Hot on the heels of Sukuma, Durban's Sugarman Sandy B returns to Red Motorbike with Bink Party!

This time around, he's teamed up with label boss Eddie C on production, as well as an assortment of underground artists from around the globe whom he has collaborated with during his WorldKwaitour, which he combined with the 30th anniversary of his successful underground independent debut, AmaJoviJovi.
Bink, the genre Sandy B coined, is a modern take on Kwaito's loose rhythms and the mid-tempo funk we've come to know and love from the Red Motorbike stables.

Sandy B's Zulu staccato rap and R&B stylings sound as fresh as ever as he continues to connect with his global family through his international travels, currently on tour across Asia and Australia.

Bink Party into 2025!!

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Eddie C's ever reliable Red Motorbike is on the move again

Another 12" edition this time around as FAKE GLASSES & NOODLEMAN take a side each of Caribbean sunshine to warm us all up

'Dancehall' succinctly describes what's on offer on the A Side, a seriously heavy dubwise number for the swayers and one-foot skankers in the dance

On the flip Noodleman follows his acid tinged killer from the last 12" with another 303 laced gem
'Acid Ting' is pure roots vibes with a bubbling acid line riding the groove

Rev 'em up - next stop Kingston town

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Stickered and hand-stamped Limited Edition

BINK!
A new style of dance music created by South African Kwaito legend Sandy B, Berlin boogie-funk monster LJ Simon and Canadian crown prince of downbeat disco, Eddie C.
Brought to you through Red Motorbike Records, 'Sukuma' is the first vinyl release to showcase Sandy B's pioneering Kwaito rap and r&b vocal stylings over the mid-tempo electronic funk championed over the years on the BIKE record series.

Join Sandy B as he embarks on his 30 year anniversary World KwaiTour this year introducing the world to the new dance sound of BINK!

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Hot-on-the-heels of instant sellout BIKE022, Eddie C revs up the RED MOTORBIKE again with another BIG sound on a small format...

This time we're treated to a golden-era style slice 'n splice of an absolute monster cut from '76.
On the flip, we're in tried & tested Eddie territory with a beautifully breezy jam, skilfully stretched into a dynamite dancefloor moment.
Another essential, then. One hand-stamped press.

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Eddie C's permanently on-point RED MOTORBIKE returns with another BIG sound on a small format...

As always, the digging has turned up a duo of blissful jams, skilfully stretched into dynamite dancefloor moments.
Another essential, then. One hand-stamped press.

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Eddie C's always on-point RED MOTORBIKE moves effortlessly into its 20's with another fine double A, dinked 7" !!
A beautiful lost folk-Disco frugger from Tel Aviv's Elado greets us on the A, while Eddie expertly re-jams a Turkish delight with some punchy 606 rhythms.

Pure class !



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For the first time on vinyl, 2 Legendary Edits from the Master of the craft, Francois K.

Percussive Power & Funk Frenzy from Sunshine Sound on a Limited Edition 10".

Both Erucu and Groove City Medleys will work you to the bone!

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ZEN78XX 2LP limited edition ashen and pewter grey 140g vinyl.
Housed in a rigid tip-on foiled, embossed and debossed gatefold sleeve with new liner notes and updated artwork.
Black paper inners and unseen session photography presented on a 12” double sided art card insert.

Side A
A1. The Projectionist
A2. Melody
A3. Dawn
A4. The Awakening Of A Woman (Burnout)

Side B
B1. Reel Life (Evolution II)
B2. Postlude
B3. Evolution (Versao Portuense)

Side C
C1. Man With The Movie Camera
C2. Voyage
C3. Odessa
C4. Theme De Yoyo
C5. The Magician

Side D
D1. Theme Reprise
D2. Yoyo Waltz
D3. Drunken Tune
D4. The Animated Tripod
D5. All Things

The Cinematic Orchestra have announced a 20th anniversary tour & audio reissue of their seminal 2003 album “Man With A Movie Camera.” The live shows will feature songs from the album with all new visuals, celebrating the release across Europe. The 2LP limited edition comes in ashen and pewter grey coloured vinyl, housed in a rigid tip-on foiled, embossed and debossed detail gatefolded sleeve with updated artwork and new liner notes. This reissue will include 12” double sided art card insert of unseen session photography from the time.

