12” vinyl with full cover print

TRACKLIST:

A1. Quintessence
A2. Elusive
B1. Diminished Dub
B2. Unattributed


INFO:

On Figure X45 we are presenting a new up and coming artist, Jancen. With only a handful releases under his belt, this promising young dutchman delivers immaculate productions that veer between the deep and the jacking, always powerful and driving but with a strong sense of groove pervading throughout.

His opener Quintessence leans on the hypnotic side, distilling the effect of a mesmerizingly simple loop reduced to the beauty of its essential elements. Racking up the momentum is tightly bouncing Elusive, riding a funky acid riff that transforms the track into one of those unexpected moments of raising the energy mid-set.
On the B-side, Jancen showcases his talent of building mind-expanding dub-techno excursions, as the echoes of Diminished Dub roll out while even packing some proper propulsive percussion on top! Final track Unattributed takes us way down the rabbit hole into atmospheric trippy territory as searing hats pave the path ever further into the belly of the beast.
For buyers of the digital package, Frostbite sits somewhere in between all of the above, combining sparse stabs of resonant synths with thumping kicks and a pumping rhythm to find that complex equilibrium of depth and charge…

Stay tuned for more tracks from Jancen to keep you warm later this winter, coming right here on Figure.




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12” vinyl with full cover print

TRACKLIST:

A1. Brocken Clock
A2. Pulsing

B1. Plaintive
B2. Dark Clouds


INFO:

Fresh off the heels of his first release on Figure, French producer Arkan deepens his explorations of a unique sound with Part 2 of his Lightworker EP.
His signature blend of mental techno is expanded upon, with opener Broken Clock swaying and rumbling mysteriously like a hypnotic pendulum over an abrasive groove. Pulsing picks up traction and pushes the momentum forward while still allowing jagged textures and cavernous effects to paint a largely looming soundscape.
The flipside gets treated to more colours, with the linear Plaintive works its magic through a set of dense and emotive synths, slowly creating an uplifting yet condensed energy.
Dark Clouds equally builds a strong atmosphere, using ricocheting sparks of panning synths and lighting to conjure the ominous feeling of a rising thunderstorm.

If you haven’t checked it yet, make sure to go back for Lightworker Pt 1 and hear more of this promising new talent’s sounds.




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12" vinyl with full cover print

TRACKLIST:

A1. Delirium
A2. Vicious Night

B1. Voltaris
B2. What Is Not Born Cannot Die



INFO:

The latest addition to the Figure roster comes in form of French producer Arkan. A musician from young age, he combines minimalist, deep-cut grooves with understated harmonies.

His first release on the label arrives as part one of his Lightworker double EP, giving the artist ample room to showcase his own vision of contemporary, „mental techno“ as he dubs it himself.

Fitting this description, opener Delirium is a deeply hypnotic tune, mastering the subtle art of sustain and release to effortlessly cycle its own energy. Vicious Night then tips towards a more percussively lead momentum yet stays true to the less-is-more approach of Arkan.
On the flip he gets to further build on his musical ideas, whether it be the melodic fragments echoing pensively in and out of the 4/4 grid over the galopping beat of Voltaris or eventually the saccharine, IDM-reminiscent ambient closer What Is Born Cannot Die.



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12" vinyl with full cover print

TRACKLIST:

A1. Don't Be Stupid Day (Herbert's Brain Dub)
A2. It's Time (to Move Your Body) (Cromby Remix)

B1. Gamma (Glaskin Remix)
B2. Blackjack (Cromby Remix)

INFO:

This third and final installment of the Fusion remix series sees Len Faki personally select from his most beloved producers to expand on his ambitious album project Fusion that was released as a double LP in 2023.


First up is Herbert's trippy rework of Don't Be Stupid Day, one of the album's most memorable vocal cuts. Herbert's Brain Dub transforms the track slowly and playfully, using the witty lyrics for crafting catchy hooks.

Irish powerhouse Cromby has two appearances on this EP, getting to revamp the more house-leaning productions from Fusion. His take on It's Time (to Move Your Body) is grooving grand, its bubbling acid riff and dancing hi hats teeming with life. Meanwhile, the Blackjack remix further energizes the original's shiny centerstage synths, crazily riding the pitch up and down for an all-out party.

Finally, the brotherly duo Glaskin are reshaping the ambient album highlight Gamma into a highly effective, reduced but propulsive, tunneling techno affair.




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2x 12” vinyl with full cover print

TRACKLIST:

A1. Sexuality (My Reality) (Hardspace Mix)
A2. Shri Yantra (Luke Slater Deep Heet Remix))

B1. Make Me Scream (Amotik Remix)
B2. Raum 422 (Ploy Remix)

C1. Hymn (ANNA Remix)
C2. Astra (Len Faki Beat Room Mix)

D1. Don't Be Stupid Day (Modeselektor Remix)
D2. Waver (Beste Hira Remix)

INFO:

Len Faki assembles second star-studded Fusion Remixes instalment

The Berliner recruits his favourite producers for the second edition of ‘Fusion’ reworks


Berlin-based renowned techno artist Len Faki has announced the second instalment of his Fusion remix trilogy, out 19th April on his label imprint Figure.

Nearly a year on from the original LP release, Fusion Remixes 02/03 reminds us of the versatility and musical expansiveness of Len Faki’s latest masterwork. The Berliner has hand-picked his favourite producers, from ANNA to Modeselektor, to reimagine eight originals on the second double 12“ EP of the Fusion Remixes collection, following January’s first instalment.

