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meggy - Doin' Your Thing Meggy & Soulade
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meggy - Space Pishi Meggy & Ardalan
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meggy, Paskal & Urban Absolutes - baby love
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meggy, erdbeerschnitzel - pressure
Berlin DJ, producer and vocalist Meggy starts a new series of split 12"s on SUOL, teaming up with some of her favourite artists to create four new musical gems. The first release features collabs with Sonar Kollektiv's Paskal & Urban Absolutes, Vitalik boss Soulade, DIRTYBIRD's Ardalan and Delsin associate Erdbeerschnitzel.
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Label:Suol
Cat-No:suol082
Release-Date:12.10.2018
Genre:House
Configuration:12" Excl
Barcode:
There is no stopping Meggy at the moment. With “TIMES” and “WELCOME TO THE V”, the Berlin born DJ, producer and vocalist has already delivered two top notch EPs on Suol in 2018 and here she is back again already with a third. Sporting four tracks, the “FLOWERS EP” once again showcases not only Meggy’s production prowess but also the unmistakable vocal style and songwriting abilities which have earned her so many high level feature appearances throughout her career.
The title track revolves around a hypnotically modulating analogue synth riff and drum patterns that point urgently towards the dance floor. Meggy speaks to us through chords that have an almost ravey feel to them. With its clever arrangement this track is clearly hands-in-the-air material.
“VERY MOMENTS” starts with only an electrically charged synth and organ combo and a classic Meggy vocal. The groove then starts building bit by bit, patiently leaving space for a beautifully emotional piece of songwriting before elegantly placed pianos come in and the hi-hats pick up the pace.
A bouncing interaction of drum machine and syncopated, squelching bass line draws us in straight away in “SUMMER NITES”. On a track that would surely be a dance floor winner even if it were left instrumental, the vocal with the little R&B touch that Meggy does so well is the icing on the cake.
The EP ends with “CLOSER”, the deepest and most emotional of the four tracks. Whether it is the somewhat melancholic vocal or the positive feelings of the instrumental parts you catch on to, the groove will make you want to dance either way. More
The title track revolves around a hypnotically modulating analogue synth riff and drum patterns that point urgently towards the dance floor. Meggy speaks to us through chords that have an almost ravey feel to them. With its clever arrangement this track is clearly hands-in-the-air material.
“VERY MOMENTS” starts with only an electrically charged synth and organ combo and a classic Meggy vocal. The groove then starts building bit by bit, patiently leaving space for a beautifully emotional piece of songwriting before elegantly placed pianos come in and the hi-hats pick up the pace.
A bouncing interaction of drum machine and syncopated, squelching bass line draws us in straight away in “SUMMER NITES”. On a track that would surely be a dance floor winner even if it were left instrumental, the vocal with the little R&B touch that Meggy does so well is the icing on the cake.
The EP ends with “CLOSER”, the deepest and most emotional of the four tracks. Whether it is the somewhat melancholic vocal or the positive feelings of the instrumental parts you catch on to, the groove will make you want to dance either way. More
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Label:Suol
Cat-No:suollp001
Release-Date:10.11.2020
Configuration:2LP Excl
Barcode:673790028495
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Last in:10.03.2023
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Last in:10.03.2023
Label:Suol
Cat-No:suollp001
Release-Date:10.11.2020
Configuration:2LP Excl
Barcode:673790028495
2LP, 2021 Repress
Tracklist:
A1 Kings In Exile 5:59
A2 Right In The Dark 6:53
A3 Out Of The Box Office 6:16
B1 Collage 8:22
B2 Amy Was A Player 7:46
C1 Sideways & Avenues 7:12
C2 Facing The Sun 5:15
C3 Grove 7:37
D1 Was Right Been Wrong 6:52
D2 Wichita Lineman 5:30
D3 Arms Of Mine 6:38
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Tracklist:
A1 Kings In Exile 5:59
A2 Right In The Dark 6:53
A3 Out Of The Box Office 6:16
B1 Collage 8:22
B2 Amy Was A Player 7:46
C1 Sideways & Avenues 7:12
C2 Facing The Sun 5:15
C3 Grove 7:37
D1 Was Right Been Wrong 6:52
D2 Wichita Lineman 5:30
D3 Arms Of Mine 6:38
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Label:Suol
Cat-No:suolcd001
Release-Date:10.11.2020
Configuration:CD Excl
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Label:Suol
Cat-No:suolcd005
Release-Date:10.11.2020
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Label:Suol
Cat-No:suollp002
Release-Date:10.11.2020
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Last in:-
Label:Suol
Cat-No:suol082
Release-Date:12.10.2018
Genre:House
Configuration:12" Excl
Barcode:
There is no stopping Meggy at the moment. With “TIMES” and “WELCOME TO THE V”, the Berlin born DJ, producer and vocalist has already delivered two top notch EPs on Suol in 2018 and here she is back again already with a third. Sporting four tracks, the “FLOWERS EP” once again showcases not only Meggy’s production prowess but also the unmistakable vocal style and songwriting abilities which have earned her so many high level feature appearances throughout her career.
