Tracklisting
A1 Jacob Korn - Mother's Otto Dix
B1 Jacob Korn - Ringkampf
B2 Jacob Korn - The Dark

Sales Note
Dirty Dancing is back with an impressive new 12 by infamous electronic producer Jacob Korn. Mothers Otto Dix is a three-track trip showcasing Korn's skills in embracing the Acid tradition: pure and raw Acid laid out during the past few years and finally brought to wax (not before running it through tape first).
And even its fitting cover image, which dates back 100 years, reflects the roughness of the 3 tracks. After all, its completely hand made.

With thanks to Dresdens University of Fine Arts!
Ltd to merely 200 copies including silk screen printed label artwork and risograph printed sleeves. Go on and get your healthy dose of Acid...

Produced by Jacob Korn
Tape mastered at www.tailout.de
Vinyl cut by LXC
Pressed @ R.A.N.D. Muzik
Design/Layout by Hallo31
silk screen print by geoeff.net
risograph print and cover lithography by Dresden University of Fine Arts

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At long last, Mr. Jacob Korn gets drafted into Team LPH! Technically, he's been in our orbit since 2015, when he remixed a Leo Wölfel track for LPH WHITE, but it's only now that we're presenting an EP of originals by him. About time! My Business is classic Korn—a little nerdy (intricate arrangements; twisty, turny top-line melodies), a little ravey, a little goofy, a little feisty, and a lotta fun. Four sure-shot firebombs that'll slip into any set, hand in glove, real nice. Try 'em out. Wield 'em well.

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Do yourself a favour and dance across the floor when listening to the new Jacob Korn-record, aptly titled Son Of GX. The music is heavily based on the good old Yamaha Electone Organ. The home organ for the world's gentlemen was modified by Jacob himself and is now an integral part of his studio. As you'll hear it on the EP, it injects a decent dose of fun into Jacob's vision of House music. At least, you will instantly notice that when listening to Singlefinger Chord, a track that conquers the floor with its Disco elements. Rumours say that Jacob's cat toddled on his poor man's Yamaha CS80 when producing Cats On Organs. If that's true, the cat provided an irresistible hook to an already slamming, Italo-inspired track. Son Of GX is every bit as compelling as the first two tracks with its synth trumpet glory while the slighty darker Fun Blocks sustains us with heavy percussion works straight out of the Yamaha Electone Organ. On top, you'll get a remix for Singlefinger Chord by New York's Jacques Renault (Let's Play House) as digital bonus.

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The mighty Jacob Korn continues the series with the aptly titled "EP2", a collection of tracks that underline Jacob's talent to produce Dance Music with appeal for both the main floors as well as deep house connaisseurs.

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Jacob Korn is back! After Uncanny Valley released his acclaimed debut album in 2012, he has been busy playing live, remixing, extending his studio and of course producing loads of new music. The first results arrive as EP1 just in time for summer followed up by EP2 later this year. Jacob has always had a knack for producing distinctive House tracks that cause a stir on the dance floor. With EP1 he proves that he hasn't lost any of his skills. On "Eisladen" he works a killer Highlife guitar sample and a synth-heavy break into a track that will put a lot of hands in the air this summer. "Arzt im Praktikum" starts with powerful cowbell-driven drumming and as soon as the devastating rave chords drop, the dance floor is turned upside down without a warning. On the flipside we start with the graceful "Fahrt durch Tal" featuring Phillip Oertel who contributes a funky bass guitar melody. With his Midas touch, Jacob unites Philipp's bass work with so ulful vocals and spaced out strings and comes up with a contemporary Space Disco track of a special kind. Finally, we'll get "Kokosnuss" which once again unveils Jacob's love for cheerful hooks. With the acidic synths and the stomping drums the track almost has an old school feel to it. The cover artwork comes courtesy of Anna Jaszpataki from Dresden.

