After a 5 year hiatus, Tel Aviv based artist Naduve, returns to Cocktail d’Amore Music with Hypogeum. Each of these tracks facilitates its own special part in the life of party. Starting off on a hypnotic and forward driven note Echo Wave Bay leads dancers perfectly into hypnosis with its trance inducing melodies which wave upward and downward. Title track Hypogeum begins to pull on the heart strings with its soft synths floating over pastel textures before giving way to the aptly titled FX Jungle, a deep trip into the low lying canopies of your imagination. Ending where we began Thursday Gem explores the same cyclical themes as Echo Wave but in a subdued fashion making it a perfect choice for winding down any raucous party.

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NADUVE is a real hippie. Not one of those you meet at Wholefoods in Stokey, I mean a gentle soul oozing psychedelia. He ’s a floating fixture in the “second generation” Tel Aviv producers (not in age nor talent) LDDLM met through the Red Axes connection, a very tight self-gravitating crew of friends. I have pictures in my head of Naduve, very lanky, bare chest with a slightly Aladdin waistcoat but do not get fooled, the “shamanic” appearance hides a much deeper music than the dross that now entertains some of the white rich crowd in a certain spot of the Nevada desert. Is it trance? Is it tribal weirdness? It’s most definitely as “who cares” as we like it. BACK TO WORK has been a firm fixture for us, a strange off kilter bleep homage to an imaginary Sheffield. PAKANA TANA is why Naduve shines at sunrise, whilst ZE HAZMAN shows us why is he is also full moon. Finally the XEN (more with her very, very soon) REVOX version of BACK TO WORK could almost be a Rimini circa 1990 anthem.

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In this offering by the Berlin-based and made in the Middle East label Disco Halal, We bring you something fresh from Tel Aviv. Naduve, after releases in Rothmans, and CDA, it's time for him to come back home accompanied by Saturn Memories (Marius of Coma) special Tahini remix.
One of us shaking hands with one of them. The handshake is thought by some to have originated as a gesture of peace by demonstrating that the hand holds no weapon. This ancient, short ritual took place several times, here, with some limited success. Has this ritual holds any meaning anymore? The race is long, long from being close to it's end. It's a race for a handshake. This record is one of many efforts to make this race sound. This may sound naive now, or even pathetic, but what are we to do? When cousins meet in family dinner they might fight each other for raising the cup "The Father's name". This battle is soaked with the music of their family, they know each other by it's fabric. We wish to take them to the dance floor and play them music to shake hands to.


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Originally released in the mid 80's on UK cassette label Bite Back!, this nearly lost gem finds new life 30 years later on Cocktail D'Amore Music. Steve has cobbled together a superbly melancholic electronic concept album. Wistful melodies often evoke sentiments of a lost childhood and hazy English mornings. Each song within remains untitled allowing full perceptive freedom as to what they all communicate, a language for the feelings that have no name. Untitled A1 - A6 leads one along intimate soundscapes of pattering drums and tinkering piano, a sense of closeness and trust develops with the introduction of each new idea much like the beginning of a bed time story. Untitled B1 - B3 then begin to breathe more openly awash in angelic colours before abruptly turning downward on B4, a wall of booming drums and atmospheres from the furthest reaches of the galaxy before the last trio of songs settles gently back on Earth.

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After a stint of regarded releases on Public Possesion DJ City returns to Cocktail demote Music with Giuda Iscariota.The title might evoke images of the eternal betrayal but DJ City seems fully devoted to his crowd. Fueled by the distant memory of his regular sets at Cocktail, City touches on an array of moods and styles keeping his foot on the pedal. Giuda Iscariota emulates the selection choices of DJ City during his many sets at the party with a no nonsense focus on dance floor drivers while Nattens Tysta Timmar slathers on the queer vibe by sounding like a lost Pet Shop Boys deep cut. On the flip Sophies Theme picks up the pace again with acid laden house grooves and Archeoicae’s head down hands up arp driven frenzy.