Part two of the trilogy kicks off with ‘Sexuality (My Reality)’, recrafted by Len himself under the moniker Hardspace into a rasping stomper, adding a cacophony of hit hats into the mix using his understanding of floor dynamics. Fusion deep cut ‘Shri Yantra’ gets the club treatment next, with Luke Slater’s Deep Heat remix ramping up the intensity, transporting the original’s delicate synth textures into a high octane screamer.

On the B-side, Amotik morphs the bouncing ‘Make Me Scream’ into a one-way tunnel of haunted voices and pummeling percussion, while the sharp breakbeats and warm synths give Ploy’s rework of ‘Raum 422’ a distinctly old school feel.

Next up, ANNA crafts the album highlight two-parter ‘Hymn’ into a club anthem with thick low end and intricate topline melodies, and ‘Astra’ gets a rework from the man Len Faki himself on a lean Beat Room mix crawling with otherworldly sound effects.

Closing this second remixes EP out, Fusions lead single ‘Don’t Be Stupid Day’ is reinterpreted as an ominous, distorted fever dream by Modeselektor, before Beste Hira’s take on ‘Waver’

Stay tuned for part three of the remix trilogy, bringing even more of the Fusion originals back in a new guise…





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12” vinyl with full cover print

TRACKLIST:

A1 Endless Love feat. Theo Nasa
A2 Endless Love feat. Theo Nasa (Hardspace Mix)

B1 Gunz Blazin
B2 Stabbed In The Heart

all tracks figured out by Vinicius Honorio.
vocals on Endless Love by Theo Nasa.
2024 copyright figure

INFO:

Adding his first EP to the label’s catalogue, Figure warmly welcomes Vinicius Honorio onto the roster.
Having first made his mark in the DnB-world as BTK, the vetted Brazilian producer now has been conquering the global techno scene for some years as well. His darkly foreboding sound is on full display across this 12“, featuring three clean-cut, impactful original productions and a remix by Len Faki’s Hardspace moniker.

Endless Love comes punching strong, carried by colleague Theo Nasa’s ominous spoken words and evolving stab synths textures. The remix strips back the vocals in favor of reduced frequencies, keeping the heat condensed and always ready to boil over.
On the flip, Honorio introduces his rolling high-energy machine funk, stacking elements around a hypnotic vocal loop and expertly playing the game of build and release. Closer B2 showcases a different style, using subdued dubby chords to craft a dreamy ride that is at once powerful and deep.




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2x 12" vinyl with full cover print

TRACKLIST:

A1. Voices (Arthur Robert Remix)
A2. Temple (Ø [Phase] Remix)

B1. Tor 8 (rRoxymore Remix)
B2. Space Cowboys I (Pangaea Remix)

C1. Yantra (Planetary Assault Systems Remix)
C2. It's Time (to Move Your Body) (Truncate Remix)

D1. Don't Be Stupid Day (Djrum Remix)
D2. Friedrichshain Funk (Polygonia Remix)

INFO:

With an album as versatile and expansive as his LP Fusion, Len Faki wanted a collection of remixes to display a similar kind of musical variety. Hand-picked from his favorite producers, the cast now features a diverse group of artists who have re-imagined 20 of Fusion's tracks, set to arrive on two double and one single 12" EP.

FigureX39 kicks off the trilogy, with our very own Arthur Robert at the helm, fittingly remaking the album's pensive closer into a melodic peak time stomper. Ø [Phase] ramps up the intensity on straight-laced Temple, keeping the BPM in line with modern techno's need for speed.
On the flip, rRoxymore inverts Tor 8 into a psychedelic funnel of haunted voices and pummeling percussion, while dubby synth swilrs and ferocious filter action give Pangea's rework of Space Cowboys I a distinctly UK-feel.
Coming in as hard hitting as ever, PAS layers high-octane rave stabs and nonstop propulsive drums on his version of Yantra and one of the album's few original house tracks, It's Time … gets the Truncate treatment, making for lean, clap-heavy groover with enough low-end to move some bodies. Often known for his cinematic compositions, Djrum delivers a complex masterpiece of heady drum science and intricate patterns condensed into one dazzling mosaic of sound. Closing this first EP out in style is Munich-based newcomer Polygonia, presenting her shimmering and always shifting remix of Friedrichshain Funk, effortlessly moving between driving rhythms and mystical melodies.



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12” vinyl with full cover print

TRACKLIST:

A1 Symmetry Zone
A2 Chaser

B1 Tracking
B2 Formed


INFO:

After putting out a slew of self-released cuts as LKY, Figure finally gets a hold of the rising techno talent that is Nathan Lockwood. Hailing from the UK, this young talent carries an extensive understanding of Britain’s techno lineage, with over a decade of experience in the game both as promoter and DJ.
Now fully coming into his own as a producer, LKY’s tracks are informed by the loopy nature of his progenitors, while still retaining some of the core dub influences and yet always keeping a propulsive momentum going.
On his EP for Figure, title track Symmetry Zone opens with full force, seamlessly intertwining twisting rhythms and searing percussion into a powerful maelstrom of energy. The A2 Chaser is a more reduced take on the formula, rolling out a muscular groove with only a handful of elements, such as precise low-end and some curious synths doing all the work.
On the flip, LKY shows a deeper side to his work, focusing on the hypnotic element that he has become known for. Tracking strikes a wonderful balance between the dubby synth stabs and driving claps, while Formed has an almost Deep House-feel to it, imbued with gorgeous warm ambiance and teasing vocal snips. The digital format of X38 comes with bonus track Idle Ride, a deeper, more tribal affair, displaying LKY’s versatility as a gifted producer.




