'BITCHES YOU BETTER BE READY!' Rushmore drops 4 stone cold thuggee out houz pro to grime bangers to heat yo azz up…. THIS SHIT GOES OFF IN THE KLUBBBBBB
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Unknown To The Unknown present a new 4 track club EP from New York “Outsider House’ luminary Willie Burns. By day a swimming instructor & record buyer at the world famous thrift store The Thing. By night he can be found in his studio in Greenpoint surrounded by a collection of analogue hardware that make up his alias’ Speculator, Black Deer & of course his SP1200 aided Willie Burns. Having released numerous EPs on some of the coolest labels on the planet: L.I.E.S, The Trilogy Tapes, Rush Hour & Crème Organisation he’s turned in 4 spectacular hazy low slung house jams for Unknown To The Unknown. Look out for the “making of” video and interview with Willie Burns coming soon on FACT TV.
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Willie Burns doesn't need much introduction these days with several releases for Trilogy Tapes, L.I.E.S. and Creme Org under his belt, as well as numerous appearances, aliases, amounts of podcasts and radio shows bordering on the insane, not to mention his own label WT Records and on and on and on it goes.. for a man who likes to keep a low profile he sure gets around! As it stands, here's four bright new signature cuts drenched in naivety and joie de vivre for y'all to chew on. HEAT!

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Willie Burns and Aroy Dee on remix duty... golden combo! Sequencias is slowly building their profile with their outsider house,acid and chicago rooted tracks. Hailing from New York, just as likeminded labels WT records and L.I.E.S., Sequencias is delivering the goods! Another Place, Another Time is an epic track and Willie Burns stepped over his shadow. Trippy and full of tension, slow building without taking the paved path. Killer track!. We could say the same on the Aroy Dee remix, however he is going more in the Chicago direction and with adding dramatic strings. Truly epic! Recommended.

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After killer releases on the great L.I.E.S. and Crème Organization labels, Willie Burns drops a typically varied EP for The Trilogy Tapes
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Sophomore EP by Brooklyn's new house prodigy Willie Burns, who has been honing his craft under various guises for the better part of a decade. Expanding on the foundation laid on his L.I.E.S. EP earlier this year, here we see Willy take a more aggressive approach towards more commercial territory... errrm as if... in any case, classic house tunes with a NY twist.

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Blawan's new side project Bored Young Adults is up next on Will Bankhead's label The Trilogy Tapes. The Shy Dancers On Bungalowdorf Beach features some restrained and slow burning techno experiments that differ from Jamie Robert's more usual hard-hitting sounds. The seething title track treads the same path as Kassem Mosse or Vactrol Park. The Fentanyl techno of "But We Need This Bench" sounds like an old Regis record played on -8, while devoted fans of the young UK producer's sound will get something a bit more familiar on the menacing hypnotic techno grinder "Check Up From The Neck Up".

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Following the announcement that they've collaborated with perma-masked Zomby on his upcoming LP for Hyperdub, behooded hardware manglers Rezzett return to home soil for their latest, and perhaps best so far, 12" for The Trilogy Tapes. With a very defined, redlining approach to techno and hardcore tropes established across their prior output on Will Bankhead's label, the duo demonstrate there is still plenty of scope for invention on Doyce. In essence you get two versions of the same track either side of this 12"; the A-side is nominally the club cut though there is a feeling of restraint where usually Rezzett deal in speaker bursting madness. The "Yavas" version on the flip is quite something else however, discarding with any rhythmic elements over an eleven-minute journey into mind-bending sonics based around that quite exquisite mangled synth line. More

Blawan's new side project Bored Young Adults is up next on Will Bankhead's label The Trilogy Tapes. The Shy Dancers On Bungalowdorf Beach features some restrained and slow burning techno experiments that differ from Jamie Robert's more usual hard-hitting sounds. The seething title track treads the same path as Kassem Mosse or Vactrol Park. The Fentanyl techno of "But We Need This Bench" sounds like an old Regis record played on -8, while devoted fans of the young UK producer's sound will get something a bit more familiar on the menacing hypnotic techno grinder "Check Up From The Neck Up".

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Terrific record! Eight charged, intimate meditations by Julie Normal and Olivier Demeaux, playing a rickety ondes Martenot and an old church harmonium. Gripping, detailed, stately improvisation — a bit like the ùrlars in classical bagpipe music — which nervily mixes the sternly doom-laden with precarious, other-worldly wonderment. (The ondes Martenot is an amazing twentieth-century instrument — beloved by Messiaen, for example, and Varese. The theme-song of Star Trek is a vocal forgery of its sound. ‘J’aime cette fragilité qui côtoie la capacité de te décoller le tympan sur certaines fréquences inopinément,’ says Julie. ‘Je tiens une bombe dans les mains. J’aime son instabilité, son humanité.’) Wood, breath, blood, eggshells… on the night of a purple moon. Very warmly recommended. More

Four track EP produced by Samo DJ & Elias Landberg. More

Under his Chemotex alias, Marcos Cabral has been one of The Trilogy Tapes most productive artists in recent times. This is his third 12" for Will Bankhead's imprint in less than 12 months. Unlike Cabral's recent album for L.I.E.S, which reveled in its' own distorted, balls-out intensity, Thulsa strives to get a balance between becalmed techno hypnotism, skuzzy grooves and gently melodious intent. This blend is perhaps most satisfyingly mixed on the industrial-tinged clank of "Delta City", though the woozier, scuffled late night warmth of "Music For Security" pushes it close. Twice he heads towards deeper territory; first on the title track's trance-inducing synthesizer loop groove, and secondly on the dubby, locked-in tech-house majesty of "Lorentz". More

Coruscating cut-ups yanked still dripping and yowling from the belly of the beast. Dazzling and invigorating, scary and discombobulating. 'Psychic driving was a psychiatric procedure in which patients were subjected to a continuously repeated audio message on a looped tape, in order to alter their behaviour... often hundreds of thousands of repetitions of a single statement over the course of their treatment. They were also concurrently administered muscular paralytic drugs such as curare... The psychic driving procedure was a chronological precursor to Cameron's depatterning, involving massive doses of ECT combined with similarly large doses of psychedelic drugs like LSD. The intent was to break down the subject's personality — theoretically psychic driving could then be used with some efficacy in establishing a new personality' (Hanson Records). More

Under his Chemotex alias, Marcos Cabral has been one of The Trilogy Tapes most productive artists in recent times. This is his third 12" for Will Bankhead's imprint in less than 12 months. Unlike Cabral's recent album for L.I.E.S, which reveled in its' own distorted, balls-out intensity, Thulsa strives to get a balance between becalmed techno hypnotism, skuzzy grooves and gently melodious intent. This blend is perhaps most satisfyingly mixed on the industrial-tinged clank of "Delta City", though the woozier, scuffled late night warmth of "Music For Security" pushes it close. Twice he heads towards deeper territory; first on the title track's trance-inducing synthesizer loop groove, and secondly on the dubby, locked-in tech-house majesty of "Lorentz". More