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Berlin's Cocktail d'Amore and Tokyo's Ene Records have come together once again to present the music of Solidair. The duo of Cocktail alumni Luigi Di Venere and Jules Etienne present three tracks aimed to induce a dance floor hypnosis. Orgonite (Riding the Waves) does just that, a slow build awash in the ebb and flow of acid tinges, just enough to wet your whistle on a Saturday night. The original mix keeps the skeletal support but throws in a life preserver of 8 bit gaming synthesis. Frisky arps call and respond to each other before making way for sinewy pads to lift off. Tiger's Eye sets itself onto cruising speed incorporating elements of late 90's acid techno with the sleek and smooth clubbing aesthetics of modern day Berlin.

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Jonathan Kusuma makes his return to Cocktail d'Amore with a love letter to his Indonesian homeland. Each song is steeped in the ancient textures and timbres of the gamelan, brought to life through modular synthesis. 'Awalan' opens the EP with a delicate touch - otherworldly chirps and aural colours of an early morning sunrise. 'Roda Rodi' as Mr. Kusuma explains is his interpretation of interlocking as a traditional Indonesian way of life - "Gotong Royong" or "Mutual Assistance". The idea of mutual assistance is the sharing of burdens between the member of community. Modular sequences tightly fitting into one another, helping to support one another in the structure of their momentary existence. 'Kerontang' and 'Racacak' are two cuts which have Jonathan's signature sound design printed all over them. Big, booming and full of enraptured percussion. We're treated to a haunting close on 'Lorong K'. Menaced tones rising and falling, small fragments piercing through as to be bits of disintegrating concrete falling off the walls of a lost city.

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After a 5 year hiatus, Tel Aviv based artist Naduve, returns to Cocktail d’Amore Music with Hypogeum. Each of these tracks facilitates its own special part in the life of party. Starting off on a hypnotic and forward driven note Echo Wave Bay leads dancers perfectly into hypnosis with its trance inducing melodies which wave upward and downward. Title track Hypogeum begins to pull on the heart strings with its soft synths floating over pastel textures before giving way to the aptly titled FX Jungle, a deep trip into the low lying canopies of your imagination. Ending where we began Thursday Gem explores the same cyclical themes as Echo Wave but in a subdued fashion making it a perfect choice for winding down any raucous party.

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Lion's Drums full length exists as en exploration in multiple dimensions. First by challenging the notion of the album format by presenting a body of work that lies snuggly between remixes, edits and original works and secondly as a means to delve into the transcendent potential of the drum. The album sets the tone by putting these two concepts fully on display with its hypnotic chant, swaying one into ease over the first two songs. In orderly cue folding and unfolding, meditatively through, melodies as muddied pastelle whispers cast over the measured language of the drum. Breaking away from the musing themes of the opening songs we find an ecstatic ritual in "Tanz der Korperlinge" and "Journey to Middle Earth", two distinct varieties but both of the same perennial species. Inky ether seeps back in through the second half of the album with a peak of frenzied tumbling toms and incongruous textures hovering above in the Manos Tsangaris' collaboration "Crying Tafel" and his re-imagining of Tullio De Piscopo's unhinged drum excursion "Fastness". The closing exemplifies the edit/remix/original ethos proposed for this work with Lions Drums drawing from tapes and original material of electronic pioneers Suzanne Ciani and Roberto Musci. Drawing from unreleased music and song sketches by the original artists as well as field recordings from travels & studio sessions made by Roberto Musci & Manos Tsangaris in the 80's and early 90's he constructs a side winding journey through playful textures and ethereal moods.

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Cocktail d'Amore Music returns from a short hiatus with a new release from Russian producer TMO. The three tracks are tied together by a propensity for heavy rhythm construction and distorted acid lines, executed to great effect. Opening with "Last Moment Jam" , a searing main room projectile, TMO presents what is heavily inspired by early Chicago acid track. For those looking for something on the trippier end, "Drums Jam" provides a low bpm hallucination full of delays. Closing is, "Buchla 909 Jam", a 10 minute slow burn exercise in analog fundamentals for late night fantasies.

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REPRESS ALERT: Lury Lech is a transdisciplinary artist of Ukrainian origin part of the few pioneers in the Spanish electronic and digital audio-visual scene that began to develop during the 80's.