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vinyl box with full cover print filled with 8x 12" colored vinyl in disco bags with full cover print + digital download code for the whole album inside
EACH COPY Personally SIGNED BY LEN FAKI


TRACKLIST:

A1 Yantra
B1 Tor 8
B2 Temple


C1 Black Jack
C2 Astra
D1 Gamma (Alternate Mix)


E1 Sexuality (My Reality)
E2 Space Cowboys I
F1 Raum 422


G1 Friedrichshain Funk
G2 Solar



I1 Hymn (In The Name Of Fantasy)
I2 Gamma (The Other Side)
J1 Don't Be Stupid Day (Extended Album Mix)


K1 Space Cowboys II
K2 Waver
L1 It's Time (To Move Your Body)


M1 Shri Yantra
M2 Make Me Scream
N1 Liyah


O1 Halide Part 1
O2 Voices
P1 Halide Part 2


INFO:

Len Faki has always been a defining character of the techno underground. His unique approach to DJing, the consistent work as a producer and the quality output of his label Figure has all shaped the current environment.
Starting out as a clubber in the 90's, his inspirations have always reached back to the first encounters with electronic music, when new worlds opened and everything seemed possible.

While these experiences have always influenced Faki's productions and used to be released under many different aliases back in the day, they have been waiting since to be made into a proper album under the Len Faki moniker.

After quickly climbing to the top of the international DJ circuit, busy touring schedules never quite allowed for it. Finally faced with the opportunity of a long overdue creative break, Faki decided tackle the life-time venture with the necessary dedication and focus.

Excited about the new project, he also took the time and energy needed to expand his production methods. Finding new techniques allowed him to truly bring all his different influences to the surface. The process was one of following his own heart, occasionally challenging and surprising himself. Naturally the result emerged as two parallel experiences, which are now presented across two discs. Both still carry all the signature features of Faki's style but with added layers of depth and detail. There's that special contrast of dark and heady grooves, paired with dreamy melodies that transport the listener to places beyond the mind. But we also see all strains of his previous work being incorporated, mixed and molded into something new altogether.

While the first disc focuses on the kind of techno, which Faki has been brought up by and given back to for so many years of his life, the second is more loose and experimental, with forays into house, ambient and broken beats - the sounds he has always kept very passionate about.

It creates two distinct experiences, showcasing the entire breadth of Faki's cosmos. Where some ideas stay straight and kick hard, like the neon bleep opener Tor 8 or joyfully booming Astra, others take the newfound freedom to inspire a wistful broken beat ballad such as Hymn (In the Name of Fantasy) or the soulfully subdued Drum & Bass closer Voices.
Many songs even exist as pairings, with their respective counterpart on the other disc. For example, the duo of Shri Yantra/Yantra, where similar soundscapes have been looked through different lenses, making for a more straight-laced or shuffled rhythm. Also noteworthy are Faki's appearance as a veritable house producer on Hymn (In the Name of Freedom) as well as the inclusion of two very personal pieces:
The Halide tracks were made in remembrance of Faki's late mother, who passed away during the final production stage of the EP. These delicate tracks capture the intense sadness Faki was feeling at the time and helped him to process his grief and eventually to finish off the album.

By doing so Faki has given us a complete artistic statement, one that proves him to be as curious and driven now as ever, taking his sound to all-new realms.






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12" vinyl with full cover print

TRACKLIST:

A1 Halide Part 1
A2 Make Me Scream

B1 Tor 8
B2 Astra


INFO:

When writing his album Fusion, Len Faki never quite knew where the creative process would take him. Eventually it transported his sound into an all new realm, where he could show 360 degrees his talents and styles. Finally finding completion as a mighty double LP, the Figure x37 EP takes four of the album's new cuts to be presented in this special format ahead of the official release of Fusion.

An important corner stone of the album, the Halide tracks were made in remembrance of Faki's late mother, who passed away during the last production stage of the LP. These delicate tracks, which both feature the voice of Halide, capture the intense sadness Faki was feeling at the time and helped him to process his grief and eventually finish off the album. Part 1 is a softly mourning, melancholic breakbeat ballad, musically reminiscent of the chillout rooms Faki found himself spending a lot of time at going out to clubs throughout the 90s. The much darker second part,
echoing the hopeless bleeps of a heart rate monitor, will only be released on the full album.

Next to this very personal track are more examples of Faki's versatility as an artist, who has seen it all and now uses the album format to work without any constraints or expectations.

A gentle yet gritty electro homage, Make Me Scream is a take on the classic breakbeat from days long gone, with hollow drums and a mysteriously sweet vocal lurking underneath the track's soothing pads and lively synth riffs.

On Tor 8 Faki combines his driving techno and strong melodic elements, subdued chords rising to create an atmosphere of euphoria, while a classic bleep keeps things on track.

Astra (taken from Fusion's more straight-laced disc one) is the most punchy outing of the record, but it still comes with a myriad of detailed sounds to explore amongst its tight-knit rhythmic corset. Twinkly synths slowly rise to make the track bloom into its full, exuberantly colourful form.

With x37 readied, it's only a few weeks until the final release of the Fusion double-album. Here at Figure we can't wait to let you explore the full range of the singular sound that Len Faki has created.



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12” vinyl with full cover print

TRACKLIST:

A1 - Gamma
A2 - It's Time (To Move Your Body)
B1 - Yantra
B2 - Shri Yantra

INFO:

Dropping as the second standalone EP ahead of Len Faki’s highly anticipated debut album Fusion (due out later this year), this release provides a new outlook on the producer’s sounds, going far beyond the confines of techno that he previously has been known and lauded for.

