Next up on Out-ER is Inland, aka Ed Davenport, an artist who has long been a friend of the label and whose powerful techno sound is a perfect fit. His three originals come with a remix by Tresor and Tiercel artist BNJMN. Inland has collaborated with Out-ER for some time now, contributing as a remixer and was involved in their events in Italy, Germany and Holland, from label showcases to workshops and panel discussions. He's released on the likes of Ostgut Ton, Nonplus+, and runs his own Counterchange label, which recently celebrated its 10th release. Up first is the perfectly driving 'R-13', with a concrete bass-end down low and celestial synth patterns up top. The train-track percussion locks in the momentum, while the beautiful waves of sine wave bleeps keep your heart and head closely connected. Flipping the vibe completely is 'Eminent Domain', a surging old-school indebted ride, with its hypnotic mutating synths, overdriven percussion and icy hats. It's a majestic track followed-up by 'Planitia', a more twisted modernist techno cut with turbulent synths wrought with tension and steel plated drums hitting hard. Glassy harnonic layers add colour resulting in an utterly absorbing trip. Long time friend BNJMN has a unique take on melody and texture in his work, proven by a series of excellent LPs and EPs on labels like Rush Hour, Tresor and his own Tiercel imprint. Here he flips 'R-13' into an eerie, loopy dub with slithering synths and distant bell drones fluttering in and out of the mix. The layered drums add real dynamism to this floating yet intense interpretation that closes out an EP of inventive modern techno.

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30 year old Inland a.k.a Ed Davenport is an Englishman currently residing in Berlin. His release history dates back to 2006 with a steady output of house and techno and he spawned his Inland alias in 2012, kicking off his own Countercharge imprint with the Solstice EP. He also co-manages the Infrastructure label alongside Function, the pair having produced the 'Odeon/Rhyl' EP together as Function/Inland for the label's comeback release after a 9 year hiatus. Talking about his EP for Nonplus he explains; "This EP represents my current standpoint on 4/4 club music. Textural, crisp, fuller techno tracks with plenty going on beneath the surface. I made the tracks starting with a quite free, live-jam approach in the studio, laying down long recordings of synth parts, drums, and FX while working the mixer to create accents and peaks. Then I layered and edited everything afterwards, trying to maintain the essence of those live jams, letting the tracks find their own story. These are all long tracks designed to work in their entirety, but that can also be thrown in for 2 or 3 minutes in a fast paced set and make their mark."

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Raw pushing Techno-House for sweaty dancefloors. These tracks you will find just here on coloured vinyl.

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Counterchange founder Ed Davenport drops three lovingly crafted Techno jams for the fifth release on the label. 'Counter005' guides us through the versatile styles of the British producer's sound; precise, filtering techno; urgent cut up vocal funk; housed-up 909 jams. The EP sees Davenport look to faster tempos and a driving, Techno aesthetic, no doubt inspired by his regular and extended sets at a certain Berlin clubbing institution. That said, the eternal, hypnotic House groove remains present throughout.

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COUNTER004 brings together three new artists to the label, Berliners Roman Lindau, Cassegrain and Savas Pascalidis, alongside Counterchange family member Nubian Mindz for this 4 track Various Artists 12''. The result offers four distinct, expertly crafted techno jams in the classic tradition. Real DJ tools to come back to, that mature with repeat listening. Versatile moments to work into non-linear sets, from four artists who each propose unique blueprints for club music today. Counterchange, 2014


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Berlin based Brit Ed Davenport has announced his debut LP, Counterchange, will be released in March 2012. Having slowly but assuredly emerged through the mire of house producers in the last 5 or so years, Ed Davenport now cuts it with the best of them. A steady stream of singles, EPs and remixes have come on labels like liebe*detail, Falkplatz and Pooled Music in recent times, but arguably it?s the Salisbury born man?s work for Bristol?s NRK which has found him really finding his feet. The More Red Lights and New Yorkshire EPs from 2011 are testament to that, both of which explored a well-designed, thick and heavy house and techno sound. It?s a similar sound explored throughout Counterchange, too, but with plenty of concessions to filmic home listening rather than straight up dancefloor fodder. Notably, breakbeats feature heavily up the spine of the album, as does subtle vocal sampling and plenty of atmospheric tension. Says Ed: ?'Counterchange' is a further development of my vision of electronic music, that sits somewhere between the club and home listening. The title relates to the relationship and contrast between any two opposites. That could simply be harmony, light andshade, viewpoints or opinions. From my background studying as a graphic designer, the use of counterchange in a visual sense can be very effective.? Starting with the brooding drums and moody voices of ?Of Light & Shade? the album unfurls through the barely restrained rave euphoria of the title track, the beautifully re-worked melodies of ?New Yorkshire? and ?More Red Lights? as well as touching on some sombre downbeat bleakness, bold concrete funk and under-lapping deep techno. The penultimate track, ?Somewhere,? is to be the album?s forceful first single: an obvious choice for its deeply hypnotic rhythms and train-track grooves. Frankly, the album is a real voyage from start to finish, and one that marks Davenport out as someone with plenty to say, as well as the skills to say it.

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