1
Tlahoun Gèssèssè - Alègntayé
2
Tlahoun Gèssèssè - Kulun Mankwalèsh (70)
3
Tlahoun Gèssèssè - Aykèdashem Lebé
4
Tlahoun Gèssèssè - Bèyèt Nèw Mèngèdu
5
Tlahoun Gèssèssè - Ené Nègn Wèy Antchi
6
Tlahoun Gèssèssè - Yèné Felagoté
7
Tlahoun Gèssèssè - Tezalègn Yètentu
8
Tlahoun Gèssèssè - Tchuhetén Betsèmu
9
Tlahoun Gèssèssè - Lantchi Biyé
10
Tlahoun Gèssèssè - Kulun Mankwalèsh (73)
REPRESS!! Although he is still completely unknown to Western audiences, for Ethiopians, Tlahoun Gèssèssè (pronounced Guèssèssè) is THE VOICE.The first-ever pan-Ethiopian star, he has embodied such nonstop unanimity since the end of the 1950s that is a role-model and a point of reference.
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More records from heavenly sweetness
1
Jacobo Velez & La Mambanegra - Mañana ft. Nidia Gongora
2
Tonada - Manezco
3
Los Gaiteros de Pueblo Santo & El Hijo d - La Danza del Espiritu
4
De Mar Y Rio - Bailen Y Gocen
5
Umu Obiligbo - Udemba
6
K.O.G - Don't Take My Soul
7
Amadou Balake - Massa Kamba
8
Joi N'Juno - Samemala
9
Conjunto Latinos - Koemanoe Sani
10
Avila Santo - Wole
11
Oliver N'Goma - Icole
12
Patrick Saint Eloi - Ay Pwan Van
13
Adelasio Muangolé - Nao Fatiga Muangole
14
Timothée et Pot and Co - Rentre dans ton HLM
15
Locobeach - Idea Desesperada
"Because it's the passion for music that drives the person behind the decks, a dj's debut is bound to exude authenticity. It's often themselves they're recounting in music, posing on the slip mats their DNA and what makes them who they are.
When you're just starting out, you're faced with a multitude of routes to take and styles to play. When you know just how devastating it can be to step out of line and empty the dance floor even faster than it filled up, it often takes a lot of audacity to break the unity of a funk evening with a punk track.
Over time, to evolve is to find oneself facing only two roads.
On the first one, to satisfy the greatest number of people and not lose the credit for his fees, the dj adapts to the trend. Whether he likes what he's playing or not, the road has become a freeway and, indeed, a very comfortable one. The audience already knows everything there is to hear and doesn't come to hear anything else. Thirty seconds, or even a minute of each track, is more than enough. Everything has to flow quickly. Everything is marked out and secured. Those who respect the regulations will (normally) make the journey without accident. Several times a week, several times a month, several times a year. Curiosity disappears altogether.
And then there's the other road. Where nothing is expected nor sometimes even ever heard. The road of an unquenchable passion for diggin' and the desire to always know more and more. A passion billed at the price of hours of research-finding spent in the discomfort and possible disappointment of never coming across anything exciting, as well as nights exploring platforms and multiplying clicks resulting in a good old headache. Until that moment of grace happens when, after thousands of fruitless shakes, the nugget stands alone in the sieve, without the slightest doubt as to its quality.
Coming from places never mentioned for their music, sometimes classics of their genre, they are also rarities miraculously saved from total disappearance, as much as current marvels, but threatened to never leave the immensity of the web. Even if the possibility of a text with substance is never excluded, they can tell long stories or be destined solely to make you dance till you're dehydrated. Scintillating with spirituality, some can also vaporize energy and replace it with a pure emotion capable of touching hearts in the bareness of simple percussions.
This road is marked by sincerity, singularity and surprises, but always in a communion between the dj and the audience, who embark on it together, with mutual confidence in the promise of hours of sharing and discovering. "
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When you're just starting out, you're faced with a multitude of routes to take and styles to play. When you know just how devastating it can be to step out of line and empty the dance floor even faster than it filled up, it often takes a lot of audacity to break the unity of a funk evening with a punk track.
Over time, to evolve is to find oneself facing only two roads.
On the first one, to satisfy the greatest number of people and not lose the credit for his fees, the dj adapts to the trend. Whether he likes what he's playing or not, the road has become a freeway and, indeed, a very comfortable one. The audience already knows everything there is to hear and doesn't come to hear anything else. Thirty seconds, or even a minute of each track, is more than enough. Everything has to flow quickly. Everything is marked out and secured. Those who respect the regulations will (normally) make the journey without accident. Several times a week, several times a month, several times a year. Curiosity disappears altogether.
And then there's the other road. Where nothing is expected nor sometimes even ever heard. The road of an unquenchable passion for diggin' and the desire to always know more and more. A passion billed at the price of hours of research-finding spent in the discomfort and possible disappointment of never coming across anything exciting, as well as nights exploring platforms and multiplying clicks resulting in a good old headache. Until that moment of grace happens when, after thousands of fruitless shakes, the nugget stands alone in the sieve, without the slightest doubt as to its quality.
Coming from places never mentioned for their music, sometimes classics of their genre, they are also rarities miraculously saved from total disappearance, as much as current marvels, but threatened to never leave the immensity of the web. Even if the possibility of a text with substance is never excluded, they can tell long stories or be destined solely to make you dance till you're dehydrated. Scintillating with spirituality, some can also vaporize energy and replace it with a pure emotion capable of touching hearts in the bareness of simple percussions.
This road is marked by sincerity, singularity and surprises, but always in a communion between the dj and the audience, who embark on it together, with mutual confidence in the promise of hours of sharing and discovering. "
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Germany
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1
Clarence Wilson - The Sacred Lion Dance
2
Gibson Kente - Saduva
3
The Soweto Boys - What You Say
4
The Drive - Zone No 6
5
The Cliffs - Revelation (feat Mankunku Ngozi)
6
The Four Sounds - Seven Steps Lament
7
The Jazz Ministers - Zandile
8
The Tailfeathers - Tail Feathers
9
Cassidy Clarke Band - Doctor L
10
Zim Ngqawana - Kubi
11
Johnny Dyani - Magwaza
While music traditions are often defined by established and protected sets of characteristics, popular music in South Africa betrays a willingness to adapt homegrown styles and an enthusiasm to adopt new influences. Musical currents like marabi, goema and mbaqanga help define what makes indigenous jazz unique, but it’s the eclecticism and hybridisation found in South African crates that keeps vinyl archaeologists like Fred “Voom Voom” Spider digging deeper. If we consider jazz to be a global musical dish, it follows that South Africa brings a distinct sonic salsa to the table. Spider calls it “Chakalaka Jazz” after the local tomato, onion and chilli relish that frequently accompanies South African meals. It’s the essential ingredient that unites and spices this diverse selection of tracks spanning the years 1969 through 2003. Featuring locals, exiles and expats with a reverent nod to the golden years of the 1970’s, these rare musical treasures are held together by that magical South African flavour.
