myuthafoo" was written at the same time as "Ecstatic Computation", which Barbieri regards as a sister album. Both albums are based on creative sequencing processes that playfully unravel Barbieri"s deeprooted interest in time, space, memory and emotion. More
1
Grupo Medusa - Baiana
2
Grupo Medusa - Zeby
3
Grupo Medusa - Caminhos
4
Grupo Medusa - Medusa
5
Grupo Medusa - Pé No Chão
6
Grupo Medusa - Asa Delta
7
Grupo Medusa - Uma Viagem
8
Grupo Medusa - Ponto de Fusão
Grupo Medusa was one of the best instrumental bands in Brazil during the 70s and 80s, blending Jazz, African Influences, and traditional Brazilian Rhythms.
Formed By Chico Medori, Claudio Bertrami, Amilson Godoy and Heraldo do Monte.
Original release in 1981, reissued for the first time Worldwide.
Tracklist:
A1. Baiana – A2. Zeby – A3. Caminhos – A4. Medusa
B1. Pé No Ch?ão – B2. Asa Delta – B3. Uma Viagem – B4. Ponto de Fusão More
Formed By Chico Medori, Claudio Bertrami, Amilson Godoy and Heraldo do Monte.
Original release in 1981, reissued for the first time Worldwide.
Tracklist:
A1. Baiana – A2. Zeby – A3. Caminhos – A4. Medusa
B1. Pé No Ch?ão – B2. Asa Delta – B3. Uma Viagem – B4. Ponto de Fusão More

1
Dana Kaproff - Brownstones
2
Dana Kaproff - Piranha
3
Dana Kaproff - China White
4
Dana Kaproff - Snowdrift
5
Dana Kaproff - Strawberry Canyon
6
Dana Kaproff - Sandcastle
7
Dana Kaproff - Mariposa
8
Dana Kaproff - Aviary
LP DELUXE EDITION
180g. VINYL + HARD CARDBOARD COVER + OBI + DOWNLOAD CARD
Jazz Funk Masterpiece reissued for the first time Worldwide.
For every celebrated record in jazz, soul, and related music, there are probably thousands more with all the genius for which widespread recognition never came or was delayed.
In 1976, Dana Kaproff released one of the most wanted jazz-funk albums recorded in Los Angeles.
A jazz fusion record for the discerning connoisseur. Tight drums and well-programmed synths. Excellent production and recording. Fans of 70s Herbie Hancock, George Duke, Weather Report, funky library records... heads up.
Tracklist:
A1. Brownstones – A2. Piranha – A3. China White – A4. Snowdrift
B1. Strawberry Canyon – B2. Sandcastle – B3. Mariposa – B4. Aviary More
180g. VINYL + HARD CARDBOARD COVER + OBI + DOWNLOAD CARD
Jazz Funk Masterpiece reissued for the first time Worldwide.
For every celebrated record in jazz, soul, and related music, there are probably thousands more with all the genius for which widespread recognition never came or was delayed.
In 1976, Dana Kaproff released one of the most wanted jazz-funk albums recorded in Los Angeles.
A jazz fusion record for the discerning connoisseur. Tight drums and well-programmed synths. Excellent production and recording. Fans of 70s Herbie Hancock, George Duke, Weather Report, funky library records... heads up.
Tracklist:
A1. Brownstones – A2. Piranha – A3. China White – A4. Snowdrift
B1. Strawberry Canyon – B2. Sandcastle – B3. Mariposa – B4. Aviary More
1
Larry Heard - The Time Is Now (Old School Mix)
2
Larry Heard - Premonition Of Lost Love (Jordan Kevin's Zanzibar Dub)
3
Larry Heard - Andromeda One
4
Larry Heard - Mystery Of Love (DJ Mel's Regentryfication)
Alleviated Records is proud to present the second of hopefully a succession of releases sharing selections from our own Archive of recordings that either have never been issued or that have never been issued on the Alleviated imprint. After many years of being "on-the-shelf" we are extremely pleased to share these with the public.
More
1
bala Desejo - Embala pra Viagem
2
Bala Desejo - Baile De Máscaras (Recarnaval)
3
Bala Desejo - Lua Comanche
4
Bala Desejo - Clama Floresta
5
Bala Desejo - Dourado Dourado
6
Bala Desejo - Nesse Sofá
7
Bala Desejo - Nana Del Caballo Grande
8
Bala Desejo - Lambe Lambe
9
Bala Desejo - Passarinha
10
Bala Desejo - Sim Sim Sim
11
Bala Desejo - Muito Só
12
Bala Desejo - Cronografia (O Peixe)
'Sim Sim Sim' is the Latin Grammy award-winning debut album from Bala Desejo. A band who are at the forefront of Rio de Janeiro’s artistic renaissance, they channel influences of Brazilian 60s Tropicália, 70s psychedelia and MPB to create a nostalgic, yet joyfully, avant-garde sound.
The band is comprised of four distinct characters, each one an incredible talent in their own right and each with impressive credentials in the Brazilian Independent music scene. Central to the resurgent Rio de Janeiro musical community, the quartet of Dora Morelenbaum, Julia Mestre, Lucas Nunes and Zé Ibarra thrive in a group dynamic. They formed Bala Desejo to play collaboratively for a festival date in 2021, but when that show became a victim of pandemic shutdowns the idea for an album project materialised.
'Sim Sim Sim’, which translates into English as ‘Yes Yes Yes’, weaves through a fusion of genres, taking twists and turns as it progresses. There is Tropicália, MPB, rock, samba-canção soul-funk and reggae in the mix. It possesses many of the qualities of a classic album from Brazilian music’s golden era of the 60s and 70s, but also manages to sound very now, which is not an easy task to pull off. As solo musicians, they have worked and collaborated with Brazilian icons Gal Costa, Caetano Veloso and Milton Nascimento to name but a few. Bala Desejo feels like a natural extension of what came before, taking the baton from these luminaries, adding their unique spin and moving the sound forward.
When we first heard Bala Desejo, we were blown away. Their epic theatrical live shows leave audiences stunned and they are the band we had always been hoping to find. A modern-day Novos Baianos or Mutantes, but definitely not an imitation. They celebrate their influences, but are an innovative group, and consequently, they have created one of the finest records to come out of Brazil in recent years. A truly sensational debut!
Tracklist:
1. Embala pra Viagem
2. Baile De Máscaras (Recarnaval)
3. Lua Comanche
4. Clama Floresta
5. Dourado Dourado
6. Nesse Sofá
7. Nana Del Caballo Grande
8. Chupeta *CD Only
9. Lambe Lambe
10. Passarinha
11. Sim Sim Sim
12. Muito Só
13. Cronografia (O Peixe)
14. Faixa Técnica *CD Only More
The band is comprised of four distinct characters, each one an incredible talent in their own right and each with impressive credentials in the Brazilian Independent music scene. Central to the resurgent Rio de Janeiro musical community, the quartet of Dora Morelenbaum, Julia Mestre, Lucas Nunes and Zé Ibarra thrive in a group dynamic. They formed Bala Desejo to play collaboratively for a festival date in 2021, but when that show became a victim of pandemic shutdowns the idea for an album project materialised.
'Sim Sim Sim’, which translates into English as ‘Yes Yes Yes’, weaves through a fusion of genres, taking twists and turns as it progresses. There is Tropicália, MPB, rock, samba-canção soul-funk and reggae in the mix. It possesses many of the qualities of a classic album from Brazilian music’s golden era of the 60s and 70s, but also manages to sound very now, which is not an easy task to pull off. As solo musicians, they have worked and collaborated with Brazilian icons Gal Costa, Caetano Veloso and Milton Nascimento to name but a few. Bala Desejo feels like a natural extension of what came before, taking the baton from these luminaries, adding their unique spin and moving the sound forward.
When we first heard Bala Desejo, we were blown away. Their epic theatrical live shows leave audiences stunned and they are the band we had always been hoping to find. A modern-day Novos Baianos or Mutantes, but definitely not an imitation. They celebrate their influences, but are an innovative group, and consequently, they have created one of the finest records to come out of Brazil in recent years. A truly sensational debut!
Tracklist:
1. Embala pra Viagem
2. Baile De Máscaras (Recarnaval)
3. Lua Comanche
4. Clama Floresta
5. Dourado Dourado
6. Nesse Sofá
7. Nana Del Caballo Grande
8. Chupeta *CD Only
9. Lambe Lambe
10. Passarinha
11. Sim Sim Sim
12. Muito Só
13. Cronografia (O Peixe)
14. Faixa Técnica *CD Only More
1
E.T.I & Graeme - Babyrise
2
E.T.I & Graeme - Blue Dreamers (Original Mix)
3
E.T.I & Graeme - Blue Dreamers (E.T.I Rework)
After nearly 30 years, Oboro Records is back!
With the reissue of their classic Lookout EP earlier in the year on AGT Records, the legendary San Francisco
label returns with a reissue of one of their first ever records, from E.T.I & Graeme. However, unlike the
original, there is now a new remix from one of the founders and label mainstays.
Expect a lot more old and also unreleased music coming soon… More
With the reissue of their classic Lookout EP earlier in the year on AGT Records, the legendary San Francisco
label returns with a reissue of one of their first ever records, from E.T.I & Graeme. However, unlike the
original, there is now a new remix from one of the founders and label mainstays.
Expect a lot more old and also unreleased music coming soon… More
The 3rd full length album from Blackpool recording artist VHS Head. After a long delay from the label, finally Ade Blacow's new album gets a release!
Limited heavyweight Double Vinyl with Gatefold Sleeve. Digi-pak CD.
This album is a soundtrack for an unfinished science fiction film made in the Fylde coast area some time ago. The music is a behind the scenes journey exploring the movie and the central character Phocus, each track an exposition into the duality of actions, on and off screen.
Warped and detached audio set to atomic shot on video era visuals represents the atmosphere to this low budget thriller's vivid running commentary.
The album arrives on heavy weight vinyl with screen shot artwork from the film. Audio mastering by Bola.
https://on.soundcloud.com/vqXwy
Side A
1. Cold Open (Dust to Dust) - 5.03
2. Skinflex - 4.15
3. Fake Sweat - 4.00
Side B
4. Drown a Star - 3.34
5. I see You - 3.42
6. Strange Tangents - 2.38
7. Kilgrimol Dissolve - 3.35
Side C
8. Shoes For Dinosaurs - 2.28
9. Making a Monster - 4.55
10. Paradise Drive - 5.11
Side D
11. Devour the Heart - 2.18
12. Zagatile Marionette - 3.03
13. Dark Hair Magma Soul - 4.32
14. The False Eye Closes - 3.00
More
Limited heavyweight Double Vinyl with Gatefold Sleeve. Digi-pak CD.
This album is a soundtrack for an unfinished science fiction film made in the Fylde coast area some time ago. The music is a behind the scenes journey exploring the movie and the central character Phocus, each track an exposition into the duality of actions, on and off screen.
Warped and detached audio set to atomic shot on video era visuals represents the atmosphere to this low budget thriller's vivid running commentary.
