Back in stock due to popular demand. The 80th release in our Brazil 45 series, aptly focusses on the breathtaking 1980s recordings of one of Brazil’s musical giants, Jorge Ben. With this 45, you are treated to a double dose of classic cuts from the master in the form of, 'Curumin Chama Cunhãtã Que Eu Vou Contar (Todo Dia Era Dia De Índio) and ‘Rio Babilônia’.

First up is the addictive, bubbling, sun-kissed grooves of 'Curumin Chama Cunhãtã Que Eu Vou Contar (Todo Dia Era Dia De Índio)’. Taken from the 1981 Bem-Vinda Amizade album originally released on Som Livre ?Records, its tangible warmth soaks into every fibre of your body. A sentimental homage to the indigenous people and tribes of Brazil, this is quintessential Jorge Ben.

The flip features one of Jorge's most beloved Brazilian boogie joints, 'Rio Babilônia’. A joyous mid-tempo joint celebrating life in Rio, its feel-good flavour and the city’s iconic monuments, with a swaggering synth bass that struts out over Copacabana beach. Originally released on a compacto and taken from the Dádiva album from 1983, there are no surprises that it features arrangements from the late-great, Lincoln Olivetti.

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Official remastered re-issue of Jorge Ben's masterpiece from 1981 - Absolute Brasilian classic!


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TRACKLIST

A1. As Andorinhas
A2. Rosa de Hiroshima
A3. Instrumental 1
A4. Mulher Barriguda
A5. Primavera Nos Dentes
A6. El Rey
B1. Toada & Rock & Tambo & Tango
B2. Fala
B3. Assim Assado
B4. Instrumental 2
B5. O Vira


INFO



(Classicos EM Vinyl, LP 180gr, Simple cover) Recorded live at "Maracanãzinho" (Rio de Janeiro) on the 23rd of February, 1974. Liner notes by Gerson Conrad.

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(Polysom official reissue, 180 gram pressing) Originally released in 1971, B.R.3 opens with a sultry groove, layered horns, and chorus of vocalists -- an inspired arrangement which is matched in inventiveness throughout the entirety of the album. Toni Tornado should be recognized alongside the more celebrated Brazilian funk/soul artists Tim Maia and Jorge Ben on this effort alone.


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(Polysom official reissue, 180 gram pressing) Originally custom pressed in 1980, ‘Rosa de Sangue’ is the closing chapter of the amazing Recife psychedelic movement that flourished and centred around the work of Lula Côrtes, beginning in 1973 with the release of Satwa, and the creation of ‘abracadabra’, Lula’s loose art/music/design collective. “I want to close all of this with a golden key”… and a golden key it is.



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(180 gr pressing) Incredible early work from Joyce – the completely fantastic female singer who would go on to transform the sound of Brazilian music in the 70s, and have a huge global legacy for years to come! This set's got Joyce working with Nelson Angelo – a bandmate of the singer in the group A Tribo – and the pair write and perform songs with a vibe that's similar to her later work, but maybe a bit darker and moodier too!


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(180 gram pressing) Funky soul from 70s Brazil – a set that's got all the depth of Tim Maia's work of the time, but also a warmer glow in the style – thanks to some great jazzy touches in the instrumentation!


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(180 gram pressing) Brazilian singer, guitarist, teacher and composer Célia recorded four self-titled albums for Continental between 1971 and 1977, 'Amor' in 1982 plus several more before. This, her first self-titled LP from 1970, feature arrangements by Rogério Duprat, Pocho Perez, Arthur Verocai & José Briamonte.

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(180 gram pressing) One of our favorite albums ever from Luiz Melodia – a set that has a warmly jazzy vibe in the instrumentation, which seems to even further open up the soulful vocals of the singer!


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(180 gram pressing) Wonderful 70s work from Tom Zé! The record's a bit more straightforward than some of his other records from the decade, and has a number of tracks with a samba sound at the base – but there's more than enough fantastic material to keep the record fresh, and Tom's writing is as great as ever.


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(180 gram pressing) Wonderful 70s work from Tom Zé! The record's a bit more straightforward than some of his other records from the decade, and has a number of tracks with a samba sound at the base – but there's more than enough fantastic material to keep the record fresh, and Tom's writing is as great as ever.


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A wild solo project from Rita Lee – done after the breakup of Os Mutantes, and offered up almost as some sort of commentary on mainstream rock in the 70s!

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180 gram Brazilian Polysom re-issue of the Polydor original. A landmark album from late 60s Brazil! This is the first – and the wildest – album by this legendary group that was one of the founding forces of the Tropicalia movement –a brilliant musical statement that easily ranks with some of the most groundbreaking late 60s American work by The Velvet Underground, Captain Beefheart, or The Stooges!

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(180gr gatefold) A tripped-out batch of hard jamming tracks from ex-Mutante Rita Lee – recorded with assistance from all the members of the group at the time, but in a mode that's quite different overall!

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180 gram Brazilian Polysom re-issue of the Polydor original.Quite possibly the last truly sublime album ever recorded by Os Mutantes – a set that's a bit more rock-oriented then their first few, but still pretty revolutionary overall!

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180 gram Brazilian Polysom re-issue of the Polydor original.One of the hardest rocking albums ever cut by Os Mutantes – a record that's got a slightly ironic take on rock and roll styles of the time – still performed with the sense of drama and humor that always made the band so great!

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180g Brazilian Polysom re-issue of the Polydor original.The second set of madness from the legendary Os Mutantes – and like the first, an album done in close collaboration with arranger/producer Rogerio Duprat, whose talents add a new level of genius to the record!

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180 gram Brazilian Polysom re-issue of the Polydor original.The third album from the legendary Os Mutantes – part of the essential trio of sides released during the Tropicalia years!

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