Tracklisting:
A1 Trevino - Anxious Dub
A2 Trevino - Gateway
B1 Trevino - Dance Decay
B2 Trevino - Moodswing
B3 Trevino - Arctic
C1 Trevino - Pitch Dark
C2 Trevino - No Response
D1 Trevino - Eve
D2 Trevino - The End

Sales Note
In May 2016, Trevino a.k.a. Marcus Intalex released his acclaimed debut album, 'Front', on his own Birdie label. Almost exactly seven years on, the follow up album 'Back' will be released posthumously, marking the final Trevino album. The release date is scheduled for the 26th May to mark the six year anniversary of Marcus passing (28th May 2017).

Although most of the tracks for 'Back' were made during Marcus' time in Berlin, he moved back to Manchester in early 2017 to make the most of his home studio. The Trevino moniker was an output for Marcus to return to his love of house and techno, inspired by his experience of working in record shops from a young age where he would be receiving records spanning across Chicago house and Detroit techno - most notably referencing the Belleville Three as a key influence.

The producer, named after his favourite golfer Lee Trevino, has loosely based the two-part album project on the 'Front' nine and 'Back' nine holes in the sport. This theme runs throughout, with the artwork based on the plans for Hillside golf course.

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Following the release of his debut album as Trevino earlier this year, Marcus ‘Intalex’ Kaye marks his first notch on the Hotflush bedpost with a plucky four-track EP, wearing all the stripes that an artist of his experience and versatility has earned. Kaye’s four-to-the-floor productions as Trevino have always possessed a latent sheen from the dynamic world of drum and bass where he first made his name. Here it’s evident in the impeccably balanced mix of lead track, ‘Slide Away’, where forlorn melody is driven as much by bass as it is by liquid chords. The tempo is upped on ‘Mosaic’ - a techno record that follows an uplifting path - and on Desecrate it’s in fifth gear with a bass line that rolls and grows and bangs and rolls. The high-speed, echo chamber dub of ‘Jungle Love' rounds off an EP of notable range.

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Every label has a "release of doom"; a 12" that was an incredible pain in the ass to put together and where everything imaginable
went wrong. Well this new Trevino record was it! I won't go into details but this EP is too good to let bad karma prevail. "Gone" has
been a staple in my sets ever since I first heard it and "Regnie" is possibly one of the best nighttime highway driving tracks (try it!).
Trevino, is he the best golfer in techno, or the most innovative techno producer on the golf circuit? Fact is, I'm so happy this record
finally sees the light of day and would be even happier if you'd be into it too.

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Repress!

Welcome to “Through Lines”, a collection of hand picked tracks by genre nomad and bass innovator Martyn, made between 2005 and 2015, carefully recovered and remastered for vinyl and digital release on 3024. Previously only available on 12” across a scattering of different labels, this set includes essential ‘Martyn Music’ (as the producer likes to classify it); tracks like “Vancouver” (A 140 staple to this day), “Mega Drive Generation” and his classic remix of TRG’s “Broken Heart”, as well as deeper cuts like the rare “Friedrichstrasse” and house gem “For Lost Relatives”.

This is not just a compilation of remastered music, it’s a document of an era of UK inspired dance music where ideas, genres, tempos and scenes seemed to rapidly merge and splinter off. An exciting time where producers constantly tried to one-up each other with new ideas and influences, in a vibrant international scene of small club nights from FWD>> and DMZ in London to Red Zone (co-run by Martyn) in the periphery, the earliest online forums like Dubstepforum and radio shows like Dj Flight’s BBC 1xtra show and Mary Anne Hobbs’ Breezeblock. Innovation in music never happens in a vacuum and is always a product of community, producers, writers, and other makers continuously inspiring and pushing each other to come up with the next thing. This ethos is present in all of Martyn’s music throughout the years, but also in his work with Jeroen Erosie as 3024 and within the 3024 Mentoring Program he runs today.

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London-based producer Otik releases his first album 'Cosmosis' on Martyn's label 3024. The 11-track LP signifies the fourth album on the imprint across its ten-year tenure, showcasing a more introspective side to Otik's musical output.

The album leans into delicate melodies, hazy atmospheres and lush analogue sounds, often evoking blissed-out feels and ripples of brilliant colour. Produced three years ago during lockdown, 'Cosmosis' comes after a period of spiritual struggles, where Otik questioned his faith, religious beliefs, and the concepts of right and wrong. While the pandemic allowed ample time for reflection, Otik translated these thoughts into music from his Peckham-based studio, later finding a home on 3024's evolving discography.

Following Otik's EP 'Soulo' in 2021, 'Cosmosis' marks the second release from the Bristol-born DJ and producer on 3024. This time, his sound stems from a broader palette, touching on slower, aerated ambient notes through to rugged D'n'B, displaying the far-reaching breadth, vision and maturity of Otik's aesthetic.

