Since completing his two-decade-long hip-hop trilogy as Dabrye in 2018, Ann Arbor-based artist and Bopside label head Tadd Mullinix has engaged his arsenal of aliases with renewed heat. First came the debut of X-Altera, a new project flexing a wildstyle hybrid of drum & bass and deep techno. Now, he returns to James T. Cotton, a moniker which dates back as far as Dabrye and helped define Spectral Sound, the dance imprint of Ghostly International. While historically tagged as Mullinix’s acid house alias, JTC has always expressed with a more pliable sense of genre, freely fusing an eclectic blend of classic electronic sounds; helpings of Chicago acid, Belgian New Beat, and the leftfield techno stylings popularized both in Berlin and Detroit. With Indigo, Flesh and Fire, Mullinix moves closer to the latter city, adopting a bright, optimistic tone informed by minimalism and futurism. The EP is packed, but still playfully ambiguous; a club-ready set built to max out mixing boards with spacious and nuanced melodies and motorized percussion. Five tracks, each with roughly five-minute run-times, offering all but a few breaths in a quest for highly operative dancefloor hypnosis. The record wastes little time locking in; on the first track, “Innerloire Rendezvous,” a dense square kick plows through a brisk four-on-the-floor routine phasing over harmonious synth stacks of rubbery fifths and sevenths. The title track splatters a lenticular static spray between thumping kick, billowy melodic swells, and staticky clicks, snaps, and claps.

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A group discovers a community of outsiders engaged in a ritual that invokes an inexplicable celestial event.
Mastered by Beau Thomas at Teneightseven.


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Following hot on the heels of Tadd Mullinix’s ‘Skein’ - Bopside’s second album release for 2016 comes from label owner Tadd Mullinix’s dancefloor destroying nom de plume who needs little introduction: JTC An 8 track concise body of work perfectly calibrated for DJ use and home listening alike, where the beats hit hard and the melodies linger in your brain. The self-titled LP starts with ‘Caskadia’ - a call to arms for dancers with call and response synth lines and broken beats. ‘Atmospheres Pt.2’ takes things out into deep space, and ‘Nexus Ship Core’ is an acid drenched burner with glacial synths. ‘Infoline’ then makes it’s first appearance in a remixed guise by Rephlex alumni Ed DMX, then closing out the album with its recognisable lead line in its original form. Things take a deeper turn with ’Dusselmorph’ before the full on breakbeat assault of ‘Blitz Puff (High Position Mix) takes things up a gear, then dropping you off safe and sound, though a little shaken with ‘Atmospheres pt.5 (Hemi Mix).

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Not content with a rich and flawless back catalogue of releases under a plethora of monikers such as Dabrye, JTC and Charles Manier spanning multiple genres on a wide variety of labels such as Ghostly International, Rephlex amongst many others, and a career spanning 15 years, 2014 seemed like the right time to make plans to create an imprint with the aim of releasing the the rich flood of music that flows forth from Tadd Mullinix’s Ann Arbor studio. Those plans have come to fruition and the first release this year is a 3 track 12” from JTC.

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A limited edition release from JTC (2AM/FM) of Jakbeat / Experimental Acid - uncompromisingly adventurous and unequivocally Nation. TIP! The Label Say: The 2nd album to be unveiled from Nation is called "Creep Acid" from JTC who's recorded with Spectral, M>O>S, Relief, Creme presents this very special Full Length Production. He was driven by thoughts about the lifespan of many things. Creep Acid carries the resonance of future past

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Following on from the JTC 12" earlier in the year. Hoya:Hoya return with a 3 track EP from Altered Natives The A Side is an completely unapologetic club banger which was swiftly signed after seeing the reaction to it when Danny Native opened his set with it at the club. The B side offers 2 slightly more experimental, yet still hard hitting tracks.




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