Opening the record in bold yet sensible style, Gamma subtly transcends the dancefloor functionality by anchoring its driving momentum in a wistful and enigmatic melody; a regular of Berghain, Faki also occasionally plays the upstairs room - where the bumping house of his own It's Time (to Move Your Body) could well go down as the highlight of a long night, whizzing with of colourful synths and anthemic vocals. Yantra then is a reminder of the powerful, loopy and trippy techno, which Faki (amongst all the newfound sonic explorations) has still not lost his appetite and knack for. A genuine counterpart, Shri Yantra then picks up elements of its predecessor, reframed in an enveloping breakbeat journey through time and space.

Going past the constraints of his previous work, Faki’s signature style is still very much audible on this EP, while also showing how there are still endless possibilities to develop. Stay tuned for one more special EP (x35) before the final release of the Fusion double album!





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12” vinyl with full cover print

TRACKLIST:

A1 - Don’t Be Stupid Day
A2 - Temple
B1 - Hymn (In The Name Of Fantasy)
B2 - Hymn (In The Name Of Freedom)

INFO:

Announcing the release of Len Faki’s extended debut album, Figure x34 is the first in a series of special EPs that give a glimpse into the body of work which the label head has put together as Fusion over the course of the last two years. Using the double album format, Faki finally found himself free to explore the whole breadth of electronic club culture, inspired by decades worth of his own experiences as a DJ and clubgoer.

Don’t be Stupid Day, centered around the namesake vocal, is a slow-burning, deep techno roller, while Hymn (In The Name of Fantasy) contrasts a dreamy, wisp-like melody with heavy punches of broken up bass. Both cleverly represent the wide variety of sounds found on the more ambient and house-leaning disc 2 of the album.
Disc 1 is a contemporary take on the techno that has defined Faki’s life and career since the 90s. Hymn (In The Name Of Freedom) borrows on the trancey lead synths and booming bass from those early days, making for an unusually euphoric and uplifting Faki track. Finally, Tempel aligns with his reputation as a DJ, steadily layering mechanic percussion for an ever-increasing sense of rhythmic urgency.

A bold introductory statement, Figure x34 already gives an exciting taster of what is to be expected on the full double LP Fusion coming later this year.
Watch out for two more special EPs (x35 / x37) to be released ahead of the final album drop!




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12” vinyl with full cover print

TRACKLIST:

A1 - Point Zero
A2 - Upward Spiral
B1 - Clarity
B2 - Rotation Of Consciousness

INFO:

London based Biri has long been a part of the extended Figure family, first releasing on Figure Jams in 2019, appearing again on the electronica compilation series Open Space. With Figurex36 we finally get his first full solo EP, and it’s a proper statement of his artistic breadth as an accomplished techno producer.

Proving his club-readiness, opener Point Zero comes with all the right assets: functional, fast and equipped a propulsive bass-charge that ramps the velocity alongside grooving slabs of synth for a searing finale. A beautifully intertwined web of chopped up amens and cascading arps is Upward Spiral, showcasing Biri’s gathered influences from living in both London and Berlin. On the flip there’s Clarity, an atmospheric roller of booming bassline, brooding trance stabs and no-nonsense rhythmics. Towards the end Biri takes things deeper, blending bleeping melodies on Rotation Of Consciousness to slowly build up an icy intensity, which surges until it pervades all of space around the stomping beat. Bonus track Rather See My Heart Turn Crystal comes only on the digital release, telling a story of melancholy and longing through swelling synths and broken percussion.



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12" vinyl with full cover print

TRACKLIST:

A1 Doubtful
A2 Dry Dub
B1 Insider
B2 Worthiness


INFO:

Kristian is a new anonymous project on Figure Music, exploring a different kind of sound that is based on subtly nuanced live jams and oriented towards a slightly more raw house and dubby-related style.

Opener Doubtful makes a strong first impression as Kristian weaves together lush, cheerful chords with a tight yet rolling bass momentum, carrying the track forward effortlessly. In stark contrast, Dry Dub is groove reduced to its bare essence. A straight-up drum track made of
sparse elements that confidently unfold their subliminal power over time.

The flip holds cuts that really want to spring to life. Swirly, dubbed-out sounds create a colorful and dynamic palette, rapidly changing in movement and direction. Insider riffs on heavily animated, filtered synth action, while closing track Worthiness goes deep and spacey, oozing with warm machine charm, squelching acid, and bubbly bass.



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2x 12” vinyl with full cover print

TRACKLIST:

a1 Cha´kwaina (Marcel Dettmann Remix)
a2 Beauty Begins With Us (µ-Ziq Remix)
b1 Clouds Over Clifden (Dauwd Remix)
b2 Sun (Placid Angles Bonus Track)
c1 Our Love Is The Place (Baltra Remix)
c2 Natsukashii (Plaid Remix)
d1 Deep Blue (Cassy Remix)
d2 Touch The Earth (Feel The Rain) (Jakojako Remix)
d3 When The Sun Shines Through (John Beltran Remix)


INFO:

One year after its original release, the Placid Angles album Touch The Earth is being remixed by an impressive array of artists from the extended Figure family. With John Beltran being a distinct voice within the electronic music scene for over thirty years now, Figure is thrilled to reveal a whole LP’s worth of reinterpretations, including two works by the original artist himself.

Opening up is Marcel Dettmann, who seamlessly has integrated the lush soundscapes of the original album into a beat-driven but equally serene journey. Picking up on the LP’s underlying dark garage tropes, Planet Mu headmaster M-ziq infuses his rework with even more rolling drums and ethereal vocal chops. The also inherent IDM roots of Touch The Earth have been kept close by Warp-veterans Plaid who deliver a shuffling flurry full of horns, synths and syncopated rhythms. More straightforward interpretations include Dauwd’s dazzling piece of feathery, fast, atmospheric techno; a gorgeous melodic house remix by Baltra and Cassy who turns in a rigid UK stomper.