The album arrives on heavy weight vinyl with screen shot artwork from the film. Audio mastering by Bola.
https://on.soundcloud.com/vqXwy
Side A
1. Cold Open (Dust to Dust) - 5.03
2. Skinflex - 4.15
3. Fake Sweat - 4.00
Side B
4. Drown a Star - 3.34
5. I see You - 3.42
6. Strange Tangents - 2.38
7. Kilgrimol Dissolve - 3.35
Side C
8. Shoes For Dinosaurs - 2.28
9. Making a Monster - 4.55
10. Paradise Drive - 5.11
Side D
11. Devour the Heart - 2.18
12. Zagatile Marionette - 3.03
13. Dark Hair Magma Soul - 4.32
14. The False Eye Closes - 3.00
More
IMPORT HIGHLIGHTS THIS WEEK
1
Jaquarius - Hildegarde303
2
Jaquarius - Lescure On Acid 2
3
Jaquarius - Dead Ashcid
4
Mono-enzyme 307 - Dorothacid
5
Mono-enzyme 307 - Phasing Angel
6
Mono-enzyme 307 - Daturacid
Tracklisting:
A1 Jaquarius - Hildegarde303
A2 Jaquarius - Lescure On Acid 2
A3 Jaquarius - Dead Ashcid
B1 Mono-enzyme 307 - Dorothacid
B2 Mono-enzyme 307 - Phasing Angel
B3 Mono-enzyme 307 - Daturacid More
A1 Jaquarius - Hildegarde303
A2 Jaquarius - Lescure On Acid 2
A3 Jaquarius - Dead Ashcid
B1 Mono-enzyme 307 - Dorothacid
B2 Mono-enzyme 307 - Phasing Angel
B3 Mono-enzyme 307 - Daturacid More
1
Powel - Slightly Frozen
2
Powel - I Would Wait ft. Leoi
3
Powel - Piano Reeves ft. Benny Stein
4
Powel - Phaser Is Set To Stunning, Lets Go
Powel returns to All Day I Dream to release his newest celestial sonic masterpiece, the Piano Reeves EP. Enter the ethereal sonic realm of Paul Chriske, the German musical maestro known as Powel, who specializes in “creating harmonious illusions of sound.” Powel is a longtime family member of Lee Burridge’s All Day I Dream imprint, having first released on the label in 2015. Releasing his four track Piano Reeves EP on May 19, Powel returns to All Day I Dream to release his first record with the label since his The Beauty of a Polaroid album in 2020. A pianist since youth, Powel's extensive experiences from a lifetime of performing with bands and orchestras has imbued his music with depth and complexity. Finding inspiration in the people and places he encounters on his travels, Powel draws from a vast and nuanced musical palette. Piano Reeves epitomizes Powel's unique touch as a producer, weaving together warm celestial vibes, airy atmospheres, and delicate rhythms.
More
1
Bright & Findlay - Hello in the Dark (Standing)
2
Bright & Findlay - Fireflies
3
Bright & Findlay - Slow Dance
4
Bright & Findlay - When I Look into the World
5
Bright & Findlay - Flowers
6
Bright & Findlay - Everything Is Slow
7
Bright & Findlay - It's Only Rain
8
Bright & Findlay - Leave It All Behind
9
Bright & Findlay - Space & Time
10
Bright & Findlay - NY Disco (Smile)
11
Bright & Findlay - Doom
Married around a shared love of machine-led funk, outsider soul, 70s-80s nautica and 21st century basement disco, Bright & Findlay (formed of multi-hyphenate James Alexander Bright and Groove Armada's Tom Findlay) are set to release their debut album 'Everything Is Slow' on 9th June via Athens Of The North. After hearing James' 2019 single 'Tigers Roar' on the radio, Tom reached out to see if they could work together on some new music for Groove Armada's last studio album 'Edge Of The Horizon'. While three tracks from these sessions made the album, the two concurrently struck up a friendship in creating a musical language of their own, leading them to form the beginnings of a new partnership tagged Bright & Findlay. The first Bright & Findlay release, 2021's 'Slow Dance' EP, was Gilles Peterson included it in his tracks of the year, they recorded a Block Party mix for Huey Morgan and it also received support from Don Letts, Tom Ravenscroft, Bill Brewster, Dam Funk (Apple Music), Bluey (STR4RA/Incognito), KCRW, Triple J and beyond. With a blueprint laid out, the pair began work on more songs, initially exchanging sketches back and forth between their respective studios before adding and subtracting, layering and finessing an album's worth of music. The pair share production and instrumental work across the record, with James taking vocals and guitars and Tom's ear for arrangement proving second to none.
More
More
1
Wendy Walker & Legal Assault - We've Got One
2
Wendy Walker & Legal Assault - Nice & Slow (feat. Dan-Elle)
One of the finest tracks from Anthony Brightly's work with a young Wendy Walker. This track has always been a personal favourite, so whilst working with Anthony on another project we thought why not do a nice little 45 of this classic. Flipped with Legal Assault's, 'Nice & Slow' also from the Sir George label, this is another long time spin, it's a no-brainer all Killer 45. Strictly AA
More

1
K’Alexi Shelby - Far Beyond
2
K’Alexi Shelby - Season Of The Real
3
K’Alexi Shelby - The Us We Remember
4
K’Alexi Shelby - We Bang
Excellent fresh House mastery by Chicago's legend
More
1
Shlomi Aber - Agua
2
Shlomi Aber - Backup
3
Shlomi Aber - Fuego
4
Shlomi Aber - Complex
Tracklisting:
A1 Shlomi Aber - Agua
A2 Shlomi Aber - Backup
B1 Shlomi Aber - Fuego
B2 Shlomi Aber - Complex
Sales Note
Shlomi Aber is taking over the 088 instalment of his Be As One Imprint with a cutting edge 4 tracker EP of stomping old school, Detroit and 90's influenced techno.
Limited copies, Inc Vinyl only versions.
More
A1 Shlomi Aber - Agua
A2 Shlomi Aber - Backup
B1 Shlomi Aber - Fuego
B2 Shlomi Aber - Complex
Sales Note
Shlomi Aber is taking over the 088 instalment of his Be As One Imprint with a cutting edge 4 tracker EP of stomping old school, Detroit and 90's influenced techno.
Limited copies, Inc Vinyl only versions.
More
1
Dylan Forbes - Air Beneath
2
Dylan Forbes - Reverie
3
Dylan Forbes - Padtheory
4
Dylan Forbes - Reflections
ndica-infused spacey club treats from Dylan Forbes for the fourth instalment of Body High.
More
1
b0ka - Oh Baby
2
b0ka - Castaway
3
b0ka - Stone Cold Girl (pt 1)
4
b0ka - Stone Cold Girl (pt 2)
5
b0ka - When U Touch Me
6
b0ka - Forever, My Friend
7
b0ka - Want Me To
8
b0ka - Give Up
9
b0ka - Let Go
10
b0ka - Hear Me Out
11
b0ka - Fjompin' 67
12
b0ka - Last Night (On Earth)
13
b0ka - Life With Me
Beatservice are delighted to present the debut album from the irrepressible Norwegian outfit, b0ka, with 13 genre-surfing tracks lovingly presented on the gloriously pop-centric 'Forever, My Friend'. Friends since as far back as kindergarten, the b0ka players released a selection of highly regarded singles between 2013 and 2016, with their music arriving via prestige imprints including Eskimo, Paper Recordings, Diamond Club, and their own b0ka Recordings. They've since pursued a diverse range of projects, including Lakehouse, OJKOS, Bjørnar Sira and Den Kosmiske Overorden, with their expansive sounds routinely winning admirers throughout the global music community. The pandemic-induced lockdowns allowed the band an opportunity to re-visit long lost b0ka projects: reviewing dusty hard discs before funnelling the best morsels into the Sagrada Jukebox mixtape earlier this year. It was during this journey of sonic rediscovery that the masterfully diverse 'Forever, My Friend' was ushered into existence. Drawing on all-manner of far-flung influences and brilliantly assembling the components with a pop-ready sophistication, this is spectacular work from b0ka, marking their return to release action in breathtaking style.
More
1
Sleep D - Planet Waves
2
Sleep D - Outdoor System
3
Sleep D - Sunrise In The Crater (I Exist)
4
Sleep D - Strange Sounds
5
Sleep D - From Village to Empire
6
Sleep D - Punch Drunk (feat. YL Hooi)
7
Sleep D - Textile
8
Sleep D - Happiness
9
Sleep D - Hector (Dreaming)
10
Sleep D - Hockey
Naarm alchemists Sleep D's revelatory new synthetic 'Electronic Arts' is ready for circulation. Having released 4 EPs of mind-altering club tackle since 2019's 'Rebel Force', the duo overcome second album syndrome, boiling down their chaos with a more developed sense of songwriting. Never banging one drum, 'Electronic Arts' mirrors the anything goes mania of their DJ sets, tactfully shifting through different sounds and styles. Tempos intensify and decelerate, at times pushing the threshold to 150 bpm from docile canine dreamscapes to full tilt Space Invaders in AR mind games. Largely built on road tested material from their live performances, the album is a tangible Butter Sessions gathering, busting out the gate with Martian rave initiation Planet Waves, Outdoor System's polyrhythmic beatdown and the Orb-like hero dose affirmations of Sunrise In The Crater (I Exist). While 'Electronic Arts' is otherwise a self-dependent effort, Punch Drunk is brewed ever more potent by the hypnagogic vocals and lucid trumpet cycles of former futsal team member YL Hooi. Their unified energy incidentally manifests a profound matrix of ambient techno, motorik, Don Cherry and Everything But the Girl. Also touching on apocalyptic doof and minimal, the album is not exclusively peak time with Maryos Syawish and Corey Kikos' specialty curveballs also playing their part. From Village To Empire finds the duo rooting down in Syawish's heritage with a tapestry of purposefully deployed Iraqi and Syrian ethnographic samples and field recordings, dubbed within range of Muslimgauze and On-U Sound. As minimal techno finale Textile trails off into footsteps wandering back to base camp with a satisfied exhale, one wonders where Sleep D's existential pathfinding could possibly take us next?
More
1
Data Memory Access - Woodwind
2
Data Memory Access - Euphoria
3
Data Memory Access - Anthem
4
Data Memory Access - Hi-Tee
Euphoria-tinged club jams by Giammarco Orsini and Jacopo Latini under their rising Data Memory Access moniker for their first outing with Craigie Knowes. Gold standard house music built for peak time clubbing and early morning memories.
More
(3LP gatefold (black vinyl), printed inner-sleeves + 60 x 60cm 2-sided poster) On '33 Tours Et Puis S'en Vont', Laurent Garnier's first solo LP in 8 years and his most dancefloor-oriented yet, a total mastery of House, Techno, and beyond is on full display. Club-leaning cuts from ‘Liebe Grüße Aus Cucuron’ through to ‘Granulator Bordelum’ all distil his years of warehouse, club, and festival experience into thrilling expressions of musical tension and release.
TRACKLIST
A1 - Tales from the real world (version instrumentale)
A2 - Liebe grüße aus Cucuron
B1 - Reviens la nuit (DJ Edit)
B2 - On the REcorD (part 3)
C1 - Saturn drive duplex [Feat. Alan Vega]
C2 - Closer to you [Feat. Scan X]
D1 - Sake stars fever
D2 - Cinq o clock in le matin
E1 - In your phase [Feat. 22Carbone]
E2 - Give me some sulfites
F1 - Au clair de ta lune
F2 - Granulator Bordelum
INFO
Arriving this May, the French icon’s first solo album since 2015 is his most dancefloor-focussed yet.
Laurent Garnier is one of electronic music’s best-known acts, a pioneering household name responsible for decades of clubland classics. From experiencing the acid-house movement first-hand as a DJ at The Haçienda through to timeless hits such as the breakout ‘Crispy Bacon’ and the enduring ‘The Man With The Red Face’, his tireless enthusiasm has permeated the dance music landscape via six celebrated albums, numerous singles and a relentless touring schedule.
On ‘33 Tours Et Puis S’en Vont’, Laurent Garnier’s first solo LP in 8 years and his most dancefloor-oriented yet, a total mastery of House, Techno, and beyond is on full display. Club-leaning cuts from ‘Liebe Grüße Aus Cucuron’ through to ‘Granulator Bordelum’ all distil his years of warehouse, club, and festival experience into thrilling expressions of musical tension and release.
