atomTM’s new four tracker »nacht« contains some highlights as well as some unreleased titles from the »neuer mensch« album. both »nacht« and »geometrische einheit« are previously unreleased compositions, while »sprechender raum« and »selbst« appear on the previously mentioned album, yet are presented as alternative versions here. the EP’s track selection was made having the emerging meta-techno dancefloor in mind and will be available as 12 inch vinyl through kompakt distribution or digitally via raster. More

the continuously edited, autonomous piece of code as which atomTM defines itself enters the hot state of flow. »neuer mensch« (»new human«) is the relentless, visceral expression of metamorphosis. a projection of the metahuman horizon, an exercise in shedding the exoskeleton. dead tissue is being torn off in radical body movements. dead ideas are crushed by feet, dancing the dance of brutal elegance. somatic exorcism via hyper realistic surfaces of binary noise. physicality. unseen geometries dressed in the most basic of rhythmic patterns - simple structures of hidden symmetries. the false promise of linear progress as it shatters, hitting the barrier of sound. familiar vocal fragments speak to us in foreign tongues, languages still to be invented. indecipherable messages from another species - future faux amis. the seductive spell of artificiality and its inherent promise of tomorrow’s bliss. a soundtrack for all of you hi-tech vagabonds, you godless drifters, deprived of past and present. [text generated by x1n] More

Uwe Schmidt has long been recognized as one of electronic music’s most respected and versatile artists. A man of many talents, projects and identities including Atom Heart and Señor Coconut, Uwe’s playfully ironic and acid- tinged Atom™ moniker is perhaps the identity that most speaks to the New York dancefloors where The Bunker makes its home. Several Atom™ releases are much-loved Bunker classics and with the Future Nights 12” Uwe offers a heady experiment in what happens when a track takes you so far inside your own head that you’re in danger of losing your way back. The A side is comprised of two fuzzy vocal techno tracks that are as fun to listen to as they will be to subject to some heavy tweaking in the hands of a capable DJ. The B side, “Chemistry” is particularly versatile and crazy-making with elements of darker techno stirred into a disorientingly stereophonic maelstrom that’s guaranteed to cause a dancefloor to lose its moorings until the only thing keeping reality from splintering is the track’s dry academic vocal reassuring us that it’s all just chemistry. More

Raster presents »Il Quadro di Troisi« a project by Andrea Noce (Eva Geist) and Donato Scaramuzzi (Donato Dozzy). The record is a colorful ode of an Italian scented vision, overflowing of details and profound intensity. The contemporary world condition, the pandemic in Italy and around the world define »Il Quadro di Troisi« as a unique and right-on-time release. This record is a enigmatic collaboration between the two Italian natives Andrea Noce and Donato Scaramuzzi. Andrea Noce takes lead on the vocals, with Donato Scaramuzzi carving the dreamlike soundscapes of the record. The record was born with a correspondence between the two artists about the late actor and director Massimo Troisi, and this exchange soon became an inspirational source of identification. Andrea Noce’s lyrics are sensitive and multi-faceted, they perfectly cling to the musical phrases and flow like a filmic monologue from the oeuvre of that very Troisi. In a highly creative and confident manner, entire decades of national music history are comprehended and transformed into the here and now. The record takes its cue from the Italo-Disco, Synth Pop tradition corroborated by the contribution of artists such as the legendary Twilight Music co-founder, Pietro Micioni. With »Il Quadro di Troisi«, Noce and Scaramuzzi prove their eclecticism, and passion for their home country. »Il Quadro di Troisi« is a collaboration between Raster and the Milan-based festival Terraforma. With this release, the first with a purely Italian topic at its center, Raster celebrates its long standing relation with Italy and the Italian audience, encapsulated in the label’s project ‘Electric Campfire’ held in Rome for ten years. Terraforma is an international experimental and sustainable music festival taking place since 2014 in the park of Villa Arconati, where Dozzy has been invited at every edition in different forms, DJing, live performing both in solo and with Voices From The Lake (together with Neel). More

the penultimate issue of raster-noton's unun series features »gomila park«, a new project by the two swedish musicians martin rössel and carl michael von hausswolff that started in spring 2013 in palma de mallorca. on their first ep released as a duo, they present three rather unconventional and diverse tracks. »leibniz«, for example, is characterized by a heavy rock attitude with lots of distortion and screaming guitar riffs. the b-side on the other hand, including the tracks »calculus« and »ramon llull«, is the more experimental part. considering only the track titles, »gomila park« is a homage to two of the first mathe- maticians and philosophers that helped developing the binary system and, generally speaking, the digital world. but despite all that, »gomila park« is also a matured piece of work that was held in trust for at least two years. it's once more an inspection of a fundamental possibility of music, a reference to the past. similar to mika vainio's »vandal« ep, »gomila park« echoes the tradition of rock (music) and is thus the counterpart of a younger, historically unbur- dened generation of producers like ueno masaaki or kyoka More