Amidst all the reworks, John Beltran himself makes two appearances across the record. As Placid Angles he adds another heads-down percussive/ambient swirl, which represents exactly what the producer has been hailed for since more than three decades now. His own remix finishes the record on an epic note, with an organic drum track that celebrates life and the necessity for communal gathering in order to dance.
Beltran’s own additions to this LP are like the essential glue that makes it all bind together, forging the old and the new into something equally exciting as already intimately familar.







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12” vinyl with full cover print

TRACKLIST:

A1 Abundance
A2 Watchful
B1 Homing
B2 You Cannot Hurt Me
B3 Tunnel Vision


INFO:

Part two of Arthur Robert’s most recent EP package showcases his atmospheric style of dubby, strong rhythms and rich, detailed sound design.

On this EP Robert explores his mastery of mesmerizing machines, looping bleepy signals into trance-inducing patterns on Abundance, Watchful and Homecoming. A welcome brief respite from the madness, delicate ambient interlude You Cannot Hurt Me twinkles soothingly, as does the warmth offered by subdued hazy chords on the almost housy Tunnelvision.

Such versatility not only further establishes Arthur Robert as one of current Techno’s most promising producers but also makes this EP package a strong contender for one of the year’s defining releases.














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12” vinyl with full cover print

TRACKLIST:

A1 Mastermind
A2 What We Do With Our Time
A3 Relentless
B1 Rising
B2 Cosmic Traveler


INFO:

A year from his latest release on Figure, Arthur Robert clocks back in with two full EPs.

The first one is a jam-packed 5-tracker, sporting full-on peak time thrill rides such as electrifying elated opener Mastermind or its more brawny brother, the bellowing beast that is stab-driven roller Relentless. But x31 features also Robert’s more introspective side, be it the glowing experimental excursion of What We Do With Our Time or the dreamy half-time stepper Cosmic Traveler. Fans of his more hypnotic techno productions will find joy in the modular magic of Rising, hinting at what’s to come on x32…













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Genre: Jazz, Easy Listening, Saxophone, Funk

LP: Biovinyl, Half Speed Mastered, Heavy 350gsm Sleeve, Sticker

Tracklisting LP
A1. Prince Karl
A2. Improvisation electronique 1
A3. Summerau Dance
B1. Hot Roots
B2. Improvisation electronique 2
B3. For FD




Info

We Release JAZZ is so happy to announce the fourth Bruno Spoerri release in the WRWTFWW discography, this time focusing on the Swiss legend’s unheard jazz catalogue. The pristine 6-track album Musiques Légères (1976-1982) is available as a limited edition half speed mastered biovinyl LP housed in a heavy 350gsm sleeve with superb design by Nicolas Eigenheer and the classic WRJ obi.

Swiss jazz and electronic music pioneer Bruno Spoerri unveils a treasure trove of never-before-released songs in this rare archival collection recorded between 1976 and 1982 that includes collaborations with the fabled Radio Suisse Romande-backed music ensemble GIR (Groupe Instrumental Romand) which featured the crème de la crème of Helvetic forward thinking musicians with an international reputation. The super team of instrumentalists / composers represented Swiss national radio in endeavors that spanned a vast array of music genres such a jazz, pop, experimental music, or what they referred to as “musiques légères” (light music), their very own brand of jazz and funk infused easy listening. One notable member of GIR was drummer extraordinaire Stuff Combe that We Release JAZZ collectors will know from his Stuff Combe 5 + Percussion LP.

Musique Légères (1976-1982) offers a marvelous blend of easy listening jazz, joyful synth improvisations, and soulful funk ballads, a testament to Bruno Spoerri’s multifaceted talents and ability to approach various genres while keeping his very personal and very magical touch. Among the hidden gems on the carefully curated collection is the immensely catchy "Prince Karl", an undeniable hit that truly deserves to be heard.

This is the fourth Bruno Spoerri release from WRWTFWW, following the synth heavy and galactic Voice of Taurus and The Sound of the UFOs, and the compilation of unreleased experimental tracks Rare & Unreleased 1971-1998.
Musiques Légères (1976-1982) is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.

Points of interests

- For fans of the great Bruno Spoerri, smooth jazz, saxophone, ballads, lightness, the good feeling of simple things.

- Limited edition half speed mastered biovinyl of Bruno Spoerri’s latest archival collection, available for the first time ever!




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Territories: World excl. UK + North America

FORMAT: 12" 180g vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45


Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.

But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.

Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.

This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading.

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2LP + GATEFOLD + POSTER + DOWNLOAD


Tracklist:
A1) Art Break
A2) Wrong
A3) La Pendue
B1) Mr. Guillotine
B2) Never Satisfied
B3) Lover’s Crime
C1) City Lights
C2) Dancing With Demons
C3) The Letter
D1) Death Of A Lover
D2) Regarding The Pain Of Others
D3 Social Anxiety feat. Broken English Club

Release Info:
Years Of Denial is back on Veyl with their second LP 'Suicide Disco Vol. 2'. The follow up to 2019’s 'Suicide
Disco', the duo makes a triumphant return, elevating their distinct sound which fuses dark wave, goth, newbeat, post-punk, EBM, and techno. The LP features 12 tracks all written and produced at Ark of Noise
studio, located miles away from the polluted noise of social turbulences, immersed in isolation, creative
indulgence, and poetic writing.
From the start, 'Art Break' provides the perfect warm-up, gently cleansing the palette and re-introducing us
to Barkosina’s lustful vocals with a slow-burning pace that only marks the beginning. 'Wrong' picks things
up, injecting a dose of body music for an infectious piece that bleeds into 'La Pendue' which keeps the
energy rising. Next up, 'Mr. Guillotine' delivers a razor sharp edge, carving out a fresh post-punk feel which
then brings us to the brooding, 'Never Satisfied'.
'Lover’s Crime' marks the halfway point of the record and one of the album’s standout tracks. Undeniably
seductive with an ominous feel, the pair keep this mood going with 'City Lights' and then smash things
open with 'Dancing With Demons'. After the devious message sent with 'The Letter', we are submerged in
the romantic melancholia of 'Death Of A Lover' and 'Regarding the Pain of Others' before closing things out
with 'Social Anxiety' which features vocals by longtime collaborator Broken English Club. The result is an
immersive journey through the pair’s self described, Suicide Disco sound, and further builds on the Years of
Denial form and legacy.