Vocal-led tracks tastefully borrow from a range of genre influences; from the Hip Hop inflected ‘In Your Phase’ with 22Carbone, an incendiary number that will be firmly burnt into the memory of any attendee of Garnier’s recent DJ sets, to the Punk of ‘Saturn Drive Triplex’, which features vocals from the late Alan Vega, of influential duo Suicide notoriety. Elsewhere, sprinklings of broken rhythms appear in the leftfield downtempo cut ‘...et puis s’en Va!’ and Drum & Bass experiment ‘Sado Miso’, offering listeners a further view into his wide-ranging taste.
Across 2022, Garnier released five EPs, each containing a special hidden code referencing a fairground ride from his childhood, alluding to the album. Now presented through various mediums upon release, including a triple Vinyl LP, cassette, and CD alongside the digital copy, each version offers a thoughtfully tailored experience towards the listener's preferred format. More
TRACKLIST
A1 - Tales from the real world (version instrumentale)
A2 - Liebe grüße aus Cucuron
B1 - Reviens la nuit (DJ Edit)
B2 - On the REcorD (part 3)
C1 - Saturn drive duplex [Feat. Alan Vega]
C2 - Closer to you [Feat. Scan X]
D1 - Sake stars fever
D2 - Cinq o clock in le matin
E1 - In your phase [Feat. 22Carbone]
E2 - Give me some sulfites
F1 - Au clair de ta lune
F2 - Granulator Bordelum
INFO
Arriving this May, the French icon’s first solo album since 2015 is his most dancefloor-focussed yet.
Laurent Garnier is one of electronic music’s best-known acts, a pioneering household name responsible for decades of clubland classics. From experiencing the acid-house movement first-hand as a DJ at The Haçienda through to timeless hits such as the breakout ‘Crispy Bacon’ and the enduring ‘The Man With The Red Face’, his tireless enthusiasm has permeated the dance music landscape via six celebrated albums, numerous singles and a relentless touring schedule.
On ‘33 Tours Et Puis S’en Vont’, Laurent Garnier’s first solo LP in 8 years and his most dancefloor-oriented yet, a total mastery of House, Techno, and beyond is on full display. Club-leaning cuts from ‘Liebe Grüße Aus Cucuron’ through to ‘Granulator Bordelum’ all distil his years of warehouse, club, and festival experience into thrilling expressions of musical tension and release.
Vocal-led tracks tastefully borrow from a range of genre influences; from the Hip Hop inflected ‘In Your Phase’ with 22Carbone, an incendiary number that will be firmly burnt into the memory of any attendee of Garnier’s recent DJ sets, to the Punk of ‘Saturn Drive Triplex’, which features vocals from the late Alan Vega, of influential duo Suicide notoriety. Elsewhere, sprinklings of broken rhythms appear in the leftfield downtempo cut ‘...et puis s’en Va!’ and Drum & Bass experiment ‘Sado Miso’, offering listeners a further view into his wide-ranging taste.
Across 2022, Garnier released five EPs, each containing a special hidden code referencing a fairground ride from his childhood, alluding to the album. Now presented through various mediums upon release, including a triple Vinyl LP, cassette, and CD alongside the digital copy, each version offers a thoughtfully tailored experience towards the listener's preferred format. More
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Parallelle & Nicolas Masseyeff - Renegade
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Parallelle & Nicolas Masseyeff - Renegade (Adam Ten & Mita Gami Remix)
3
Parallelle & Nicolas Masseyeff - Bandidos
Parallelle join forces with Nicolas Masseyeff once again for ‘Renegade’ on Crosstown Rebels, featuring a remix from Adam Ten & Mita Gami. Collaborating previously on DGTL, having known each other for years, Dutch brother duo Parallelle and France’s Nicolas Masseyeff have created a partnership within the studio that clicks. Parallelle are multi-instrumentalists, composers, producers, and Klassified Records owners with a hybrid sound that mixes up electronica, electro-jazz and underground house, while Masseyeff is equally accomplished and draws on minimalism, jazz, new wave, Detroit and Chicago when crafting his signature sound on the likes of Systematic Recordings and Diversions Music. Linking up again, the three talents combine for a first outing on Crosstown Rebels with ‘Renegade’. Up first is title track ‘Renegade’, a deep mid-tempo house shuffler. The drums are elegant and airy, with bright chords and a rasping baseline. It’s a real mood builder with dramatic synth sweeps that brings a sense of class to the dance floor. Israeli artists Adam Ten & Mita Gami have been a creative force for the last couple of years, and their ‘High On’ EP on Crosstown Rebels last year gained huge success, defining a new movement of psychedelic house sounds. Their remix of ‘Renegade’ offers a slowly unfolding masterclass with moving melodies and modulated synths casting a captivating spell. Last of all is ‘Bandidos’, another deep and subtle track infused with rich synth work. The bright lines and deft pads are lithe and loose over the underlapping drums, encouraging you to gaze in awe as you get lost in the mellifluous groove.
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loket - All Ages
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loket - Afternoon at Bärenquell
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loket - Sanders Groove
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loket - Soft As Moonlight
Lower-case and higher-vibes, loket is the saxophonic alias of Tahl Klainman, a versatile presence in Berlin’s alternative and underground scene, whose diverse productions have traversed ambient, trance, techno and jazz on labels such as Mama Told Ya, Hot Concept and Tax Free Records. More recently loket also guested on Massimiliano Pagliara’s LP ‘See You In Paradise’, which received the 2023 German Record Critics’ Award, as well as establishing Klainman as one of the few saxophonists to have jammed live to a peak-time Panorama Bar dancefloor. Reigniting the languid futurism of trip-hop and downtempo, ‘All Ages’ ably delivers the most inclusive distillation of loket’s sound thus far, paying respect to the influences such as William Orbit and Moby, as well as fourth-world innovator Jon Hassell’s philosophy of blending traditional instrumentation with contemporary electronic experimentalism. Mixed in collaboration with Angus Finlayson, aka Minor Science, each of ‘All Ages’ four pieces transmit the wonder and free-spirited optimism reflected on photographer Jordan Kirk’s wide-eyed cover art. Title track ‘All Ages’ prizes open a saxophonic wormhole to beckon an infectiously baggy groove, unexpectedly referencing the optimistic rhythm of acid-house inflected Madchester, only with gnarlier guitars to contrast a seriously insistent bassline. ‘Afternoon at Bärenquell’ boldly teases out sonic pleasure from even more idiosyncratic means, melding baroque strings and twinkling new-age melodies to loket’s emotive brass, culminating in a neo-classical finale that seems to suspend itself mid-air. ‘Sanders Groove’ sees loket’s sax step back on a bed of soft, jazz-inflected percussion and unpredictable electronics, melting as one into a slow-motion riff that’s equal parts indie jam and musique concrete. Finally, ‘Soft as Moonlight’ makes good on its romantic namesake with a swelling arrangement that free floats into deft percussion, dreaming and teeming with positive energy.
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Dajusch - It's The E
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Dajusch - Dance Like A Villain
3
Dajusch - The Rhythm My Love
Spandau’s Dajusch debuts on Dance Trax with 3 tracks of high octane techno-jak-trax - road tested in clubs worldwide to full effekt!
More

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Captain Hollywood Project - More And More (Single Version)
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Captain Hollywood Project - More And More (Extended Mix)
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Captain Hollywood Project - More And More (Underground)
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Captain Hollywood Project - More And More (Trance Mix)
OFFICIAL 2023 RED VINYL REPRESS
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Jessbeatz - Alien Invasion
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Jessbeatz - Light Years
JESSBEATZ is at it again with another nod to the origins of Electro, and it’s just what you expect. HARD DARK and straight to the point. Another building block to the Spirit of Detroit. ALIEN INVASION brings raw beats, funky drum programming, with an arrangement built for the dance floor and to bang in your car. LIGHT YEARS takes you beyond with Intelligent deliberate vocals, well thought out productions and arrangements that move both retro and futuristic minds. POWERED BY ELECTROSTATIC. Sanctioned by DETROIT
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1
Earth Angel - Happy (Extended)
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Earth Angel - Dub Me Happy
3
Earth Angel - Really Really (Extended)
4
Earth Angel - No Big Thing (Part 2)
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Earth Angel - Ain't No Big Thing
6
Earth Angel - Move Me No Mountain
7
Earth Angel - Moveturnswimlongdub
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Earth Angel - No Big Thing (Part 3)
Foundation music are proud to present our second project with the formidable talent that is Crooked Man aka Parrot, known to his mother as Richard Barratt.
The DJ turned producer from Sheffield, founder and resident at the seminal Jive Turkey night, member of Warp’s Sweet Exorcist, musical partner with the late great Richard H Kirk (Cabaret Voltaire), producer to such maverick talents as Roisin Murphy and Add N to X, longtime Jarvis Cocker collaborator and remixer to a myriad of artists over several decades.
More recently, Parrot's project with internationally renowned Jazz singer Lady Blackbird, Athletes Of God, released two singles on Foundation Music ‘Don’t Want To Be Normal’ and the clubland hit ‘Fontella’ that were both playlisted by 6Music.
Lady Blackbird now flies the nest, with the divine Earth Angel swooping into her place. A seminal, reclusive, heavenly voiced singer, also from Yorkshire and with deep roots in the soul and dub scenes… And no, it's not Lisa Stansfield!
A project that has its roots way back in the Sheffield’s Blues parties and Jive Turkey itself. The club being a home to all forms of exciting new Black music, from ’85 through to the early days of the UK’s dance explosion. It sees Parrot take all that he has achieved, written and learnt over the years at the cutting edge of electronic, dance-inflected, production and DJing returning to those heady days of down tempo, body moving, speaker shaking music that would move the British underground soul/funk scene in the mid to late 80’s.
Call it 'street soul', '80’s soul', 'electro soul'… Earth Angel is all of those things but it is also very firmly rooted in the NOW! Not some retro pastiche, it incorporates so much more. With elements of techno, bleep, dub and any other studio trickery that Parrot cares to employ in order to suck you into Earth Angels’ druggy, hypnotic, sexy, “Mogadon Soul”. A four songed, eight tracked vinyl EP, featuring some classic songwriting from the glory days of soul and Crooked Man’s bass heavy electronic rhythms.
Welcome to the heavenly world of Earth Angel, the journey starts here.
DJ Support:
Luke Una, Ross Allen, Sean Johnson (ALFOS) & Kebal. More
The DJ turned producer from Sheffield, founder and resident at the seminal Jive Turkey night, member of Warp’s Sweet Exorcist, musical partner with the late great Richard H Kirk (Cabaret Voltaire), producer to such maverick talents as Roisin Murphy and Add N to X, longtime Jarvis Cocker collaborator and remixer to a myriad of artists over several decades.
More recently, Parrot's project with internationally renowned Jazz singer Lady Blackbird, Athletes Of God, released two singles on Foundation Music ‘Don’t Want To Be Normal’ and the clubland hit ‘Fontella’ that were both playlisted by 6Music.
Lady Blackbird now flies the nest, with the divine Earth Angel swooping into her place. A seminal, reclusive, heavenly voiced singer, also from Yorkshire and with deep roots in the soul and dub scenes… And no, it's not Lisa Stansfield!
A project that has its roots way back in the Sheffield’s Blues parties and Jive Turkey itself. The club being a home to all forms of exciting new Black music, from ’85 through to the early days of the UK’s dance explosion. It sees Parrot take all that he has achieved, written and learnt over the years at the cutting edge of electronic, dance-inflected, production and DJing returning to those heady days of down tempo, body moving, speaker shaking music that would move the British underground soul/funk scene in the mid to late 80’s.
