Matt Edwards’ R-Time Records welcomes back Sir Lord Commix with five silky cuts for the fourth ‘Retroactive’ release. Amoon Andrews’ outfit Sir Lord Commix returns with the fourth instalment of re-released gems that have been in high demand on the vinyl market. Born out of Rekids, R-Time Records has previously released twelve of Commix’s cuts, yet his treasure trove discography keeps on giving, spanning two decades. Released on Ugly Music in ’96, ‘World Of Groove’ is a smooth house cuts with an abundance of soulful stabs and driving percussion whilst hypnotic melodies and sweeping cosmic strings envelope ‘Life Cycle’, which first appeared on Cynic in ’05. ‘Cosmic Jive’ - from the highly sought after ‘Evidence’ vinyl of ’97 - pumps a reverberated kick amongst shimming chords and rising bleeps. Appearing on an extremely rare release on Hard Up, ‘Under Seige’ has an off-kilter rhythm and erratic yet funky slapping bass melody. Finally, the release concludes with an ethereal cut titled ‘Beyond Reach’ complete with liquid breaks, floating arps and shining melody (originally from a Talahachi VA in 2014).

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Matt Edwards’ newly launched reissue label, R-Time Records, prepares its third release, the second instalment of Sir Lord Comixx ‘Retroactive’. R-Time Records shines a light on classic tracks that didn’t always get the recognition they deserve, with the label’s first two releases coming from Sir Lord Comixx and FBK. Real name Amoon Andrews, Sir Lord Commix’s discography has been in high demand for many years, evident by soaring market prices. The A-side of ‘Retroactive (Part Two)’ features two tracks from a rare untitled release on ‘Hard Up’, whilst the B-side is made up of ‘Chicago Jazz’ from the ‘Funk Box EP’ on Eukahouse (under his a.Moon’ moniker in ‘98) and ‘Motionvibe’ from ‘Azid Jazz EP’ on Cynic in ‘05. Cosmic synths join wonky arps in ‘UR My Omen’ before moving into the more up-tempo ‘Fog Horn’ with its robust drums, off-beat bleeps and filtered effects. ‘Chicago Jazz’ takes things into deeper territories with crystalline Rhodes and jazz-influenced samples until ‘Motionvibe’ concludes the package with its syncopated structure comprised of twisted sounds, murky atmospherics and effervescent nuances.

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Rekids launch re-issue label entitled R-Time Records with four timeless tracks from Sir Lord Comixx. Having established a handful of renowned imprints such as Rekids, Pyramids Of Mars, Cabin Fever and The Double R, Matt Edwards' new venture aims to shine a light on classic tracks that didn't always get the recognition they deserve. “Amoon [Sir Lord Comixx] and I go back a long way and we met through our friend Justin [Isonoe] in the early 90s,” says Matt Edwards. “I was still living in Catford and would regularly drive over to Justin's studio where he'd play me all this crazy, otherworldly music from Amoon and it blew my mind - I was completely captivated by his unique take on techno.
“At the time I had no idea that we grew up in the same neighbourhood and Amoon was living just around the corner so, of course, we hooked up and in 1996 I released an EP from him including one of his classics 'UR My Omen' on my Hard Up label.” Composed of four tracks from separate releases, 'Retroactive (Part One)' inaugurates with '1 4 The Groove' from Sir Lord Comixx's 'Danceteria EP' on Ugly Music. Produced in '96, the track's raw aesthetic features sharp percussion, heady melodies and a compelling groove. Meanwhile, 'Enemax' - which appeared on 1A Records - demonstrates throbbing synths and shuffling drums. Originally produced under his a.Moon moniker in '98, 'Funk Box' is the most robust track on the package with its thudding kicks and assortment of meandering sounds, before the 'Azid Jazz' provides a deep and funky finale.