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LP, cut at 45rpm for deeper basses at Dubplates & Mastering in Berlin

A selection of 8 exclusive Dub cuts (+ 2 digital bonuses*) produced in the legendary Genevan squat “Goulet 25” between 2003 and 2013 and cut at 45rpm for deeper basses at Dubplates & Mastering in Berlin.

Recorded at Addis records studio/Goulet 25
Overdubbed in France, UK, Jamaica and New-York
Mixed at Disciples, Conscious Sound and Vibronics studios.
Mastered by Kassian at Dubplates & Mastering, Berlin
Produced and arranged by Gilles Geuggis aka Jil Addis for Addis records in collaboration with Olivier Ducret
Front cover by Stephane Lambercy aka Stuf Addis
Layout by Nicolas Eigenheer

Give thanks to the Creator JAH RASTAFARI to make everything possible

Tracklist:

1.
Restless Dub 05:37

2.
Dubolution 04:47
3.
The Riddim The Rebel 05:30
4.
Diamond And Dub 05:05
5.
I'n I A Dub (Dubplate Mix) 04:43
6.
Dub Haffi Shine 04:16
7.
Drums and Bass Have Taste 03:52
8.
Ghetto Dub 05:11

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Vinyl Edition plus Download Code

Track List
A Side
Parts I-IV
B Side
Parts V-VIII

In the midst of the pandemic, Enjoy Jazz Festival has developed a musical project whose members will be recruited new every year and then debut at a concert on UNESCO International Jazz Day, April 30. The members come from the jazz scene of the German state of Baden-Württemberg. "We wanted," festival director Rainer Kern stresses, "not only to revitalize the fragile network of outstanding creative minds, but also to rethink it artistically as a rolling system." Two experienced and renowned band leaders, Alexandra Lehmler and Erwin Ditzner, now curate an annually changing ensemble of outstanding artists of the most diverse provenance. As part of a voluntary commitment, the ensemble is to be organized in a sustainable, diverse, and, in three years at the latest, completely gender-equal
and climate-fair manner. Thus, as a commitment to the goals of the "European/Local Green Deal" (and with reference to the jazz standard "On Green Dolphin Street"), the name Green Dolphin Orchestra was created. Another special feature: The renowned Oriental Music Academy Mannheim (OMM), a long-standing partner of the Enjoy Jazz Festival, receives a white card, so that musicians with a migration background or protagonists from other musical cultures are always part of this "orchestra of many" and constantly expand its sound language.

The project has a free improvisation approach with changing personnel. "We actually even thought of drawing lots for the different formats within the band pool," explains saxophonist Alexandra Lehmler. "We decided against it in the case of the first concert and instead put together curated formations." And drummer Erwin Ditzner adds, "In principle, however, this procedure remains an option." It was important to the two of them to also mix the genres represented by the individual musicians in such a way that free space for something truly new could emerge. "We wanted to challenge ourselves," Lehmler sums it up. The only restriction: a time code was assigned to each sub-project. "Each formation was given a time limit, although it was possible to virtually override this limit by spontaneous
reshuffling," says Ditzner, explaining one central of the few rules. "In concrete terms, this meant that after eight minutes, the improvisation in progress was either ended or new musicians simply joined in the ongoing creative process, while others took themselves out of the game."

Alexandra Lehmler summarizes the artistic impact of the ensemble as follows: "We really cross-fertilize each other. In order to push this process even further, we forced ourselves when putting together the ensemble not to fall back on our 'favorite playing partners', i.e. musicians with whom one feels particularly at home. In other words, we consciously wanted to step out of our comfort zone with this project." The present pieces were recorded live in Heidelberg during the ensemble's premiere concert on the occasion of International Jazz Day on April 30, 2022.

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Territory: Germany, Austria, Switzerland only

Tracklist

A1. Phét Phét Phét - Half Glass
A2. Phét Phét Phét - Shimmer
A3. Phét Phét Phét - Windpocket People
A4. Phét Phét Phét - Se Siente Como

B1. Phét Phét Phét - You are the Eyes of the World

Phét is a Tibetan syllable that means to cut through. Through concepts & obscurations. Through anything in the mind that stands as an obstacle to our direct engagement of the present. Such tempting distractions! Phét says: RIGHT NOW. As Phét does: RIGHT NOW.
That Jarrett Gilgore named his project after this mantra—Phét Phét Phét—underscores his interest in music as a form of awakening. Music as presence, manifestation, & channeling, more than as ornamentation or description of experience. This is no vessel for preconceived notions, but a record of musicians opening themselves to discovery & encounter through play. Through each other’s company. Phét Phét Phét says: Say farewell to what you’ve known. Say hello to everything you feel now, & to all the things that feel through you.