His open and unclassifiable style made of eerie sonic atmospheres, arrhythmic structures and dense textures create hypnotic ambiance and a new way to conceive experimentalism.

Wrongly described as New Age music at that time, "Musica para el fin de los cantos" is a stunning and deeply emotive ambient work, that stares down at the eternal enigma, giving a glimpse of Iury Lech's classical music of the future.
Iury recorded this blissful masterpiece in his Barcelona's studio in 1989. It was then published in 1990 by the unique Spanish label Hyades Arts.

It's 2017 and it's time to unearth this magical piece of vibrating chords to please your sensitive yet hungry ears. Sit back and enjoy the meditative state.



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Notorious Discodromo helmed session CockTail D'Amore celebrate their 10th birthday with a compilation that highlights many different aspects of the much loved and musically adventurous Berlin party. The Garden is where the energy of the club becomes exuberant and open, making Tornado Wallace's stomping robo-disco burner "Start Again" a perfect open air treat. "Sleeping Bag In New York" hits on a freestyle flavour clearly indebted to Arthur Russell and Will Socolov's seminal label, courtesy of Greenvision. Bon Voyage Organization have a sweeter disco mood to impart that sounds custom built for roofless celebration, and Bell Towers channels Blake Baxter to great effect on "In The Garden".

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Notorious Discodromo helmed session CockTail D'Amore celebrate their 10th birthday with a compilation that highlights many different aspects of the much loved and musically adventurous Berlin party. In the main room, you can expect the energy to be big and imposing, which Jonathan Kusuma clearly understands as he throws down the big bad thrust of "Energi Hall". Sleep D and Samo DJ bring something of a trancey mood to "No Mans Land" - all heavy drama and a strong sense of melody. Mascaras X Powder is a potent combination that builds up a kind of tribal intensity peppered with wild cosmic flourishes. DJ City's "Torreyson Drive" finishes things off with a startling jacker loaded with big synth lines and whipcrack drums.

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A regular at Cocktail d'Amore, Bell Towers is a Berlin-based Australian producer best known for his long-lasting collaboration with Munich's Public Possession. Next to that, a number of projects under different monikers - namely Rim Boys, an evolving b2b with Andras. "I'm Moving To Berlin" is his first EP for Cocktail d'Amore Music. It's a sparkling celebration of the party; its influence on the city and on the producer's life tangents. "It's too late now / There's no turning back / I gave it all for Cocktail d'Amor..." Rohan confesses, while a hybrid EBM-synth pop sonic adventure unfolds. What happens next is presented in "Sexual Intruder Alert" and "Approach and Identify". The first comes through as a quirky multidimensional future-disco tale, while the second plunges deep into the cosmic hole with punchy percussions and an euphoric groove pattern.

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After two solo releases on Lovefinger's ESP Insitute, and two more 12" as Greenvision (his collaborative project with Trent) Juan Ramos graces Berlin's Cocktail d'Amore Music with a new outstanding EP.A'Incorporeality' and 'Liquid Sky Drone' are both vibrant, hallucinating, trance inducing tracks. Full-on sonic layering and unexpected drum patterns compose these two bangers. Multidimensional is the right term to describe Ramos' music. His futuristic approach, yet full of references from the past, is gaining a strong reputation within the contemporary electronic scene.AMelbourne-Berlin based Kris Baha is on remix duties. 'Liquid Sky Drone' becomes an industrial ballad - cinematic and romantic, at the same time bouncing and synthetic.AArtwork by Boldtron, virtual reality artist based in Barcelona.

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Apparently eight years in the making, "Costellazione K78" is the collaborative effort of Discodromo and Massimiliano Pagliara. It's a truly cosmic affair that channels a generous amount of warm, 70s sound into its component parts as it sets a course for the stars. The A-side houses the original throbbing epic in its pure form, restrained in parts but with a bold narrative arc that reaches further out with every passing bar. Meanwhile on the flip you can feast your ears on the more boldly defined dub version, which amps up the FX and synth vamps for a truly interstellar space trip.

