Tracklist:
A: Mountain011.1 - Cabanne rmx
B: Mountain011.1 - Ion Ludwig rmx
C: Mountain011.2 - Makcim&Levi rmx
D: Mountain006.1 - Artist unknown rmx

Infotext
11 years of remix-less label history are coming to an end with stunning, magnificent, driving and masterful re-interpretations by some of our favourite producers.
on double 12 inch. skilfully mastered and cut by schnittstelle, antistatic inner sleeves and shrink wrapped, all the way like the iconic original.



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Genre: House


Tracklist 12":

A1 mountain023.1
A2 mountain023.2
B1 mountain023.3


Short Info:


Clubby micro grooves featuring deep basslines and trademark rhythm programming, mastered and cut to perfection by Schnittstelle.




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Genre: House

Tracklist 12":
A1 mountain022.1
B1 mountain022.2


Short Info:
Deep house grooves for Summer floors




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Genre: Micro House


Tracklist 12":

A1 mountain021.1
A2 mountain021.2
B1 mountain021.3

Short Info:


House basslines with a bit of deeper techno in between.




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Genre: Micro House

Tracklist 12":

A1 mountain020.1
A2 mountain020.2
B1 mountain020.3

Short Info:
From almost Techno to almost Disco. Early support from Edward (A1), Maayan (A2), Konstantin (B1)




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Vinyl only

Genre: Micro House


Tracklist 12":
A1 It will never be long anymore
B1 Nice Detective

Short Info:
Passionate and sophisticated tracks from Zefzeed who manages to synthesize unearthly sounds from his vintage machines, creating a mesmerising and charismatic atmosphere. First ever external signing on mountain people.



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Genre: House

Tracklist 12":
A1 Iterate
A2 Eau Vive
B1 Ocean Me

Short Info:
Ocean Me - massive balearic summer anthem from The Mountain People who once more prove they are able to unlock big emotions.


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Genre: House


Tracklist 12":

A1 Mountain017.1
B1 Mountain017.2

Short Info:


By popular request the meditative and sublime groover mountain017.1 gets a vinyl release, beautifully mastered by Matthias Heinstein and skilfully cut by Schnittstelle. Alongside some hypnotising house dirt on the B side.


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Tracklist 12":

A1 Matin Bleu
A2 Play Me
B1 Liquid Enterprises

Short Info:
The wind still blows, the world keeps turning and Shadowdrum deliver twisted, bottomless and heartfelt house music for imaginary summer dance floors.


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Tracklist 12":
A1: Mountain015.1
B1: Mountain015.2
B2: Mountain015.3

Short Info:
Early support by Pigs in Space, Silver Surfer and Flash Gordon!

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Tracklisting:
A1: Cielo rojo
A2: Je trouve - intro
B1: Je trouve

Infotext
Nous l'avons trouvé, le ciel rouge, plein de promesses, mystique, chaud.


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Tracklist:
A1: Jayda
A2: Firebomb
B1: La Onda

Infotext
3 tracks reminiscent of their first releases featuring lush pads and chords, and crunchy basslines with a strong Balearic feel. Underproduced house music for rich and important people dancing on yachts mooring off cala comte or illietes in August. Or for the rest of us who will eventually get there.


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Tracklist:
A: Mountain011.1 - Cabanne rmx
B: Mountain011.1 - Ion Ludwig rmx
C: Mountain011.2 - Makcim&Levi rmx
D: Mountain006.1 - Artist unknown rmx

Infotext
11 years of remix-less label history are coming to an end with stunning, magnificent, driving and masterful re-interpretations by some of our favourite producers.
on double 12 inch. skilfully mastered and cut by schnittstelle, antistatic inner sleeves and shrink wrapped, all the way like the iconic original.



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Tracklist:
A: Ishara B1: Kelinda B2: Droxine

Infotext
3 psychedelic science-fiction house tracks from inner space, merging vintage and upfront production techniques, for the advanced hours and intelligent crowds.



