Live At Robert Johnson proudly presents the new »Holographic Witness« EP by Niall Mannion aka Mano le Tough!

Please enjoy four very special tracks made by experienced Irishman Mannion near beautiful Lake Zurich. Four tracks to jump into like Zurich folks jump into the Limmat to get carried away. Now here's YOUR chance to get carried away too!

Let's start with the hypnotic grooves of »Holographic Witness« with its subtle handclaps and percussions turning this bass-line driven monster to further heights - a bass-line quite reminiscent of that special Miami sound made famous by the Murk guys back in the early 90ies. Add some balearic guitar riffings and wait until that mighty bass drum comes back in after 6 minutes and you'll find yourself dreaming on a dancefloor in heaven.

Niall continues with more pounding drum sounds in next tune »Kakooja«. Stabbing synths sounds dominate this track while Niall manages to create another dreamy vibe again for this monotonous (in a very positive way that is) work of art - a dreamy vibe which can be found on any of Niall's EP's tracks. This leads us directly to »Last Floating Figh, Liufe Floating« where Mr. Mannion floats into much quieter shores. It's a very meditative affair which makes you want to listen to it over and over again once the tune comes to an end. We think that Señor Villalobos might unleash this one very soon onto some European dancefloor … don't you think?

On »Weather Master«, this EP's last track, Niall masters the art of trippy sounds for a fourth time building another dreamy hypnotic groove that is just beautiful. Maybe too beautiful for this world … we don't know, but what do we know? We're fans. Fans of Mano Le Tough who does not seem so tough at all considering his first offering for Live At Robert Johnson.

Maybe you should consider becoming a fan too - in case you aren't already …

Sláinte, Niall! We raise our glasses respectfully! More

Irish producer and DJ Mano Le Tough announces his new record, At The Moment, out August 20th on DJ Koze’s Pampa Records, and presents the first single, “No Road Without A Turn.” After more than a decade of releases and touring, Mano has spent the past year at home in Zurich, rearing his young family and focusing on the positives of 14 months without performing, amid the uncertainty of the pandemic. In the face of horror, Mano channelled inspiration. With At The Moment, the follow-up to 2015’s Trails, those struggles have produced a record which balances the ambivalence of the current moment, with wistful streaks of unguarded optimism.

At The Moment shows Mano’s modes of expression evolving too. The synths and rhythms common to earlier works are now complemented with less familiar sounds and influences. Jangling guitars and sun-bleached chords envelop his own tender, plaintive vocals in a dappled wash of summery pop. Another track grounds overlapping melodies and sci-fi soundtrack pads with hip hop beats, creating a hypnotic slice of slinky retro-futurism. Where there is reflection, there is also a sense of being unafraid.

“I’ve always liked that Mallarmé quote, ‘poetry is the language of crisis,’” says Mano. “It’s hard to make good music about everything being amazing. Everything is going great – who wants to listen to that? Anything I’ve done - anything which I thought had any kind of artistic merit, has been through struggles I’ve had in my life”. More

Irish producer and DJ Mano Le Tough announces his new record, At The Moment, out August 20th on DJ Koze’s Pampa Records, and presents the first single, “No Road Without A Turn.” After more than a decade of releases and touring, Mano has spent the past year at home in Zurich, rearing his young family and focusing on the positives of 14 months without performing, amid the uncertainty of the pandemic. In the face of horror, Mano channelled inspiration. With At The Moment, the follow-up to 2015’s Trails, those struggles have produced a record which balances the ambivalence of the current moment, with wistful streaks of unguarded optimism.

At The Moment shows Mano’s modes of expression evolving too. The synths and rhythms common to earlier works are now complemented with less familiar sounds and influences. Jangling guitars and sun-bleached chords envelop his own tender, plaintive vocals in a dappled wash of summery pop. Another track grounds overlapping melodies and sci-fi soundtrack pads with hip hop beats, creating a hypnotic slice of slinky retro-futurism. Where there is reflection, there is also a sense of being unafraid.

“I’ve always liked that Mallarmé quote, ‘poetry is the language of crisis,’” says Mano. “It’s hard to make good music about everything being amazing. Everything is going great – who wants to listen to that? Anything I’ve done - anything which I thought had any kind of artistic merit, has been through struggles I’ve had in my life”. More

Kieran has been one of Ireland’s best producers for almost two decades, and when he spoke with Maeve about an album he’d been working on, he sounded a note of caution that, maybe, well, it wasn’t the sort of thing Maeve would like. If this was a shameless attempt at reverse psychology, it worked. Interest was piqued, the conversation continued, and the result was an enchanting, hypnotic album unlike anything heard from Phil, or anyone, before. That album was Life Cycling and it was quickly agreed that this would be the perfect record to serve as Maeve’s first full-length artist release More

Maeve is the record label run by three close friends, Mano Le Tough, The Drifter and Baikal. For Maeve’s eighth outing it has enlisted the talents of long time friend Ed Davenport. The record grew from a chance hearing of some new material at Ed’s studio one night and after a brief discussion it was decided that the tracks would find a fitting home at Maeve. Although recently more known for his harder techno releases under the moniker Inland, Silver Walks is some what a return to Ed’s roots. Slower, emotive, more contemplative tracks, recorded over a pretty short period of focused studio time.
'Silver Walks' is a synth-led jam. The arpeggiator holds pride of place as the centre of the tune with filter tweaks complementing its progression. 'Kuromaku' has a tougher attitude - heady and cosmic with a deep kick. It means 'black curtain' in Japanese. More

Maeve is the record label run by three close friends, Mano Le Tough, The Drifter and Baikal. Some years ago, Mano and The Drifter ran a clubnight in Berlin called Passion Beat. Aera was their guest a couple of times. It's very fitting that Aera now joins us for Maeve 06. Aera's original "You Know Juno" comprises of warm arps and a dark hypnotic bassline over a jacking house beat. On first hearing the track, The Drifter was keen to do a remix. His interpretation is a dark take on the original, boosting the bassline, adding a driving beat and pushing the drama to high levels. More

Maeve is the record label run by three close friends, Mano Le Tough, The Drifter and Baikal. Maeve 04 is The Drifter's debut on the label, and his first original music since late 2012 for Permanent Vacation. "Again" showcases a tougher side to his productions. The Again EP consists of 2 tracks, both aimed firmly at the dancefloor. "Again" is a rolling 10 minute trip, with some twists and turns along the way. "Blocks" with it's tougher, ahem, blockier beats and soaring synths is a more upfront affair.v More

Maeve is the record label run by three close friends, Mano Le Tough, The Drifter and Baikal. With over a year passing since Maeve 01, they are back with a bang. Maeve 02 consists of two versions of Baikal's "Why Don't Ya?" from friends of the label, Ripperton and Dixon. Ripperton turn's Baikal's Why Don't Ya into a 14 minute epic. While Dixon gives Ripperton's remix his concise edit treatment on the flip. The tracks have had huge responses worldwide and have appeared on Dixon's BBC Essential Mix and Sasha's Mixmag Mix. More

The new label run by Mano Le Tough with an excellent start. Brilliant and complex House music ! More