Compiled by Fred Spider, Notes by Calum MacNaughton, Executive Producer: Franck Descollonges for Heavenly Sweetness
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Compiled by Fred Spider, Notes by Calum MacNaughton, Executive Producer: Franck Descollonges for Heavenly Sweetness
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1
Cotonete - O Céu E Preto Feat. Gystere (Dimitri From Paris & DJ Deep Remix)
2
Cotonete - O Céu E Preto Feat. Gystere (DJ Deep & Romain Poncet Dub)
After their electrifying collaboration on "Parribean Disco", Dimitri From Paris is back in the driver’s seat with Cotonete’s "O Céu E Preto" featuring Gystere. This time partnering with French deep house pioneer DJ Deep for a sizzling remix from Cotonete lauded album "Victoire de la Musique”.
The remix is a house music masterpiece, featuring an infuriatingly catchy bassline, playful percussions, swirling keyboards, and tantalizing guitar licks that elevate Gystere’s mesmerizing vocal loops. The buildup peaks with irresistible horn riffs, delivering a straight-up house banger.
On Side B, the refined deep house and techno duo of DJ Deep and Romain Poncet present a streamlined, dubbier, and club-ready version that’s perfect for late-night sessions. Finally Voilaaa world-groove master gives a laidback airy and light disco take, always with a stomping beat (vocal and instrumental versions)
Don't miss out on this French Brazilian disco summer gem!
Side A/ O Céu é Preto - Dimitri From Paris & DJ Deep Remix 06:14
Side B/ O Céu é Preto - DJ Deep & Romain Poncet Dub 05:23
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The remix is a house music masterpiece, featuring an infuriatingly catchy bassline, playful percussions, swirling keyboards, and tantalizing guitar licks that elevate Gystere’s mesmerizing vocal loops. The buildup peaks with irresistible horn riffs, delivering a straight-up house banger.
On Side B, the refined deep house and techno duo of DJ Deep and Romain Poncet present a streamlined, dubbier, and club-ready version that’s perfect for late-night sessions. Finally Voilaaa world-groove master gives a laidback airy and light disco take, always with a stomping beat (vocal and instrumental versions)
Don't miss out on this French Brazilian disco summer gem!
Side A/ O Céu é Preto - Dimitri From Paris & DJ Deep Remix 06:14
Side B/ O Céu é Preto - DJ Deep & Romain Poncet Dub 05:23
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1
The John Betsch Society - Ode To Ethiopia
2
The John Betsch Society - Earth Blossom
3
The John Betsch Society - Open Pastures
4
The John Betsch Society - Song For An Untidy Lady
5
The John Betsch Society - Ra
6
The John Betsch Society - Darling Doria
7
The John Betsch Society - Get Up And Go
2024 edition - 180 Gram, Tip On Sleeve . One of the rarer records of the mythical Strata East.
The recording of Earth Blossom, the John Betsch Society's one and only album, seems something of an enigma nowadays. For even though Nashville is clearly one of the towns in the US with the highest number of recording studios, who would have thought that the capital of country music would give birth to one of the forgotten masterpieces of 1970s spiritual jazz. The path leading to the album starts in 1963 when John Betsch, originally from Jacksonville in Florida, arrives in Nashville to study at Frisk University. He is a young drummer and joins Bob Holmes trio. Holmes is one of the towns major jazz organists and pianists; he becomes Betschs mentor and, over the space of two years, John will play alternately with him and with the trumpeter Louis Smiths group. However, in 1965, John leaves town to go to the prestigious Berkeley University in Boston and do a two-year course along with his fellow debutants with names like John Abercrombie, Ernie Watts and Alan Broadbent. Two years later, he is invited by a pianist friend, Billy Chilf, to join the legendary singer/songwriter Tim Hardins group. Just after Woodstock, John Betsch and Tim record a psychedelic album Columbia will never release together with the members of the future group Oregon: Colin Walcott, Glen Moore, Paul McCandles and his friend Billy Chilf. But he soon leaves this group to return to Nashville where he hooks up again with his friend Bob Holmes. Two years later, he is accepted on Archie Shepp and Max Roachs famous course at the University of Massachusetts Amherst (UMASS) and for the next four years he participates in this collective of intellectuals and musicians under the aegis of the two masters.
During this period he returns to Nashville to form his Society whose music is obviously influenced by the Afrocentric ideas of the UMASS student and political movement. However, the album, recorded in one day and in one take, also bears the hallmark of their generations psychedelic experiences, and in the themes and playing of the musicians we can hear a less violent form of music than the radical free jazz of New York or Chicago. Nature and environmental themes are the inspiration behind tracks touched by the spirit of Coltrane but also of Flower Power.
After Amherst, John Betsch joins Marion Browns group in 1976, leaves Tennessee for good and makes his home in New York over the next ten years or so. He plays and records with Dollar Brand, Kalaparusha Maurice McIntyre and many others, before heading off to France. He has lived in Paris for the last twenty years and played in Steve Lacy, Mal Waldron and Archie Shepp bands, as well as forming groups of his own. He now lives in Paris and plays with many musicians/bands.
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The recording of Earth Blossom, the John Betsch Society's one and only album, seems something of an enigma nowadays. For even though Nashville is clearly one of the towns in the US with the highest number of recording studios, who would have thought that the capital of country music would give birth to one of the forgotten masterpieces of 1970s spiritual jazz. The path leading to the album starts in 1963 when John Betsch, originally from Jacksonville in Florida, arrives in Nashville to study at Frisk University. He is a young drummer and joins Bob Holmes trio. Holmes is one of the towns major jazz organists and pianists; he becomes Betschs mentor and, over the space of two years, John will play alternately with him and with the trumpeter Louis Smiths group. However, in 1965, John leaves town to go to the prestigious Berkeley University in Boston and do a two-year course along with his fellow debutants with names like John Abercrombie, Ernie Watts and Alan Broadbent. Two years later, he is invited by a pianist friend, Billy Chilf, to join the legendary singer/songwriter Tim Hardins group. Just after Woodstock, John Betsch and Tim record a psychedelic album Columbia will never release together with the members of the future group Oregon: Colin Walcott, Glen Moore, Paul McCandles and his friend Billy Chilf. But he soon leaves this group to return to Nashville where he hooks up again with his friend Bob Holmes. Two years later, he is accepted on Archie Shepp and Max Roachs famous course at the University of Massachusetts Amherst (UMASS) and for the next four years he participates in this collective of intellectuals and musicians under the aegis of the two masters.
