Tracklisting:
A1 Nocow feat. Fama87 - Memory
A2 Nocow - Ko Mne
A3 Nocow - Soon
A4 Nocow feat. Shutta - Taina
B1 Nocow feat. Fama87 - Ogni
B2 Nocow - Blizhe
B3 Nocow - Ne dognat'
B4 Nocow feat. Kedr Livanskiy - Dengi Ne Sgorayut
C1 Nocow - Circle
C2 Nocow - Need U
C3 Nocow feat. Fama87 - Temno
C4 Nocow feat. Flaty - Naiti
D1 Nocow feat. Shutta - Anymore
D2 Nocow feat. Flaty - Pozovi
D3 Nocow - Diver
D4 Nocow - Flow
D5 Nocow feat. Flaty - Breath

Sales Note
First rising to global acclaim in the latter half of the dubstep era with 'Ruins Tape', veteran St. Petersburg producer Nocow has fluidly moved across styles in the years since. Moving in a new direction from 2017s 'Ledyanoy Album', which saw the producer channel 90s ambient techno/IDM for GOST ZVUK, these 17 new tracks, and collaborations for the label instead hone in on a vocal-heavy type of ghostly R&B. As an album, Odinocow carries hints of trance, house and polished electronica ('Blizhe') as well as raw broken beat hybrids ('Dengi Ne Sgorayut'), though the primary unifying factor is the voice.

The heavy use of autotune, downtempo arrangements and wistful, machine-distorted human emotion are referenced in the album's title, which translates roughly to lonely Nocow. Whilst past albums have oscillated between steady dance structures and more wildly experimental arrangements, there is a recurring theme of simplicity at play here. Nocow aims to craft memorable songs by harmonising over contrasting ambient soundscapes, from glacial to warm, through to trap/rnb and 4x4 dance-pop.

With such an emphasis on exploring his voice and his songwriting craft, Nocow injects a new level of soul and integrity to his already well-established productions. Odinocow is a departure from his past work in some ways, though is also an example of a musician striving to reflect their truest vision of the self. "By finding yourself, you become able to love yourself, and, as a result, the world. So the album is really about love." More

After his latest ‘Youth EP’ that experimented with spacious vocal chops and whimsical soundscapes, Nocow returns with a relentless flurry of blows on the heavily computerized ‘Magnit EP’ released on npm. Featuring gloriously broken melodies and hard-hitting rhythm, Nocow explores the darker, more formulaic side to his sound. Brooding acid-infused synths shimmer across the four tracks, morphing between moods as the EP progresses. ‘Magnit S’ kicks off the EP with scattered bass hits, driving dark techno arpeggios, and a hint of footwork-esque percussion. The intense atmosphere is a relatively new direction for Nocow, straying from his more meticulous, introverted beats prior. ‘Kali’ incorporates warbled synth with a more subdued rhythm, playing with a modular sound and distant echoes of robotic vocals. This fragmented track is more akin to his 2018 sound of the Voda/Vozduh/Zemlya trilogy as the kinetics of sound play a strongly defined role in the overall sonics. ‘Sputnik’ commences with a blistering arpeggio of bit-crushed synth and chimes. The rocket-propelled pacing creates a frantic, yet ultimately controlled piece, worthy of a place in a club 300 years from now. Yet, after the frenzy comes the calm. The closing track ‘Extasy’ grinds the EP to a kaleidoscopic halt. Vocoder passages drift across the dense soundscape as Nocow transports you to an other-world, filled with spacey percussion. This closer is a well-deserved return to solid ground, following the perpetual trio of dark, yet utterly compelling techno pieces. Once again, Nocow exhibits his multi-faceted approach to electronic music that truly sets him apart.