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It might not be overstated to call 'You & Me', the debut album by Jacob Korn, long overdue. Ever since the Dresden resident decided to focus more on the House side of electronic music in 2007 he released music that is equally good as it is promising. With records out on labels like Running Back, Dolly and of course his home base Uncanny Valley he’s been fueling expectations for a long play record. Jacob has always been very much into producing together with his pals. So it was only natural that 'You & Me' turned out to be an album that summarizes a lot of the collaborations that happened over all the years. Whether it was with an artist who played in his hometown Dresden or with someone who showed him around the town he was performing his live set at, Jacob never missed the opportunity to get together inside a studio and just jam along. Those sessions not only resulted in a lot of friendships but also in a string of music that takes House music to all its edges. A track like the dark and dirty 'Heteronomous' with Uncanny Valley fellow Sneaker lines up alongside the bright and sunny anthem 'Punta Del Este' together with Belgium's San Soda. Artists like Christopher Rau or Mr Raoul K add their trademark sounds but there is always that specific approach of Jacob Korn that connects the tracks. But besides that conceptual background: 'You & Me' is an album, which is here to extend the listener's summer. The concept of collaboration is even expanded on the cover artwork. A team of seven graphic artists led by Johannes Timbernagel interpreted the same template of Jacob's face in their specific style. To bring them all together Johannes texturized a 3D-Model of Jacob's head with a collage of all the drawings.




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CD VErsion of Jacob Korn's debut album

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Qnete brings four Power House bangers to the dance floor. The four tracks came to his mind during a Segway tour through Leipzig's problem districts. The two-part anthem "Alone Together" is a stirring field study in the ancient art of underwater rave. It will hit you like drops in a stalactite cave. "Segway City Tour" on the other hand feels like a trip to the fair of your dreams. All your favorite attractions in one place. After all, the no-nonsense Techno track "Gaze" winds its way through brain twists that you haven't even known before.

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Hello Leif Mueller on shtum. Pleased to meet you. Especially with such a strong debut release. Everything is starting with the no-nonsense-Techno track TELESHOP which is designed for big room pleasures. On WO IST MEINE PLAYSTATION 4? things get a little more psychedelic without losing the straightness you need to get lost in the dance tunnel. CAIRO is a lesson in keeping goose bumps alive with its up and down galloping synth stabs. To cool things down, the Stuttgart based producer drops NIGHTCLEANER, a quietly starting Ambient affair that evolves into a little Acid monster

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The new shtum comes from Planet Underground, a veteran Dresden resident who already contributed to the fact that the city was called "Little Detroit from the East" back then in the middle of the nineties. Since then, he has constantly been producing stripped to the bones tracks mainly for his own Elektrokuehlung label in his legendary place of retreat in Dresden-Striesen. Recorded between 1996 and 2010, the four tracks oscillate between raw Acid, classic Basement House and artful distortion. Bouncing and scrappy stuff at the same time. "Elektromat" was previously released on an obscure Dresden techno compilation and it took a while to find the master tape in the dust of the past.

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Once again, Perm has turned just the right knobs to give you the perfect soundtrack for your personal journey into Techno wonderland. The Leipzig based wizard simply knows how to leave dancers both dizzy and beatific. When those strings in "03-VIII" come together to its climax you're more than ready to embrace the night. The focus in "03-IV" is more heavy on the drum work with just the right amount of subtle tripping hazards. "03-III" builds and builds without ever bubbling over while the mighty "03-VIII" comes with a Boom-Tschak-Electro feel to it. The artwork comes courtesy of Carl-Johannes Schulze.

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Dresden's Lockertmatik starts his engines for the first time on shtum and delivers a string of tracks that seem to come from a not so far away dystopian future. Here are four tracks that are unpretentious but elaborate, effective... [more]



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The first compilation on the Dresden based label shtum unites three label regulars and one newbie with four tracks suitable for rampant basements. "Motorcity Racers" has been on rotation for quite some time amongst the label heads and is the first sign from Poland's Chino on shtum. It floats somewhere between dirty Detroit and the rough corners of the Netherlands. Leibniz delivers the "Real Life", a relatively straight follow-up to his latest EP, while Jaures hit their drum machines like there is no tomorrow. Perm's cut is all loopy and succeeds in creating an irresistible atmosphere with just a few elements. The artwork comes courtesy of Carl-Johannes Schulze.




