The House Reverends are a trinity of musicians in their own right combining talents through a love of vintage electronics, analogue tape, and downtuned RnB. They glide through London's club scene bringing a blend of fluid funk driven by their robotic drum machine. This EP is a three-stage journey into the hearts and souls of our shadowy heroes.It's a story of LOVE. DRIVETIME The first tune is a slow motion seduction. A musical massage. It's a high-grade slow dance that works from dinner til dawn. GIRL, I KNOW One for the body poppers. A tense number expressing the addictive pain of lust. Vocoder voices straining with desire as the fever grows. CURIOUS LADY A dream-like climax. Gaze across the galaxy in awe and surrender to the state of psychedelic ecstasy this song so easily conjures. Look out for the 'Drivetime' video coming soon....



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The music of Archie Pelago (the trio of Hirshi, Kroba and Cosmo D) suggests many reference points that are beyond the usual boyed-up remit, straying into musical territory inhabited by seriously gifted live instrumentalists. This, however, would be of no particular note to us if it wasn't channeled through a love for a contemporary bass-driven electronic music. The trio hail from Brooklyn, NYC and bring a strong heritage of their hometown to their music, referencing the deep jazz of classic recordings by John Coltrane, abstract dance forms of Arthur Russell and the unfettered experimentation of Moondog. This is accompanied by a deep appreciation of the evolution of the UK's dubstep sound. Archie Pelago know all the classic early material and have honed in on the best creative potential that sound had to offer. They accomplish this synthesis as both a live and production unit. Meticulous, adventurous arrangement concepts flow and challenge the listener equally, meeting a healthy degree of on-the-fly processing and live improvisation that might threaten to undermine the balance if it weren't so damn NATURAL. 'Subway Gothic' became a fast favourite with us. The opening piano chords drip with pretty melancholy while the rhythm and bass propel the track forward. The vulnerable vocals, string sweeps and soulful sax enhance the mood to the point of exquisite joy. Soon after, the composition drops way down to rise and surprise again in a mid-section constructed from shadows, jolts, scrapes and odd shapes. The sudden re-appearance of our heroic piano heralds a resolution. Based on a repeated rhodes-loop, 'Ladymarkers' features some frankly delightful fingered-bass, flute, sax and cello over a beat that has an Afrobeat undercurrent. These instruments are treated to sublime fx and processing, adding psychedelic swells. A key change half-way through pivots the mood towards inquiry, self-examining the song?s melodic and modal possibilities. We don?t feel we need say more... other than those in a position to recognize WILL RECOGNIZE. Archie Pelago are on the next level. Look out for Archie performing Live in Europe this year.


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Well Rounded’s unrestricted by genre label present to you 3 hype Juke vibed bangers from Atlanta's DISTAL. On 'Stuck Up Money' he hooks up with one of Juke's leading talents DJ RASHAD. Dirty South battles Chicago Juke and everyone comes out a winner. Drawled vocals against frenetic footwerkin beats makes for a fresh combination. On 'Behold The Jungle' a massive musical quotation is submerged by a swarm of angry hoovers whereupon all manner of musical madness kicks off!! 'Short & Sweet' cuts up the breaks over a rollercoaster of sub bass. Belgian Techno stabs contribute to the mayhem. Support from Brackles, Deadboy, Spatial, Graphics, Gongon, Ramadanman, Martyn, Surgeon, Zoltan, Sines, Hudson Mohawke, Lowriders, Wheez-ie, Octapush....

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