The mysterious reggae producer returns with album of punk anthems "dubbed out extended versions" on random color wax! MISFITS. CLASH. DEAD KENNEDYS. STOOGES. RAMONES. SEX PISTOLS. Better than mash ups, it's brand new vintage reggae/dub created for the accapellas. Stickered sleeve limited to 200

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The infamous mighty Swede kicks of his second album of remixed nuggets with one of the heaviest rock track of all time: “TOM SAYWER”. And it don’t stop there. Adding a supreme BST beat to LED ZEP’s famous “WHOLE LOTTA LUV” makes it a mix that won’t leave the bag. If you aren’t satisfied there are 5 more tracks that will keep the dancefloor in euphoria.

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Brazil's DISCOS 12" label drops some massive fire on this 3 track 1-sided 12”. Featuring the Latin disco of LEE VANDERBILT's "FUNKY TROPICAL", the futuristic library boogie of ANTHONY HOBSON's "OMICRON" and a rare remake of GIORGIO MORODER's "FROM HERE TO ETERNITY". Limited Heavy weight colored vinyl.
Tracklisting:

A1 LEE VANDERBILT "Funky Tropical "Unreleased Disco Version
A2 ANTHONY HOBSON "Omicron" Extended Version
A3 Unknown " From Here To Eternity" Rare Version


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BEATCONDUCTOR "and his famous All-Star Orchestra" drop 7 remixes/reworks of "chart topping hits from the day!". Some killer new wave and classic rock tunes reworked & re-edited by the prolific Swede to marvelous effect. None of these re-edits have been released on vinyl before. Full pic sleeve. Limited One-Time Only pressing.
Tracklisting:

A1. Come Together
A2. Who R U
A3. Tenement Funster
B1. Stop
B2. What’s Your Name (Fame)
B3. 1969
B4. Jailbreak

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BEATCONDUCTOR drops this limited 1-sided reworking of a 60s classic from the BEACH BOYS under a cheekily appropriate alias. Lifted from original stems and branched out towards tropical shores. Still keeping the moody feeling and adding some extra extended uplifting rhythms. The original organ is transferred into a laidback skankin backbeat with the bass steady pounding deep below. Full color stickered label on a 1-sided 12” with vocal and instrumental mixes

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LAST COPIES!
BEATCONDUCTOR (aka BEACH FANATIC) delivers a wicked reggae dub mash up of the BEACH BOYS "GOOD VIBRATIONS", dreamy reverb drenched vocals accompanies steady Jamaican riddims. Full dub on the flip. Big hole 45 pressed LOUD for DJ play. Last copies. RIP BRIAN WILSON the pop genius

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Tracklisting:

A1. Tea Leaf Dancers
A2.Throng
A3.Move
B1.Love Theme From Spartacus
B2.Feels So Good
B3.Cream Tease



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Trackliste
A1 Askim 7:10
B2 On My Way To Harlem 9:11
C1 Askim (Thundercat Dub) 9:07
C2 Askim (Instrumental) 6:12
D1 On My Way To Harlem (Extended Instrumental) 10:03
D2 On My Way To Harlem (Radio Edit) 4:41


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2 heavy underground bombs on limited hand stamped wax...


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Following the vision of an artistic universe which fluctuates between hypnotic rhythms, dark and mind-blowing emotions, constantly looking to reach the driving mental & melodic aspect into Techno Music, Kas:st are a French-born, Barcelona based-duo which rapidly conquering the world lately. The phenomenal duo makes its debut to MATERIA with the awe-inspiring and spectacularly mystical ''The Light At The End Of The Tunnel EP'' which features 3 original tracks and two remixes by the miraculous producers Vril and 747! Dive in their techno world and through dancing steps you'll definitely find and reach the light at the end of the tunnel!

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Anonymous Amsterdam resident dropping heat on this mysterious label

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Pushing at the edges which define techno, afro and deep house these three tracks bring fresh heat to the dancefloor, creating an ethereal mood whilst delivering maximum power and energy. If paired down, minimal electronic percussive sounds are your thing, lead track Ligai will tick all the boxes. Stina follows with driving, syncopated beats and a killer pan-pipe riff to hook you in. Closing the record Sand brings a deeper, atmospheric track loaded with floating M1 textures, warm bass and spirited percussion fills. All in all a highly effective and inventive slice of wax with a voguish twist to groove to.

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Incognito Amsterdam house music...

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The Chicago edit kings are back with 4 ultra deep disco cuts chopped for your listening pleasure...Strong stuff enjoy! limited release.

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Emmanuel Top has been releasing belter records ever since he first emerged in the early 90s. In recent times the Paris based artist has done several heavy hitting singles with a number of respected labels. M10 is a special 2 track record that has two version of the sought after Festival Suicide record that popped up in many DJ sets over the last year. While the Closing Night Mix (A-Side) is a gloomy, yet staggering work of low-down Techno, the Opening Night Mix (B-Side) is a based on a soaring lead sound that serves as the back bone of this anticipated 12".