During this period he returns to Nashville to form his Society whose music is obviously influenced by the Afrocentric ideas of the UMASS student and political movement. However, the album, recorded in one day and in one take, also bears the hallmark of their generations psychedelic experiences, and in the themes and playing of the musicians we can hear a less violent form of music than the radical free jazz of New York or Chicago. Nature and environmental themes are the inspiration behind tracks touched by the spirit of Coltrane but also of Flower Power.
After Amherst, John Betsch joins Marion Browns group in 1976, leaves Tennessee for good and makes his home in New York over the next ten years or so. He plays and records with Dollar Brand, Kalaparusha Maurice McIntyre and many others, before heading off to France. He has lived in Paris for the last twenty years and played in Steve Lacy, Mal Waldron and Archie Shepp bands, as well as forming groups of his own. He now lives in Paris and plays with many musicians/bands.
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DE - 22113 Hamburg
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1
Various Artists - Coco / Fabert - Ban Di Fwan
2
Various Artists - Wach'Da Star De La Rue - Confrontation (Instrumental)
3
Various Artists - Michel Alibo - Fou, Jaloux
4
Various Artists - Osmose - Melodi
5
Various Artists - Juliane - Blanc E Noir (Instrumental)
6
Various Artists - Champagn' Cocktail Lavaxn - L Anmou Aw
7
Various Artists - Jo Star - Demare Moin
8
Various Artists - Alex Rosa - Sistem
9
Various Artists - Patrick Nuissier - Pou Qui Ça
10
Various Artists - Vik In - Tension La Ka Monte
11
Various Artists - Joyeux De Cocotier - Pina Colada Coco Loco
12
Various Artists - Djeminay - Sun Plash
Repress!
The follow up of the acclaimed first volume of this compilation, a real discovery for many DJs and music lovers worldwide, exposing the Zouk or DIY electronic music of the french west indies.
The selectors Julien Achard and Nicolas Skliris continue the excavation of French Antillas vinyl from the 80’s and the 90’s and for this second volume, they found some really exciting new references which should be soon classics on the dancefloors.
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The follow up of the acclaimed first volume of this compilation, a real discovery for many DJs and music lovers worldwide, exposing the Zouk or DIY electronic music of the french west indies.
The selectors Julien Achard and Nicolas Skliris continue the excavation of French Antillas vinyl from the 80’s and the 90’s and for this second volume, they found some really exciting new references which should be soon classics on the dancefloors.
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1
Aida Bossa-Azucar - El Loro Y La Lora
2
Lagos Thugs - Innocent Blood
3
Djingo Typical Band - Vini Ouais
4
Lindigo - Domoun
5
Lass - Senegal
6
Joojo Addison - Guy Ma
7
La Boa - Vuelo Antillano
8
Voilaaa - Water No Get Enemy Feat Pat Kalla
9
The Garifuna Collective Umalali - Merua
10
Luizga Izem - Yemamaya
11
Blue Bird - Foefoeroe-Mang
12
Poirier - Pourquoi Faire Aujourdhui Remix
13
Kaleta Super Yamba Band - Jibiti-Bosq Rmx
14
Ezra Collective - Lady
15
Joskar Flamsy - Faroter
16
Dowdelin - I Like To Move It
New one from French DJ / compiler, GUTS.
The label say "We've been waiting for it! GUTS' Straight From The Decks compilation is back, with Volume 3 still packed the classic tracks played in his DJ set. Musical discoveries from all over the world. Different genres, different cultures. GUTS invites you to follow him on his musical journey from your living room or your local club!"
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The label say "We've been waiting for it! GUTS' Straight From The Decks compilation is back, with Volume 3 still packed the classic tracks played in his DJ set. Musical discoveries from all over the world. Different genres, different cultures. GUTS invites you to follow him on his musical journey from your living room or your local club!"
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1
Sclavis Romano Texier - Soweto Sorrow
2
Roy Hargrove The Rh Factor - I'll Stay
3
Lalo Schifrin - Panamericana
4
La Banda De Santiago De Cuba - Chan Chan
5
Mccoy Tyner Sextet - Manalyuca
6
Milt Jackson Hank Jones All Stars Quarte - Delilah
7
Gilberto Gil - Toda Menina Baiana
8
Abraham Reunion - Tryin Times
9
Leon Phal Quintet - Soulful
10
Arnaud Dolmen Quartet - On Dimanch Maten
11
Jasual Cazz - Baby Rover
12
Emile Londonien - Strength
13
Ishkero - Oliloqui Valley
14
Gin Tonic Orchestra - Do You Have
Repress.
Not every day do you celebrate a 40th birthday. That’s why, the most famous French Jazz Festival, “Jazz at Vienne” is marking the four-decade – emerald – anniversary of France’s signature jazz and blues event not once, but twice. After a truncated 2021 edition, the festival’s storied history, dating back to 1981, is being celebrated with a full concert schedule this year, alongside a compilation album, Past & Future in collaboration with Heavenly Sweetness. The album - an amalgam of stories, emotion and resonant echoes – captures the festival’s essence. Listen in closely, then once again.
PAST
Listen to the best moments of live music in Vienne Antic Theater. With prestigious names of jazz : McCoy Tyner, trio Romano / Sclavis / Texier, Hank Jones, Milt Jackson, Lalo Schiffrin, Roy Hargrove and world music Gilberto Gil, Banda de Santiago de Cuba.
FUTURE
A selection of the best young artists of the French jazz scene, chosen following a call for candidates of several months ! 7 unreleased tracks specially recorded for this album. The young talents who will hopefully be part of the festival in the coming
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Not every day do you celebrate a 40th birthday. That’s why, the most famous French Jazz Festival, “Jazz at Vienne” is marking the four-decade – emerald – anniversary of France’s signature jazz and blues event not once, but twice. After a truncated 2021 edition, the festival’s storied history, dating back to 1981, is being celebrated with a full concert schedule this year, alongside a compilation album, Past & Future in collaboration with Heavenly Sweetness. The album - an amalgam of stories, emotion and resonant echoes – captures the festival’s essence. Listen in closely, then once again.
PAST
Listen to the best moments of live music in Vienne Antic Theater. With prestigious names of jazz : McCoy Tyner, trio Romano / Sclavis / Texier, Hank Jones, Milt Jackson, Lalo Schiffrin, Roy Hargrove and world music Gilberto Gil, Banda de Santiago de Cuba.