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Double-LP

GENRE/S:
House, Deep House

TRACKLIST:
A1. The Nature Of Reality
A2. Wander Being
B1. Turn To The Music
B2. At The Feeling Level
C1. Jazz Intent
C2. Thematicism
C3. Wade Away
D1. Natural Causality
D2. In The Meadow
D3. See Urchin

SHORT INFO:
DaRand Land, who hails from the post industrial confines of Buffalo, NY was one of the leading figures of Deep4Life, a cult label known for submersible oriented, yet dancefloor-friendly productions. With ambient synth-driven tones and heavy funk basslines being at the center of his sound, DaRand Land’s music often evokes an introspective quality, without losing its groove fundamental. DaRand’s works, which span decades on deep house labels such as Downbeat, Confluence and Pulp have been described as “uncompromising” and has afforded him a passionate following of listeners who seek a more emotive, thought-provoking brand of underground music.
Teaming up once again with Scissors and Thread - the perfect fit for his sound - DaRand Land drops an album full of crafty, trippy house for the heads. Wander Being contains 10 tracks on the double vinyl release with a pair of additional tracks for the digital release. The vibe is deep and sleek, with a rough, bumping edge. The title track sets the tone, a smattering of percussion accompanying a thick, round kick drum and Rhodes chords, giving off a classic Detroit feel. Tracks like Turn to The Music ramp up the energy somewhat, but overall the tracks sit in the sweet spot between dancefloor burners and soulful, jazzy, deep cuts. Noticeable is the space given to each element across the tracks - the hi-hats sparkle, the snare snaps, and the basslines roll and rumble. Add to this the magic melodic flourishes provided by the pads and synths, reminiscent of the late Mike Huckaby in places, made this whole album a thoughtful, joyful experience.
„The genesis for the Wander Being LP”, says DaRand “was a desire to return to the essence of some of my original Deep4Life productions. How was this accomplished? Principally, through the exclusive use of hardware components, minimalist arrangement, and a minds-eye approach to source the musical elements. In particular, the single, The Nature of Reality was written to convey a sense of what it feels like to be in a state of suspended animation. There is a natural tension introduced via the organic, swirling pad progression juxtaposed against endless vocal echoes and the low-end groove of the bassline. Thematically, I wanted to carry this forward through the entirety of the album.
balancing subdued keys and strings with ethereal tones and atmospheres













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Territories: Worldwide no restrictions

Format Notes: Part of Be With x KPM Library Reissue Campaign, 2024 first time vinyl reissue, 140g vinyl

Track List:

A1 The Detectives (Long Version) 2:26
A2 The Detectives (Short Version) 1:31
A3 The Detectives (Link 1) 0:08
A4 The Detectives (Link 2a) 0:06
A5 The Detectives (Link 2b) 0:16
A6 The Detectives (Link 2c) 0:16
A7 The Detectives (Link 3) 0:10
A8 The Detectives (Link 4a) 0:06
A9 The Detectives (Link 4b) 0:15
A10 The Detectives (Link 4c) 0:15
A11 Helicop 2:54
A12 The Big One (Prelude) 1:26
A13 The Big One 4:05
A14 Headlights 1:09
A15 The Burn 1:05
A16 Bust Up (a) 0:14
A17 Bust Up (b) 0:13

B1 The Detectives (Slow Version) 2:07
B2 The Detectives (Interlude) 1:47
B3 The Detectives (Link 5a) 0:12
B4 The Detectives (Link 5b) 0:29
B5 The Detectives (Link 6a) 0:11
B6 The Detectives (Link 6b) 0:32
B7 The Detectives (Link 7a) 0:19
B8 The Detectives (Link 7b) 0:13
B9 The Build Up 5:57
B10 Snout 1:04
B11 The Prowler 2:02

Release Notes:

It's the pair you've all been waiting for! FINALLY!