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Gondwana present the UK jazz master Chip Wickham follows last year’s brilliant soulful long-player Cloud 10 with a deftly crafted, reflective EP of beautiful spiritual jazz sounds influenced by the soulful sounds of Yusef Lateef.

Track Listing: A1. Space Walk A2. Love & Life B1. Seven Worlds B2. Slow Down Look Around

https://soundcloud.com/gondwana-records/sets/chip-wickham-love-life/s-cYXwXXZK0ST?si=71ee21c9289f46e6a8f3d5a1997c881b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

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Repress!

With an intrigue for a particular niche of old UK hardcore which takes cues from Sheffield bleep ambience, heady rave futurism and soft, almost new age synth pads, Blank Mind presents ‘Lost Paradise: Blissed Out Hardcore 91-94’. Though the records gathered for the compilation span a short three-year period and bridge the gap between scenes, the collection manages to find a sweet spot where the influence of Warp’s Artificial Intelligence, back room chill out sonics and the nascent jungle boom meet with elements of Italian piano house and slower breakbeat cuts.

Opting to focus on atmosphere to highlight shared connections; in this case the duality of often serene and calming soundscapes with frenzied breaks and bass (see Hedgehog Affair’s ‘Parameters’ and Luxury’s ‘Twirl’ respectively); Lost Paradise is a formidable collection of tracks plucked from a thriving time for British dance music experimentation. The general themes of ascension and escapism channelled through digital samplers are also inescapably linked to a turbulent time in politics, beginning in the post-Thatcher years and culminating in the year the harshest anti-rave Criminal Justice Act came into force.

Initially building the compilation around DJ Mayhem’s track ‘Inesse’, Blank Mind label founder Sam Purcell and Amsterdam based producer Tammo Hesselink began a process of swapping favourites and deep cuts to spread across this 2x12” doublepack. The compilation avoids any obvious centrepieces through masterful sequencing, allowing for moments of refrain and tempo changes in a way that helps add to their overall vision of what this music is and can be; “We wanted to frame hardcore in a different light, looking at this idea of ecstasy through the traditional meaning of the word and exploring that symbolism”. By drawing from what some might consider the softer edges of the movement, the pair offer a look into the relevance of these tracks in the contemporary era, where the past years have seen both an explosion in popularity of old ambient/new-age music and a certified jungle revival.

Additional notes:

All tracks licensed to Blank Mind by licence holders

All tracks remastered from original DATs, with the exception of Sleepwalker (A1) which has been professionally ripped and cleaned

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Promises is an extraordinary, collaborative album by the electronic giant Floating Points and saxophone titan Pharoah Sanders. The album features the London Symphony Orchestra and cover art by the acclaimed American artist, Julie Mehretu. Five years in the making, it will be released on Luaka Bop,

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Ana Roxanne returns with Poem 1, an album that displays a new-found boldness and arrives on kranky May 1st.

THE GUARDIAN - "Keepsake" included in tracks of the week (20th Feb) "devastatingly stark… suffused in grief"


"I wanted to travel / Home into somewhere,"Ana Roxanne breathes across an eerie suspended drone on "The Age of Innocence". "I wanted to try / And go very far." These are the first words we hear on Poem 1 and reintroduce an artist who's in a conspicuously different phase of her life than she was when her debut album, Because of a Flower, sprouted nearly six years ago.

Heartbroken and reflective, Roxanne surveys the transformations that followed and displays a new-found boldness. Her voice is naked, vulnerable and alive, no longer shrouded in tape noise or looped and echoed beyond recognition beneath layered electroacoustic textures.

Throughout the course of Poem 1, Roxanne displays her skill as a singer and songwriter in the classic sense, using the limited instrumentation simply to accent her exposed tones. Muted piano phrases and plucked bass notes languidly trail her anguished siren song on "Berceuse in A-flat Minor, Op. 45", making each word count.

