Side 1
1. "F22"
2. "Promises"
3. "U All The Time"
4. "Their Love"
5. "No Limit"
Side 2
1. "Today"
2. "Stars"
3. "He Made"
4. "2 D I C U V"
5. "6 Phrazes"
6. "Nightmare"

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This summer, the left of centre electronica label Greco-Roman hits its stride and celebrates 10 years of music ?And to celebrate they are reissuing their biggest dance floor records and remixes on a series of Ltd Edition 12”s.

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This summer, the left of centre electronica label Greco-Roman hits its stride and celebrates 10 years of music. And to celebrate they are reissuing their biggest dance floor records and remixes on a series of Ltd Edition 12”s.

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This summer, the left of centre electronica label Greco-Roman hits its stride and celebrates 10 years of music. And to celebrate they are reissuing their biggest dance floor records and remixes on a series of Ltd Edition 12”s

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In little over a 2 month campaign Valentina has been so very received by radio with online press and print press too. She's crept into a couple of radio shows thus far with "Wolves" being dropped on the Phil & Alice (Radio 1) show already Her online presence has grown from strength to strength since we launched an exclusive stream with Gorilla vs Bear. Since that launch we've had such amazing feedback not only in the UK but Europe and the ROW. So far we've had features from Dummy, Dazed Digital, DIY, The 405 and Yours Tru.ly to name but a few. With much more to come as we near release we think it's all looking really solid right now. (please see Toast online report attached) Press wise we're just closing in on all the features now. The Notion Magazine have already confirmed a feature which is out. Further press highlights NME's On Repeat, Buzz and/ or Radar, Time Out based around the EP launch on the 2nd May. The Sunday Times too. Also features with The Fly about doing a First On mention, also been speaking with i-D about doing something and looking to do something the next Loud & Quiet. Along with putting forward for single reviews and playlist mentions where I can - broadsheets, DJ, Mixmag, NME, Guide etc etc.

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In 2006 a young unknown David E Sugar rocked up at a Greco-Roman party armed with two nintendo gameboys and a guitar pedal and blew us all away with the ensuing hour of acid. The night was so legendary that he wrote a song about it for our New York Soundclash a few weeks later: "Oi New York, This Is London, Oi New York Greco-Roman Soundsystem" … and, quite by accident, the record label was born. A little black round piece of history accompanied by remixes from Skream, Hot Chip, Ragga Twins and Jesse Rose.

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Tracklisting:
A1 Shine Grooves - Kamerton
A2 Seal Bient & Jon'Smu - Gods Gave
A3 Bipolardepth - Caleidoscope (Rework)
A4 Michel feat. Shine Grooves - The Sun Changed To Rain
A5 Psor - Smelless
B1 Jon'Smu - Muy Fragil
B2 Ryabina - Fabrika
B3 Ronin - Kwas
B4 Phoboz - Lionwave
B5 X343 - Runout

Sales Note
Hanagasumi Records presents the fifth release, this time you will hear multi-genre electronic music in compilation format from wonderful artists who have their own unique and inimitable musical vision. Many of the artists previously released on labels such as Udacha, Rough House Rosie, Kimochi, Runout, Resonance, Faktura.

On the cover you see the numbered minerals of one large gem, the mineral number is also the track number. Minerals come together to create something beautiful, just like the tracks on this album.

The compilation opens with the instrumental track "Kamerton" by Shine Grooves, which combines classical piano playing with atmospheric synth sounds. The second track "Gods Gave" by Seal Bient & Jon'Smu is filled with mystery and melodic sequences that gently fall on electro rhythms. Continuing the journey, we come to the third track - "Caleidoscope" from the legendary band Bipolardepth, very fragile and thin sound matter, reminiscent of crystals, is connected with an ambient mood. The fourth track "The Sun Changed To Rain" is the work of two musicians - Michel and Shine Grooves, the composition is filled with house percussions and magical synth parts, but has a relaxing effect. The last track on side A is "Smelles" by Psor, you will hear house rhythms, lots of delay and vocals - first class dub! The second side is opened by the melodic IDM track "Muy Fragil" by Jon'Smu, atmospheric melodies are combined with broken rhythms and futuristic percussion. The second track "Fabrika" from the live improvisational band Ryabina is filled with crystal clear sounds, electro rhythm and cosmic chimes. The third track "Kwas" by Ronin combines a very slow and deep house groove that runs very smoothly through synth sequences. The fourth track "Lionwave" from the mysterious musician Phoboz, is an incredibly beautiful dub techno that slowly leads to hypnosis. The album closes with the ambient track "Runout 08.03" by X343 - a loop-shaped synth sequence that can run endlessly in your head.

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Soundway presents a long-awaited remaster and re-cut of the 1976 album ‘Ifetayo’ by Black Truth Rhythm Band, an important and overlooked chapter in Trinidad’s rich musical history that blends West African influences with jazz, funk and the social commentary of the calypso tradition.

Led by the charismatic Oluko Imo (who went on to record with Fela Kuti and perform with members of Fela’s Egypt 80 band ), the group drew on the strong connections to Yoruba culture and Orisa traditions in Trinidad, looking to Africa for inspiration and reflecting the burgeoning Black Power movement of the time.