Call it 'street soul', '80’s soul', 'electro soul'… Earth Angel is all of those things but it is also very firmly rooted in the NOW! Not some retro pastiche, it incorporates so much more. With elements of techno, bleep, dub and any other studio trickery that Parrot cares to employ in order to suck you into Earth Angels’ druggy, hypnotic, sexy, “Mogadon Soul”. A four songed, eight tracked vinyl EP, featuring some classic songwriting from the glory days of soul and Crooked Man’s bass heavy electronic rhythms.
Welcome to the heavenly world of Earth Angel, the journey starts here.
DJ Support:
Luke Una, Ross Allen, Sean Johnson (ALFOS) & Kebal. More
1
Take Three - Can't Get Enough (Of Your Love) [Soul Mix]
2
Take Three - Can't Get Enough (Of Your Love) [Reggae Mix]
Fronted by former South London lovers rock vocal harmony group, Alpha (sisters Jackie & Jean Heron and Marlene Richardson), Take Three was the brain-child of writer/producer trio "S.H.E." - Steve Sinclair, Peter Hinds & Kevin Ellis. Meeting each other at The Factory community centre in Paddington (now known as the Yaa Asantewa centre and in the last few years, The Yaa Centre) Steve & Kevin began a partnership writing and directing their own theatre productions as part of The Black Theatre Co-Op, which called the centre home at the time. When a song they had written together for one of their productions received praise and plaudits, the path toward writing and producing records began, bringing in more seasoned hand Peter Hinds - formerly a member of key brit funk groups Light of the World and Beggar & Co, and player with Incognito, Imagination & Loose Ends - to complete the circle. Following on from Freestyle's reissue of the group's first single around this time last year, in the form of 1983's Tonight's the Night, we decided to drop another killer 12" from the Take Three vaults - this time it's their last single released as Take Three in 1985. Can't Get Enough (of Your Love) was originally licensed out to, and released by Andy Sojka's seminal Elite label. It features two super extended mixes - the A side's "Soul mix" showcases the girls's harmonies pinned down by a big & heavy synth bass groove before moving into boogie-dub territory, while the B side "Reggae mix" introduces an ofbeat skank heightening the vocal stylings' lovers-esque tendancies.
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Nocow (feat. Fama87) - Memory
2
Nocow - Ko Mne
3
Nocow - Soon
4
Nocow feat. Shutta - Taina
5
Nocow feat. Fama87 - Ogni
6
Nocow - Blizhe
7
Nocow - Ne dognat'
8
Nocow feat. Kedr Livanskiy - Dengi Ne Sgorayut
9
Nocow - Circle
10
Nocow - Need U
11
Nocow (feat. Fama87) - Temno
12
Nocow (feat. Flaty) - Naiti
13
Nocow (feat. Shutta) - Anymore
14
Nocow - Pozovi (feat. Flaty)
15
Nocow - Diver
16
Nocow - Flow
17
Nocow (feat. Flaty) - Breath
Tracklisting:
A1 Nocow feat. Fama87 - Memory
A2 Nocow - Ko Mne
A3 Nocow - Soon
A4 Nocow feat. Shutta - Taina
B1 Nocow feat. Fama87 - Ogni
B2 Nocow - Blizhe
B3 Nocow - Ne dognat'
B4 Nocow feat. Kedr Livanskiy - Dengi Ne Sgorayut
C1 Nocow - Circle
C2 Nocow - Need U
C3 Nocow feat. Fama87 - Temno
C4 Nocow feat. Flaty - Naiti
D1 Nocow feat. Shutta - Anymore
D2 Nocow feat. Flaty - Pozovi
D3 Nocow - Diver
D4 Nocow - Flow
D5 Nocow feat. Flaty - Breath
Sales Note
First rising to global acclaim in the latter half of the dubstep era with 'Ruins Tape', veteran St. Petersburg producer Nocow has fluidly moved across styles in the years since. Moving in a new direction from 2017s 'Ledyanoy Album', which saw the producer channel 90s ambient techno/IDM for GOST ZVUK, these 17 new tracks, and collaborations for the label instead hone in on a vocal-heavy type of ghostly R&B. As an album, Odinocow carries hints of trance, house and polished electronica ('Blizhe') as well as raw broken beat hybrids ('Dengi Ne Sgorayut'), though the primary unifying factor is the voice.
The heavy use of autotune, downtempo arrangements and wistful, machine-distorted human emotion are referenced in the album's title, which translates roughly to lonely Nocow. Whilst past albums have oscillated between steady dance structures and more wildly experimental arrangements, there is a recurring theme of simplicity at play here. Nocow aims to craft memorable songs by harmonising over contrasting ambient soundscapes, from glacial to warm, through to trap/rnb and 4x4 dance-pop.
With such an emphasis on exploring his voice and his songwriting craft, Nocow injects a new level of soul and integrity to his already well-established productions. Odinocow is a departure from his past work in some ways, though is also an example of a musician striving to reflect their truest vision of the self. "By finding yourself, you become able to love yourself, and, as a result, the world. So the album is really about love." More
A1 Nocow feat. Fama87 - Memory
A2 Nocow - Ko Mne
A3 Nocow - Soon
A4 Nocow feat. Shutta - Taina
B1 Nocow feat. Fama87 - Ogni
B2 Nocow - Blizhe
B3 Nocow - Ne dognat'
B4 Nocow feat. Kedr Livanskiy - Dengi Ne Sgorayut
C1 Nocow - Circle
C2 Nocow - Need U
C3 Nocow feat. Fama87 - Temno
C4 Nocow feat. Flaty - Naiti
D1 Nocow feat. Shutta - Anymore
D2 Nocow feat. Flaty - Pozovi
D3 Nocow - Diver
D4 Nocow - Flow
D5 Nocow feat. Flaty - Breath
Sales Note
First rising to global acclaim in the latter half of the dubstep era with 'Ruins Tape', veteran St. Petersburg producer Nocow has fluidly moved across styles in the years since. Moving in a new direction from 2017s 'Ledyanoy Album', which saw the producer channel 90s ambient techno/IDM for GOST ZVUK, these 17 new tracks, and collaborations for the label instead hone in on a vocal-heavy type of ghostly R&B. As an album, Odinocow carries hints of trance, house and polished electronica ('Blizhe') as well as raw broken beat hybrids ('Dengi Ne Sgorayut'), though the primary unifying factor is the voice.
The heavy use of autotune, downtempo arrangements and wistful, machine-distorted human emotion are referenced in the album's title, which translates roughly to lonely Nocow. Whilst past albums have oscillated between steady dance structures and more wildly experimental arrangements, there is a recurring theme of simplicity at play here. Nocow aims to craft memorable songs by harmonising over contrasting ambient soundscapes, from glacial to warm, through to trap/rnb and 4x4 dance-pop.
With such an emphasis on exploring his voice and his songwriting craft, Nocow injects a new level of soul and integrity to his already well-established productions. Odinocow is a departure from his past work in some ways, though is also an example of a musician striving to reflect their truest vision of the self. "By finding yourself, you become able to love yourself, and, as a result, the world. So the album is really about love." More
1
Sunkids Feat. Chance - Rise Up (Main)
2
Sunkids Feat. Chance - Rise Up (Reworked)
Label:Horrific Recordings
Cat-No:HORRIFIC013
Release-Date:02.06.2023
Genre:Drum + Bass
Configuration:12"
Label:Horrific Recordings
Cat-No:HORRIFIC013
Release-Date:02.06.2023
Genre:Drum + Bass
Configuration:12"
1
Hidden Agenda - Golden Sky
2
Hidden Agenda - 1978
Super proud to introduce this special 12" by UK Liquid Funk pioneer HIDDEN AGENDA. I first heard their music on Fabio's February (1995) KissFM show, taping from Leighton Buzzard on my parents JVC tuner. I had it playing as my sound track non-stop on my Walkman for months - deep minimal Jungle had arrived! It was the legendary 'The Flute Tune'. I soon purchased a copy on the mighty METAL HEADZ that year with my giro cheque in Coventry from Bang-in Tunes. 'Get Carter' was my next purchase, it was however, 'The Sun' on Fabio's Creative Source (1996) that set me off like a roman candle (and still does to this date) - I consider this the first Liquid Funk track.
HIDDEN AGENDA next hit us super hard by surprise in the winter of 2003. I was DJing late night at a squat in East Finchley on London's Rude FM 88.2 back-to-back. DJ Haze played this 12" that sent me totally hyper and turned out to be Jason's 'Groove Me' on Eastside Recordings. So hyped was I, that DJ Haze gave me that very copy on the spot!
I went onto paint a huge epic 200x200cm oil / acrylic painting to be photographed for the HORRIFIC13 cover. Set in the South Bronx 1978 (which is the title of the Side AA.) - a train Rolls over RAE ST with a semi-wild style piece which reads HIDDEN AGENDA - GOLDEN SKY with a mini 1978 piece also sprayed on the bridge. More
HIDDEN AGENDA next hit us super hard by surprise in the winter of 2003. I was DJing late night at a squat in East Finchley on London's Rude FM 88.2 back-to-back. DJ Haze played this 12" that sent me totally hyper and turned out to be Jason's 'Groove Me' on Eastside Recordings. So hyped was I, that DJ Haze gave me that very copy on the spot!
I went onto paint a huge epic 200x200cm oil / acrylic painting to be photographed for the HORRIFIC13 cover. Set in the South Bronx 1978 (which is the title of the Side AA.) - a train Rolls over RAE ST with a semi-wild style piece which reads HIDDEN AGENDA - GOLDEN SKY with a mini 1978 piece also sprayed on the bridge. More
1
EZ Jam - EZ Luv
2
EZ Jam - Take It EZ
3
EZ Jam - EZ Come
4
EZ Jam - EZ Go
5
EZ Jam - EZ Luv (Mark Hawkins Remix)
EZ Jam debuts on Hot Haus with 4 outstanding House killers - backed with a Mark Hawkins remix!
More
1
KiNK - For The People
2
KiNK - Ta
3
KiNK - Kazan
4
KiNK - Vacation
Jamie Russell and Alex Jones set up theHypercolour imprint back in 2006 and the label continues to dish up genre bending bangers two decades down the line. For the label’s milestone 100th release, KiNKcues up a killer four track release with ‘For The People’.
One of house music’s most in demand producers and remixers, KiNK has delivered time and time again for labels such as Running Back, Royal Oak,Macro and his own Sofia Records label, and so it’s with great honour that the Bulgarian artist commemorates the label’s centenary with a kaleidoscopic bundle of hyperactive bangers! More
One of house music’s most in demand producers and remixers, KiNK has delivered time and time again for labels such as Running Back, Royal Oak,Macro and his own Sofia Records label, and so it’s with great honour that the Bulgarian artist commemorates the label’s centenary with a kaleidoscopic bundle of hyperactive bangers! More
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Recloose - Round And Round (Vocal Version)
2
Recloose - Keep It Together
3
Recloose - Round And Round (Space Talk Remix By Middle Point)
4
Recloose - Keep It Together (polepole Remix By DJ Norizm)
INTERSPECIES RECORDS, an inter-disciplinary label that brings together not only DJs and producers, but also visual artists, electronic instrument engineers, and other specialists in sound and space, is proud to release its fourth 12-inch record!
For our latest offering we present the return of Recloose, a veteran producer who has created numerous masterpieces on labels like Planet E, Rush Hour, Peacefrog, and other global imprints since the late 1990s. He continues to explore his sound in this ambitious work, blending old and new influences, samples and synths, delivering two anthems for the dancers and heads alike. This release also includes stellar remix work from Middle Point, DJ NORIZM and kashi, the label crew of INTERSPECIES RECORDS. In the spirit of their label, each remix presents a unique twist on the original by pushing musical boundaries, fusing elements of Balearic, Loft House, Dub, UKG, Jazz House, and African sounds. As is the case with the world’s best DJs, this is a piece of music that conjures a new, unknown world by freely mixing without restraint.