FUTURE
A selection of the best young artists of the French jazz scene, chosen following a call for candidates of several months ! 7 unreleased tracks specially recorded for this album. The young talents who will hopefully be part of the festival in the coming
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1
Mulatu Astatke - Dèwol
2
Mulatu Astatke - Yèkèrmo Saw
3
Mulatu Astatke - Gubèlyé
4
Mulatu Astatke - Asmarina
5
Mulatu Astatke - Yèkatit
6
Mulatu Astatke - Nètsanèt
7
Mulatu Astatke - Nètsanèt
8
Mulatu Astatke - Sabyé
9
Mulatu Astatke - Ené Alantchi Alnorem
*2023 REPRESS **
180gram vinyl. The Ethio Jazz album by Mulatu Astatatke is a jewel of the modern Ethiopian music. Essential.
An incredibly groovy Ethiopian record, originally from 1969-1972. Amazing orchestral 'Ethio-groove' filled with US soul, jazz, sometimes Latin and the deepest Eastern rhythms, even including some great nasty and dirty fuzz guitars. A true gem of Ethiopian modern instrumental music, which illustrates perfectly this symbiosis of strong rhythms and quality arrangements of subtle yet deep Ethiopian melodies. A must for all '60s/'70s collectors! In the Ethiopian musical landscape, Mulatu Astatke is a unique musician, composer, arranger. His real contribution consists in his action for instrumental music, in a country where orchestral traditions doesn't exist. For the last 30 years, he is the leading head of the Ethiopian musical scene. First vinyl reissue and definitely one of the most important Ethiopian music albums."
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180gram vinyl. The Ethio Jazz album by Mulatu Astatatke is a jewel of the modern Ethiopian music. Essential.
An incredibly groovy Ethiopian record, originally from 1969-1972. Amazing orchestral 'Ethio-groove' filled with US soul, jazz, sometimes Latin and the deepest Eastern rhythms, even including some great nasty and dirty fuzz guitars. A true gem of Ethiopian modern instrumental music, which illustrates perfectly this symbiosis of strong rhythms and quality arrangements of subtle yet deep Ethiopian melodies. A must for all '60s/'70s collectors! In the Ethiopian musical landscape, Mulatu Astatke is a unique musician, composer, arranger. His real contribution consists in his action for instrumental music, in a country where orchestral traditions doesn't exist. For the last 30 years, he is the leading head of the Ethiopian musical scene. First vinyl reissue and definitely one of the most important Ethiopian music albums."
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1
Various Artists - Mulatu Astatqé - Munayé
2
Various Artists - Mulatu Astatqé - Mètché Dershé
3
Various Artists - Tèsfa-Maryam Kidané - Yètèsfa Tezeta
4
Various Artists - Mulatu Astatqé - Kasalèfkut Hulu
5
Various Artists - Mulatu Astatqé - Tezeta
6
Various Artists - Bahta Gèbrè-Heywèt - Ewnèt Yèt Lagegnèsh
7
Various Artists - Mulatu Astatqé - Yègellé Tezeta
8
Various Artists - Bahta Gèbrè-Heywèt - Bèmgnot Alnorem
9
Various Artists - Mulatu Astatqé - Yèkèrmo Sèw
10
Various Artists - Tèsfa-Maryam Kidané - Heywèté
2023 REPRESS **
180gram vinyl. Reissue of the original Ethiopian vinyl compilation.
"Ethiopians' deep-seated ethiocentrism, the legacy of a thousand years of history, has contributed in no small way to their music's strong national identity, particularly impervious to any African influences. Latin influences, so pervasive in the great musical centers of West Africa and the Congo, have been similarly rebuffed, despite the brilliant attempts of a musician like Mulatu Astatke. He was the first and for a long time the only Ethiopian to have studied music abroad (England and USA). In the late '60s, he brought back 'ethio-jazz', as well as a passion for Latin rhythms that was not readily shared by the Ethiopian audience. As early as 1966, he released a single and two LPs in the US entitled Afro-Latin Soul (and a third LP, Mulatu of Ethiopia in 1972), with his Ethiopian Quintet composed of American and Latin-American musicians (Worthy Records). That was three years before Fela's first American tour and six years prior to Manu Dibango's key breakthrough with the release of Soul Makossa in the Western 'pre-World music' market. All this goes to show how much the history of the African continent's musical modernity should be reconsidered in light of the Ethiopian adventure, even though this lone spark bore little relation, musically or ideologically to the musical revolutions initiated most notably by Ghanian highlife, South African jazz, Congolese rumba or, much later on, by Fela."
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180gram vinyl. Reissue of the original Ethiopian vinyl compilation.
"Ethiopians' deep-seated ethiocentrism, the legacy of a thousand years of history, has contributed in no small way to their music's strong national identity, particularly impervious to any African influences. Latin influences, so pervasive in the great musical centers of West Africa and the Congo, have been similarly rebuffed, despite the brilliant attempts of a musician like Mulatu Astatke. He was the first and for a long time the only Ethiopian to have studied music abroad (England and USA). In the late '60s, he brought back 'ethio-jazz', as well as a passion for Latin rhythms that was not readily shared by the Ethiopian audience. As early as 1966, he released a single and two LPs in the US entitled Afro-Latin Soul (and a third LP, Mulatu of Ethiopia in 1972), with his Ethiopian Quintet composed of American and Latin-American musicians (Worthy Records). That was three years before Fela's first American tour and six years prior to Manu Dibango's key breakthrough with the release of Soul Makossa in the Western 'pre-World music' market. All this goes to show how much the history of the African continent's musical modernity should be reconsidered in light of the Ethiopian adventure, even though this lone spark bore little relation, musically or ideologically to the musical revolutions initiated most notably by Ghanian highlife, South African jazz, Congolese rumba or, much later on, by Fela."