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Under the radar UK house veteran Sir Lord Commix has dusted off some DATs to provide a mix of old and new material on For Those That Knoe. First on the EP is New World, a rumbling deep house groover with twisted chants, gutsy bass and sparkly atmospherics Originally released on Justin David's label Future Monument, Danceteria goes back to chi town basics with stripped jacking rhythms. Dance Upon The Celing is a New York cum Spencer Kincy styled workout with loose swinging snare rolls and a seriously catchy set of stabs. Physical Oceans rounds off the EP showcasing the range of production stlyistics and experimentalism of the man behind the dials.


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It has been some years now since Nail came back from the wilderness after one of his early EPs was re-released by Fear of Flying. Since then he has turned out plenty of new material as well as digging deep into his vast and vital vaults to serve up the sort of lo-fi but kicking house sounds that made him and his Nottingham crew such a driving force back in the 90s. And that's what we get here on For Those That Knoe - no fewer than eight masterfully stripped-back cuts of deep house. Some are laced with dreamy melodies, some roll deep for days, some are raw and textured pumpers and some are jazzed-up bangers with charm to spare. Essential stuff.

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Repress!

Jade Seatle met Jane Fitz at tech-house haven Kerfuffle in Brixton around 2005 or 06 (they don't remember). They bonded that day over records, and a strange story about a pebble.
Disillusioned with parties in London, rather than moan, Jade and Jane decided to make their own. Night Moves was born in 2012, after Jade Seatle and Jane Fitz visited Jenifa Mayanja the Summer of 2011, at home in Connecticut, and promised her a party to play in London. What then evolved was a journey in music, gatherings and friendship, a lesson in how community can evolve from a dancefloor. Night Moves spawned Day Moves, Field Moves, a B2B partnership, and many, many ridiculous parties in a range of wonderful locations. The records on this release not only represent the sound of Night Moves - all are tried-and-tested NM greatest hits - but the sound that brought Jade and Jane together, informed what they do now, where they've been and where they are still to go.
For Those That Knoe is proud to invite Jade Seatle and Jane Fitz to present the Sound of Night Moves, only available on vinyl!

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Nimbus are three chaps originally from the house music epicentre of Woking, England. In the early 2000s, Oli, Jonathan and Pete carted a gigantic Dell computer between each other's houses to craft a modest but timeless back catalogue of deep and emotional tracks. Their music was featured on European labels Bitboutique and the excellent Iron Box Music at the time; of which "Entron" a particular shining example of their sound, only recently gained notoriety amongst a number of discerning DJs. For Those That Knoe is proud to present a sonic snapshot of those times the lads spent in the home counties with three previously released cuts from the aforementioned labels and one taken from their unreleased archives.

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For the best part of 10 years, For Those That Knoe has maintained its position as a platform for obscure and under-represented artists of recent past, (re)introducing their music to the world in the form of a stories told in chapters and specially crafted albums.

Taking a slightly different tack, For Those That Knoe is looking to the present rather than back in time with a first LP outing for Slovenian producer Vid Vai.

Vid Papez has had a succession of quality EPs under his belt, originally classically trained on violin, lute and guitar, his sound has developed into a lush mix of catchy breakbeat rhythms, precise intelligent percussion and other-worldly melodies and sound scapes.

In constructing Laminar Flow, Vid has taken inspiration from fluid dynamics and coupled it with early influences in the form of UK bleep, IDM and breakbeat sounds. The result is a timeless piece of liquid-smooth sonic art that is strongly relevant in 2022 whilst also giving a gentle nod to the pioneers of the deeper end of the rave scene.

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Repress!
Foreword by Ben (For Those That Knoe) As a young person growing up in West Yorkshire, my experiences of true underground clubbing became intertwined with names such as Back to Basics, 20/20 Vision and Carl Finlow. That period in the early 2000's became a life-affirming time for my young self. Frequent trips to Back to Basics, then held at the Mint Club helped forge my outlook on electronic music and how it should be played in a club environment. I would often hear stories about ""the Farm"" and the late night parties and studio sessions. The anecdotes and tales of US icons recording in the countryside with the local guys provided only a small insight into the creativity and fun that must have gone on during those years. Cut to now in 2017, whilst looking back to those times more than fifteen years ago, I can proudly say that the dots have been joined and the connections now formally established. I'm immensely proud to say that Carl Finlow, the understated king of British electro, and I, have put together a selection of his works that provides a themed snapshot into his musical history. The music I have chosen with Carl may not be all of his biggest tracks but it is the music that is special to me. The selection has a vibe, one that is deep and emotive, music for the head as well as the feet. I hope you hear it in the same way. If you don't know Carl Finlow, now you knoe.

