Futureboogie open their 2017 account with a new release from Lizards, the Newcastle based duo otherwise known as Lee Forster and James Hadfield. After appearances on labels like Leng Records, Join Our Club and Not An Animal Records, Lizards strut their stuff across two original tracks, whilst man of the moment Lord Of the Isles weighs in with a superb remix. The percussion driven house of “Tzatziki” kicks of the release, wrapped in warm and inviting pads and piano riffs. Shades of old school Chicago house meet sun-kissed Balearic vibes on this early morning riser, as the heavyweight bass sounds curl around the raw drum programming and illuminating keys sprinkle over the production. On “Aloof”, the tempo is taken down somewhat, as a bass line wanders over a steady kick and otherworldly ambient sounds and hushed vocal clips lazily glide over the 4/4 arrangement. As the track unfurls, more melodic and percussive elements come into play, blossoming into a something quite epic and unique. With a slew of releases for quality imprints like Permanent Vacation, Firecracker, Mule Musiq and ESP Institute, Neil McDonald, AKA Lord Of The Isles, serves up a deliciously chugging version of “Aloof”. Gurgling bass and marching handclaps are dowsed in dramatic synth sweeps and glacial tones, as the good Lord takes us on a monumental ride. More

Lizards are Lee Forster (1/3 Last Waltz) and James Hadfield (the mainstay of the Elizabeth Collective). Taking over a full side, and clocking in at over 9 minutes, Anthemic understatement is a very difficult trick to pull of, but the deepness of feel here, coupled with the restraint shown in rhythm and melody, allows the track space to ebb, flow and truly get under the skin of the listener. It's one of those rare tracks that are as equally beautiful as they are danceable International Track lives up to it's name, seeing the North Eastern English producers channel the Japanese take on the Balearic sound as heard in productions by artists such as CosMes. Ironically, with his remix, Japanese based Max Essa lends a Euro Pop lilt to the track, softening the beats and adding delicate 80s digital melodies. More

Side A
Island Boogie
La Cassette
Side B
Dévoilez-Vous
Walk The Dog
Side C
S-S-S Single Bed
Wanna Pop With You
Side D
Vas-y Le Chat
Cha Murrah Etem

Whisper it quietly, but Andrew Meecham’s ninth album as The Emperor Machine, Island Boogie, may well be the long-serving producer’s strongest set to date. Of course, all his albums ripple with vintage synth sounds, colourful lead lines, dub-flecked electronic disco grooves and lashings of cosmic intent, but this one just feels a little more special. Island Boogie is certainly special. Meecham’s “most personal” full-length to date, it was inspired by his experiences at the Rotation Garden Party – a beloved micro-festival promoted by a group of friends (including sometime Bizarre Inc and Chicken Lips partner Dean Meredith), renowned for the quality of its custom-built Klipschorn soundsystem. “The album’s title sums up the vibe that you get from Rotation,” he explains. “It may be held in a landlocked venue but it gives a wonderful sense of isolation – it is an audiophile paradise.”
Meecham road-tested rough versions of the album’s eight tracks at Rotation 2023, with the feedback and dancefloor reaction guiding the sound and arrangement of the final mixes. Fittingly, Meecham will return to the event to showcase the album at Rotation 2024 this July. Given the inspiration he’s drawn from previous editions of the festival, that will be a very special occasion. Musically, Island Boogie offers the most fully functioning and expertly constructed expression of The Emperor Machine sound yet, a style Meecham describes as “electronic cosmic disco-boogie”. It’s a sound that takes cues from early ‘80s NYC punk-funk and dub disco, vintage electro, proto-house and left-of-centre synth-boogie, but one that’s instantly recognisable to those who have followed Meecham’s career over the last three decades.
Island Boogie also sees Meecham continue his blossoming working relationship with Severine Mouletin, whose stylish and distinctive vocals previously graced his popular ‘Dance Por Amor’ and ‘Your Own Style’ singles. Here Mouletin features on four tracks: the acid-flecked retro-futurist wave-boogie of ‘La Cassette’ (featuring additional percussion by Rupert Brown); the infectious, bleep-sporting headiness of recent single ‘Devoilez-Vous’; and the squelchy analogue synth-funk of ‘Wanna Pop With You’ and ‘Vas-y-Le Chat’. Meecham also finds space for a cover of Fox’s 1976 pop-rock classic ‘S-s-s-single Bed’, one of the Stafford-based artist’s all-time favourites. His version, featuring headline-grabbing lead vocals by Michelle Bee and guitar from Dave Atherton, re-imagines the track as a subtly Chic-influenced slab of infectious electro-pop rich in kaleidoscopic synth sounds, sing-along choruses and shuffling drums.
The instrumental foundations of the classic Emperor Machine sound come to the fore on the album’s three other cuts. There’s the jazz-funk-flecked warmth of the LP-opening title track; the sparse squelches, bleeps, TB-303 style bass and brightly coloured electronics of ‘Walk The Dog’; and the exotic, slow-motion cosmic electronica of ‘Cha Murrah Etem’, a warm but poignant affair dedicated to his late father. Heady and intoxicating, with hints of Balearica and digital reggae, it offers a fittingly beautiful and tactile conclusion to Meecham’s most expressive and accessible album yet.

