Special remarks: Petar's first solo EP since his critically acclaimed album earlier this year on Music Man. 5 star reviews from Adam Beyer, Reinier Zonneveld, Gregor Tresher, Guy J, Kolsch, Max Cooper and many more. Falling In was theme-tune to this year's Loveland Festival with Sven Vath, Richie Hawtin, Alan Fitzpatrick and Matador headlining. Falling In featured in the highlights video of the festival. We will make sure our large network of followers built up over 20 years of promoting club nights and festivals will know about the vinyl.

Tracklist:
A1: Entangled ,A2: Mind Must Be Free
B1: Falling In

Shortinfo:
The latest in a series of quality releases from Loveland Recordings comes from Neumatik studios in Zagreb, Croatia where Petar Dundov recorded the lush collection of tunes known as Falling In EP.

Petar Dundov is known as an artist who makes you re-think musical boundaries. His EP dances from the emotional warm sounds of 'Falling In' to the trippy synths and echoes of 'Entangled' and the spacey bass and vocoders of 'Mind Must Be Free' without ever getting hung up on the clichés of any one genre.




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Special remarks: Matador hits hard with this year's official Loveland Festival 2016 EP - The EP was theme-tune to this year's Loveland Festival with Sven Vath, Richie Hawtin, Alan Fitzpatrick and of course Matador headlining. The track features in both the highlights video of the festival and a special video of Matador performing the A-side 'Mojo' live on Loevland Festival's main stage.

Tracklist:
A: Mojo , B: The Fox

Shortinfo:
Matador's Loveland Festival 2016 EP showcases two big A-side tracks from the Irish maestro which have been pressed onto a limited edition vinyl (200 copies) with full colour sleeve of lavish artwork created by up and coming designer Sjors Verwijmeren.

2016 will be remembered as a milestone year for Dublin-based live techno producer. Another year of headline performances at key events worldwide has been complimented by a surge of musical activity including the release of his debut artist album Ructions that is in turn building a new brand Rukus.



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Tracklist:
A: Oracle B1: Trytosphere B2: Oracle (Arjuna Schiks remix)

Shortinfo:
Sébastien Léger delivers two solid originals and is backed up by Arjuna Schiks' trippy dreamy remix.
Oracle has a French house sound to it characteristic of Léger with a Moroderesque arpeggio bassline. His excellent production skills shine brightest when he plays the keys in the second break. Trytosphere is a somewhat new direction for the Frenchman; a sunny track with a Balearic feel to it. A real summer soundtrack. Arjuna Schiks adds a trippy take on the original with a nice upbeat energetic groove layered on top of a spacey bell and synth soundscape which echoes in the background.


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Tracklist:
A: Horns Of Glory B1: The Earth From Above B2: Horns of Glory (Vince Watson reshape)
Shortinfo:
Karim Sahraoui has been producing gems for many years under various names such as Djinxx, Soul Monkey and Electronique Resistance. After a break 2014 saw his return to the business under his real name and producing music that is closer to him than ever. Releases included the future classic Eternal Life EP pt 1 on Derrick May's Transmat and appearances on labels such as Cocoon.

The A-side features the epic 10-minute original version of 'Horns Of Glory' on which Karim takes his time to unfold the story of the track: A journey filled with beautiful melodies and rhythms that paint a lush landscape of sound. Side B features 'The Earth From Above' which again has a fairy-tale feeling to it. The B2 is Vince Watson's pumping and powerful remix of 'Horns Of Glory' which gives the track an energetic hypnotic quality and rounds off the package well.


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Tracklist:
That side: 1: In The Pale Moonlight 2: Undercurrent
This side: 1: Vortex 2: Shimmer
Shortinfo:
Loveland returns for the second release on their newly revamped record label Loveland Recordings and Ian O'Donovan does the honours. The Irish producer was catapulted to Loveland's attention when Adam Beyer closed the 2014 Loveland Festival with 'Vortex'. Since then Loveland's mailbox and Facebook have been bursting with requests for 'that amazing track from Adam's set'. Much to Loveland's delight Ian was willing to release the highly anticipated anthem on their record label and the Vortex EP was born. His four track EP for Loveland Recordings kicks off with the title track. The well rounded package also includes Shimmer which shows Ian's warmer Detroit influenced side. Flip it over to find two intense techno tracks 'In The Pale Moonlight' and 'Undercurrent' which are closer to the sound of his recent Drumcode release 'The Border'. Ian O'Donovan's EP follows up the double 12" celebrating 20 years of Loveland with seven A-sides from the likes of Anthony Rother, Aril Brikha, Arjuna Schiks, Egbert, Dosem, Mathew Jonson and Vince Watson. Visit www.lovelandrecordings.nl for more details.