Alan Tew's driving jazz-rock, sleuth-funk masterpiece, Drama Suite Part I is finally reissued to sate your appetites for arguably the very best library two-parter in existence. If you don’t know, get to know. Originally released in 1976 but wonderfully timeless, Drama Suite Part I is at the top of every library funk collectors' list. It's easy to see why...

Racing out the gate, the gritty crime funk of "The Detectives" makes for a thrilling, wild ride. A dramatic action theme, it's packed with strident playing and bags of attitude. There follows 10 (ten!) drama-tinged, horn-heavy, wah-wah-laced, conga-enhanced, synth-riddled links for neat segues and maximum funk fever. "Helicop" is another fast paced and energetic dramatic action background with great breaks and horns. "The Big One (Prelude)" has an ace bassline and creeps along superbly to create expectation and contains an amazing rolling piano loop that just stops you dead in your tracks. It's all building to "The Big One", a driving, dramatic, full-band action with fantastic funk breaks, heavy horns and *that* piano refrain. It was sampled by Jay-Z, and you can't really blame him, can you? The brief, tense "Headlights" and (even briefer) burner "The Burn" add some - you guessed it - deep drama over insistent rhythms to close out Side A.

Flip over for "The Detectives (Slow Version)", a relaxed, thoughtful version featuring synths. You might recognise it as being sampled by Domo Genesis and Evidence for "Tallulah" from their brilliant collaboration a few years ago. "The Detectives (Interlude)" is another slow, pensive version featuring electric piano and a trombone solo in the centre section. There follows 6 further links, Detectives versions essentially, with guitars, electric pianos, flugelhorns - all very cool and relaxed rhythms. The strutting majesty of big-time highlight "The Build Up" is next. It's a medium-slow drama background with occasional light statements of The Detectives theme peppered throughout. Nice. The fantastically-titled "Snout" is a slow, tense background theme which features a repetitive guitar figure with alto flutes over the top. The tense, stabby funk of "The Prowler" rounds out proceedings, with nervous figures over a slow, insistent cymbal beat.

As with all of our KPM re-issues, the audio for Drama Suite Part I comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!

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Format Notes:

Part of Be With x KPM Library Reissue Campaign, 2024 first time vinyl reissue, 140g vinyl


Track List:

A1 The Rub 2:27
A2 Money Runner 2:15
A3 White Elephant Walk 1:24
A4 White Elephant Walk (Link) 0:07
A5 Walking Link 0:18
A6 Master Plan 3:26
A7 Night Watch 2:12
A8 The Fence (Version A) 1:49
A9 The Fence (Version B) 2:11
A10 Surveillance 1:33

B1 Total Silence 1:26
B2 Eyes 0:47
B3 Drama Backcloth (1a) 1:38
B4 Drama Backcloth (1b) 0:17
B5 Drama Backcloth (2) 0:59
B6 Drama Backcloth (3) 0:17
B7 Drama Backcloth (4) 0:24
B8 Scenechange (1) 0:17
B9 Scenechange (2a) 0:10
B10 Scenechange (2b) 0:24
B11 Scenechange (2c) 0:25
B12 Scenechange (3a) 0:17
B13 Scenechange (3b) 0:17
B14 Scenechange (4) 0:15
B15 Scenechange (5) 0:21
B16 Scenechange (6a) 0:25
B17 Scenechange (6b) 0:21
B18 Scenechange (7) 0:10
B19 Scenechange (8a) 0:12
B20 Scenechange (8b) 0:30
B21 Scenechange (9) 0:51
B22 Brass Statement 0:05
B23 Final Statement 0:47

It's the pair you've all been waiting for! FINALLY!

Alan Tew's Drama Suite Part II. What can we really say? Honestly? We guess the first thing that strikes you is how clean the drums are. Almost impossibly slick but dripping so, so heavy with the neck-snapping funk you'd expect from perhaps the most sought-after library funk set of them all! The cheapest on Discogs is, currently, £1300+. Now's your chance to remedy that. If you know, you know. And we think you know...