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Germany
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1
Alèmayèhu Eshèté - Tashamanalètch
2
Seyoum Gèbrèyès - Hamétègnaw
3
Ayaléw Mèsfin - Terèdjew Nèbèr
4
Tèshomè Meteku - Yèzèmèd Yèbaed
5
Seyfou Yohannes - Mèla Mèla
6
Tsegué-Maryam Guèbrou - Presentiment
7
Wallias Band - Muziqawi Silt
8
Tèsfa-Maryam Kidané - Ewnèt Yèt Lagegnesh
9
Mulatu Astatqé - Yégélé Tezeta
10
Gétatchèw Mèkurya - Shellèla Bèsaxophone
11
Girma Bèyènè - Ené Nègn Bay Manèsh
12
Mahmoud Ahmed - Bèmen Sèbèb Letlash
13
Muluqèn Mèllèssè - Hédètch Alu
14
Tlahoun Gèssèssè - Lantchi Biyé
15
Menelik Wèsnatchèw - Tchèrèqa
16
Tèklé Tèsfa-Ezghi - Sèlam Tèmagwèt
17
Abbèbè Tèssèmma - Ashasha Bèyèw
18
Tèwèldè Rèdda - Ab Teqay Qerèbi
19
Ali Birra Kan - Ati Fettun Isani Infedhani
20
Tsèhaytu Bèraki - Mèdjèmèrya Feqrey
Repress!
Best off from the now classic Ethiopiques series. Francis Falcetto, the founder of the series (already 28 Cds available) and THE specialist of Ethiopian music selects, in his view, the best tracks of the series !
He opened his large collection of pictures, vinyl and memorabilia to make the artwork for this double LP gatefold release.
The perfect introduction to the world of Ethiopian music but the specialists will also discover some rare and unknown tracks and artists.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Best off from the now classic Ethiopiques series. Francis Falcetto, the founder of the series (already 28 Cds available) and THE specialist of Ethiopian music selects, in his view, the best tracks of the series !
He opened his large collection of pictures, vinyl and memorabilia to make the artwork for this double LP gatefold release.
The perfect introduction to the world of Ethiopian music but the specialists will also discover some rare and unknown tracks and artists.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Guts - El Retorno
2
Guts - Última Llamada
3
Guts - San Lázaro
4
Guts - Yebo Edi Pachanga
5
Guts - Déjame En Paz
6
Guts - Oda
7
Guts - Adduna Jarul Naawo
8
Guts - Medewui
9
Guts - Dakar De Noche
10
Guts - Nunca Pierdo
11
Guts - Por Qué Ou Ka Fè Sa
12
Guts - Sin Pantallas
13
Guts - Barrio
14
Guts - Dansons Cadencés
15
Guts - Il N'est Jamais Trop Tard
16
Guts - Estrellas
17
Guts - Estrellas (Ghost Version)
Under the leadership of GUTS, Dakar became the creative centre of an exceptional encounter between "All Stars" musicians from Cuba, Africa and France : the ESTRELLAS. A tribute to Afro-Cuban culture, between new versions of finely selected songs and original compositions.
• The great return of GUTS with a tribute album to Afro-Cuban music. With a resolutely modern approach and never really far from Hip Hop
• GUTS brought together in Dakar more than 25 musicians from Cuba, France and of course Senegal and neighbouring countries.
• Many prestigious guests: Cucurucho, members of the Orchestre Baobab, David Walters, Cyril Atef, Djeuhdjoah & Lieutenant Nicholson, Pat Kalla, Cuban rappers El Tipo Este, and Senegalese MCs ISS814, Samba Peuzzi ...
• Deluxe packaging ! Triple Vinyl LP Gatefold Sleeve Replica, OBI, Printed Inner Sleeves w/ Liner Notes (English, Spanish, French) - Artwork by the international artist MAMBO!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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• The great return of GUTS with a tribute album to Afro-Cuban music. With a resolutely modern approach and never really far from Hip Hop
• GUTS brought together in Dakar more than 25 musicians from Cuba, France and of course Senegal and neighbouring countries.
• Many prestigious guests: Cucurucho, members of the Orchestre Baobab, David Walters, Cyril Atef, Djeuhdjoah & Lieutenant Nicholson, Pat Kalla, Cuban rappers El Tipo Este, and Senegalese MCs ISS814, Samba Peuzzi ...
• Deluxe packaging ! Triple Vinyl LP Gatefold Sleeve Replica, OBI, Printed Inner Sleeves w/ Liner Notes (English, Spanish, French) - Artwork by the international artist MAMBO!
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DE - 22113 Hamburg
Germany
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1
Kham Meslien - Ta Confiance
2
Kham Meslien - Mauza
3
Kham Meslien - The Alarm
4
Kham Meslien - La Couleur
5
Kham Meslien - Kar Kar Kar
6
Kham Meslien - Gnawen
7
Kham Meslien - Le Saule Pleureur
8
Kham Meslien - F Comme
9
Kham Meslien - Á Travers Les Orages
10
Kham Meslien - Fatnômes Futurs
Repress!
Bassist of the band Lo'Jo until 2016, Kham Meslien has performed on all continents, from the big stages of the world's cities to the Australian and American deserts. He also plays in the trio Sweet Back and has collaborated, on stage or in the studio, with many international musicians: Robert Plant, Archie Shepp, Robert Wyatt and Justin Adams. With this solo double bass project, Kham Meslien embarks on a new adventure, introspective and shared.
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Liebigstrasse 2-20
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Germany
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Bassist of the band Lo'Jo until 2016, Kham Meslien has performed on all continents, from the big stages of the world's cities to the Australian and American deserts. He also plays in the trio Sweet Back and has collaborated, on stage or in the studio, with many international musicians: Robert Plant, Archie Shepp, Robert Wyatt and Justin Adams. With this solo double bass project, Kham Meslien embarks on a new adventure, introspective and shared.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Heavenly Sweetness
Cat-No:HS115VL
Release-Date:05.07.2022
Genre:Dope Beat/Hip Hop
Configuration:2LP
Label:Heavenly Sweetness
Cat-No:HS115VL
Release-Date:05.07.2022
Genre:Dope Beat/Hip Hop
Configuration:2LP
1
Guts - Hip Hop First Of All
2
Guts - Open Wide (Feat. Lorine Chia)
3
Guts - The Forgotten (Don’t Look Away) [feat. Quelle Chris & Denmark Vessey]
4
Guts - Go For Mine (Feat. Tanya Morgan)
5
Guts - As The World Turns (Feat. Tanya Morgan)
6
Guts - Man Funk (Feat. Leron Thomas)
7
Guts - A Glimpse Of Hope
8
Guts - Forever My Love (Feat. Grand Puba)
9
Guts - It's Like That (Feat. Dillon Cooper)
10
Guts - Want It Back (Feat. Patrice & The Studio School Voices NYC)
11
Guts - Enlighten (Feat. Cody Chesnutt & Murs)
12
Guts - We Are All Africans
13
Guts - Innovations (Feat. Masta Ace)
14
Guts - Come Alive (Feat. Lorine Chia)
15
Guts - Looking For The Perfect Rhodes
16
Guts - Roses (Feat. Leron Thomas)
Repress!