(TEXT by DJ AISEI) More
For our latest offering we present the return of Recloose, a veteran producer who has created numerous masterpieces on labels like Planet E, Rush Hour, Peacefrog, and other global imprints since the late 1990s. He continues to explore his sound in this ambitious work, blending old and new influences, samples and synths, delivering two anthems for the dancers and heads alike. This release also includes stellar remix work from Middle Point, DJ NORIZM and kashi, the label crew of INTERSPECIES RECORDS. In the spirit of their label, each remix presents a unique twist on the original by pushing musical boundaries, fusing elements of Balearic, Loft House, Dub, UKG, Jazz House, and African sounds. As is the case with the world’s best DJs, this is a piece of music that conjures a new, unknown world by freely mixing without restraint.
(TEXT by DJ AISEI) More

1
Laurene LaVallis - Love Don't Change
2
The Si-Berians - Crying Baby Won't Help The Hurt
3
Delbert And The Stewart Sensation - How Far Can I Love Go
4
Taste Of Love - Cindy
5
The 5 Stepping Stars - Making Love
6
Joe Jama - Phases Of Time
7
The Invaders - O Lord
8
Soul Suspension - What Am I To Do
9
Carrie Riley And The Fascinations - Living In A Lonesome House Without You
10
Upheaval - Now That You've Gone
The Key To Our Love compilation series is an in-depth exploration of Black & Brown American soul artists from back in the day.
Focusing on the sweeter side of these obscure singles, the album comprises of musicians who shared their hope & dreams through independent vinyl releases. The obscurity of these private pressed singles has limited their audience; originally released in small quantities and sold locally, the artists remained largely unknown but created some of the most poignant & timeless tracks.
Each song released in direct collaboration with the artists & producers.
Artwork by El Ponk More
Focusing on the sweeter side of these obscure singles, the album comprises of musicians who shared their hope & dreams through independent vinyl releases. The obscurity of these private pressed singles has limited their audience; originally released in small quantities and sold locally, the artists remained largely unknown but created some of the most poignant & timeless tracks.
Each song released in direct collaboration with the artists & producers.
Artwork by El Ponk More
1
Black Eyes - Understood Sea Being
2
Black Eyes - Let's Get Deeper
3
Black Eyes - Scuba Lyfe
4
Black Eyes - Scuba Lyfe (Rolando Remix)
Head hydro-tripper Black Eyes has risen from the depths of the deep to release his debut solo record Hydro-Trip vol 1. Fresh off the sea creature's back from co-producing the 'Planet People - Terra Firma EP' with synth botherer Reedale Rise which came out earlier this year. His solo endeavour takes us on a jazzier vibe yet still keeping true to the deep ways of the water. Lead track 'Understood Sea Being' plunges us on a rugged ride with deep Detroit chords and Black Eyes's own punk-like vocals throughout. 'Let's Get Deeper' slows the pace up with chopped up samples and introduces us to the classic hydro-trip sound we've grown to love down here in the underwater cities; it's deep and trippy. 'Scuba Lyfe' picks up the pace a bit but evolves into a low down dubby groove mixed with some hi-tek jazz. Asking Rolando (who we all know was part of the infamous Underground Resistance and Los Hermanos, as well being a Berghain resident DJ more recently) to come on board the subterranean vessel was an obvious choice for remix. He switches the gears and adds some fluid Detroit techno to finish off the EP. Berlin based Deskai masters the EP who also mastered the Planet People EP so you know what to sonically expect.
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Jamahr - - Night Tales
2
Mehlor - - BSOD
3
Project89 - - What's Going On
4
Manuel De Lorenzi & Giacomo Silvestri - - Sit Down
LOCUS returns with its latest VA ‘LOCUS Trax Vol. 3’, welcoming label debuts from Jamahr, Mehlor, Project89, Manuel De Lorenzi and Giacomo Silvestri. Now established as a standalone label in its own right, FUSE’s sister imprint LOCUS continues to prove itself as a go-to stop for forward-thinking and fresh house music with minimal-leaning influences from both established and emerging talent. Returning with the third instalment of its VA series ‘LOCUS Trax’, April brings five new names to the label as Captea boss Jamahr, Leeds-based DJ/producer Mehlor, and Dutch talent Project89 serve up fresh singles alongside a slick collaboration from Italian pairing Manuel De Lorenzi and Giacomo Silvestri. Jamahr opens the package with an impactful combination of slick drums, resonant vocals and warped basslines across ‘Night Tales’, while Mehlor’s ‘BSOD’ offers up off-kilter electronics, skippy percussion and woozy low-ends. On the flip, Project89’s ‘What’s Going On’ delivers a peppy groove accented by atmospheric pads and spaced-out aesthetics, before closing via the tight, rolling grooves of Manuel De Lorenzi and Giacomo Silvestri’s ‘Sit Down’ as the two unveil a heads-down, hands-up terrance anthem.
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1
Swayzak - Speedboat (2023 Edit)
2
Swayzak - Low Res Skyline (2023 Edit)
3
Swayzak - Blocks (2023 Edit)
4
Swayzak - Burma Heights (2023 Edit)
5
Swayzak - Skin Diving (2023 Edit)
6
Swayzak - Fukumachi (2023 Edit)
7
Swayzak - l.o.9.v.e. (2023 Edit)
8
Swayzak - Cone (Mix 2)
9
Swayzak - Bueno (2023 Edit)
10
Swayzak - French Dub (2023 Edit)
11
Swayzak - Evild Dub (2023 Edit)
12
Swayzak - Blufarm (Abbey Road 2023 Edit)
13
Swayzak - Unknown Mind
14
Swayzak - Bueno (Ambient Mix)
15
Swayzak - Speedboat (96 Demo)
16
Swayzak - l.o.9.v.e. (Boat Mix, 2023 Edit)
17
Swayzak - Redfarm (Abbey Road 2023 Edit)
Dance music has always been grounded in a sense of place. Chicago, Detroit, London, Berlin—a zip code can tell you as much about the music as the year it was made.
But beyond the nuts and bolts of the here and now lies a netherzone where some of the best electronic music floats, impossible to pin down. Swayzak’s Snowboarding in Argentina is one such record.
The title hints at its uncanny placelessness. The music has nothing outwardly to do with Argentina, for one thing. The work of UK producers David Nicholas Brown and James S. Taylor, it was recorded in a number of locations—mostly bedrooms—around London. Yet there is little that is quintessentially British about the music. Instead, Brown and Taylor drew much of their inspiration from, on the one hand, the luminous chords and silky heft of Detroit techno, and on the other, the staccato drums and clipped textures that were then beginning to bubble out of Berlin and Cologne.
That brings us to the question of time. For if Snowboarding in Argentina belongs to nowhere, it is equally a product of nowhen.
On a practical level, the music took shape in the mid to late 1990s, although it took nearly 10 years for it to come to fruition. Brown and Taylor began jamming on instruments, then machines, in the late 1980s. Then,
after Brown suffered a serious car accident, the two musicians began working together more seriously. Trial and error yielded a promising single with a downtempo vibe that a hired-gun studio producer promptly ruined; Swayzak retreated to their bedrooms. They learned about Chain Reaction from a radio show, found new ways to burrow into the circuitry of their machines, and by 1996 they had hit upon their sound. brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publish nine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after
its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working
off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.
The core of Snowboarding in Argentina appeared on a series of three two-track singles in 1997. (Taylor brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publishnine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars. More
But beyond the nuts and bolts of the here and now lies a netherzone where some of the best electronic music floats, impossible to pin down. Swayzak’s Snowboarding in Argentina is one such record.
The title hints at its uncanny placelessness. The music has nothing outwardly to do with Argentina, for one thing. The work of UK producers David Nicholas Brown and James S. Taylor, it was recorded in a number of locations—mostly bedrooms—around London. Yet there is little that is quintessentially British about the music. Instead, Brown and Taylor drew much of their inspiration from, on the one hand, the luminous chords and silky heft of Detroit techno, and on the other, the staccato drums and clipped textures that were then beginning to bubble out of Berlin and Cologne.
That brings us to the question of time. For if Snowboarding in Argentina belongs to nowhere, it is equally a product of nowhen.
On a practical level, the music took shape in the mid to late 1990s, although it took nearly 10 years for it to come to fruition. Brown and Taylor began jamming on instruments, then machines, in the late 1980s. Then,
after Brown suffered a serious car accident, the two musicians began working together more seriously. Trial and error yielded a promising single with a downtempo vibe that a hired-gun studio producer promptly ruined; Swayzak retreated to their bedrooms. They learned about Chain Reaction from a radio show, found new ways to burrow into the circuitry of their machines, and by 1996 they had hit upon their sound. brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publish nine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after
its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working
off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars.
The core of Snowboarding in Argentina appeared on a series of three two-track singles in 1997. (Taylor brought 10 copies of the first to Berlin’s Hard Wax, sold them directly to the shop for a fistful of Deutschmarks, and turned around and spent the money on records; that’s how DIY electronic music worked in those days.) The album itself appeared in 1998 on London’s Pagan label and quickly built a cult following. It was clear that the music was in conversation with its contemporaries: Heard from the right angle, it was possible to imagine it as a halfway point between the proto progressive house of Underworld and the monochromatic minimalism of Kompakt. But it also didn’t quite sound like anything else around; it was a dispatch from an unknown territory that needed no special understanding to decipher.
A quarter century later, Snowboarding in Argentina sounds simply eternal. Certain hallmarks of ’90s production are available—the music’s almost murky warmth is a reminder of what electronic music sounded like before software swallowed everything into its digital maw—but there’s nothing dated about it. The exploratory nature of these tracks, as the result of experimenting with their machines’ limitations, never eclipses their musical or emotional essence.
Long since been deemed a classic, Snowboarding in Argentina remains an underdog in the annals of electronic music. Its semi-obscurity was surely not helped by the decision to publishnine of its original 12 tracks on the CD, and seven on the vinyl, with only four appearing on both formats. Twenty-five years after its original release, Lapsus’ Perennial Series edition unites, for the first time, all the album’s tracks as a single triple-vinyl package, rounding out the 12 original songs with previously unreleased material. Working off the original DAT premasters, Swayzak have created new edits of all the tracks. The result might be considered the definitive edition of the album as it was meant to be, after a 25-year journey. It seems fitting that an album so timeless would continue morphing throughout its lifespan. For fans, it’s the chance to hear a beloved album as never before. And for newcomers, it’s the perfect introduction to a record that, in its own quiet way, reshaped the sound of electronic music, opening up new frontiers unbound by cartography or calendars. More
1
KX9000 - Sauce Pepe
2
KX9000 - La Locha (Feat. Cosmonection)
3
KX9000 - April (Feat. Tour-Maubourg)
4
KX9000 - Everw**day
Picture this – the light in the room has moved into the golden hour, where the sunlight sits so easy on the walls, soaking up the wooden floors, illuminating the plants, and making the crystals in the drink feel that oh-so sweet. The wavelengths that reverberate around the room flow into the sun-drenched evening sky, blue and warm to the touch, easing the mind as smiles abound on those all around the floor. All this and more can be found in the expertly curated vibe that is KX9000’s ‘The Sofa Lamp’ EP, the latest perfected atmosphere from Oath sub-label Last Year in Marienbad.
KX9000 is the primary alias of Kerim Ben Mustapha, who for a good while now has been serving up the kinds of Jazz tinged, softly undulating dance-y cuts that expertly nail the orange hues that frequent the finer moments in life, regardless of whether its the hottest dance floor or a fun-fuelled home exercusion. His previous efforts have all impressed, with a finely stuck balance found between rhythm and melodic features. Mustapha’s framework picks from a wide range of motifs, all of which touch upon a number of cornerstones within the contemporary electronic melting pot. What comes out of the process is a sound that is elegant, effortless and infectious, cutting through pre-conceived contexts and aligning itself with the mood that comes from people being together. His previous efforts cover it all – the peak time, the down times and that middle ground that simply gets things going, its dance music that is both emotionally and rhythmically intuitive, and as you dive deeper there is always more to be elaborated on and enjoyed.