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LP
Special remarks : Pink coloured Vinyl

Tracklist LP:
1. Heroine
2. Suitcase
3. Melancholia
4. Marion
5. Let it Go
6. Where do we go
7. Lonely House
8. Moon
9. Rumination
10. B28

Short Info:
AMELI IN THE WOODS ANNOUNCES DEBUT ALBUM “Throw My Fears Into The River”“
Ameli approaches her inner demons by making them the center of her compositions.”
On 19 of January 2024 the long awaited debut album “Throw My Fears Into The River'' by the awarded musician Ameli and her
indie project “Ameli in the Woods” will finally see the light. High expectations are set with the release of the album’s first single
“Heroine“ including its nostalgically themed music video. In this single Ameli is singing “Close my eyes and find my heroine...I
want to settle down”. Her restlessness is clashing with a sluggish beat and morphing into the home she is looking for. With
“Heroine” the German melodic indie jazz outfit “Ameli in the woods“ announces her profoundly emotional and slightly trippy
debut album “Throw my fears into the river“ via independent Berlin-based imprint MEIOSIS Records, processing the fears of a
human beingliving through the struggles of her generation.

Full Text:
AMELI IN THE WOODS ANNOUNCES DEBUT ALBUM “Throw My Fears Into The River”“
Ameli approaches her inner demons by making them the center of her compositions.”
On 19 of January 2024 the long awaited debut album “Throw My Fears Into The River'' by the awarded musician Ameli and her
indie project “Ameli in the Woods” will finally see the light. High expectations are set with the release of the album’s first single
“Heroine“ including its nostalgically themed music video. In this single Ameli is singing “Close my eyes and find my heroine...I
want to settle down”. Her restlessness is clashing with a sluggish beat and morphing into the home she is looking for. With
“Heroine” the German melodic indie jazz outfit “Ameli in the woods“ announces her profoundly emotional and slightly trippy
debut album “Throw my fears into the river“ via independent Berlin-based imprint MEIOSIS Records, processing the fears of a
human beingliving through the struggles of her generation.
“Throw My Fears Into The River“ is an ode to believe in yourself, accept and heal from traumas and doubts that kept you back.
Every song is a snapshot of a feeling of Ameli’s life from intimately fragile to progressively exploding. Ameli allows her emotions
to flow through her unique musical language one that, despite its complexity, conveys a poignant melancholy that resonates
easily. Central to this enchanting soundscape is her versatile and extraordinary voice, which radiates in a myriad of colors. This
mesmerizing sound is further enhanced and complemented by the exceptional band including Marvin Holley, Sebastian
Schuster, and Daniel Mudrack. Effortlessly, the renowned musicians create the perfect musical backdrop for each song,
seamlessly weaving themselves into the intricate tapestry of the music. Through their energetic and heartfelt sound, these
seasoned professionals illuminate each composition with a captivating essence. This live recorded album with produced
elements opens a gateway to a distinct world and expresses the desire to break free from boundaries and narrow perspectives.
In fusing boldly and radically influences such as indie, progressive, jazz, electronica, psychedelic, pop and experimental music,
it’s a distinctive, diverse work of art; away from the mainstream, but still captivating and highly intuitive. Ameli in the woods is
sure to deliver a fresh and thought-provoking take on indie jazz, fully drawing the listener into this melancholic yet warm world
which surprises again and again.The trained singer and awarded jazz musician has made a name for herself (Ameli Paul,
Landesjazzpreis BW 2020, Deutsche Oper Berlin 2023, Theater Basel 2022, Support of Monolink Europe Tour 2022) not only in
the local scene but also internationally - her music touches the hearts of listeners all over the world.

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Territories: Worldwide no restrictions

Format Notes: Part of Be With x KPM Library Reissue Campaign, 2024 first time vinyl reissue, 140g vinyl

Track List:

A1 The Detectives (Long Version) 2:26
A2 The Detectives (Short Version) 1:31
A3 The Detectives (Link 1) 0:08
A4 The Detectives (Link 2a) 0:06
A5 The Detectives (Link 2b) 0:16
A6 The Detectives (Link 2c) 0:16
A7 The Detectives (Link 3) 0:10
A8 The Detectives (Link 4a) 0:06
A9 The Detectives (Link 4b) 0:15
A10 The Detectives (Link 4c) 0:15
A11 Helicop 2:54
A12 The Big One (Prelude) 1:26
A13 The Big One 4:05
A14 Headlights 1:09
A15 The Burn 1:05
A16 Bust Up (a) 0:14
A17 Bust Up (b) 0:13

B1 The Detectives (Slow Version) 2:07
B2 The Detectives (Interlude) 1:47
B3 The Detectives (Link 5a) 0:12
B4 The Detectives (Link 5b) 0:29
B5 The Detectives (Link 6a) 0:11
B6 The Detectives (Link 6b) 0:32
B7 The Detectives (Link 7a) 0:19
B8 The Detectives (Link 7b) 0:13
B9 The Build Up 5:57
B10 Snout 1:04
B11 The Prowler 2:02

Release Notes:

It's the pair you've all been waiting for! FINALLY!

Alan Tew's driving jazz-rock, sleuth-funk masterpiece, Drama Suite Part I is finally reissued to sate your appetites for arguably the very best library two-parter in existence. If you don’t know, get to know. Originally released in 1976 but wonderfully timeless, Drama Suite Part I is at the top of every library funk collectors' list. It's easy to see why...

Racing out the gate, the gritty crime funk of "The Detectives" makes for a thrilling, wild ride. A dramatic action theme, it's packed with strident playing and bags of attitude. There follows 10 (ten!) drama-tinged, horn-heavy, wah-wah-laced, conga-enhanced, synth-riddled links for neat segues and maximum funk fever. "Helicop" is another fast paced and energetic dramatic action background with great breaks and horns. "The Big One (Prelude)" has an ace bassline and creeps along superbly to create expectation and contains an amazing rolling piano loop that just stops you dead in your tracks. It's all building to "The Big One", a driving, dramatic, full-band action with fantastic funk breaks, heavy horns and *that* piano refrain. It was sampled by Jay-Z, and you can't really blame him, can you? The brief, tense "Headlights" and (even briefer) burner "The Burn" add some - you guessed it - deep drama over insistent rhythms to close out Side A.