after successful ep collapsed (r-n116) the bristol based project strikes back with a full length album on raster-noton. once more james ginzburg & paul purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. recur is presented as emptyset's third studio album, continuing on from their work with demiurge the material examines the central themes of time, structure and recursion, through the analysis of scale and the interaction of both formal and fractured sonics. the album furthers the project's exploration of rhythm, dislocation and feedback within the framework of full frequency sound, structural abstraction and analogue processing. the work examines how notions of time interact with both experience and form, and the resulting modes through which this affects sound through compression and rarefaction and the forcing of signal thresholds to their critical point. More

after successful ep collapsed (r-n116) the bristol based project strikes back with a full length album on raster-noton. once more james ginzburg & paul purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound. recur is presented as emptyset's third studio album, continuing on from their work with demiurge the material examines the central themes of time, structure and recursion, through the analysis of scale and the interaction of both formal and fractured sonics. the album furthers the project's exploration of rhythm, dislocation and feedback within the framework of full frequency sound, structural abstraction and analogue processing. the work examines how notions of time interact with both experience and form, and the resulting modes through which this affects sound through compression and rarefaction and the forcing of signal thresholds to their critical point. More

SUPER.TRIGGER is an absolute trove of percussive tensions and frequency driven finesse and deals mainly with the basic principles of any modern music: rhythm. frank bretschneider takes his, never simple, but all the more heartfelt relationship to rhythm and its complexity, to an intense inventory and, this time, works less out of suspenseful abstract sounds, than out of grooves. there is a real sense of perpetual evolution and coiled tightness to the pulsating rhythmic programming, while the subtle sheets of noise that fill the void behind the beats compete against the rhythm and their own sonic purity for a higher state of energy — a constant flux of tension and release. SUPER.TRIGGER comes again in bretschneider's signature style of ultra-clean bleeps and bouncing machine beats with terseness and precision, and a preference for high-voltage sounds halfway between noise and tone. the combination of programming, composition and construction is connected with his very idiosyncratic aesthetic of digital sound: controlled and objective. the whole follows simple mechanical states — on/off, up/down, soft/hard, slow/fast, loud/quiet — and is characterized by the absence of any romanticism. still this return to the elementary, the fundamental, does not diminish the music to dance-floor functionality, instead bretschneider always stays emphatically musical and manages to generate sophisticated and complex rhythm-structures, which respectively induce minimal deviations in frequency and timing relationships to generate a surplus of funk. in all, SUPER.TRIGGER is bretschneider's most straightforward, clear and compact work yet. frank bretschneider works as a musician and composer in berlin. since 1996 he has published a number of albums for raster-noton, such as RHYTHM (r-n082) & EXP (r-n108). SUPER.TRIGGER is essentially a collection of various studio improvisations and was created between 2012 and 2013. More

AOKI takamasa continues his long- term project that focuses on the modulation of rhythms and grooves. More

Aoki Takamasa continues his long- term project that focuses on the modulation of rhythms and grooves More

a further exploration of his approach to rhythm-driven, electronic music. More

Eight new songs which allow the listener to dive into delay's cosmos of deep and likewise organic sounds. More

With »and IV (inertia)«, Grischa Lichtenberger presents his first full length record on raster-noton. More

Vladislav Delay's EP "espoo" features two new conceptual, rhythm-intense tracks. Whereas the groove of the opener "olari" derives from a sound loop which is manipulated by filters and echoes and finally brings forth the intensifying beat, the reverse is done with "kolari" on the B-side. Starting from an impulsive, staccato beat, a sound carpet is woven by means of modifiers which gradually shape a permanent vacation-like melody, close to terry riley's minimalistic concepts. Both tracks share a linear increase in density, and because of their break with the common four-four time, they create a certain folkloric atmosphere. Like with "vantaa", the experienced music producer Vladislav Delay continues his search for dance-floor compatible, yet unique and fresh music. More

With "dazed", senking continues his exploration of the abysses of sound to create dark and gloomy atmospheres. More

"Winterreise" is the audio soundtrack to a series of photographies with the same name produced by AtomTM. More

Byetone's music tries to create associations without really fulfilling the expectations. More