The title track revolves around a hypnotically modulating analogue synth riff and drum patterns that point urgently towards the dance floor. Meggy speaks to us through chords that have an almost ravey feel to them. With its clever arrangement this track is clearly hands-in-the-air material.
“VERY MOMENTS” starts with only an electrically charged synth and organ combo and a classic Meggy vocal. The groove then starts building bit by bit, patiently leaving space for a beautifully emotional piece of songwriting before elegantly placed pianos come in and the hi-hats pick up the pace.
A bouncing interaction of drum machine and syncopated, squelching bass line draws us in straight away in “SUMMER NITES”. On a track that would surely be a dance floor winner even if it were left instrumental, the vocal with the little R&B touch that Meggy does so well is the icing on the cake.
The EP ends with “CLOSER”, the deepest and most emotional of the four tracks. Whether it is the somewhat melancholic vocal or the positive feelings of the instrumental parts you catch on to, the groove will make you want to dance either way. More
The title track revolves around a hypnotically modulating analogue synth riff and drum patterns that point urgently towards the dance floor. Meggy speaks to us through chords that have an almost ravey feel to them. With its clever arrangement this track is clearly hands-in-the-air material.
“VERY MOMENTS” starts with only an electrically charged synth and organ combo and a classic Meggy vocal. The groove then starts building bit by bit, patiently leaving space for a beautifully emotional piece of songwriting before elegantly placed pianos come in and the hi-hats pick up the pace.
A bouncing interaction of drum machine and syncopated, squelching bass line draws us in straight away in “SUMMER NITES”. On a track that would surely be a dance floor winner even if it were left instrumental, the vocal with the little R&B touch that Meggy does so well is the icing on the cake.
The EP ends with “CLOSER”, the deepest and most emotional of the four tracks. Whether it is the somewhat melancholic vocal or the positive feelings of the instrumental parts you catch on to, the groove will make you want to dance either way. More
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Suol label bosses Chopstick & Johnjon return with the second single from their recent LP "Twelve". The album's opener, "Run Slowly" is an intensely soulful track which bridges the gap between electronic and acoustic instrumentation. Densely layered guitar and string harmonics dovetail alongside Chris James' mournful vocals to create a rich emotional listening experience, but without sacrificing dancefloor potential. André Loderman's less-is-more interpretation retains the melodic elements but injects it with space by weaving it out across nine minutes into a carefully controlled crescendo of muted harmonies. Few Nolder's slightly harder interpretation has a tougher bassline and brittle synth stabs, but melts away into a delicately beautiful breakdown, retaining the bittersweet strings and vocals of the original. Rounding off the EP is Quarion's remix, a late night excursion which comprises primarily of an ominous arpeggiated synth and muffled chords. Leaving the vocals fully intact, it makes for heady and intoxicating listening.