Keen to release a body of work that explores the journey of enlightenment and the struggles to get there, Otik drew inspiration from the luminary filmmaker Terrence Malick and how Malick portrayed ideas and philosophies in films like The Tree of Life and Voyage of Time. As a result, the record conveys a compelling narrative of rebirth, told through exquisite sound design and a push-pull pace that oscillates across the album.

The lead single 'Cosmosis' binds astral breakbeats with a star-lined melody stitched against a spacious backdrop. Sparse, celestial vocals punctuate the soundscape and add a spiritual feel, culminating in a dazzling trip at just over five minutes.

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Repress!
Label owner Martyn teams up with fellow bpm- and genre-nomad Om Unit for four switch stance dance numbers.

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Repress!
Melbourne producer Pugilist hitting hard with a four track EP for these dark days.. As you may be used to by now on 3024, the artist showcases his wide ranging pallette of styles and flavors, and "Blue Planet" is no different. The title track is a slinky UKG informed dub roller reminiscent of early Shed. Acid Flange is a menacing 8am (or later) track for the deeper dancefloor or headphones. Pugilist's collab with Tamen is on a uplifting dnb tip and as a digi only extra we have "Quick Fix", a slinky Detroit electro piece.

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Washington DC's very own Djoser steps up for 3024 with a solid EP of electronic bass mutations for the body and the soul

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Yak returns to 3024 for a widely varied EP of his signature percussive flavors. Kicking off the EP is the neo UKG flex of "Dire Hit", with its frantic drum programming and hypnotic themes. "Esper" is Yak in a 165bpm workout, and do not underestimate the spacey beauty of "Knothole", reminiscent of some of the 90s best Warp IDM. Tip!

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After a stunning debut EP on Whities, Italian-born London resident Anunaku (aka TSVI) continues his quest for international drum domination with "Stargate": Three percussive workouts that are both contemporary and body moving, exploring different parts of the drum spectrum.

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After years of releasing other artists on the label, Martyn returns to 3024 himself with two brand new tracks. Properly reflecting the music he has been DJ'ing out recently, these are two high energy drum workouts that can go straight in the bag. One Eye is an electro based melodic builder, while Nerve Centers is heavily inspired by a more international Drum sound, forwarded by producers such as Noire, NKC, Ahadadream, Principe crew etc.

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3024 returns for another action packed V.A. EP with tracks from label head Martyn, UK Hard Drum master NKC, Washington DC local Djoser and an unreleased gem from Jacques Greene!



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3024 is back with another fully loaded release bringing together an unlikely band of artists into a surprisingly coherent Various Artists EP. Label owner Martyn kicks off the show with the twisted UKG reese bass roller "Frozen Bread Snaps", followed by a nifty dnb workout by Sin, Gremlinz & Jesta called "Door of Guf". The flip features UK "hard drum" master Noire with the headzy "Ballas" and last but certainly not least there's the sonic bliss of "Dusty Glass Bubbles" by the inimitable Parris. Enjoy!

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Yak presents his first solo EP on the 3024 imprint! Three intricate percussive excursions showcasing this man's amazing talent. Rhodes Island is a vibey drum 'n bass number with dazzling edits and beat trickery, reminding us of the legacies of Nucleus and Paradox while still sounding extremely 2018. Don Greno is a more garage influenced roller that has been doing the rounds as a dub on Rinse. Ocean Floor is a sluggish, dubbed out drum groove perfect for those late night early morning vibrations.

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3024 is back with a quintessentially unique and current take on the hardcore continuum with a brand new Various Artists EP featuring music by label head Martyn, advanced percussive science by Yak, midsummer melancholy by Baltra and avant-techno by the Manchester/Berlin duo Juniper.

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After two big EP's, DJ/producer powerhouses Steffi and Martyn team up once again for their debut LP on 3024! Punchy, straight forward house and techno with a broken twist and beautiful layers of melodies and sound, dedicated to those who feel..

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After two big EP's, DJ/producer powerhouses Steffi and Martyn team up once again for their debut LP on 3024! Punchy, straight forward house and techno with a broken twist and beautiful layers of melodies and sound, dedicated to those who feel..

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The second chapter of this young Danish talent's Spectrums, with more post-bass techno hybrids, and inspired by the early 90s sounds of Belgian labels like R&S and Buzz.

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Dutch power duo Doms & Deykers a.k.a Steffi and Martyn step up to the plate with a brand new action packed offering. Following up their "Fonts for the People EP" and their track "Whirling" on Ostgut Ton's Zehn LP, the two take their continuous collaboration to a new level. The three tracks on "Dedicated to those who feel" see Steffi and Martyn recognizing their respective strengths, combining their 90s heritage with a vision of the future, modern techno soul with all its flaws and bright euphoric moments. "Dedicated to those who feel" serves as the introduction to a full length Doms & Deykers LP, scheduled for later this year.

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These three vibrant little nuggets of funk are the introduction to Erosion Flow's ambitious Spectrums series. Artwork by Erosie (no relation)

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