‘The Sofa Lamp’ is the next serving that Mustapha has come to the surface with, and it has all the hallmarks of his established sound, but with plenty of scopes bolted on that make this a throughly well-rounded and delectable audial experience. The EP spends no time messing about, with the opener ‘Sauce Pepe’ throwing itself right into the mix, with its engrossing percussive palette doing much to get the vibrations flowing. The bass line adds weight whilst the melodic outlay that develops up top consists of jazz laden chords, snazzy horns and deep set chordal patterns, and its easy to say this will be doing the rounds come summer. ‘Locha’ arrives next, which features Cosmonection, and this one kicks the tempo up a little bit. The beat swings expertly, providing a basis for a grooving bass line to meander through the bottom ends, all the while sun-kissed chords lap over the top with such feverishness. The layers are collated and managed for maximum effectiveness, with the breaks provided allowing for those bona fide hands-in-the-air moments. ‘April’, which features man of the moment Tour Maubourg, keeps the rhythmic flavours flowing from the previous effort, with the emotive quality of the chords traveling deep into the neurons. The gorgeous lead line adds a ear worm that will last for days, and with that the key ingredients persist for an inspired dip into the dance. Last but not least, ‘Everw*day’ caps off the experience with purpose and emotional presence, with the music operating beautifully been expansive deep house notions and the rhythms of Balaeria – it does much to leave a long-lasting impression on those who encounter this collection of tunes, and we for one feel all the richer for sticking by it for these four excellent cuts.
If enriching environmental dance music is what you are after, then this is the EP for you. This EP sees KX9000 in peerless form, helped along by some inspired features that add density to proceedings and allow for the most well-rounded of experiences to prevail. If there ever was a record to soundtrack the good times, the ones where you feel at ease with your surroundings and melt into the sunlight, then this is the one for you – so go on, give it a spin. More
KX9000 is the primary alias of Kerim Ben Mustapha, who for a good while now has been serving up the kinds of Jazz tinged, softly undulating dance-y cuts that expertly nail the orange hues that frequent the finer moments in life, regardless of whether its the hottest dance floor or a fun-fuelled home exercusion. His previous efforts have all impressed, with a finely stuck balance found between rhythm and melodic features. Mustapha’s framework picks from a wide range of motifs, all of which touch upon a number of cornerstones within the contemporary electronic melting pot. What comes out of the process is a sound that is elegant, effortless and infectious, cutting through pre-conceived contexts and aligning itself with the mood that comes from people being together. His previous efforts cover it all – the peak time, the down times and that middle ground that simply gets things going, its dance music that is both emotionally and rhythmically intuitive, and as you dive deeper there is always more to be elaborated on and enjoyed.
‘The Sofa Lamp’ is the next serving that Mustapha has come to the surface with, and it has all the hallmarks of his established sound, but with plenty of scopes bolted on that make this a throughly well-rounded and delectable audial experience. The EP spends no time messing about, with the opener ‘Sauce Pepe’ throwing itself right into the mix, with its engrossing percussive palette doing much to get the vibrations flowing. The bass line adds weight whilst the melodic outlay that develops up top consists of jazz laden chords, snazzy horns and deep set chordal patterns, and its easy to say this will be doing the rounds come summer. ‘Locha’ arrives next, which features Cosmonection, and this one kicks the tempo up a little bit. The beat swings expertly, providing a basis for a grooving bass line to meander through the bottom ends, all the while sun-kissed chords lap over the top with such feverishness. The layers are collated and managed for maximum effectiveness, with the breaks provided allowing for those bona fide hands-in-the-air moments. ‘April’, which features man of the moment Tour Maubourg, keeps the rhythmic flavours flowing from the previous effort, with the emotive quality of the chords traveling deep into the neurons. The gorgeous lead line adds a ear worm that will last for days, and with that the key ingredients persist for an inspired dip into the dance. Last but not least, ‘Everw*day’ caps off the experience with purpose and emotional presence, with the music operating beautifully been expansive deep house notions and the rhythms of Balaeria – it does much to leave a long-lasting impression on those who encounter this collection of tunes, and we for one feel all the richer for sticking by it for these four excellent cuts.
If enriching environmental dance music is what you are after, then this is the EP for you. This EP sees KX9000 in peerless form, helped along by some inspired features that add density to proceedings and allow for the most well-rounded of experiences to prevail. If there ever was a record to soundtrack the good times, the ones where you feel at ease with your surroundings and melt into the sunlight, then this is the one for you – so go on, give it a spin. More
1
Red Seal - Spinning Top
2
Red Seal - Twister
3
Red Seal - Hula Loop
Only a handful of releases exist from Red Seal, but it's quality over quantity that is on display with these guys.
The 1996 original was released on Rob's Records, a label founded by the legendary Rob Gretton (RIP), former Joy Division
and New Order manager, as well as Factory Records and Hacienda co-owner. Penned by Red Seal and produced by
Martin Moscrop, of A Certain Ratio fame, this 3 tracker would set the World's dancefloors alight and become a much lauded
and bonafide classic. 'Spinning Top' kicks off with flanged hats and dark brooding synths, the breakbeat is tough and delivers a potent punch.
The wam analogue bass keeps the track moving throughout, the distinctive lead line and arpeggios build and drop
in all the right places. 'Twister' continues the vibe, the heavy weight bass and top drawer percussion deliver the funk.
The deft synth programming gives this track a lighter feel, but is no less energetic. Finally 'Hula Loop' heads off into tripped
out acid territory, the break beats roll, and the infectious 303 undulates in a way that both captivates and enthrals.
This EP is packed with peak time heat, an essential rarity sought after by diggers around the globe. Unavailable for decades,
a repress has most definitely been long overdue. 'Spinning Top' has been legitimately re-released with the full involvement
of Red Seal, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit,
licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label -
Mint Condition!! More
The 1996 original was released on Rob's Records, a label founded by the legendary Rob Gretton (RIP), former Joy Division
and New Order manager, as well as Factory Records and Hacienda co-owner. Penned by Red Seal and produced by
Martin Moscrop, of A Certain Ratio fame, this 3 tracker would set the World's dancefloors alight and become a much lauded
and bonafide classic. 'Spinning Top' kicks off with flanged hats and dark brooding synths, the breakbeat is tough and delivers a potent punch.
The wam analogue bass keeps the track moving throughout, the distinctive lead line and arpeggios build and drop
in all the right places. 'Twister' continues the vibe, the heavy weight bass and top drawer percussion deliver the funk.
The deft synth programming gives this track a lighter feel, but is no less energetic. Finally 'Hula Loop' heads off into tripped
out acid territory, the break beats roll, and the infectious 303 undulates in a way that both captivates and enthrals.
This EP is packed with peak time heat, an essential rarity sought after by diggers around the globe. Unavailable for decades,
a repress has most definitely been long overdue. 'Spinning Top' has been legitimately re-released with the full involvement
of Red Seal, lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit,
licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label -
Mint Condition!! More
1
Chicola - Dear Kobe
2
Chicola - Every Pain Got A Name
3
Chicola - Every Pain Got A Name (The Intro Version)
Moments! Not just a music company but also a series of events under thesame name, releasing only outstanding works by musicians performing atthose events. When the award-winning producer, and an internationallyacclaimed DJ, Guy Mantzur, started a new enterprise, Moments, he had highgoals for a new endeavor. Since then, every label's release has pushed theenvelope. According to numerology, eleven is the first of the Master numbers, and theeleventh release is nothing short of pure mastery. Tel-Aviv-based ChicoShuella, better known as Chicola, is one of the jewels in the crown of theIsraeli DJ scene. With a couple of decades under his belt and a stellarreputation, his debut brings a special touch to the label's exciting catalog. Chico's debut on the label brings a three-track concept that takes theaudience on a twenty-minute journey. The opener, Dear Kobe, a collaborationwith Yoav, is a masterful work based on abstract emotions and spacy synthwork. The second track, Every Pain Got A Name, speeds up the tempo andreaches for the psychedelic atmosphere breaking the rules of the genre. Theclosing song is an ambient version of the middle piece, focusing on narrativelyrics and grandiosity. Moments! Every second counts.
More
1
Teslasonic - The Frequency
2
Teslasonic - The Machine Age
3
Teslasonic - Static Electricity
4
Teslasonic - Gravity Technology
5
Teslasonic - Human Galactic Empire
6
Teslasonic - Trantor
Foundation is set in the future when the world is barely remembered and humans have colonized the galaxy. The record introduces Donnie Ozone, a brilliant visionary rapper and psychohistorian whose job is to use lyrics and rhymes to predict the future. It is divided into six chapters, each showing a part of the bigger picture portrayed on the outstanding cover by Infidel. Teslasonic gathers together the galaxy's top scientists and artists on a bleak outer planet and sets out to preserve the accumulated knowledge of humankind and begin a new human galactic empire based on Art, Science and Technology. He calls his sanctuary the Foundation and designs it to withstand a dark age of ignorance, barbarism, and warfare that he predicts will last for a long time.
More
1
Doug Gomez - New York State of Mind
2
Doug Gomez - Meta Mor Fo Sis (Latin Jazz Mix)
3
Doug Gomez - A Vida e´ Boa, A Vida e´ Sol
4
Doug Gomez - Eu Sei de Algue´m
5
Doug Gomez - Ilaroun
6
Doug Gomez - Que O Amanha Vai Trazer
7
Doug Gomez - Rosa Blanca
8
Doug Gomez - Puro
Doug Gomez’s new album “Puro” is that rare release in our dance music industry where the level of artistry in the music is just as important as this collection’s ability to move the dancefloor. Doug’s extensive experience in the industry, and his own personal development as a producer /DJ, enables him to walk that fine line between musical craftsmanship and dancefloor accessibility. The result is an album that is an essential addition to the collection of all lovers of House Music and Afro-Latin Rhythms. The album’s title track “Puro” flows with a multi percussive rhythmic core that’s embellished with exotic and energetic sythn lines and instrumental elements that display Doug’s international background, while tracks like “Theresa’s Paradise” and “Without You feat. Aaron K. Gray” illuminate his extensive experience in playing and producing tracks that represent the evolution of New York’s storied House Music history. The vinyl release is packaged in a vibrant and multi-layered custom art package that was designed by Doug himself.
More
1
Mike Dunn - Git'cha House On, Baby (MD Main MixX)
2
Mike Dunn - Don't Pay Me No Mind
3
Mike Dunn - Rock Ya Body (Deepa)
4
Mike Dunn - Let'cha Love Fall Down (On Me)
An artist who needs no introduction, Mike Dunn returns to the legendary NYC label Nu Groove with a four-track vinyl release that brings together disparate influences from the master’s encyclopaedic knowledge of genre and style.
What results are productions that are at once timeless, a quality that can only be achieved through the lived experiences of a four-decade career. Title track ‘Git’cha House On, Baby’ is a late 80s freestyle throwback, with hard synth lines running the show, while ‘Don’t Pay Me No Mind’ is a metropolitan anthem led by a solid piano groove.
Additionally, the vinyl features two tracks from Dunn’s ‘Rock Ya Body (Deepa)’; the lead, an effortlessly cool deliverance of pure, unadulterated house, and ‘Let’cha Love Fall Down On Me’ which swells and flows with addictive ease. Elevating all four compositions are the producer’s signature vocals, immediately arresting and suitable for all genres. Dunn’s status as an innovator was earned through creating and influencing the scenes we know and love today, and this new delivery of originals further cements his status as a 100% house master. More
What results are productions that are at once timeless, a quality that can only be achieved through the lived experiences of a four-decade career. Title track ‘Git’cha House On, Baby’ is a late 80s freestyle throwback, with hard synth lines running the show, while ‘Don’t Pay Me No Mind’ is a metropolitan anthem led by a solid piano groove.