For this new album, Guts decided to come back to his Hip Hop roots (he created the french rap Band Alliance Ethnik in the 90’s) and invited quality MCs and singers to join him in the studio.
You can find on this album, some Hip Hop legend as Grand Puba, Masta Ace, Bob Power, Rah Digga some singers as Cody ChestnuTT, Patrice and a batch of new talents as Leron Thomas, Lorine Chia, Quelle Chris & Denmark Vessey, Dillon Cooper.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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For this new album, Guts decided to come back to his Hip Hop roots (he created the french rap Band Alliance Ethnik in the 90’s) and invited quality MCs and singers to join him in the studio.
You can find on this album, some Hip Hop legend as Grand Puba, Masta Ace, Bob Power, Rah Digga some singers as Cody ChestnuTT, Patrice and a batch of new talents as Leron Thomas, Lorine Chia, Quelle Chris & Denmark Vessey, Dillon Cooper.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Mahmoud Ahmed - Abbay Mado - Embwa Bèlèw
2
Mahmoud Ahmed - Atawurulegn Léla
3
Mahmoud Ahmed - Tezeta
4
Mahmoud Ahmed - Ohoho Gédama
5
Mahmoud Ahmed - Ebakesh Tarèqign Erè Mèla Mèla - Mètché
6
Mahmoud Ahmed - Nèw Sedètègnash Nègn
7
Mahmoud Ahmed - Samerayé
8
Mahmoud Ahmed - Endénèsh Gèdawo
Repress!
The re-release series of original Ethiopian classic vinyl continues -- the finest Ethio jazz by Mahmoud Ahmed and his band from 1975 plus two tracks from 1978.
The liner notes: 'Melancholy blues, piercingly minimalist country airs, brassy, danceable urban jazz, heart-wrenching, off-key crooners: a rich and stirring patchwork of sounds, crossing Afro-beat, Latino-swing moves and Eastern arabesques (Ana�s Prosa�c).' Such were the first -- informed and enthusiastic -- opinions of the music press when the first strains of modern Ethiopian music sounded on our shores. This was in 1984-1985. Such a positive note, struck about such a country at such a time, created plenty of reverb. The country had been so thoroughly trashed by the media's feeding-frenzy, which spewed out a mix of horror and pious pity, bitter denunciation and humanitarian appeals, wallet-tickling clich�s and refusal of identity. In one brutal swoop, TV-reality transformed Ethiopia into a cursed nation, forsaken by God and by man. In contrast to these tragedies, but in the same hackneyed tones, Mahmoud Ahmed's life resembles an edifying fairy-tale where destiny, talent and achievement combine to triumph over poverty, fate and the evil eye. Biography, history and legend, with the help of God, infallibly weave the lesson of merit rewarded. But who can argue, in spite of the mockery that celebrities invariably draw, when faced with one of the greatest voices in all of Africa? Once upon a time, there was a street urchin in Addis Ababa, who started off as a shoe-shine boy and went on to become one of his country's biggest stars, opening the door to Ethiopian music to Western audiences. --Francis Falceto
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
The re-release series of original Ethiopian classic vinyl continues -- the finest Ethio jazz by Mahmoud Ahmed and his band from 1975 plus two tracks from 1978.
The liner notes: 'Melancholy blues, piercingly minimalist country airs, brassy, danceable urban jazz, heart-wrenching, off-key crooners: a rich and stirring patchwork of sounds, crossing Afro-beat, Latino-swing moves and Eastern arabesques (Ana�s Prosa�c).' Such were the first -- informed and enthusiastic -- opinions of the music press when the first strains of modern Ethiopian music sounded on our shores. This was in 1984-1985. Such a positive note, struck about such a country at such a time, created plenty of reverb. The country had been so thoroughly trashed by the media's feeding-frenzy, which spewed out a mix of horror and pious pity, bitter denunciation and humanitarian appeals, wallet-tickling clich�s and refusal of identity. In one brutal swoop, TV-reality transformed Ethiopia into a cursed nation, forsaken by God and by man. In contrast to these tragedies, but in the same hackneyed tones, Mahmoud Ahmed's life resembles an edifying fairy-tale where destiny, talent and achievement combine to triumph over poverty, fate and the evil eye. Biography, history and legend, with the help of God, infallibly weave the lesson of merit rewarded. But who can argue, in spite of the mockery that celebrities invariably draw, when faced with one of the greatest voices in all of Africa? Once upon a time, there was a street urchin in Addis Ababa, who started off as a shoe-shine boy and went on to become one of his country's biggest stars, opening the door to Ethiopian music to Western audiences. --Francis Falceto
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Alèmayèhu Eshèté - Telantena Zaré
2
Alèmayèhu Eshèté - Ezkègizéw Bèrtchi
3
Alèmayèhu Eshèté - Tèy Gedyèlèshem
4
Alèmayèhu Eshèté - Haméta
5
Alèmayèhu Eshèté - Feqer Feqer Nèw
6
Alèmayèhu Eshèté - Tashamanalètch
7
Alèmayèhu Eshèté - Yèweb Dar
8
Alèmayèhu Eshèté - Addis Abèba Bété
9
Alèmayèhu Eshèté - Yèwèyn Harègitu
10
Alèmayèhu Eshèté - Qondjit
Repress!
REPRESSED 2021! "Alèmayèhu Eshèté is no less than one of the great voices of the heyday of modern Ethiopian music, the swinging sixties which, in this country, went on until the fall of the Emperor Haile Sellassie 1 in 1974. On a par with Tlahoun Gèssèssè, Bzunèsh Bèqèlè or Mahmoud Ahmed, Alèmayèhu is a star at the top level of the constellation that once lit up the wild nights in the capital."
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DE - 22113 Hamburg
Germany
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REPRESSED 2021! "Alèmayèhu Eshèté is no less than one of the great voices of the heyday of modern Ethiopian music, the swinging sixties which, in this country, went on until the fall of the Emperor Haile Sellassie 1 in 1974. On a par with Tlahoun Gèssèssè, Bzunèsh Bèqèlè or Mahmoud Ahmed, Alèmayèhu is a star at the top level of the constellation that once lit up the wild nights in the capital."
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DE - 22113 Hamburg
Germany
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1
Girma Bèyènè - Ené Nègn Bay Manesh Mètch Ené Terf Fèlèghu
2
Seyoum Gèbrèyès And Wallias Band - Fèlèghu
3
Hirut Bèqèlé - Ewnètègna Feqer
4
Samuel Bèlay - Qèrèsh Endèwaza
5
Girma Bèyènè - Yebèqagnal
6
Mahmoud Ahmed - Lomiwen Tèqèbèlètch
7
Muluqèn Mèllèssè - Djémérégne
8
Kebrèt - Mètché Nèw
9
Gétatchèw Mèkurya - Gèdamay
Repress!