"The Rub" is a cool, low-slung heavy-funk roller with relaxed brass and alto flute phrases. Up next, "Money Runner" is another edgy funk glider, its easy-tempo moving in harmony with slinky rhythmic riffs and featuring a seemingly ad-libbed electric piano solo. Strutting along after, "White Elephant Walk" is another laconic, deeply stoned walking theme with electric piano and alto flutes. There follows a couple of brief "walking" links before the brilliantly tense "Master Plan" slowly builds. Expectancy grows to the main theme around a minute in and then a melodic theme builds slightly to the 3 minute mark before floating down gradually and elegantly to its climax. It's utterly fantastic. The smoky, after-hours "Night Watch" is a slow, cool gem featuring alto flutes and synths.

Now we're talking, "The Fence (a)" is just sensational and worth buying this album all on its own. It's likely the reason you're here, anyway. Another impossibly funky, slow and easy tempo with a bass riff to die for, dramatic guitar with gorgeous electric piano and alto flute phrases. It was sampled for "Action Satisfaction" by J5, way way back. "The Fence (b)" is a slower, more deliberate version of the previous heater, but it's no less essential. Indeed, it's absolutely jaw-drooping. Closing out this remarkable side, "Surveillance" is another horizontal masterpiece of relaxed yet dramatic jazz-funk. Vibes ad-lib in centre section and give you an idea of how Roy Ayers making library funk in the mid-late 70s might've sounded. Sensational.

Flip over for "Total Silence", a near-beatless and understated scene-setter featuring neat interplay of guitar and synthesizer themes over bass and hi-hats. The slow "Eyes" follows, a brief gem with subdued electric piano solo and a light climax. The fantastic "Drama Backcloth (1a)" is up next, a repetitive piano and bass refrain with guitar figures over the top. Its creeping crime-funk vibe was pilfered for "Outta Town Shit" by Ghostface Killah in 2006. "Drama Backcloth (1b)" is a short, subdued version without the guitar figure. "Drama Backcloth (2)" features an expectant, background marimba figure over light rhythm whilst the cool "Drama Backcloth (3)" centres around a relaxed riff and the angular "Drama Backcloth (4)" presents eerie progressions with piano interjections. It's decidedly non-rhythmic!

We're then onto 14 (!) different half-minute "Scenechanges", all jazzy and funky, some cool and dramatic, some slow and rhythmic. All ace and groove-fuelled. The aptly-titled "Final Statement" closes proceedings, a slow, pensive theme on guitar joined by cool brass and a solo trumpet to its climax.

As with all of our KPM re-issues, the audio for Drama Suite Part II comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. And as usual, the sleeve reproduction duties were handed over to Richard Robinson, the current custodian of KPM’s brand identity. We're not quite sure what else to say about this landmark record, other than, GET IT!

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2LP, Gatefold Sleeve, download code

Tracklist
A1. At First A Wide Space
A2. St. Catherine And The Calm
B1. Song For Aguirre
B2. Trivial Occupations
C1. Dalloway
C2. Recital Of Facts
C3. Parklife
D1. Minor Forms
D2. Beaumont
D3. No Useless Leniency

Release Info
'Trivial Occupations' is the third LP released under the Kingdoms and Scissor and Thread founder’s own name - and continues in the traditions of those landmark records. Having scaled to heights within the club scene and released almost a hundred records under different monikers, Francis Harris embarked on an altogether more personal journey as a composer of intimate, atmospheric pieces removed from the dancefloor.

Here, with 'Trivial Occupations', Harris dives deep into a new sound pallette - bringing the listener on a journey through various states over the almost one hour run time. The album was made over the course of four years in various studios with an array of notable players, bringing a diversity of perspectives and approaches encompassed within Harris stunning artistic studio approach. It was also mixed at Jack White’s Third Man Studios again with the help of long time collaborator and friend, Bill Skibbe.