Additionally, the vinyl features two tracks from Dunn’s ‘Rock Ya Body (Deepa)’; the lead, an effortlessly cool deliverance of pure, unadulterated house, and ‘Let’cha Love Fall Down On Me’ which swells and flows with addictive ease. Elevating all four compositions are the producer’s signature vocals, immediately arresting and suitable for all genres. Dunn’s status as an innovator was earned through creating and influencing the scenes we know and love today, and this new delivery of originals further cements his status as a 100% house master. More
1
Satl - Hard Times
2
Satl - Bapao
3
Satl - Falling
4
Satl - UFO
5
Satl - Karma Ft. Frank H Carter III
6
Satl - Standing By Ft. SAÍGO
7
Satl - Werk It
8
Satl - Zmiana
9
Satl - Kamikaze
10
Satl - Reality Check
11
Satl - Ride Of Die Ft. Rhi
12
Satl - Rxde Or Dxe, Pt. 2
13
Satl - Frozen
Polish artist Satl is one of the most diverse and prolific artists to break through in the Drum & Bass realm in the last decade. After a multitude of music on Amsterdam label The North Quarter he is now set to release his most ambitious and eclectic project: Gloom.
This is a project that sees a more mature artist, one that has developed and refined his sound. In what is a clear departure from his previous material, Satl has managed to craft his own exciting take on dark electronic music taking influences from UK Bass music, Techno and beyond.
“I never wanted to be boxed in to one style/genre, but I think I just wasn’t brave enough as an artist to really push this agenda forward until now,” Satl explains. “I think this collection represents where I am at the moment, a ‘new me’, and I’m definitely planning to stay here for a little while, while always looking to the future.”
Gloom has been a mostly solitary creative undertaking for Satl, who explored the boundaries of his Waldorf Blofeld, Elektron Digitakt, FL Studio, Reason, VCV Rack and a handful of plugins over the course of about two years. The album is entirely produced by him and sees just a handful of vocal collaborators: Tru Thought’s own Rhi, New York’s Frank Carter III and L.A.-based vocalist Saigo.
A coming-of-age project, Gloom is the end product of Satl honing his craft and exploring the limits of his own creativity. More
This is a project that sees a more mature artist, one that has developed and refined his sound. In what is a clear departure from his previous material, Satl has managed to craft his own exciting take on dark electronic music taking influences from UK Bass music, Techno and beyond.
“I never wanted to be boxed in to one style/genre, but I think I just wasn’t brave enough as an artist to really push this agenda forward until now,” Satl explains. “I think this collection represents where I am at the moment, a ‘new me’, and I’m definitely planning to stay here for a little while, while always looking to the future.”
Gloom has been a mostly solitary creative undertaking for Satl, who explored the boundaries of his Waldorf Blofeld, Elektron Digitakt, FL Studio, Reason, VCV Rack and a handful of plugins over the course of about two years. The album is entirely produced by him and sees just a handful of vocal collaborators: Tru Thought’s own Rhi, New York’s Frank Carter III and L.A.-based vocalist Saigo.
A coming-of-age project, Gloom is the end product of Satl honing his craft and exploring the limits of his own creativity. More
1
Gacha Bakradze - Shifting
2
Gacha Bakradze - Lake
3
Gacha Bakradze - What You Say
4
Gacha Bakradze - Form
5
Gacha Bakradze - Broken Wing
Gliding across the slipstreams, leaving no frequency unturned, unraveling the tether into the glitter and the gloss. The strata meander, the grooves contract then explode with gusto and grace, the listener transported along through the haze and into a soundscape of such purpose and feeling. Its emotive music at its most enticing, it’s most enigmatic, it’s most surprising…..
If there ever were an artist who defied the notion of labels and embraced the boundlessness of the unknown, it would undoubtedly be Gacha Bakradze, who has taken listeners on the most sublime of journeys through his releases. It’s easier to say his sound is grounded in emotional purity than in one singular genre (or indeed a group of genres), as Bakradze prefers to skirt between the lines, picking up and manipulating the frequencies that persist within the electronic stratosphere. His inspiring technical touch is partnered with a joyous exploratory nature, guidance that has seen him put very few feet wrong as he swerves between a multitude of styles and genres. From his now-fabled releases on the legendary Apollo label, through to his deeply thought-provoking LP efforts on Lapsus, along with a number of astonishing EPs on imprints such as Cin Cin, Best Works, Fever AM and more, Bakradze always finds room to involve the listener with his world – so that the two can grow more fond of each other. The bond that Bakradze crafts with his music to the people who come into contact with is undeniable, as his journey caresses the ground and points in so many directions – it’s simply a matter of seeing It reach out and surprise us once again. No matter what mood you find yourself in, his music gives as much as it takes, a bountiful relationship that only serves to expand your mind and make you feel like you’ve never felt before.
To provide a space for Bakradze to bottle his magic should be at the top of the list for many a label, and Oath has looked to do just that with ‘Forget’. The five trackers has the hallmarks of whatever you might define as his ‘classic’ emotive hallmarks, but with plenty of dynamic motifs thrown in for good measure that provide the listener with that sense of progression – not to mention the expertness in his craft, which is evident throughout. ‘Shifting’ kicks things off, with a quietly involving arpeggio providing the basis for the kicks and gorgeous piano leads to come into play, and by the time the bass notes come into play, there is already that engrossing feeling coming to the surface. It’s a subtle electro kind of vibe, gentle and swaying but with a hefty dollop of energy that surfaces through the breaks and the swerves. ‘Lake’ continues onwards with another delicate arpeggio getting things going before ascending into a deep, diverse and expansive scape indeed. The energy swerves, grows and rises from top to bottom, ensuring the journey feels like it has no end – the gorgeous key line that lands itself within the higher ends around the mid-way mark seals the deal.
‘What You Say’ starts in a similar manner, swirling and growing whilst also not giving much away in terms of the tempo – this is smashed as the kicks come in heavy. Whilst the previous efforts displayed a gentler side to proceedings, this cut is all about the bass and the fuzz, filling in the gaps between the ever-shifting rhythmic structure as the dance is guided toward euphoria. ‘Form’ lands next, and this one builds upon the vibrations of the last number and runs off with it. This one creates this dark and dubby atmosphere, one where the dancers are contorted, the emotive elements stripped back which keeps the rhythm in charge, and we are all for it. To wrap things up, we have ‘Broken Wing’, which meanders back into the softly undulating territory of the first couple of numbers. Bakradze brings the arpeggio motif back into view, his soft touch applied also to the drums as they quietly grow into the mix, as the two layers intertwine beautifully and with a true sense of purpose. Its a fitting end to a record that provides so much, an effort that pours over itself to continually find new methods of wowing, and you leave the experience feeling like you have listened to four EPs in one. A truly remarkable statement from one of dance musics most enigmatic producers.
Gacha Bakradze has also looked for a greater meaning in his music, be it in terms of sonics, scope or indeed how everything flows and meanders from one source to the next. This latest EP on Oath is no exception and stands tall as yet another piece of significance to flow from his fingertips. His ability to weave the listener into a world filled with such beauty and rhythm is remarkable, the music eager to envelop and allow you to explore to your heart’s content. It creates a bond that is strong from track and by the end, it is unbreakable. So go on, wrap yourself around this absolute stunner…. More
If there ever were an artist who defied the notion of labels and embraced the boundlessness of the unknown, it would undoubtedly be Gacha Bakradze, who has taken listeners on the most sublime of journeys through his releases. It’s easier to say his sound is grounded in emotional purity than in one singular genre (or indeed a group of genres), as Bakradze prefers to skirt between the lines, picking up and manipulating the frequencies that persist within the electronic stratosphere. His inspiring technical touch is partnered with a joyous exploratory nature, guidance that has seen him put very few feet wrong as he swerves between a multitude of styles and genres. From his now-fabled releases on the legendary Apollo label, through to his deeply thought-provoking LP efforts on Lapsus, along with a number of astonishing EPs on imprints such as Cin Cin, Best Works, Fever AM and more, Bakradze always finds room to involve the listener with his world – so that the two can grow more fond of each other. The bond that Bakradze crafts with his music to the people who come into contact with is undeniable, as his journey caresses the ground and points in so many directions – it’s simply a matter of seeing It reach out and surprise us once again. No matter what mood you find yourself in, his music gives as much as it takes, a bountiful relationship that only serves to expand your mind and make you feel like you’ve never felt before.
To provide a space for Bakradze to bottle his magic should be at the top of the list for many a label, and Oath has looked to do just that with ‘Forget’. The five trackers has the hallmarks of whatever you might define as his ‘classic’ emotive hallmarks, but with plenty of dynamic motifs thrown in for good measure that provide the listener with that sense of progression – not to mention the expertness in his craft, which is evident throughout. ‘Shifting’ kicks things off, with a quietly involving arpeggio providing the basis for the kicks and gorgeous piano leads to come into play, and by the time the bass notes come into play, there is already that engrossing feeling coming to the surface. It’s a subtle electro kind of vibe, gentle and swaying but with a hefty dollop of energy that surfaces through the breaks and the swerves. ‘Lake’ continues onwards with another delicate arpeggio getting things going before ascending into a deep, diverse and expansive scape indeed. The energy swerves, grows and rises from top to bottom, ensuring the journey feels like it has no end – the gorgeous key line that lands itself within the higher ends around the mid-way mark seals the deal.
‘What You Say’ starts in a similar manner, swirling and growing whilst also not giving much away in terms of the tempo – this is smashed as the kicks come in heavy. Whilst the previous efforts displayed a gentler side to proceedings, this cut is all about the bass and the fuzz, filling in the gaps between the ever-shifting rhythmic structure as the dance is guided toward euphoria. ‘Form’ lands next, and this one builds upon the vibrations of the last number and runs off with it. This one creates this dark and dubby atmosphere, one where the dancers are contorted, the emotive elements stripped back which keeps the rhythm in charge, and we are all for it. To wrap things up, we have ‘Broken Wing’, which meanders back into the softly undulating territory of the first couple of numbers. Bakradze brings the arpeggio motif back into view, his soft touch applied also to the drums as they quietly grow into the mix, as the two layers intertwine beautifully and with a true sense of purpose. Its a fitting end to a record that provides so much, an effort that pours over itself to continually find new methods of wowing, and you leave the experience feeling like you have listened to four EPs in one. A truly remarkable statement from one of dance musics most enigmatic producers.