As part of the film festival celebrations of Porto being the European City of Culture in 2001, Jason Swinscoe of The Cinematic Orchestra was commissioned to score a soundtrack to a silent movie as a one-off performance. The film was Dziga Vertov's ‘Man With A Movie Camera,’ a 1929 early documentary cinema film from the Soviet Union, and hailed by many including The British Film Institute to be one of the greatest films of all time, nearly 100 years on from its creation. The performance took place in the historic Coliseu Porto, and ended with a standing ovation of 3,500 people. The Cinematic Orchestra have since toured the show internationally over the years, including performances at The Barbican in London, NYC’s Winter Garden at WTC, and Sydney Opera House.

The band was in the process of writing “Every Day” when the film commission occurred, which had a formative influence on “Man With A Movie Camera”. Certain tracks that made it onto “Every Day” in other forms were written specifically for the score or were already in development, which allowed Swinscoe and the band to remold motifs to the film's unfolding narrative. The title 'Every Day' was based on the narrative in the film, which portrays a day in the life of an idealised Soviet society, beginning with people waking up, moving through various workplace environments, and into leisure time & activities.

“Man With A Movie Camera” was eventually recorded and released in 2003. it was met with much acclaim. The Guardian gave it 4/5 and said “You can perform an autopsy on the jazz instruments, DJ Shadow-like grooves and repeating chord sequences, yet come away scratching your head as to how, in such simple combinations, they make such heartfelt music.” The Independent on Sunday continued, “It stands alone, proud and complete.” And dance magazines also showered it with praise such as DJ Magazine, “The genius, a word not to be used lightly, of The Cinematic Orchestra seemingly knows no bounds.”

Since debuting with “Motion”, in 1999, The Cinematic Orchestra have sold hundreds of thousands of albums, generated over a billion streams and enjoyed critical support from the likes of Pitchfork, The Guardian, New York Times, Le Monde, Resident Advisor, Fader, Crack, Rolling Stone, Gilles Peterson, Benji B, Jason Bentley and Mary Anne Hobbs. In 2007, The “Ma Fleur” album was recognised for its bold departure from the group’s sonic traditions; in the years since, it’s been continuously celebrated, with tracks like ‘To Build A Home’ reaching huge audiences. The band have performed to larger and larger audiences and sold out the likes of London's Royal Albert Hall, Philharmonie de Paris, Rome’s Auditorium Park Della and the Sydney Opera House. Coachella, Glastonbury, Fuji Rock, Montreux and Sonar have all played host to the band’s much loved live performances. They have also appeared at the Directors Guild Lifetime Achievement Awards for Stanley Kubrick and New York’s Summerstage with the legendary Mahavishnu Orchestra with John McLaughlin. Their original score for “The Crimson Wing”, included the track ‘Arrival of the Birds’ which featured in the Oscar Winning Stephen Hawking biopic "The Theory of Everything”. Their last album “To Believe,” charted in the Top 20 of the UK albums chart and #1 in the album vinyl chart.

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Love Drop is a frequent player on GAMM and returns with a classy two track EP full of warm soul and jazz-funk.

The main track 'Journey into you' is a tasteful House-Boogie re-interpretation of Leon Ware's classic modern soul jam...a real stepper!
Flip the plastic over Love Drop does a nice number on a classic Roy Ayers Jazz-Funk winner...

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Being the humble guys that they are, Surprise Chef aren't going to admit they have something very special going down. However, there must be some magic in their studio, or maybe in the fact they all share a house and have formed close bonds, or perhaps from absorbing the DIY ethos of running their own record label that has culminated in such a unique and enchanting sound.

'Daylight Savings' is the follow-up to the group's debut album 'All News Is Good News’. That album earned the band a much-deserved following across the world and triumphantly marked their arrival onto the international stage. Their new album was recorded in Spring 2019, almost exactly a year after they recorded ‘All News Is Good News’. It was the weekend that daylight savings time started in Australia, and the studio was filled with the smell of the towering Jasmine bush on the exterior back wall of the house. The record is subsequently filled with the optimism that comes with the impending warmer months and longer days in Australia.

Recorded in their own home studio in Melbourne, the production approach for 'Daylight Savings' is a big step up from their debut. Engineer, Henry Jenkins, created enormous-sounding space within this record, using a great deal of creative analogue recording techniques and working in an expansive recording environment. The results are a sound that emulates the massiveness of the late-60s Capitol Records.

‘Daylight Savings' was written collaboratively by the whole band and features the core Surprise Chef rhythm section. It expands upon where their debut left off with a leaning more towards 70's jazzfunk than soul and a stronger focus on the rhythm section. There’s the epic drama, ebbs and flows of a vintage David Axelrod or Alain Goraguer cinematic production, plus the influence of El Michels Affair and Melbourne bands Karate Boogaloo and The Putbacks, yet it still sounds uniquely Surprise Chef. You get a sense of that rare attribute of being both a contemporary band and a band you expect it won't be too long before other producers start sampling them.