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Almost three decades after he put out his first record as one half of Tummy Touch twosome Tutto Matto, Paulo Guigliemino continues to produce effortlessly brilliant music that joins the dots between vintage disco, boogie, proto-house and sun-kissed Balearica. For proof, just check the heavyweight dancefloor sunshine that is "Bella Topa", his first release on Leng Records.
Slow, sensual and blessed with all manner of delay-laden drum machine percussion hits, the track fixes the producer's usual colourful, boogie-era synth flourishes and ear-pleasing instrumentation (think fluid electric pianos, fluttering flutes, eyes-closed jazz guitar solos, lilting saxophones and spacey electronic chords) to a chugging, head-in-the-clouds groove reminiscent of Lindstrom and Prins Thomas's early collaborative work. "Bella Topa" cleverly shifts shape several times throughout, utilising jazzier rhythms and bolder melodies to light up key moments.
Remixes come from Guigliemino's old pal Federico Marton, a producer best known for being one half of sometime Get Physical, Superfiction and Snatch Recordings artists Italoboyz. He lays down two distinctive revisions, starting with a "Slow" club reconstruction that adds additional percussive heaviness and sparkling electronics to Super Paolo's twinkling, sun-baked original.
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It's rare to come across a debut album that delights and surprises in equal measure, but that's exactly what you can expect from Human Call, the first full-length excursion from daydreaming dancefloor fusionists Earthboogie.

The East London-based duo of Izak Gray and Nicola Robinson has previous form when it comes to creating beautiful, funk-fuelled fusions of soundsystem-ready rhythms, humid instrumentation and intergalactic audio explorations. To date, they've released a pair of fine EPs on Leng, both of which did a splendid job in showcasing their unique musical vision.

Even so, this vision has never been clearer than it is on Human Call, a vibrant eight-track missive that fixes the sticky tropical cheeriness of African and South American dance music - be it Afro-disco, Afro-funk or samba - with a wide range of complimentary sounds, styles and influences, from spacey analogue electronics, sun-kissed Balearica and hazy West Coast jazz-rock, to chunky dub disco, snappy retro-futurist house and bouncy, dub-fuelled club workouts.
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Two favourites from the Psychemagik Magic Sunset compilation gets the DJ friendly extension treatment from Body & Soul’s Andi Hanley and Claremont’s Mudd. Essential! More

40 Thieves are back with a brand new mid tempo instrumental mover for Leng Records. This single sided 10? picture disc is available as a limited edition release (300) for Record Store Day 2013 ?In Your Space? is a cosmic jam that kicks over a funk filled bass line and heavy guitar licks brought together with some added cow bell and squelchy space efx. More

Following on from the success of last year’s single ‘Valley of Paradise’, Psychemagik are back with ‘Magik Cyrkles’, a new compilation for Leng
Records. As well as prolific producers, Psychemagik are also vinyl collectors at heart, a passion that has led them to be the go to guys when other collectors are looking for that elusive piece of wax. Amongst their many happy customers are the now satisfied and influential names of Soulwax, Chemical Brothers, Lovefingers, Q-Tip, Fake Blood, Tom Middleton & Lord Finesse This love of digging deep for those obscure and long lost vinyl gems is the
basis of their new Magik Cyrkles compilation. The fruit of many years digging, the compilation is a snap shot of music you might hear in a Psychemagik
DJ set down in the sweaty basement clubs of the world and in the big tops of the festival circuit. The album takes its inspiration from all corners of the globe, travelling through psychedelic funk, cosmic disco, Balearica, Middle Eastern beats and beyond… The album features artwork designed and illustrated by acclaimed oddball image-mongerer Luke Insect, and comes with four new and exclusive Psychemagik edits. Limited to 500, heavyweight gatefold LP with metalic finish. More

Having previously had their music released on labels including BearFunk, Is It Balearic?, Electric Minds and Under The Shade, the Mushrooms Project are already well known in the sleazy disco scene. Italians Giorgio and Marco have been producing their blend of freaky mid tempo weirdness since 2008 and have always aimed their music straight at the late night party. ‘Fly Away’ is their debut release for Leng and, at 16 minutes, is as long as it is mesmerising. Full of analog instruments; guitar, bass, synths and percussive sounds create a unique window into the unusual minds of the Mushrooms and has set the standard for their future releases. On the B Side, fresh from their recent 10” release for Leng, the 40 Thieves return with a mix of ‘Fly Away’ that once again shows they are ones to watch. Adding more of those warm sounds they up toughen up the beats for a hypnotic late night dance floor epic.
Look out for long players from both Mushrooms Project and 40 Thieves later in 2012 ! More

Here’s the first of the 3 vinyl samplers taken from the 'Out Of Town remixes' CD and it coming in a lovely heavyweight card picture sleeve 10”! More