Recorded at KH studios in Port of Spain, Ifetayo (Yoruba for ‘Love excels all’) was the group’s sole album release. Imo contributed lead vocals and played bass, kalimba, conga, flute and percussion, channelling music from both sides of the Atlantic into a distinctive and unique slice of Afro Trinidadian expression.

Includes bonus track “Imo” not included on the original LP

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Repress!

On New Year's morning, Cousin took a weary-eyed walk... ‘HomeSoon’ he thought, whilst cutting to the path by the Angophora Forest. As he made it down to the overgrown sidewalk, he caught a sudden sense of warmth from the surrounding flora. On closer focus, it was as if the plants and flowers had come alive...pulsing forward down the path as they bounced, smiled, and sneered all around him. Against logic, he was struck by an almost Garsonian desire to communicate with them.

This feeling lingered, persisting through several studio sessions. The music written over this period makes up this EP. How directly this experience informed the music is hard to say. What effect it had on the surrounding plant life is even harder to tell… we do hope, however, through listening to it, you’re a little more tuned in to them.

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Lone returns to Greco-Roman with a two track 12” of some of his finest work to date. A’-side Waterfall Reverse’ is an ecstatic hardcore song that ascends into a utopian dream. Resident Advisor called it "A fresh reinterpretation of Lone's dayglo breakbeat hardcore.....one of Cutler’s best moments" AA-side Triton serves as a companion piece and keeps things leaner and focused on a 4/4 club sound. Both tracks are peak Lone; mind bendingly, breathtaking machine funk!

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El Buho's fifth studio album may be his most personal yet. Strata draws from Robin's attempts to grapple with the tension of experiencing happiness, joy and gratitude in our daily lives with loved ones or through sharing music while the world falls apart around us. This dynamic of trying to live in the moment and enjoy the privileged life we have yet in the back of your mind there is an overwhelming sense of dread that the world will never be the same and, as climate change really starts to hit home, there are incredibly difficult times ahead. It is about our attempts to find a place of peace, balance and fulfillment between these powerful strata above and below us. This is an album heavy with intimate and personal music that moves between personal joy and the anguish of our modern world. Timini is dedicated to Robin's second son Oscar who earned the nickname Petit Mini (Little Mini) which became 'Timini'. The track was inspired by the rustling wind and shaking leaves as Robin walked home from the hospital the evening after Oscar's birth, writing the whole track in one exhausted and emotional sitting. Gentle Breeze was inspired by the feeling of a warm early summer's afternoon with the family at home. Beautiful simplicity. On the other hand, Alarma de Emergencia is a cumbia for the endless alarm that has been ringing, unheard across our planet for decades. Fuel Fandango singer Nita's beautiful lyrics to its sister track Cenizas de Agua reference the need to "open our hearts, look for our own reflection and break the silence" While on Brujería Bomba Estereo frontwoman Li Saument implores us to sanar (heal) and limpiar clean above Robin's trademark floating flutes and an organic dem-bow beat. Meanwhile tracks like Piañuco show a new direction, blending the deep bass and unique rhythms of amapiano music with huayno folk melodies, featuring a whole host of musicians, including over 50 saxophone lines, meticulously recorded by argentine saxophonist Leandro Guffanti and his students in Barcelona. The album ends with Ley de Origen where we see El Búho reunited with his long-time collaborators Minük (Corazon de Rubi, Mirando El Fuego) for another moving and delicate song this time mixing Alumnis and Marcus' beautiful vocals with a deep, warm sub bass and percussion and marimbas from Colombia's pacific coast.

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A counterculture movement united by an expansive, experimental and deeply soulful sensibility, Japan’s rebel protest music challenged the status quo and changed the country’s music industry in the process.
The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down.

Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provided an outlet for musicians who were tired of aping Western sounds and instead found ways to sing in Japanese and integrate traditional forms in new ways.

At the forefront of this movement was Yellow Magic Orchestra’s Haroumi Hosono, a polymath innovator whose band Happy End released the first Japanese language rock album, and whose influence would go on to be felt across Japanese music for decades. Alongside, and informed by the Kansai scene’s Takashi Nishioka and Happy End collaborator Ken Narita, they experimented with cadences and accents of the Japanese language to open the door for others to experiment with their own forms of psychedelic folk too.

Some, like Nishioka, were more inspired by Dadaism than drugs, while others, like Kazuhisa Okubo, would ultimately find work as a chemist, having founded two further folk groups that flirted with varying levels of success. Obstinately uncommercial, relentlessly creative, the music featured on Time Capsule’s Nippon Acid Folk represents a broad church of influences.

Perhaps the wildest addition to this congregation however was Hiroki Tamaki, a classically-trained violinist and committed iconoclast, whose synth-prog odysseys hinted at his obsession with the divine. Subsumed by the teachings of Bhagwan Shree Rajneesh, he penned an album in praise of the infamous religious leader of which two superbly mind-bending tracks are featured on this compilation.

Charting the decade from 1970 to 1980 as the dreams of political and spiritual liberation seeded in the ‘60s turned to dust, Nippon Acid Folk surveys a little explored corner of Japanese music history, but one which ultimately laid the foundations for an independent music industry, launching the careers of Hosono and others in the process.

Nippon Acid Folk 1970-1980 is pressed on 12” vinyl and represents the start of Time Capsule’s deep dive into Japan’s rich history of folk and psychedelic soul music.

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