Jacques Greene returns with an essential new work alongside Joel Ford, Satomimagae (RVNG) & Leanna Macomber. Fantasy pushes Greene further into his downtempo & ambient influences than ever before.
Fantasy will be released on streaming / download January 28th. Available on vinyl worldwide April 8th with an exclusive song ‘Restless’.
Since releasing his last studio album, Dawn Chorus, in 2019 - Jacques Greene has scored the short film Exhaust starring Jimmie Fails (The Last Black Man in San Francisco), Glenn Kaino's installation piece Tidepools (alongside Nosaj Thing), and video game Homeschool. He released remixes for artists suchs as Para One, DC Salas, Amtrac, Kllo, Elohim, Kacy Hill and Montreal disco legends Lime. In 2020 he made headlines for creating Promise - the first single released with associated NFT that staked the owner to music publishing. In 2021 Greene released ANTH01, a reissue compiling his first few years of releases across various labels, alongside unheard tracks from the era.

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Four highly requested remixes of Jacques Greenes sophomore Dawn Chorus album by Fort Romeau, Big Miz, Ciel and Martyn Bootyspoon.

Last years “Dawn Chorus” album showed Jacques Greene outgrowing the limitations of the tempo-defined dance genres he rose to notoriety within. And while his own music grew in scope, Dawn Chorus became his most collaborative work: courting friends and instrumentalists to lend their work to the album. For that reason, Dawn Chorus feels so much richer than his prior, solitary bedroom production and spoke to Greene’s competence as a curator. Inviting friends to contribute original remixes to the Deluxe Edition of the album which speaks to his ability for curation in a whole other sense: building on the album with club primetime house and techno, afterparty warehouse versions from Greene’s friends and family.

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A huge landmark year for Nathan Micay so far, momentum in 2019 continues apace with ‘Butterfly Arcane’. This new EP follows swiftly on from the smash album ‘Blue Spring’, which was critically acclaimed and fervidly supported by a wide selection of world class DJs.
“Musically the EP contains explorations for the dancefloor with weird-ass melodic structures that stem from the same sound pallet as ‘Blue Spring’” says Nathan.
‘I'm Your Huckleberry’ is a surging flood of serotonin rush, with captivating proggy peaks and troughs akin to classic era Underworld and Leftfield, but with inventive new twists.
The melodic and breakbeat-driven ‘This'll Tell The Tale’ evokes a 6am lazer vortex, whilst ‘Did U Know I Cannot Die’ is part DJ tool and part crystalline ambience that floats somewhere between Tangerine Dream and Vangelis.
Already a massive worldwide anthem, ‘The Party We Could Have Had’ epitomises Micay’s ability to breathe new life info the early/mid 90s purple patch where prog, trance, electronica and techno blurred beautifully together.
The EP offers all those fans who weren’t able to grab Micay’s now highly-sought-after Manga inspired comic that came with the special edition of the album another chance, as an updated version will be available with this release, with an added foreword by music theorist/technologist and Holly Herndon collaborator Mat Dryhurst.

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Toronto born, Berlin based DJ/producer Nathan Micay (formerly Bwana) will release his highly anticipated debut album, ‘Blue Spring’, via LuckyMe.
The impeccable craft found in the huge past anthems that fuelled his rise is still present, but Micay has upped his own ante; a prodigious and natural creator, this is his best work yet. Highly melodic with complex but spacious sound design, this inspired work is a technicolour ride across sub bass, celestial future breakbeat, drum-roll-fuelled dancefloor rollercoasters, soaring euphoria, otherworldly soundscapes, weightless sino and even a bit of ¾ time. Micay has found a sweet-spot between prog, trance, techno, hardcore, jungle, IDM and ambient, in a renewed twist on the magic mix that birthed Future Sound of London’s hybrid classic ‘Accelerator’.
To create the album artwork, Nathan wrote a script outline, which was adapted by Peter Marsden into a comic, in turn illustrated by Dominic Flannigan, in tribute to the highly-influential Manga artist Katsuhiro Otomo. The comic sees a young data miner rebel by attending a rave in the woods with her friends, only for the event to be broken up by the ranks of a futuristic police state. ‘Blue Spring’ is the start of the revolution.
With unnamed album tracks having already appeared on multiple RA mixes, Essential Mixes, Boiler Room sets, festival stages and dancefloors, music from this album has stealthily been whipping electronic music fans into a frenzy for some time, most notably in countless Shazams and posts on the Identification Of Music Facebook group. He has released on Whities and ESP institute, plus Aus, Cin Cin, and LuckyMe under his former alias, Bwana.

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Since Montreal native Jacques Greene, 24, emerged with his first solo releases in late 2010 - The Look 12" EP (LuckyMe) and Another Girl 12" Single (LuckyMe, a Pitchfork Top 100 Track of the Year) - he has drawn upon real R&B, House & Techno to create a modern palette which served to influence contemporaries from Jamie XX to Disclosure and Julio Bashmore. But with the UK offering such excellent cross-over Dance successes in 2013 it can be easy to forget where our musical landscape was just tree years ago when Jacques Greene’s faceless demos began to creep online. Just prior to the young Canadian’s debut, US R&B had recently combined with the worst of European 4/4 Electro House & Trance to form a bottle-service delivery of compressed Pop-Dance to our charts. Greene represented something wholly contrary. A young outsider who, in isolation, was experimenting with fusing the fraught sentiment and sexuality of modern R&B and movement and soul of classic House and Techno. Not in any way retro, there are very few modern producers who can claim to have mastered their form – using original analogue equipment and the very essence of their influences to create such expressive and rich dance music. LM015 - On Your Side EP is the product of many years of experimentation at the boundary between R&B and Dance music. It is only now after a slew of taste maker releases in dance music that we find Jacques Greene as an accomplished writer and arranger aspiring to work in song format. With our lead single featuring Tom Krell aka How To Dress Well, this is not the exaltation of a lone R&B hook that we are used to but rather a fully developed original song that finds it’s place perfectly balanced between both artists. It’s unashamed hook and addictive bridge in a beautifully delicate falsetto which rides on top of assured shuffle of percussion. No one here can claim this is a Summer record – the air of cool it evokes is for 4am at any time of year. This is the crystallization of something JG has been working towards. All his tastes reconciled into one stunning moment of classic house / modern house, classic pop / modern R&B. The remaining tracks too, show JG’s development. B1 Faithful returns to JG’s vocal sample hallmark but this time without the processing. This is not a percussive use of vocal but rather an upfront gospel-inflected hook in the vein of classic US house courtesy of good friend Olivier Day Soul. Then to close we return to the deep instrumentals we have expect from JG. B2 Quicksand first appeared as an ‘untitled’ highlight in Greene’s takeover at BBC 6Music in October. Now with 160,000+ plays on Soundcloud Quicksand finds its place as the euphoric finale of this satisfying three track EP which further establishes Jacques Greene, still young and evolving; a clear leader in his lane. Now touring with fully analogue live performance and vocalists – with additional visual gallery show and separate DJ sets, Jacques Greene is stepping out like never before.


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