Killer Compilation selected from the classic Ethiopiques CD series.
"A few years ago the world discovered a unique sound coming from the distant Ethiopian capital Addis Abeba. The emotional blow was only matched by the brightness of this original and magnificent discovery. The Ethiopiques series directed by Francis Falcetto and edited by Buda Musique provides a comprehensive landscape of this subtle musical universe where local and western cultures do magnify each other. This new Ethiopian Urban Modern Music release follows the first Soul & Groove installment and keeps revealing some essential parts of the modern Ethiopian puzzle. An unequalled soul funk signature until today."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Killer Compilation selected from the classic Ethiopiques CD series.
"A few years ago the world discovered a unique sound coming from the distant Ethiopian capital Addis Abeba. The emotional blow was only matched by the brightness of this original and magnificent discovery. The Ethiopiques series directed by Francis Falcetto and edited by Buda Musique provides a comprehensive landscape of this subtle musical universe where local and western cultures do magnify each other. This new Ethiopian Urban Modern Music release follows the first Soul & Groove installment and keeps revealing some essential parts of the modern Ethiopian puzzle. An unequalled soul funk signature until today."
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Getachew Kassa - Tezeta Fast
2
Mulatu Astatke - Munaye
3
Teshome Meteku - Yezemed Yebaed
4
Abayneh Degene - Balendjere
5
Alemayehu Eshete - Temhert Bete
6
Menelik Wossenachew - Belew Bedubaye
7
Alemayehu Eshete - Alteleyeshegnem
8
Teshome Meteku - Mot Adeladlogn
9
Essatu T. And Seyfu Y. - Feqer Bequmena
10
Muluken Melesse - Enbayen Teregiw
Repress!
The follow up to the highly acclaimed reissue of the first volume Ethiopian Hit Parade. This 2nd volume features 'Ethiopian Hits' from 1972 to 1975. The track layout is Identical reissue to the original vinyl
"After releasing around fifty 45 rpm singles and his first 33 rpm album (Ethiopian Modern Instrumental Hits AELP 10, re-released by Heavenly Sweetness HS092VL), Amha Esthèté set about compiling his best 45s on a series of now legendary albums (the originals are impossible to find) in 1972. The first four volumes of Ethiopian Hit Parade were released in September and October 1972, with the fifth volume appearing in January 1973. You are the proud owner of Volume 2.
It is worth reminding ourselves that when Amha Esthèté set up his Amha Records label in 1968-69, it was in defiance of a state monopoly designed to regulate the imports and production of records by an imperial decree of July 1948. This extravagant state privilege had produced only 78s of traditional music , which though thrilling, excluded anything at all modern. To the best of our knowledge, only sixty-seven of these prehistoric discs were pressed in Great Britain between 1955 and 1961 and released by His Master’s Voice. They were supposed to be part of celebrations of Emperor Haile Selassie’s silver jubilee . . . even though 33s and 45s had existed since 1948 and 1949 respectively! Such incompetence and servility, combined with a rejection of an effervescent contemporary music scene, were symptomatic of the decadence surrounding the end of an era.
An audacious, funky outlaw, a music lover and an entrepreneur in tune with the baby-boomer generation, young Amha Esthèté (he was only twenty-four when he launched his label) will be remembered as the instigator of a peaceful revolution thick with soul and rock’n’roll.
After the acclaimed reissue of the first volume Ethiopian Hit Parade. Here is the second volume that include all the greatest Ethiopian Hits from 1972 to 1975. Identical reissue to the original vinyl which is extremely rare and expensive.
The opening track of the compilation is the song Tezeta Slow and Fast by GETACHEW KASSA were featured on the album Ethiopiques, Vol. 10: Ethiopian Blues & Ballads. and originally released on 1972. The other tracks on this second volume celebrate such pioneers of modern Ethiopian groove as Abayneh Degene, Tèshomè Meteku, Menelik Wossenachew Mulatu Astatqe and Muluken Melesse, alongside “tradi-modern” singers representing Amhara and Oromo culture, so rich and so long marginalized."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
The follow up to the highly acclaimed reissue of the first volume Ethiopian Hit Parade. This 2nd volume features 'Ethiopian Hits' from 1972 to 1975. The track layout is Identical reissue to the original vinyl
"After releasing around fifty 45 rpm singles and his first 33 rpm album (Ethiopian Modern Instrumental Hits AELP 10, re-released by Heavenly Sweetness HS092VL), Amha Esthèté set about compiling his best 45s on a series of now legendary albums (the originals are impossible to find) in 1972. The first four volumes of Ethiopian Hit Parade were released in September and October 1972, with the fifth volume appearing in January 1973. You are the proud owner of Volume 2.
It is worth reminding ourselves that when Amha Esthèté set up his Amha Records label in 1968-69, it was in defiance of a state monopoly designed to regulate the imports and production of records by an imperial decree of July 1948. This extravagant state privilege had produced only 78s of traditional music , which though thrilling, excluded anything at all modern. To the best of our knowledge, only sixty-seven of these prehistoric discs were pressed in Great Britain between 1955 and 1961 and released by His Master’s Voice. They were supposed to be part of celebrations of Emperor Haile Selassie’s silver jubilee . . . even though 33s and 45s had existed since 1948 and 1949 respectively! Such incompetence and servility, combined with a rejection of an effervescent contemporary music scene, were symptomatic of the decadence surrounding the end of an era.
An audacious, funky outlaw, a music lover and an entrepreneur in tune with the baby-boomer generation, young Amha Esthèté (he was only twenty-four when he launched his label) will be remembered as the instigator of a peaceful revolution thick with soul and rock’n’roll.
After the acclaimed reissue of the first volume Ethiopian Hit Parade. Here is the second volume that include all the greatest Ethiopian Hits from 1972 to 1975. Identical reissue to the original vinyl which is extremely rare and expensive.