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In 2013, the For Those That Knoe imprint burst into record shops with a release from one of the UK's unsung heroes, Jaime Read under his LHAS alias. 5 years later, we're proud to present a reissue of a selection of Jaime's music from his 1997 album ""The End of the Beginning"". Jaime's take on futuristic chi-town influenced house is present across the selections. Written 21 years ago, the music is more relevant that ever. Serene galactic themes and time travel optimism permeate the collection: the music tells tales of optimism rather than the bleak images carved by other similar compositions of the time. Originally pressed in finite numbers, this is an opportunity to get a copy of the key material on vinyl again, split across two 180g 12"" EPs. "

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In the early 2000s Derek Carr's notoriety for producing high fidelity techno was understated and unbefitting to the quality of his musical output. In 2016 For Those That Knoe initiated an acclaimed series of EPs which showcased unheard material alongside some long lost vinyl only classics from Derek's archive. Cut to now and the imprint has put together something truly special: a raid on dusty record shelves have been traded for one into the binary world, For Those That Knoe has selected 17 recordings only previously available on the digital format or previously unreleased, now remastered and pressed onto physical form.

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In 2013, the For Those That Knoe imprint burst into record shops with a release from one of the UK's unsung heroes, Jaime Read under his LHAS alias. 5 years later, we're proud to present a reissue of a selection of Jaime's music from his 1997 album ""The End of the Beginning"". Jaime's take on futuristic chi-town influenced house is present across the selections. Written 21 years ago, the music is more relevant that ever. Serene galactic themes and time travel optimism permeate the collection: the music tells tales of optimism rather than the bleak images carved by other similar compositions of the time. Originally pressed in finite numbers, this is an opportunity to get a copy of the key material on vinyl again, split across two 180g 12"" EPs.

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Derek Carr is a name known by few and far between, with only a handful of vinyl releases in the early 2000s, he built a worthy but unfortunately not widely-spread reputation for putting together stunning deep techno. Originally pressed in finite numbers, the records have recently found themselves in demand on Discogs, and rightly so, Derek's music is in a class of its own. Having been a big fan since his releases on then local (to label owner Ben) Leeds label Geek records, For Those That Knoe has dug deep into the archives to put together a sizeable selection of Derek's back catalogue, with some unreleased gems dotted amongst the classic must-haves, spread across three EPs Part three in Derek's starts with Cuba, probably the most sought after track in his back catalogue. It's stunning simplicity and charming summer vibe puts it amongst Derek's greatest works and understandably so. Red then slots into the A2 position which was originally released under the radar on a Headspace compilation. As warm as Cuba but with an added touch of melancholy. Truly outstanding deep house. Iceberg takes things back more into techno territory with a funked up bass line, stepping rhythms, Detroit strings and those trademark twinkly leads. Finally Penthouse Apartment 3AM a lush electro breakbeat track from the very hard to find Trident release, rounds off the EP with aplomb.


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Under the radar UK house veteran Sir Lord Commix has dusted off some DATs to provide a mix of old and new material on For Those That Knoe. First on the EP is New World, a rumbling deep house groover with twisted chants, gutsy bass and sparkly atmospherics Originally released on Justin David's label Future Monument, Danceteria goes back to chi town basics with stripped jacking rhythms. Dance Upon The Celing is a New York cum Spencer Kincy styled workout with loose swinging snare rolls and a seriously catchy set of stabs. Physical Oceans rounds off the EP showcasing the range of production stlyistics and experimentalism of the man behind the dials.