Flip over for "The Detectives (Slow Version)", a relaxed, thoughtful version featuring synths. You might recognise it as being sampled by Domo Genesis and Evidence for "Tallulah" from their brilliant collaboration a few years ago. "The Detectives (Interlude)" is another slow, pensive version featuring electric piano and a trombone solo in the centre section. There follows 6 further links, Detectives versions essentially, with guitars, electric pianos, flugelhorns - all very cool and relaxed rhythms. The strutting majesty of big-time highlight "The Build Up" is next. It's a medium-slow drama background with occasional light statements of The Detectives theme peppered throughout. Nice. The fantastically-titled "Snout" is a slow, tense background theme which features a repetitive guitar figure with alto flutes over the top. The tense, stabby funk of "The Prowler" rounds out proceedings, with nervous figures over a slow, insistent cymbal beat.

As with all of our KPM re-issues, the audio for Drama Suite Part I comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!

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12” vinyl with full cover print

TRACKLIST:

A1 - Point Zero
A2 - Upward Spiral
B1 - Clarity
B2 - Rotation Of Consciousness

INFO:

London based Biri has long been a part of the extended Figure family, first releasing on Figure Jams in 2019, appearing again on the electronica compilation series Open Space. With Figurex36 we finally get his first full solo EP, and it’s a proper statement of his artistic breadth as an accomplished techno producer.

Proving his club-readiness, opener Point Zero comes with all the right assets: functional, fast and equipped a propulsive bass-charge that ramps the velocity alongside grooving slabs of synth for a searing finale. A beautifully intertwined web of chopped up amens and cascading arps is Upward Spiral, showcasing Biri’s gathered influences from living in both London and Berlin. On the flip there’s Clarity, an atmospheric roller of booming bassline, brooding trance stabs and no-nonsense rhythmics. Towards the end Biri takes things deeper, blending bleeping melodies on Rotation Of Consciousness to slowly build up an icy intensity, which surges until it pervades all of space around the stomping beat. Bonus track Rather See My Heart Turn Crystal comes only on the digital release, telling a story of melancholy and longing through swelling synths and broken percussion.



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Tracklist

A1. Sarcosuco
A2. Dimetrodonte
B1. Diplodoco
B2. Gastonia


Fango’s debut EP for Running Back draws a map of the Italian’s wonderful world of sounds. To help music journalists in their ongoing search for new genres, it’s a planet that consist of techno punk, ebm house and outsider disco.
Fed by the unbroken fascination with all things dinosaurs (no pun intended) that Fango shared with his son, reading books, watching documentaries and visiting museums, he found a new place and created a sound for it. If you have ever looked for a danceable soundtrack that resembles strange dinosaurs, dark clouds, active volcanoes and powerful winds, you have finally found it. Aptly named after four different dinosaurs, this Ep consists of the irresistible uplifting vibe that is Sarcosuco and its sweet and melancholic counterpart Diplodoco, while the slow-motion rave Dimetrodonte and Gastonia mirror Fango’s darker and tool-like character. All in all, it’s like watching a dinosaur mosh pit from space. Special artwork by Luca Zamoc.







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2023 repress


Tracklist:
A1. It’ll all be over 03:55min
A2. Satyricon 04:58min
B It’ll all be over (DJ Koze remix) 05:01min

Release Info:
A heaven-made match is now complete with Gerry Read’s debut EP for Pampa Records. The British producer’s distinctively twisted, lo-fi sound, combined with Pampa’s deep-vein instinct for quality quirks, ushers in a new phase for two of house music’s most celebrated names.
The opening bars of “It’ll All Be Over” are immediately evocative, hinting at the patchwork style to come. Twangy banjo strings and a foot-stomp beat seem to herald a folksy arrangement, but that isn’t to be. Soft floaty pads rise up to form an unlikely partnership, softening sharp edges and adding sophisticated melodic expression. Once a compressed vocal sample is introduced, the entire structure reveals itself and begins to spin and loop in the style of iconic French house productions. Propelled further along by the endearing drama of flooded bass drum kicks, falsetto voices and xylophone pings, “It’ll All Be Over” is immediately memorable and expertly architectured.
Read’s second cut, “Satyricon,” is woven in the spirit of micro-house. Sharp waveform cuts, timely pauses, loops of noodling keys and hints of percussion shakers combine for a low-slung psychedelic effect. With the sunniness of a vintage folk-pop sample and sultry snatches of Spanish dialogue added atop a deep mid-tempo shuffle, Read secures his place alongside the Bradocks and Leclairs who came before him.
On the flipside, Pampa’s figurehead takes an expert turn at the controls of “It’ll All Be Over (DJ Koze remix).” The original’s jagged edges are buffed out, and shined up into a gleaming disco house anthem. With its artfully timed strumming breakdowns and cowbell accents, it is an appetising teaser of the forthcoming summer.





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Transparent vinyl with handcrafted two colour screen print

GENRE/S: Electronic

TRACKLISTS: 1. Ich und meine UBahn

SHORT INFO:

Hamburg based artists 11Schnull and Newinfluenzer have collaborated on this track and created a
timeless piece of music for everyone who wants to experience the feeling of riding the subway at
night, by oneself - all alone in the dark, having the best time.
Transparent vinyl comes with handcrafted two colour screen print.



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