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Cat-No:kln007
Release-Date:04.03.2016
Genre:House
Configuration:12" Excl
Barcode:4260038310489
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Last in:23.02.2016
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Last in:23.02.2016
Cat-No:kln007
Release-Date:04.03.2016
Genre:House
Configuration:12" Excl
Barcode:4260038310489
Tracklist
A1. Pass Proceed
A2. Phenomenology
B1. So Serving
B.2 Pass Proceed (Last Springsteen Remix)

Short info:
Kris- & Konflikthantering is Swedish for 'crises and conflict management,' as well as a course at university guiding you how to manage scenarios involving crises and strategies in handling conflicts. This album was put together while Harald was taking this course.

This album was made during semi-unconscious conditions and is an emotional transcription of experiences to the language of sequences and frequencies.

The soundscape is a warm fuzzy travel from krauty basslines, vocal fragments and mantras through echoes and reverberating tunnels with shimmering arpeggios, field recordings and programed patterns in ancient Japanese Roland techniques. All recorded on the Studer B67 master tape recorder, the heart of the Kranglan Broadcast studio.

The album is being released as a three episode series with exclusive remixes on the 12"s. The vinyls come in sleeves with cover artwork drawn by Malin Gabriella Nordin.

Kris- & Konflikthantering I/III (KLN007) features 4 tracks with traces from Harald's latest release Fritids EP on Studio Barnhus as well as a remix by Petter Nordkvist under yet another moniker... It is the first time Harald and Petter are on the same 12" since the Thunderpants era with Harald on the microphone and Petter behind the screen releasing on young John Dahlbäcks Pickadoll Records, time flies.

Kris- & Konflikthantering II/III (KLN008) features 4 tracks including songs from Harald's live repertoire as well as a remix of his Studio Barnhus debut Sabor Latino now interpreted by the queen of Pampa, Areal and Kompakt, Ada.

Kris- & Konflikthantering III/III (KLN009) is the final ending with 2, 14-minute plus tracks. One dedicated to the ancient rave grounds of Hellasgarden where it all began in terms of dancing in dirty fields lit by sonar sweeps from the broadcast masts and strobes visible all the way to the city. The last song is the very live version of Sabor Latino, birds from the garden, hypnotic basses from the MC-202 and shimmering arps from the sun, a sunrise anthem in its own.

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