Gacha Bakradze has also looked for a greater meaning in his music, be it in terms of sonics, scope or indeed how everything flows and meanders from one source to the next. This latest EP on Oath is no exception and stands tall as yet another piece of significance to flow from his fingertips. His ability to weave the listener into a world filled with such beauty and rhythm is remarkable, the music eager to envelop and allow you to explore to your heart’s content. It creates a bond that is strong from track and by the end, it is unbreakable. So go on, wrap yourself around this absolute stunner…. More
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Amtrac - Heard Me Right
2
Amtrac - Domino feat. Samuel T. Herring
3
Amtrac - Extra Time
4
Amtrac - Hesitation feat. Naeem
5
Amtrac - Mode _ Scanner
6
Amtrac - Nobody Else
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Amtrac - Intermission
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Amtrac - Little Tokyo
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Amtrac - Dancing With You
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Amtrac - Contrast feat. Reva DeVito
11
Amtrac - Last Chance
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Amtrac - Connection
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Amtrac - Return Credits
In February 2023, multi-instrumentalist, producer, songwriter, and “genre-defying melody man” (Billboard) Amtrac released his highly-anticipated third album ‘Extra Time’ via Openers. Inspired by a period of deep reflection during the 2020 lockdowns, ‘Extra Time’ consists of a handcrafted fuse of delicate textures and gritty styles into an unfiltered sonic trip, with each song depicting the process of emotions during a time of uncertainty for the future. It’s a 13-track exploration of forced introspection, a cohesive story that finishes with a surreal feeling of hope.Designed to mimic the tension and release of a classic film score, the unique sound of ‘Extra Time’ was heavily influenced by Amtrac’s immersion in the worlds of Jazz and 90s video game music, particularly the classic 90s computer game Grim Fandango and the sonic landscapes of Miles Davis and Stanley Turrentine in addition to the groundbreaking work of fellow electronic pioneers such as Bonobo and Dan Snaith. Album highlights include kickoff track “Heard Me Right” which was described by Billboard as a “moving mix of rhythmic bass lines and atmospheric melodies”, “Contrast” featuring vocalist Reva Devito, and “Domino” featuring Future Islands frontman Samuel T. Herring that Fangoria described as “like John Carpenter and Basement Jaxx had a baby”. The album also features vocals from his friend Naeem, who worked closely with Amtrac on the jazzy and suspended-in-time groove of “Hesitation.” “Nobody Else” flips a vocal from the Four Tops classic “I Can’t Help Myself” over energetic drums and sultry guitar, and “Dancing With You” unfolds with traditional house elements toward an explosive climax of layered synths. Having made his name with intense DJ sets and creative remixes and collaborations, ‘Extra Time’ is the perfect showcase for Amtrac’s trademark stylistic dexterity and melodic sensitivity - and redefines what it means to create electronic music in 2023. This follows his collab with Diplo and Leon Bridges on “High Rise” and the recent release of “I’ll Be Around”, his collaboration with English vocalist/producer Elderbrook.
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ASC - Substance
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ASC - Aura
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ASC - Vapour Trails
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ASC - The Shallows
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ASC - Elevate
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ASC - Guiding Light
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ASC - Deep Dive
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ASC - Seadrift
ASC's latest offering is 'The Depths Of Space' on Over Shadow Music. Pressed on a 2x12" Translucent Amber & Black Vinyl LP.
More
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Rebecca Goldberg - Automated
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Rebecca Goldberg - Automated (Mark Broom remix)
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Rebecca Goldberg - Elevated
4
Rebecca Goldberg - Staying on
5
Rebecca Goldberg - Linear Motion
Detroit's Rebecca Goldberg, aka 313 Acid Queen, releases 5 techno bangers incl. Mark Broom remix on Phoq U. Phoq U Phonogrammen, the rebellious U-TRAX sublabel, returns after 26 years with its eight release, produced and manufactured in Detroit. Detroit native Rebecca Goldberg, who has previously released music and performed live under her 313 Acid Queen alias, will present her brand new People Mover EP at the Detroit Movement festival, on May 26, 2023. The EP features 5 dancefloor fillers, including the Detroit-style remix by Mark Broom of the opening track Automated. The EP is inspired by transportation, industry and travel, as well as the city of Detroit of course, paying homage to the original minimal techno music and the evolution of technology and industry.all tracks are live jams, recorded in one take on all hardware instruments. Rebecca tries to do as little post-work as possible, with just a little bit of final arrangement. Her work often incorporates field recorded sounds, and for this EP she used samples recorded while riding on the Detroit People Mover itself, the elevated automated light rail system in downtown Detroit. Goldberg started a sound walk group called Detroit Frequency and the recordings were taken on during the first event last summer. The EP kicks off with the fast-paced Automated, that echoes the hypnotic minimal techno sound of Robert Hood. Mark Broom added an extra dose of 909 funk in his Mark Broom remix, which provides the track with even more pumping rhythms and making it sound even more 'classic Detroit'. The B-side opens with Elevated, that features industrial-ish DPM sounds on a bed of pure acid, as if Goldberg wants us to remember why she is named the 313 Acid Queen. Staying On meanwhile, puts a repeating DPM announcer's voice central stage, making it a fascinating piece of minimal techno. The closing track Linear Motion creates a dark atmosphere, with eerie, down-pitched DPM sounds that makes this a spooky techno trip that we believe many people will love.
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Sev Dah - Igman
2
Sev Dah - Hum
3
Sev Dah - Prva Eskadrila
TRACKLISTING
A1. Sev Dah - Igman
A2. Sev Dah - Hum
B. Sev Dah - Prva Eskadrila
INFO
After the successful album PROLETARIJAT is marching towards the 11th output! On the A side Sev Dah delivers a slightly distorted heavy beat with hypnotic hats following with a more tribal approach with beat-breaking-basslines on the A2. The flip side speaks his own language, forgotten by so many - stabby oldschool-inspired Techno that will make your hips move on the dancefloor and your fellow raver raising his fist!
More
A1. Sev Dah - Igman
A2. Sev Dah - Hum
B. Sev Dah - Prva Eskadrila
INFO
After the successful album PROLETARIJAT is marching towards the 11th output! On the A side Sev Dah delivers a slightly distorted heavy beat with hypnotic hats following with a more tribal approach with beat-breaking-basslines on the A2. The flip side speaks his own language, forgotten by so many - stabby oldschool-inspired Techno that will make your hips move on the dancefloor and your fellow raver raising his fist!
More
1
SND & RTN - Voice From The Outerworld
2
SND & RTN - Unknown Depths
3
SND & RTN - Clouds
4
SND & RTN - Deep Space
Tracklisting:
A1 SND & RTN - Voice From The Outerworld
A2 SND & RTN - Unknown Depths
B1 SND & RTN - Clouds
B2 SND & RTN - Deep Space More
A1 SND & RTN - Voice From The Outerworld
A2 SND & RTN - Unknown Depths
B1 SND & RTN - Clouds
B2 SND & RTN - Deep Space More
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Jayson Wynters - Solitude
2
Jayson Wynters - Solitude (Jarren remix)
3
Jayson Wynters - Corns Funk
4
Jayson Wynters - Night Drive
5
Jayson Wynters - Night Drive (Mogwaa's Crusin Remix)
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Jayson Wynters - Uncles Jam
Tracklisting:
A1 Jayson Wynters - Solitude
A2 Jayson Wynters - Solitude (Jarren remix)
A3 Jayson Wynters - Corns Funk
B1 Jayson Wynters - Night Drive
B2 Jayson Wynters - Night Drive (Mogwaa's Crusin Remix)
B3 Jayson Wynters - Uncles Jam
Sales Note
UK artist Jayson Wynters debuts on Pulp with four tracks of atmospheric house and funk that come complete with remixes by Jarren and Mogwaa.
Kung fu master Wynters hails from Birmingham and has been a key player on his local scene for years. More recently he has broken out with impressive EPs on mighty Dutch label Delsin and Adam Shelton's EON. He has a real love of hazy house and always brings his own unique take on that to his timeless analogue grooves. This latest EP was written during lockdown, which provided Jayson a chance to explore different sounds and delve into different styles.
Opener 'Solitude' proves that with its misty-eyed melodies and dreamy pads. The drums tumble loosely, the percussion has a frayed edge and the whole thing is coated in warmth and soul. Half Moon's Jarren is based in LA and brings plenty of that city's musical charm to his remix. It has far-sighted chords, soft-focus harmonics and well swung claps and drums that are simply irresistible.
Wynters then offers 'Corns Funk,' which pairs another dusty drum line with pinging kicks and woodpecker-like percussive hits. A superb twanging bass riff brings some real funk and retro-future feels as the groove builds and bright synths shine through the haze to enrich your soul.
'Night Drive' is a lush downbeat tune for sunset cruises. It has heart-melting chords that prompt deep inward reflection and features an aching guitar riff full of melancholy. The remixer for the one is Seoul musician and master beatmaker Mogwaa who layers in squelchy synth bass and dreamy, loved-up pads. Last of all, 'Uncle's Jam' is Dam Funk-style electro bliss doused in lo-fi chords and languid late-night funk and packed with romance.
Jayson Wynters shows off another superb side to his sound with his expansive Solitude EP. More
A1 Jayson Wynters - Solitude
A2 Jayson Wynters - Solitude (Jarren remix)
A3 Jayson Wynters - Corns Funk
B1 Jayson Wynters - Night Drive
B2 Jayson Wynters - Night Drive (Mogwaa's Crusin Remix)
B3 Jayson Wynters - Uncles Jam
Sales Note
UK artist Jayson Wynters debuts on Pulp with four tracks of atmospheric house and funk that come complete with remixes by Jarren and Mogwaa.
Kung fu master Wynters hails from Birmingham and has been a key player on his local scene for years. More recently he has broken out with impressive EPs on mighty Dutch label Delsin and Adam Shelton's EON. He has a real love of hazy house and always brings his own unique take on that to his timeless analogue grooves. This latest EP was written during lockdown, which provided Jayson a chance to explore different sounds and delve into different styles.
Opener 'Solitude' proves that with its misty-eyed melodies and dreamy pads. The drums tumble loosely, the percussion has a frayed edge and the whole thing is coated in warmth and soul. Half Moon's Jarren is based in LA and brings plenty of that city's musical charm to his remix. It has far-sighted chords, soft-focus harmonics and well swung claps and drums that are simply irresistible.
Wynters then offers 'Corns Funk,' which pairs another dusty drum line with pinging kicks and woodpecker-like percussive hits. A superb twanging bass riff brings some real funk and retro-future feels as the groove builds and bright synths shine through the haze to enrich your soul.
'Night Drive' is a lush downbeat tune for sunset cruises. It has heart-melting chords that prompt deep inward reflection and features an aching guitar riff full of melancholy. The remixer for the one is Seoul musician and master beatmaker Mogwaa who layers in squelchy synth bass and dreamy, loved-up pads. Last of all, 'Uncle's Jam' is Dam Funk-style electro bliss doused in lo-fi chords and languid late-night funk and packed with romance.
Jayson Wynters shows off another superb side to his sound with his expansive Solitude EP. More
1
Semtek - Denny Island
2
Semtek - Catching Smoke
It is with honour & pleasure that we present to you the return of one of the finest in game! Active since god-knows-when, and equally known as artist, label owner, event promoter and all-round champion of all that’s right and proper, Semtek has cast a long shadow in the electronic underground over the past two decades. Ever the mercurial savant, Benji distils a wide range of influences that have shaped his various endeavours on his first 12” for us: from the darkside revivalism of DJ Persuasion through to the raw productions of L.M.Y.E, and even down to his earliest productions on DBA. RAD-SEM1 is two tracks of ice-cold club cuts that capture the chilly futurism of second wave Detroit Techno, the sparser fringes of UKG and the abyssal soundscapes of late 90s DnB. But as is characteristic of Semtek’s output, always far greater than the sum of its parts.
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1
DJ Dog & Double Dancer - What Can I Say
2
DJ Dog & Double Dancer - Longar Longar
3
DJ Dog & Double Dancer - Journeyman
4
DJ Dog & Double Dancer - Phunghi
5
DJ Dog & Double Dancer - Bump The Cutter
The fourth Rebound Lounge EP. DJ Dog and Double Dancer keep on pushing the boundaries of
their weird and wonderful gene Basketball House! Their sound always changing and evolving into different territories, but still keeping their flavour and strickt concept. Here we got five new tracks as always, and a new fantastic color scheme and pic on the back of the sleeve.
Limited edition. So not to miss! More
their weird and wonderful gene Basketball House! Their sound always changing and evolving into different territories, but still keeping their flavour and strickt concept. Here we got five new tracks as always, and a new fantastic color scheme and pic on the back of the sleeve.
Limited edition. So not to miss! More