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Leibniz takes no prisoners for his return to shtum. His new EP sees the Leipziger by choice in best form. Harsh but fair. ''Grind'' is a masterpiece in the matter of building up tension with only few but proper elements. Amen to that drumming and when the strings come in the dance floor is probably already burning. ''Foolish'' is no less effective with its ultimate kick drum action and the way the pads are manipulated. Romantic Leibniz. On the flipside you get the vibrant ''This Is'' in two versions. The ''Brecht Mix'' screams RAVE in capital letters with the bleepy synths and hard snare drum while the ''Scuff Mix'' trawls through dark and unearthy Techno territories. No-nonsense music. The artwork comes courtesy of DJ Shape and Carl-Johannes Schulze.


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Leipzig's Perm delivers a fine quality Techno EP on shtum with a nice versatile selection ranging from harder and jacking to deep and atmospheric. Especially Track 1 and Track 4 are worth a special mention.... deep Acid driven Techno tracks that will stand out in big dark basements with a (probably) unconscious link to classic techno on labels such as Probe. All the ingredients for a good night out in 1 record! The artwork is created by Julia Dichte.



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With the sixth record, shtum continues to introduce fresh artists with different perceptions on what Techno is about. After Jaures debuted just recently with an EP on Oliver Hafenbauer's label Die Orakel, the Uncanny Valley sub label is more than happy to welcome the two Berlin based boys on board. ''Detitled'' starts a trip to the dirty corners of your city. The track is loaded with punchy drum attacks and despite its dusty basses and synths, it doesn't lose its slightly melancholic vibe. ''Davos'' runs in the same vein with Jaures squeezing floating sounds out of their machines for a wild ride through the urban jungle. On the flip side ''Nascent'' starts gloomy and uncompromising before it builds up slowly until Jaures' rusty trademark synths are revealed. Finally, you'll get a ''Reprise'' to highlight all their sound research elements. Once again, the illustration on the B-side label is by Aram Ha ydeyan.




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shtum strikes back with another fresh talent straight from Leipzig's basements. With only two releases so far, Leibniz' sound is already pretty forward thinking. On "shtum 004" he explores beats between dusty House, his Hip-Hop roots and off-the-grid drum patterns. The record starts with "YouAndMe" which showcases dirty percussion work and a cracking sample over an unstoppable piano melody. "Feli" is a House killer track through and through. And when that chord changes hands are up! Based on spooky synths "PukPukPuk" sounds like nasty Ambient with heavy beats. That tune surely cuts its own path on the dance floor. Finally, "Stumm" feels like one single Rave build-up. But with understatement it denies the climax. Once again, the illustration on the B-side label is by Aram Haydeyan.



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Having already released records by Monomood and Kryptic Universe, shtum continues its trip through dark and gritty territories with its third record by Yor. And what he delivers is pure Techno-bliss. "Nachtwache" starts things off rather groovy with its Tom-heavy beats and rising synths. Following up, "Ritus" is driven by a hypnotic chord delay and makes an advanced Techno-track you can't resist on the dance floor. On the flipside it gets even more bewitching. "Agony" develops a never ending suction over its 8 minute length. This is music to get lost into. Finally, "Under The Influence" is no less mesmerizing but more playful Techno. It's a track that feels like a storm is coming. Once again, the illustration on the B-side label is by Aram Haydeyan.



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Turn on the strobe lights and the fog machine. shtum returns with its second record, this time by Dresden's very own Kryptic Universe. His EP comes with five cuts full of dark and gritty Future Jazz. His Techno Funk is playful as it is evocative. Just listen to the bass line in "A Light In The Box" and the appropriately titled "Critters Funk". Not to mention the crazy piano in the title song and the rather hard-hitting "Dark Sky". On top we got the mighty XDB on remix duties and his take on "Signals". Again, the illustration on the B-side label is by Aram Haydeyan.



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Psst! shtum is the new sublabel of Dresden's Uncanny Valley and it is created for proper techno and raw house tracks, music best listened to in a room full of strobe light and fog. Right at the start you'll get Monomood with three dark and powerful tracks. Parameter One is one of those Techno stompers you can't help but fiercely nod your head to. The lyrics in The Crafter might suggest it but actually nobody is afraid of the dark. Not even after hell breaks loose with unrelenting chords. Also, Vault takes no prisoners while keeping the cellar door shut with its nasty acid lines and raw drum work. The musical concept has been interpreted visually by Aram Haydeyan and Uncanny Valley artist Jacob Stoy.



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