All tracks written and produced by Nocow Mastering by Alain Paul, Berlin Layout by Nico Nydegger Pressed at Neophon, p-tön01 ©npm2022 More

Aleksei Nikitin, whose first release kindled the GOST ZVUK history (and whose brilliantly sparkish "Ledyanoy Album" was issued on the label a couple of years ago), goes back to Ground Zero after his trilogy on Figure and REKIDS' "Atoner" LP. All four tracks of the eighth GOST INSTRUMENT's vinyl present a rather way-out approach, surprisingly uncommon for Aleksei's form style. But this seemed minimalism tends to be valid only at first glance. Starting from plain rhythm, "Elektromechanika's" further groove is drifting on lots of tousled synths. "Far Voices", an exercise in interweaving of echoes and voice samples, ends right at the moment when you expect track's next iteration. The B-side is not without surprises too: the acid beat of "Oasis" rises almost suddenly after drone-alike "Monothone". Summarizing all the above, getting into this record is not only the extremely clear case, but you should also try to play it from random track, or even in "B2-A1" order. More

Russian producer Nocow returns to Rekids with an enthralling full-length album entitled ‘Atoner’ this November. Real name Aleksei Nikitin, Nocow is known for his versatility, producing a large body of genre spanning work on labels like Clone Royal Oak, Figure, Fauxpas Musik, Gost Zvuk and Styrax. The St. Petersburg-based producer debuted on Rekids last year with his ‘Samaya Dolgaya Noch’ EP, a mellow release complete with vocal driven cuts as well as 2-step rhythms, and now returns with a myriad of productions in a fourteen track album entitled ‘Atoner’. More

Russian producer Nocow debuts on Rekids with five murky tracks this December. Based in St. Petersburg, Nocow is undoubtedly one of Russian electronic music's most remarkable protagonists having released on Clone, Figure, Fauxpas Musik, Gost Zvuk and Styrax. Recognised for maintaining consistency whilst traversing various sub-genres, Nocow is as comfortable producing intricate IDM and robust techno as he is calm ambient and melancholic electronica. In 'Soul Connection' a spoken word vocal mutters over metallic percussion and ominous stabs whilst a dense pad washes over everything. An undulating synth and ethereal effects make up 'Disappear' before moving onto syncopated drums and shadowy atmospherics in 'Samaya Dolgaya Noch'. Next up, 'Stop' is comprised of mesmerising melodies, sturdy kicks and a looped vox until Nocow concludes the package with a short 2-step cut titled 'Aesthetic Mind'. More

Bare naked, intense and soulful techno with a housey edge by Nocow. The Clone Royal Oak series started with a black label, and we celebrate release 30 with a limited black label release from this raw talent hailing from St Petersburg. Nocow is crossing borders between house, techno, modern electronica and bass. His productions are versatile and fresh and have a intuitive, seductive feel which pulls you into his fantasy world of forward thinking, futuristic dance music. Royal Oak is offering you a little escape to planet Nocow with this selection of 4 tracks.

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Ultra raw analoque and soulful Detroit techno tracks from an old Warp head now operating under his new Raza alias. Essential! More

**Clear Vinyl** Styrax mix classic House and Techno from Mono Junk and Pub with new gear from Ryo Murakami and CBC. It seems Mono Junk's
seminal 'Channel B' has been reissued a few times now but we're not complaining as the more dancefloors who hear it, the better! It appears
on the A-side here next to the effervescent electronica of CBC's 'Promised Land', while B-side features the tingling, delayed gratification of Pub's 'Lick' from 2000 and a svelte, beatdown Dub House number from Ryo Murakami.
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**Clear Vinyl** Styrax balance Ross 154 and Claro Intellecto's classic House and Techno with up-to-date offerings from Damon Lamar and Lowtec.
Classic is definitely an over-used phrase these days but there's no better word to describe Ross 154's heart-melting 'Daze', which last appeared on the CD of his 'Strike' album, and equally Claro Intellecto's magical 'Signifier' taken from the legendary 'Peace Of Mind EP'. Similarly timeless, the deep house groove of 'Rising Sun' from Tetrode music's Damon Lasar, and the discreet vibes of Lowtec's 'Dat America' taken from his 1999 EP on Playhouse.
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**Clear Vinyl** Hot on the heels of his lovely 12" for MOM, Synkro serves three tracks of lush ambient Techno electronics for Styrax. 'Presence' suffuses the A-side with a blissed-out 4/4 roller buoyed by convective Reese bass and kissed by convective, effervescent atmospheres to sooth yer bonce. Flipside, the beatless 'Question' appears shades away from the 4th world cyber-jungle ambience of the recent Oneohtrix Point Never album, swooning to the sounds of simulated fauna and beautiful, widescreen synth pads. 'Memory' completes the set with with a tantalising 2-step reduction, all flickering, mercurial syncopation and plangent keys reminding of John Beltran. More