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Derek Carr is a name known by few and far between, with only a handful of vinyl releases in the early 2000s, he built a worthy but unfortunately not widely-spread reputation for putting together stunning deep techno. Originally pressed in finite numbers, the records have recently found themselves in demand on Discogs, and rightly so, Derek’s music is in a class of its own. Having been a big fan since his releases on then local (to label owner Ben) Leeds label Geek records, For Those That Knoe has dug deep into the archives to put together a sizeable selection of Derek’s back catalogue, with some unreleased gems dotted amongst the classic must-haves, spread across three EPs Part two of three in Derek’s series kicks off with a Destiny, a driving deep techno funk filled jam, originally released on Derek’s label Trident. Bob is a spacey and sparse melodic electro gem taken from the unreleased archives. L’Equipe on the flip was one of the standout cuts on Derek’s solo EP on Headspace Recordings, pure unadulterated deep house. Museum Piece is a groovy ambient electro jam ripped from DAT and slotted into the B2.


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For Those That Knoe is proud to present some of the freshest and timeless sounds the UK has to offer from Numonika, sounding as good now as they would have done when recorded ten years ago. Three tracks from the original demo CD have been selected, compiled, re-mastered and pressed by For Those That Knoe onto a special 12" for collectors and club DJs alike. In true Knoe fashion, release 4/1 is a compilation of tracks unearthed from a CD squirrelled away for a decade in a dusty loft. The CD in question was loaded with unreleased and untitled material from the owners of and producers for two of the UK's rarest and sought after tech house labels rinsed by DJs such as Craig Richards in the late 90s.

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Derek Carr is a name known by few and far between, with only a handful of vinyl releases in the early 2000s, he built a worthy but unfortunately not widely-spread reputation for putting together stunning deep techno. Originally pressed in finite numbers, the records have recently found themselves in demand on Discogs, and rightly so, Derek's music is in a class of its own. Having been a big fan since his releases on then local (to label owner Ben) Leeds label Geek records, For Those That Knoe has dug deep into the archives to put together a sizeable selection of Derek's back catalogue, with some unreleased gems dotted amongst the classic must-haves.

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Beautiful house, techno and electro in the deep aesthetic that we know for the For Those that Know label. First of 2 ep's coming summer 2014 kicks off with Chimera; a soothing and warm electro cut with soft pads and twinkling lead lines. Aerobatics, originally released on Qube in 2002 slots onto the A2; it meanders into darker territory with saw tooth synth basses, squelchy acid and industrial break beats. Sketch Form on the B-side is a slow tempo house track with chunky distorted rhythms and percussive driven bassline, complemented neatly by swooping square pads and a delicate lead. The Closed Box rounds off the EP with its stripped electronic break beat and late night harmonies. Tip!!



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For Those That Knoe: A new label from the UK focusing on under the radar tracks recorded by unsung heroes, ripped from dusty DATs and lovingly re-mastered and pressed onto vinyl for likeminded people and music collectors alike. Jaime Read as LHAS is one of the unsung heroes on the UK house scene, initially making house music brimming with Chicago jazz flavours and disco tendencies in the mid-90s. Deep from Jaime's archives come three funk-filled melodic analogue jams, all with their own unique character yet still encapsulating Jaime's individual take on Chicago jack. "Deep In Plumpton" graces the Aside with its meltingly warm bassline, crisp offbeat claps, scattered percussion and glimmering jazz keys. It's a freeform composition with a fluid arrangement and layers of melody enveloping a bottom-shaking groove. It's musically brilliant, catchy and involving, moving the heart and soul as well as getting bums to wiggle. "On the QT" sits in p erfect d eep house territory with syncopated hats, rumbling bass and dreamy pads. A spacey lead and sparkling arpeggiator are teased in towards the end of the arrangement to complement the track, which could slot easily into Prescription's back catalogue. "Mania" speaks for itself, taking inspiration from one of the most well-known Chicago House labels it's a manic bouncing ball of jacking house with playful synth leads, scorching hats and distorted kicks. Aimed squarely at the dance floor it's as current and fresh as it would have been in 1995. Bangin'!



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