Boost, Max D's third LP, is coming in February on Future Times. Seven songs acting on instinct. Check! Mixed in Amsterdam with Jordan GCZ. Features additional instrumentation from Benedek, Jack J, Jordan GCZ, and Motion Graphics.

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Ridiculously dope.

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DC's Maxmillion Dunbar drops in on Hot Haus recs with a low slung 90s house jam backed with a remix from Brookyln's Willie Burns. Not content with dropping one of 2013's most nacclaimed albums: House Of Woo, Max D started 2014 with releases on Trilogy Tapes, a split with 4 Hero's Dego on BERCEUSE HEROIQUE, an EP on L.I.E.S and now brings the heat to HOT HAUS RECS IN EFFEKT. Willie Burns, a regular Creme Organisation, TTT & L.I.E.S affilate.. no stranger to the world of UTTU drops a sleazy sci fi rework, a 7am drizzly affair that is either going to work or heading home.. we can't decide.

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the title track has Kenny Larkin Vibes, with the Max D style cosmic twists we love down here. Slick is sick too! Features a remix from another certified hemp eater, Terekke, who amazed us with awesome White label on L.I.E.S. last year...Killer package on this excellent label.TIP!

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Blawan's new side project Bored Young Adults is up next on Will Bankhead's label The Trilogy Tapes. The Shy Dancers On Bungalowdorf Beach features some restrained and slow burning techno experiments that differ from Jamie Robert's more usual hard-hitting sounds. The seething title track treads the same path as Kassem Mosse or Vactrol Park. The Fentanyl techno of "But We Need This Bench" sounds like an old Regis record played on -8, while devoted fans of the young UK producer's sound will get something a bit more familiar on the menacing hypnotic techno grinder "Check Up From The Neck Up".



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Following the announcement that they've collaborated with perma-masked Zomby on his upcoming LP for Hyperdub, behooded hardware manglers Rezzett return to home soil for their latest, and perhaps best so far, 12" for The Trilogy Tapes. With a very defined, redlining approach to techno and hardcore tropes established across their prior output on Will Bankhead's label, the duo demonstrate there is still plenty of scope for invention on Doyce. In essence you get two versions of the same track either side of this 12"; the A-side is nominally the club cut though there is a feeling of restraint where usually Rezzett deal in speaker bursting madness. The "Yavas" version on the flip is quite something else however, discarding with any rhythmic elements over an eleven-minute journey into mind-bending sonics based around that quite exquisite mangled synth line.

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Blawan's new side project Bored Young Adults is up next on Will Bankhead's label The Trilogy Tapes. The Shy Dancers On Bungalowdorf Beach features some restrained and slow burning techno experiments that differ from Jamie Robert's more usual hard-hitting sounds. The seething title track treads the same path as Kassem Mosse or Vactrol Park. The Fentanyl techno of "But We Need This Bench" sounds like an old Regis record played on -8, while devoted fans of the young UK producer's sound will get something a bit more familiar on the menacing hypnotic techno grinder "Check Up From The Neck Up".



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Terrific record! Eight charged, intimate meditations by Julie Normal and Olivier Demeaux, playing a rickety ondes Martenot and an old church harmonium. Gripping, detailed, stately improvisation — a bit like the ùrlars in classical bagpipe music — which nervily mixes the sternly doom-laden with precarious, other-worldly wonderment. (The ondes Martenot is an amazing twentieth-century instrument — beloved by Messiaen, for example, and Varese. The theme-song of Star Trek is a vocal forgery of its sound. ‘J’aime cette fragilité qui côtoie la capacité de te décoller le tympan sur certaines fréquences inopinément,’ says Julie. ‘Je tiens une bombe dans les mains. J’aime son instabilité, son humanité.’) Wood, breath, blood, eggshells… on the night of a purple moon. Very warmly recommended.

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Four track EP produced by Samo DJ & Elias Landberg.

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Under his Chemotex alias, Marcos Cabral has been one of The Trilogy Tapes most productive artists in recent times. This is his third 12" for Will Bankhead's imprint in less than 12 months. Unlike Cabral's recent album for L.I.E.S, which reveled in its' own distorted, balls-out intensity, Thulsa strives to get a balance between becalmed techno hypnotism, skuzzy grooves and gently melodious intent. This blend is perhaps most satisfyingly mixed on the industrial-tinged clank of "Delta City", though the woozier, scuffled late night warmth of "Music For Security" pushes it close. Twice he heads towards deeper territory; first on the title track's trance-inducing synthesizer loop groove, and secondly on the dubby, locked-in tech-house majesty of "Lorentz".

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Coruscating cut-ups yanked still dripping and yowling from the belly of the beast. Dazzling and invigorating, scary and discombobulating. 'Psychic driving was a psychiatric procedure in which patients were subjected to a continuously repeated audio message on a looped tape, in order to alter their behaviour... often hundreds of thousands of repetitions of a single statement over the course of their treatment. They were also concurrently administered muscular paralytic drugs such as curare... The psychic driving procedure was a chronological precursor to Cameron's depatterning, involving massive doses of ECT combined with similarly large doses of psychedelic drugs like LSD. The intent was to break down the subject's personality — theoretically psychic driving could then be used with some efficacy in establishing a new personality' (Hanson Records).

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Under his Chemotex alias, Marcos Cabral has been one of The Trilogy Tapes most productive artists in recent times. This is his third 12" for Will Bankhead's imprint in less than 12 months. Unlike Cabral's recent album for L.I.E.S, which reveled in its' own distorted, balls-out intensity, Thulsa strives to get a balance between becalmed techno hypnotism, skuzzy grooves and gently melodious intent. This blend is perhaps most satisfyingly mixed on the industrial-tinged clank of "Delta City", though the woozier, scuffled late night warmth of "Music For Security" pushes it close. Twice he heads towards deeper territory; first on the title track's trance-inducing synthesizer loop groove, and secondly on the dubby, locked-in tech-house majesty of "Lorentz".

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