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3x12" Gatefold White Vinyl (Download Code Inside)


1. Extrawelt - Dark Side Of My Room (DE-Q20-08-00161)
2. Extrawelt - Wippsteert (DE-Q20-08-00162)
3. Extrawelt - Trümmerfeld (DE-Q20-08-00165)
4. Extrawelt - Must Attack (DE-Q20-08-00164)
5. Extrawelt - Wolkenbruch (DE-Q20-08-00166)
6. Extrawelt - Added Planet (DE-Q20-08-00167)
7. Extrawelt - Daten Raten (DE-Q20-08-00169)
8. Extrawelt - Lost In Willaura (DE-Q20-08-00170)
9. Extrawelt - Kurt Curtain (Skit) (DE-Q20-08-00168)
10. Extrawelt - One Tree Hill (DE-Q20-08-00160)
11. Extrawelt - Messy Machinery (Rough Mix) (DE-Q20-00-01376)
12. Extrawelt - Homing (DE-Q20-08-00171)
13. Extrawelt - Bright Side Of My Room (DE-Q20-22-00014)



Including all the tracks from the original release. But adding "Bright Side Of My Room" to the list as a counterpart of "Dark Side Of My Room" makes this release even more attractive. And to top it all off, as another treat, there's the "Messy Machinery" Rough Mix instead of the Original Mix.

It's all about hooking up our music to the emotional world of electronic music at the beginning of the Nineties, however, without falling for nostalgic references. We don't want to do cowardly Zeitgeist Techno, we want to have the heart to dare big sounds and more melodies. Sunrise scenarios, energy, revolution, and kaput-ness, all these are parts of the Extrawelt." (Extrawelt, 2008)

However, don't panic even if the aesthetics of the debut album of the two Hamburg-born artists Arne Schaffhausen and Wayan Raabe is affected by the attentive observation of electronic dance music over the last fifteen years, the "Schöne Neue Extrawelt" is above all this: Premium Techno 2008! The Hamburg-based producer team has been unmistakably imprinting the last three years' club sound with widely noticed releases on Border Community ("Sooper Track"), Traum Schallplatten ("Doch Doch") and Cocoon Recordings ("Titelheld") as well as with remixes for Gregor Tresher, Minilogue or Alexander Kowalski - last but not least due to an excellent live presence, that resulted in the second rank in the Groove Live Act Charts, even still without the accompanying long-player.

The work on "Schöne Neue Extrawelt" started more than two years ago for Schaffhausen and Raabe. "The initial idea was to present an album covering all styles of electronic music between Ambient, Breakbeats, and Techno. When we had 25 tracks for the album ready, we had to realize that this approach did not work for us. Insofar, we finally decided to use the 4/4 bass drum in all tracks except in the little intermezzo "Kurt Curtain". We have tested all tracks live over the last three months and constantly re-interpreted them. So, the 'danceability' is clearly in our focus, but the sound spectrum and the dramaturgy of the titles should not be solely functioning in the club. Our intention was definitely not to deliver an album full of superficial peak time hits."

Those twelve tracks on "Schöne Neue Extrawelt", all unreleased, are therefore primarily representing a pleasurable 'in-between', the organic development of hypnotically compressed dance music that is more than "just" Minimal Techno, reduced Trance or electronic listening sounds of the Warp era - even all those elements have left their marks. From the richly decorated musical-clock-intro "One Tree Hill" via the stereo singing bowl of "Trümmerfeld" to the Asian-sounding creaking of "Daten Raten", Extrawelt celebrate a vision of futuristic melancholy with organic detail richness, which is permanently in motion but is nevertheless seeming to be well-balanced. However, in the Extrawelt universe, one gets along quite well with antagonisms. "We have always been polarizing, not only in the Techno scene but also in the Trance scene. Because in the end, "Schöne Neue Extrawelt" - freely adapted from Aldous Huxley - is now not only a big neon-colored future but is likewise positioned in the often-disillusioning grey of the here and now."





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2024 repress

Tracklist:

A1. Beautiful Strangers
A2. Can’t Fix A Broken Heart
B1. When I’m With You ft. Jasper Tygner
B2. False Attraction
B3. Memories Fade

Release Info:
Ever since the release of his masterpiece Winona it’s hard to imagine modern electronic dance music without DJ BORING. A progressive traditionalist DJ BORING finds new ways in old maps. Just like Beautiful Strangers. The lead single to his correspondent debut EP for Running Back illustrates his kaleidoscopic sound aesthetic and refreshing style. Harking back to the aural palette of BORING’s formative years in the early 2000s it manages to bridge infatuation and lovesickness wistfulness and bliss as well sundowns and sunrises dance floors and living rooms – and that is no mean feat.















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Tracklist:

1. (A1) Gregor Tresher – Nostalgia (Is The Enemy) (DE-Q20-20-00045)
2. (B1) Joseph Ashworth – Eavesdrop (DE-Q20-20-00046)
3. (B2) Pig&Dan – Trauma (DE-Q20-20-00047)

Release Info:
Cocoon's unique brand of techno has always been at the heart for the operation and now, these brand new and exclusive tracks confirm that once again. Gregor Tresher slips into a more slick and funky drum work out with 'Nostalgia (is The Enemy) and Joseph Ashworth's 'Eavesdrop' reaches for deep space with its distant synth swirls and astral atmospheres. Pig&Dan very much came of age through their releases on Cocoon and here offer an intense cosmic workout with ‘Trauma'.