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What Chopstick & Johnjon have created in "Pining Moon" is arguably their most intently focused pop song to date. Recorded in collaboration with Chris James, whose projects include the band Stateless, the song features deeply emotional arrangements driven by a punchy kick drum and cleverly interwoven with enticing, dreamy acoustic guitar and cello cameos. It’s all topped by vocals from James that redefine the concept of nocturnal romance. This is one of the most poignant and striking songs on Chopstick & Johnjon’s “TWELVE” (release 04.04.2014), making it a perfect choice for the album's first single. Jay Shepheard delivers two different interpretations of the song. The first is airier, with a synth pattern that turns the song's vocal harmony on its head and shines the spotlight on falsetto. The second is the absolute synthesis of dance floor groove and melancholic, sighing guitar. The Death on the Balcony Remix takes a similar approach, where the gentle arrangements of the original are capped with a pulsating bass groove, which takes the song decisively in the direction of the dance floor.
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Label:Suol
Cat-No:suollp004
Release-Date:16.10.2013
Configuration:2LP Excl
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Cat-No:suolcd008
Release-Date:16.10.2013
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Last in:09.02.2016
Label:Suol
Cat-No:suol049-6
Release-Date:25.09.2013
Genre:techhouse
Configuration:12"
Barcode:
With a whole new album up on his sleeve and slated to be released on Suol, Daniel Bortz is serving a range of appetizers coming in shape of a 3-tracker, giving an outlook on what?s to come, setting the vibe right for the follow-up in full length.
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Chasing Kurt, - From the Inside
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Chasing Kurt, - From the Inside
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Chasing Kurt, - From the Inside
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Chasing Kurt, - From the Inside
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Chasing Kurt, - From the Inside
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Chasing Kurt, - From the Inside
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Chasing Kurt, - From the Inside
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Chasing Kurt, - From the Inside
Readying Chasing Kurt followers for the release of their debut album - of same name - "From The Inside" presents the Giessen-based troupe at the apex of their game, that being warm, velveteen house music awash with soulful pop sentiment. It is a formula that has already caught the attention of contemporary dancefloor purveyors like Maya Jane Cole, who snapped up the trio's sophomore release "Money" for her well received DJ-Kicks mix last year. But the boys are fundamentally making a niche all of their own. The EP comes with remixes from Suol mainstay Till von Sein collaborating once again with Tigerskin on the punchy, octane B-side, with a more languid, sensual rework from another Suol affiliate Daniel Bortz.
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Sven von Thülen, - Liquid Light
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Sven von Thülen, - Those Days and Nights
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Sven von Thülen, - Illuminate
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Sven von Thülen, - Those Days and Nights
After his solo debut "Mehlspeicher EP", House-jack-of-all-trades Sven von Thülen delivers his second EP "Beginnings" on Suol. And, well, what can you expect from Sven? Nothing less than 4 pieces of finest Old School House, wrapped up in a contemporary garment. Listening to "Liquid Light", one could think that Sven has written this track on a Sunday afternoon in Panorama Bar. A dark, sexy and hypnotizing voice, smashing claps and these haunting chords that make you want someone to open the window shutters to let the sun shine in for just a few seconds. The A2 with "Those Days And Nights" uses a slightly softer approach. Carried by a dreamy layer, this track is made to ease minds after - well, those days and nights ... On B1, "Illuminate" raises the throttle again and turns the dancefloor lights back on. If not being a peaktime bomb like "Liquid Light", it will work perfectly for every DJ to pave the way into whatever is set to come.
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Trickski, Hollis P Monroe, Overnite, - A Billion People
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Trickski, Hollis P Monroe, Overnite, - A Billion People
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Trickski, - Voyage d'amour
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Trickski, - Voyage d'amour
What do you get when you lock Trickski, Hollis P. Monroe and Overnite into a studio for a few days An incredible, trippy fusion of the raw, punching Trickski sound, Trademark - Monroe House grooves and the distinctive, chilling vocals of Overnite: the "A Billion People EP"! The title track on A1 is one hell of a dancefloor destroyer. A long, synth-laden build up, Overnite's stream of consciousness vocal and a billion people with their hands in the air! On the B side, "The Black 80's" aka Hollis P. Monroe and Overnite rework the title track to make it a brooding, eerie piece of house music. Perfect for the early hours of the morning. On B2, Trickski take the wheel again for their "Voyage D` Amour" - a whirlwind of synths, bass and marimbas. Melodies ducking away and reappearing where you don't expect them, analogue all the way.
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