On "Keepsake" meanwhile, she sounds as if she's alone in an abandoned bar, stroking the dust off the piano's keys as she inventories her emotional scars. There's a smell of old whisky in the air, but Poem 1 is a remarkably sober album; never wallowing in self pity, Roxanne finds catharsis in the logic of her expressions, twisting out the edges of her memories into surreal, cinematic asides. "Untitled II", the album's pronounced, uninhibited centerpiece, delivers on the Lynchian promise that's been present since her first EP, 2019's ~~~. "

And when she interprets the Robert Schumann's lied "Stille Tränen" on "One Shall Sleep", she turns Justinus Kerner's words into a whispered echo of her own grief, narrating the 19th century poem over syrupy synthesizers and strings. There's a light emerging on the horizon, though; burying her past on the choral standout '"Cover Me", Roxanne shifts the pace and the mood on 'Atonement', lifting her voice into a gentle lilt.

press quotes for previous album Because of a Flower:
''The Californian musician seems to ponder the mutability of gender on her second album, which offers a magical out-of-body experience'' 4/5 The Guardian
"Because of a Flower gives us a glimpse into a very specific world of sound - aquatic, earthen, and airborne, all at once - and it is a treat to get lost in." - Beats Per Minute
"It feels like bathing in moonlight." - Pitchfork

track listing:
1. The Age of Innocence 2. Berceuse in A-flat Minor, Op. 45 3. Keepsake [listen] 4. x 5. Untitled II 6. One Shall Sleep 7. Wishful (draft) 8. Cover Me 9. Atonement




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1. Come To Daddy (Pappy Mix) 2. Come To Daddy (Flim) 3. Come To Daddy (Little Lord Faulteroy Mix) 4.Come To Daddy (Bucephalus Bouncing Ball) / classic Aphex Twin 12" back in stock!

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Leeds-born, Ibiza-based duo Audiojack reunite with US mainstay Kevin Knapp for their third Crosstown Rebels collaboration together on 22nd May, adding to 2021’s impressive ‘Under Your Skin’ EP and 2017’s ‘Implications’ EP. Having spent two decades at the forefront of the scene, the Gruuv bosses’ blend of house, minimal, and garage infl uences has landed on labels such as Hot Creations, Solid Grooves, 8bit, and more. Meanwhile, house music stalwart Kevin Knapp continues to push his own chunky and vibrant take on house music via international performances at venues such as fabric, Circo Loco, and Elrow, as well as releases on labels like Cuttin Headz, Repopulate Mars, Desert Hearts, and his own Plump Recordings. Marking their return to Damian Lazarus’ iconic imprint once more, they serve up two punchy cuts that showcase their ability to balance attitude and authority into a house workout. “Get It,' is all about momentum! A driving club track with a mantra-like vocal to lift you up and motivate you to go harder at whatever you’re doing in life.” - Audiojack "I'm just enamoured with the concept of being in charge of our own destiny and the thought of getting out of things what you put into them. I feel like this record sonically presents those sentiments in a way I love and appreciate.” - Kevin Knapp Title track ‘Get It’ is a rolling floor-focused cut, driven by a tightly wound bassline and rattling cowbells, while a brooding low-end foundation sets the stage for Kevin Knapp’s commanding vocal drops, elevating the cut into a full-throttle peak-time weapon. On the fl ip, ‘This Frequency’ is an equally potent club tool, built around an unfolding tracking groove and a wobbling melodic synth line, propelled by an electro-tinged bassline that steadily draws listeners further into its spel

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REPRESS!This first album on Kode9’s deeply-respected Hyperdub label comes from the mysterious Burial, who carves out a sound which sends the dormant slinky syncopations of UK garage, via radio interference, into a padded cell of cushioned, muffled bass, passing through clouds of Pole’s dense crackle dub en route. 'Burial' - the album - explores a tangential, parallel dimension of the growing dubstep ouevre, using sounds set in a near-future South London submerged underwater. You can never tell if the crackle is the burning static off pirate radio transmissions, or the tropical downpour of the city outside, taking its loud quiet aesthetic neither from the latest digital glitch software nor a mere nostalgia for vinyl’s intrinsic physicality. In their sometimes suffocating melancholy, most of these tracks seem to yearn for drowned lovers, as haunted echoed voices breeze in and out, on roads to and from other times. The smouldering desire of ‘Distant Lights’ is cooled only by the percussive ice sharp slicing of blades and jets of hot air blowing from the bass. Listen also for a fleeting appearance from Hyperdub’s resident vocalist, The Spaceape, unravelling his cryptobiography. 'Burial' is a renegade signal from other frequencies, a tidal wave of seductive low-impact noise submerging all but the crispest syncopations, and is well on course to be universally welcomed as the standard-bearer for creative vision built upon the grime and dubstep blueprint.


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REPRESS!!If there's one LP that could yet challenge Pinch for dubstep album of the year, it's Burial's. The secretive south Londoner has been hard at work throughout the summer and finally the fruits of his labour. this album is a new record of weird soul music, which lovingly processes spectral female voices into vaporised R&B and smudged 2step garage. Vocal lines are blurred, smeared, pitched up pitched down and pitch bent until their content is cast adrift from their original context and they whisper their saccharin sweet nothings into the void. The album continues with the debut’s crackle-drenched yearning and bustling syncopations, haunted by the ghosts of rave, but also reveals some new Burial treats with a more glowing, upbeat energy. DOUBLE LP VERSION

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