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We’ve got a rather large bomb on our hands here. Leonid & his friends have lovingly recreated ’Street Player’ with a whole host of talented musicians, but why stop there? So we enlisted the Parisian rework Maître to do what he does best and make a great song even better.

Two special versions exclusive to Vinyl, Dimitri’s epic 'Special Disco Blends’ which is split over two parts brimming with breakneck samba percussion & bouncing brass sections before heading into an epic guitar workout.

On the flip DFP serves up a more stripped back Dub focusing in on the well known sections made famous by The Bucketheads before adding a sizzling synth solo midway for that extra euphoria hit.

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2023 Starts with a doubler sided disco action from East Coast Love Affair - Taking the vocal from obscure Minneapolis lo-fi band 'Quiet Storm' master tape (Big up Numero Group) and building a whole new deep disco 45. 'Get Down' is deep dance floor chugger using the O.G studio gear that would have been used at the time, strictly analog business. On the flip, 'Can You Deal' is a more uptempo boogie joint. Both killers as always. Lots more from ECLA this year!!

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One of the finest soul and funk releases of the past 18 months.” Clash Magazine

“Soothing, atmospheric, disquieting.” MOJO Magazine

“Wonderful deep grooves.” Shindig

There is something simultaneously both brand-new and retro about 'All News Is Good News’ - the debut album from Melbourne's instrumental soul group Surprise Chef. It sounds like something dreamt up by lo-fi cousins of David Axelrod and Janko Nilovic, with dramatic Library-music-esque cinematic arrangements echoing both light and dark, delving into moments of dissonance and positivity. There is a meticulous education of 1970’s soul on display that touches on the legacies of the great composer / producers, yet at the same time, this is a truly contemporary record that could have only been made now.

The first limited pressing of 'All News Is Good News’ was released on the band's own 'College Of Knowledge' imprint in November 2019. It slipped rapidly into the collective consciousness of underground music lovers around the world, with all copies selling out within a week and becoming a firm favourite at Mr Bongo HQ in the process. We felt Surprise Chef had made something very special, a future-classic, and that needed to be heard well beyond those lucky enough to have bagged those limited first copies.

Formed at the end of 2017, Surprise Chef have grown within the fertile, creative, and supportive Melbourne music scene. Whilst the band is comprised of four core members, the album features friends and family as guest instrumentalists on flute, saxophone, vibraphone, congas, and assorted percussion; all adeptly recorded by engineer Henry Jenkins from the band Karate Boogaloo. The warm-raw-authenticity of the album was captured in the recordings live to tape over a handful of sessions in the band’s home studio in Melbourne’s inner-northern suburb of Coburg. As band member Lachlan Stuckey explains “All of the music we record is tracked live to tape, simply because so many of the records we love most were made that way".

The results are a captivating journey of instrumental cinematic-soul that will connect with the hardened Axelrod, Truth & Soul, El Michels Affair, and Daptone's fans, as well as the open-minded first-time listener. We are very excited to share this first slice of Surprise Chef’s world, with plenty more magic from these guys coming around the corner very soon.

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Sometime in 1984, San Diego native Anthony "Antone" Williams found himself sitting alone at Pure Sound Studios, tinkering around with a drum machine. Eventually he landed on a "sinister groove" which would lay the propulsive foundation for his hauntingly melodic tour de force, "Windows of My Mind." Released the following year as a seven-inch single on his own Unity Records label, the song features Antone's otherworldly production. Some have referred to the result as "post punk soul," but we'll let you be the judge. Coming up in San Diego in the Seventies, part of an extensive musical family, Antone's creative fuse was lit by the sounds of Stevie Wonder, Earth Wind & Fire, and the Jackson 5.. At the age of 13, he was performing in area clubs, making a name for himself. By age 22, he had opened his own recording studio, Pure Sound. The influence of Sly and the Family Stone was decisive for Antone, who took to wearing a star-shaped gold necklace, not unlike the one famously worn by Stone on his epochal 1975 LP High on You. "Windows of My Mind" was Antone & The Underworld's sole release. Limited to 500 copies and handed out as a promotional tool for a purported album of the same name, the single didn't get much traction. (A story as old as time.) Perhaps the music was ahead of its time and Antone's visionary message will finally sink in 2023. "I didn't want to make a song like Shake Your Booty", he says now. And yet we think that this long-lost record with its "sinister groove" is eminently danceable, almost 40 years later. We challenge you to take a listen to this home-grown 1985 7", remastered directly from the original tape, and make an assessment of your own.

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