'At First A Wide Space' opens up the album, setting the tone with a vista of soundscapes, merging synths, live strings by Kingdom’s artist Emil Abramyan. It sets the stage for what is perhaps the album’s (first) opus, 'St Catherine And The Calm'. Spanning over 12 minutes, drifting through ambient textures, shuffling beats and beautifully arpeggiated melodies and found recordings, it gives the listener a widescreen intimacy, not unlike the enveloping sensation of a cinematic experience. 'Song For Aguirre' is a more mournful affair, built around Abramyan’s cello, deep bass tones, pad washes and distant sounding horns from Greg Paulus, adding to the noir-ish 70’s soundtrack feel. 'Trivial Occupations' the album's title track and perhaps the centerpiece in terms of mood and tone, is a dizzying off kilter Jazz trip featuring a cast of remarkable jazz players, including vocalist Genevieve Marentette, Robb Reddy (tenor sax), Darkside member Dave Harrington on guitar and Will Shore (vibes).

Breaking up the album nicely, 'Dalloway', perhaps Harris’ most unique production to date, moves into Dancehall territory with a collaboration with Cameroon born but NY based singer, Kaïssa.

'Recital Of Facts' , one of the only beat driven songs on the LP, harkens back to the sound of Harris' last two albums with a melancholic groove paired with melodic bass fragments and the ever-present pad washes. 'Parklife' follows a similar vibe with the return of Greg Paulus’ mournful horns, but without any rhythmic underpinning, before the previous single 'Minor Forms' appears with its shuffling percussion and the singular sound of Will Shore’s Vibraphone, bringing about a climatic moment listening moment.

The final two tracks - 'Beaumont' and 'No Useless Leniency' both further explore the sense of space with which Harris has become so enamoured - creating textures and backdrops for piano (Beaumont) and horns (Useless Leniency).

It’s an album that is easy to get lost in - a structure suggesting no real beginning or end. Listening to it on loop offers the listener a chance to be fully immersed in the rich, melancholic tonalities of Harris’ sound universe..



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Artwork and Typography by Stefan Marx

Snad is back on Smallville.

Shyam Anand is a long-term friend of Smallville and an MPC wizard with a wide-open heart. We are super happy to finally present a 12“ that is fully his own.

After an amazing contribution to Smallville 49 (check out Excerptz!), Snad aka Spandrel aka Shyam Anand presents a full 3-tracker on Smallville, packed with his irrisistible grooves, the usual unexpected twists and an overall magical atmosphere. Growing up near Philadelphia, then moving to Chicago and later exploring the global underground scenes of Berlin and Mexico City, among others, Snad is a busy man. He runs his own imprint Spandrel, co-runs We R The Aliens and has an impressive back-catalogue of contributions for several favourites like Running Back, Courtesy of Balance, Kimochi, Long Vehicle, 20:20 Vision, Phonica and many more.

On this 12" the A side belongs solely to Bubblescope - 14 and a half minutes of mesmerizing Ensoniq DP/4 Vocoder driven modular spheres, an endlessly deep bubbling piece of art that builds an intense feeling that could last for hours.

The B side sees Snad staying deep – Lukewarm Lava explores the broken beat world before taking you on a ride. The beloved B2-spot goes to Tanni - an integral part of Julius' warmup-sets since forever and thus a special one to finally put on wax.

Bubblescope comes with a Full Cover Artwork by Stefan Marx.

Tracklist:
A1 Bubblescope
B1 Lukewarm Lava
B2 Tanni


All tracks written & produced by Shyam Anand
Mastering and Vinyl cut by Helmut Erler at Lathesville

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Special Remarks: clear marbled vinyl
Tracklist:
A1 - "Molekule" A2 - "Molekule Version" B1 - "No More" B2 - "No More Version"

Short info:
Paul St. Hilaire's soulful voice meets Rhauder's deep & dub inspired beats.



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