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Cocktail D'Amore showed the breadth of their tastes when they reissued Ukranian composer Iury Lech's 1990 album Musica Para El Fin De Los Cantos last year. Now the label has commissioned a raft of remixes from some label regulars, with wonderful and diverse results. Powder drops her signature snaking rhythmic trysts over "Barreras", while "Cuando Rocio Dispara Sus Flechas" benefits from an abstract, ambient reworking from Suzanne Kraft. Hatchback takes to "Posmeridiano" with a delicate touch, all lingering 80s synth motifs in a beatless reverie, and Zavoloka lays the cinematic intensity on heavy with the icy strains of "Ukraina".

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Yuri Shulgin is a multi-instrumentalist music producer from Tajikistan. His discography includes a small number of releases from the Greek label Modernista and the French Escapade Recordings. Animal Planet is his contribution on Cocktail d'Amore Music. This EP is a live-recorded masterpiece that will lift dance floors into heavenly heights. A1 takes the record title. It's an acid based, genre-blurring piece of music, enveloping and disorienting at the same time. Infinite strings melt together to a constant build up, reminiscent of Steve Reich - Double Sextet/2x5. Boogie Space feels like the continuation of the previous track, evoking a cloud of glitter in absence of gravity. Walking starts off the B side. Its funk future jazz-influenced groove is supported by an organic, as bouncy as timeless bassline. While the stripped down Dubby Body goes to deep realms, the outro Recordtake closes this surreal EP.


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"Pushing Movies is the collaborative project of Jeffrey Sfire and Dimitri SoEmotional. Half of Studio Luce, Dimitri gave light to Defender X along with Franz Scala from Slow Motion. You might remember of Jeffrey Sfire, the man behind the homonymous legendary hit from 2014. Thinking About You is a nostalgic piece of Italo-inspired synth-pop music. A driving groove, involving guitar bass chords, tingled with reverse effects, supports the bright and sexy synth lines. You are suddenly projected to the Italian Riviera sometime in 1980s; pulsating colorful disco lights are cheering up the dance floor on fire, Sabrina Salerno's drinking champagne by the pool while Toni Esposito's staring at the full moon wearing a flowered linen shirt. Lauer and Fort Romeau are on remix duty for the B-side of this 12". If Fort Romeau's interpretation will take you to ultra-space realms, Lauer seems to soundtrack a flashy bumper cars drive.

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Melbourne Industrial/EBM scene representative, master mind behind Power Station/Power Cuts Kris Baha, contributes to Berlin based imprint Cocktail d'Amore with Autora. Intensely disturbed, sleazy and dirty, the title track follows the lead of the most traditional EBM beats. Autora barks with distorted oddities perfectly mashed to an involving balance. A factory ambiance out in the forest under a starry sky is Brink Reality. A slower paced gem for cosmic, stomping dance floors. While the beat-less A3 Happiness Disaster could open a scene of Twin Peaks 2999. 10Ways settles with a thundering bolt of crushing steel, bouncing percussions and a vocal worth of Front 242's legacy. Closing the EP on a romantic and sweet note, Start Over is an italo/wave hybrid ballad tinged with hope and brightness. Arp2600, Dave Smith Poly Evolver/Pro 2, Oberheim Obxa are few of Kris's partners responsible for this outstanding expression of contemporary music. "


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After his appearance on Born Free Records, Rollerboys Recordings, and Rett I Fletta, Johannes Wilkstrom aka Yourhighness contributes to Cocktail d'Amore Music with Stratofortress. The Berlin based imprint gathered techno guru Rrose, Born Free Records owner Samo DJ, and international Japanese wave representative Gonno, to offer an EP with a wide range of interpretations of the title track. The original mix is an acid based, industrial influenced techno banger. Highly energetic, for sweaty late-night dance floors. On the same side Samo DJ transforms the techno blaster into a funky EBM ballad, characterized by a deep male voice and a breakbeat groove. Rrose is on remix duty on the B-side. Stratofortress suddenly turns into a dubby, everlasting build up, that eventually implodes in the depth of a black hole. Closing the EP Gonno offers a slow-mo rework. Deep and very cinematic, this remix will please every Cosmic Hole connaisseur.


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