"The Invention of The Human" is designed as a response to the question "what makes us human?" The question has become increasingly important in this period of history, in that many of the answers aren't good enough. "Civilisation" could be one answer; but what good is civilization where there is so much misery within it? "Progress" could be another; but what good is progress without kindness and empathy to sustain it? Taking the thought of man's relationship with technology as a measure of humanity, I asked the computer "what do you think a human sounds like?", and with that I built this album of synthesised vocals, wondering if technological development can help explain what we are. More

The connection between destruction and creation. Creation in different shapes. Life's complexity and finding a devotion to the Flux. Some tracks are begining to transmit new visions. More

Experimental musician Rupert Clervaux releases his debut solo album ‘After Masterpieces’ on Whities. The record features guest performances from saxophonist and trumpet player Eben Bull, singer Sian Ahern, and renowned experimental artist Anna Homler (aka Breadwoman) whose inimitable voice ushers us into the record’s opening prelude, and out of its redemptive final piece. ‘After Masterpieces’ sets six recitals of Rupert’s poetry in unique, unpredictable and expansive musical scenery. The enigmatic and densely compacted texts, reworked and gently honed throughout the album’s slow creation, find an aerial perspective from which a lifetime of reading, listening and thinking is carefully re-mapped. The broad thematic scope takes in aesthetics, ancient mythologies, the origins of language and music, epistemology and ecology––to name just a few––all of which remain tightly intertwined, resistant to abstraction, and imbued with a sense of inquisitive ambiguity which treats all certainty with suspicion: the listener is invited to find their own threads, draw their own conclusions and think their own thoughts More

Nathan Micay (formerly Bwana) steps out under his own name for the first time with a pair of glistening panoramas well-primed for those exultant hours of the early morning. The 12” opens with 'First Casualty’, aka *that* track played by Avalon in her Printworks set last year, before heading into deeper territories with 'Beginning Ballads’ on the flip. In Nathan’s words: "These are without a doubt the most personal tracks I have written to date. I made them as a sort of exercise in self-therapy during my first few months in Berlin. As time has gone on, more meanings have unfolded with each listen. For me, these tracks are a rebuttal to the endless churn of negativity in the news and online. They have become my battle cry in the club, something to mobilize while also offering a chance to escape it all, even briefly." More

Whities 014 is by Londoner and master digger, Jules Venturini. Itâ??s a 3 track 12â? of discordant choral euphoria with artwork designed by Alex McCullough.

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Oh you reckon do you? solid as two tracker from this unfathomable geezer.. More

Whities come with this a tasty one from San Francisco born / Berlin based Avalon Emerson. 3 Tracks on a theme More