The opening track of the compilation is the song Tezeta Slow and Fast by GETACHEW KASSA were featured on the album Ethiopiques, Vol. 10: Ethiopian Blues & Ballads. and originally released on 1972. The other tracks on this second volume celebrate such pioneers of modern Ethiopian groove as Abayneh Degene, Tèshomè Meteku, Menelik Wossenachew Mulatu Astatqe and Muluken Melesse, alongside “tradi-modern” singers representing Amhara and Oromo culture, so rich and so long marginalized."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Laurent Bardainne & Tigre D'Eau - Oh Yeah
2
Laurent Bardainne & Tigre D'Eau - La Vie, La Vie, La Vie
3
Laurent Bardainne & Tigre D'Eau - Hymne Au Soleil
4
Laurent Bardainne & Tigre D'Eau - Adieu My Lord
5
Laurent Bardainne & Tigre D'Eau - Destination Danger
6
Laurent Bardainne & Tigre D'Eau - Jou En Nou Rivé Feat. Célia Wa
7
Laurent Bardainne & Tigre D'Eau - Combly Family
8
Laurent Bardainne & Tigre D'Eau - Verte Gronouille
9
Laurent Bardainne & Tigre D'Eau - Kenya Sunrise
10
Laurent Bardainne & Tigre D'Eau - Sarang
11
Laurent Bardainne & Tigre D'Eau - Oiseau Feat. Bertrand Belin
Repress!
Gatefold Double LP Cut at 45RPM.
"French saxophonist Laurent Bardainne summons the spirit of astral jazz on a heavy-grooving new album, Hymne au Soleil.
A dreamlike, cinematic excursion to the outer reaches of the solar system and the inner workings of the soul, Laurent Bardainne returns to Heavenly Sweetness with his Tigre d’Eau Douce group for a second album of free-flowing, jazz-inflected groove.
Building on critically acclaimed 2020 album Love Is Everywhere, Hymne au Soleil sizzles with Arnaud Roulin’s Hammond organ licks, in-the-pocket bass work from Sylvain Daniel, and shuffling drum and percussion interplay from Philippe Gleizes and legendary Guadeloupean musician Roger Raspail, who has played with the likes of Kassav’, Cesaria Evora and Meshell Ndegeocello. Together they pin Bardainne’s soaring saxophone lines to the mast like a flag in the wind.
The 11-track album represents a consolidation of Bardainne’s vision as a consummate jazz saxophonist, having made his name collaborating with the likes of Pharrell Williams and Cassius, afrobeat legend Tony Allen and co-founding Tigersushi electro outfit Poni Hoax.
That eclectic experience comes to the fore on Hymne au Soleil, which is named after a piece by trailblazing French composer Lili Boulanger. Beginning with the lilting, late-night smoker ‘Oh Yeah’, which recalls the mellow funk of Khruangbin, the album rolls through a rich musical landscape, whether in the Motown-era soul breakdowns of ‘Adieu My Lord’ or the roaring, dance floor-ready ‘Hymne au Soleil’, that draw parallels with the high-octane sound of UK jazz outfit The Comet Is Coming.
Throughout, there is a full-blooded urgency to Bardainne’s writing that reflects his myriad influences. Look no further than the Pharoah Sanders-meets-Funkadelic freak-out ‘Destination Danger’ for evidence of his sensitivity to both the freedom of improvisation and the power of a solid hook.
Where Love Is Everywhere enlisted the vocal talents of Trinidadian label-mate Anthony Joseph, Hymne au Soleil features a beguiling collaboration with Paris-born, Guadeloupe-raised rising star Célia Wa on ‘Jou en Nou Rivé’, and French singer/guitarist Bertrand Belin on lush, nostalgic closer ‘Oiseau’. The album is further coloured by wistful choral refrains that drift in and out of view, providing a crepuscular soft-focus glow and dynamic counterpoint to Bardainne’s more ferocious sun-worship blowing.
Recorded at the iconic ICP Studios in Brussels in April 2021, Hymne au Soleil continues a prolific streak for the multi-faceted artist, whose collaboration with synth and sax master Etienne Jaumet was released as Bardainne Jaumet on Heavenly Sweetness in November 2021. It is set to further secure Bardainne’s place among the constellation of saxophonists charting a course into the cosmos. It remains to be seen just how far he will fly. "
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Gatefold Double LP Cut at 45RPM.
"French saxophonist Laurent Bardainne summons the spirit of astral jazz on a heavy-grooving new album, Hymne au Soleil.
A dreamlike, cinematic excursion to the outer reaches of the solar system and the inner workings of the soul, Laurent Bardainne returns to Heavenly Sweetness with his Tigre d’Eau Douce group for a second album of free-flowing, jazz-inflected groove.
Building on critically acclaimed 2020 album Love Is Everywhere, Hymne au Soleil sizzles with Arnaud Roulin’s Hammond organ licks, in-the-pocket bass work from Sylvain Daniel, and shuffling drum and percussion interplay from Philippe Gleizes and legendary Guadeloupean musician Roger Raspail, who has played with the likes of Kassav’, Cesaria Evora and Meshell Ndegeocello. Together they pin Bardainne’s soaring saxophone lines to the mast like a flag in the wind.
The 11-track album represents a consolidation of Bardainne’s vision as a consummate jazz saxophonist, having made his name collaborating with the likes of Pharrell Williams and Cassius, afrobeat legend Tony Allen and co-founding Tigersushi electro outfit Poni Hoax.
That eclectic experience comes to the fore on Hymne au Soleil, which is named after a piece by trailblazing French composer Lili Boulanger. Beginning with the lilting, late-night smoker ‘Oh Yeah’, which recalls the mellow funk of Khruangbin, the album rolls through a rich musical landscape, whether in the Motown-era soul breakdowns of ‘Adieu My Lord’ or the roaring, dance floor-ready ‘Hymne au Soleil’, that draw parallels with the high-octane sound of UK jazz outfit The Comet Is Coming.
Throughout, there is a full-blooded urgency to Bardainne’s writing that reflects his myriad influences. Look no further than the Pharoah Sanders-meets-Funkadelic freak-out ‘Destination Danger’ for evidence of his sensitivity to both the freedom of improvisation and the power of a solid hook.
Where Love Is Everywhere enlisted the vocal talents of Trinidadian label-mate Anthony Joseph, Hymne au Soleil features a beguiling collaboration with Paris-born, Guadeloupe-raised rising star Célia Wa on ‘Jou en Nou Rivé’, and French singer/guitarist Bertrand Belin on lush, nostalgic closer ‘Oiseau’. The album is further coloured by wistful choral refrains that drift in and out of view, providing a crepuscular soft-focus glow and dynamic counterpoint to Bardainne’s more ferocious sun-worship blowing.
Recorded at the iconic ICP Studios in Brussels in April 2021, Hymne au Soleil continues a prolific streak for the multi-faceted artist, whose collaboration with synth and sax master Etienne Jaumet was released as Bardainne Jaumet on Heavenly Sweetness in November 2021. It is set to further secure Bardainne’s place among the constellation of saxophonists charting a course into the cosmos. It remains to be seen just how far he will fly. "
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