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Format: (180 gr., Limited Full Cover)

Track list:

A1 - Soundsystem
A2 - High
B1 - Day by Day
B2 - 909 feat. Emil & Boo Williams (OV remix)

Release Info:

Orlando Voorn is back on Heist after his 2022 ‘Heist mastercuts’ EP and comes in with a heavy dose of soulful machine funk. ‘Heist mastercuts part 2’ has the techno & house veteran showing his eclectic style with the vocal cut ‘Soundsystem’, Midwest inspired sample jam ‘High’ and his Boo Williams collaborative drum workout ‘909’.

On the first Heist mastercuts, Orlando dove deep into his archives and presented a collection of old and new tracks, showing us that his music has aged well and reminding us that he’s a producer still on the top of his game. He kept busy in 2022 with releases on our own label Transient Nature, Kompakt, a handful of Bandcamp only tracks, and a self-released album. Somehow, he found the time to work on his follow up ep on Heist and managed to completely blow us away with the music.

The EP kicks off with Soundsystem: a masterclass in simplicity. A steady and minimalistic groove guides you through the track, where silky vocals and woozy chords take you on a trip through Orlando’s sonic universe. Orlando moves into freak mode with a trippy lead and dubbed-out keys to add some playfulness to an already outstanding track.

‘High’ is Orlando’s take on what could easily be an old Andrés track. Here, he samples a female vocal (I get high, I get high, I get high), and cleverly adds his own vocals to add depth and originality to the track. The percussion on high grooves in an effortless way and underlines the feel of this track: It’s fun, cool and incredibly funky. There’s a bit of Dam Swindle sauce on the mix to make sure this track hits the right spot on any dancefloor.

On the flip, there’s ‘Day by day’: A classic Orlando Voorn cut with a live bassline, plenty of chopped samples and a Rhodes loop that could have come straight from a B-roll of a ‘First Choice’ recording session. The b-side ends with a collab with Orlando’s close friend Emil and legendary Chicago producer Boo Williams. The producers take a monologue from Boo Williams about working the 909 and deliver a drum workout -yes with the 909- that keeps on building energy, showing exactly what Boo is talking about.

The digital package also includes an instrumental mix of Soundsytem and an alternative mix to 909, just for good measure. This is the first artist release in our 10 years of Heist anniversary year and this EP perfectly encapsulates the Heist Sound: varied, deep, soulful, and banging.

Yours sincerely,
Maarten & Lars

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Tracklist: (1) Damiano von Erckert – Steam (Staub Mix) (DE-Q20-24-00015)
(2) Damiano von Erckert – Dad Was Not Around (DE-Q20-24-00016)
(3) Damiano von Erckert – Roh (DE-Q20-24-00017)
(4) Damiano von Erckert – Fantazia 93 (DE-Q20-24-00018)


Long overdue, we are happy to welcome Damiano von Erckert to Cocoon Recordings with his debut single, bringing late summer vibes that were well worth the wait. Damiano's lovely energy shines through in this EP, resulting in music that blends soulful character with his signature house sound.

“Steam (Staub Mix)” lifts your spirits from the very first beat, and the summery vibe of the housey Rhodes piano brings a smile to your face. Yet, the track retains a somewhat wistful and melancholy feel. Skillful intonation gives the break a jazzy feel, it's this friction that makes it special. Von Erckert showcases his skill with this playful arrangement, sure to have dancers' hands reaching skyward. The second track “Das Was Not Around” is a masterclass in purism, where simplicity meets profound emotion. Swirly synth pads unfold to create a dreamy, immersive atmosphere, pulling listeners into its depths. Despite its introspective title, a sense of hopefulness permeates the track, as if reaching for light through the shadows. Damiano’s approach allows every element to shine, making the deep grooves and ethereal sounds feel both intimate and expansive. It’s a journey of reflection yet imbued with a quiet optimism that lingers long after the final beat fades.

The essence of reduced Chicago drumming is brilliantly embodied in “Roh”, channeling a raw, stripped-back rhythm that strikes with precision and purpose. This forms the bedrock of a composition that feels timeless. The track carries an unmistakable grandeur, echoing the majestic hymns of certain legendary French artists. As the beats develop, they evoke a profound sense of reverence and nostalgia, seamlessly blending classic house influences with a modern edge. It's a track that honors the roots while confidently advancing the frontiers of contemporary house music. "Fantazia 93" is a nostalgic dive into a ‘90s House vibe, channeling the essence of that unforgettable era with authenticity. Damiano's signature sounds are front and center, infusing the track with a unique touch that’s fresh while reminiscent of classic house anthems. The track exudes an Ibiza after-hour feeling, transporting listeners to those sun-drenched days where time seems to stand still. It’s a sonic journey that feels like sunbeams warming the skin, bathing the senses in a radiant, feel-good energy that resonates long after.







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