John Beltran was responsible for some of the greatest ambient techno records of the 1990s, and despite falling into near-obscurity for much of the 00s, his place in the canon has recently been secured thanks to reissues on Styrax and Millions of Moments. Here and now, 3 new ambient electronica tracks from John Beltran. Beautifully produced, generously melodic work of one of techno's unsung heroes. More

Two Classic Detroit / Techno tracks from Kenny Larkin & G-Man. With new mastering in 2011. More

Tracklist STRX 09 (2x12inch Vinyl): A1: Sven Weisemann - Deep Passion (Sven's Repassion Mix)
A2: Morphosis - They Just Don't Care
B1: Lowtec - Stamping Ground
B2: STL - Laio
C1: John Daly - Birds
C2: Derek Carr - 25th
D1: John Beltran - Rainy Day Savior
D2: Sam McQueen - Simple Pleasures

Tracklist Special 1 (2x12inch Vinyl)

A: Ron Trent - Piano Track
B1: Larry Heard - Dolphin Dream
B2: Herbert - Fat King Fire
C: Isolée - Raum Zwei
D1: Reggie Dokes - Black Thoughts (The Tribal Mix)
D2: DJ Qu - Be Who You (Main Mix)

Styrax Records presents the last part from the serie "In Loving Memory". The release come with an artwork of James Marsh, former best known for collaborating with the seminal '80's band TALK TALK, producing all their iconic album covers. The folder is used for the acceptance of all "In Loving Memory" parts 1-4. As bonus the Special 1 (2x12inch vinyl) with rare and classic tracks from Ron Trent, Larry Heard, Herbert, Isolée, Reggie Dokes and DJ Qu.

Note: There will be a limited box later in 2011 with all parts same(1-4), the same label-artworks, vinyl colours and more specials.
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Dubby deep doublepack for maximum melancholic space pleasure by the man with the big tattoos. Beautiful. More

A classic is announced ! JS (James Zeiter) tracks (JS-04 was never released) from 1997/98 in new and unreleased reworks.
Great minimalistic TechHouse and straight ahead moving clubtracks w/ long build up and serious "BC" feel.
Played by Sven Väth, Laurent Garnier, Margaret Dygas, Savas Pascalidis, Dorian Paic. More

Incredible techno record, Quo Vadis, El Jem and Sparticus was made in 1994/95, and released in 95/96.
You can feel the influences of classic Maurizio and DBX here. Already one half of LFO, Gez Varley definitely proves with this record that he can be a genius... Ltd Backstock More

Totally killer 2nd Part of a breathtaking neo Detroit classic! From the legendary album “Earth & Nightfall”, released on both Sinewave and R&S this really is a lost classic and another pristine release from the increasingly on-the-money Styrax imprint.
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BACK IN!! Official 2006 3-track release of breathtaking ultimative detroit classic! From the lengdary Album "Earth & Nightfall"! A 1990s "intelligent techno" blueprint - TIP! More

Killer re-issue of Basic Channel influenced chords and deep driven techno style production by Kim Rapatti (Mono Junk) from his Trope period. This is a must for all Basic Channel afficianados!
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