There are some elements in electronic music that make them timeless, elements that if melted togheter they can give an impressive result, to the mind and to the body. Sawlin - Ursprung is the first album of the career of Sawlin, after his debut in 2010 he evolved like a wonderful orchid, an orchid that never followed the flow of the other flowers around him, but found his own way to the music. Ursprung is the result of an interminable evolution in the mind of the artist, 8 elements that complete a circle builded on a very mysterious athmosphere, like a film that you never saw, but you always had in your head,
something more bigger then a memory, and something more deep then a picture. This 8 elements are the blueprint of the work that comes from the background of the artist, Deep raw imaginary pictures, mixed with oldschool wallpapers of a new wall based on an old concrete. Sawlin Mix the new to the old in a way that no-one can do, and probably no-one risked to do. This is the power of an artist that needs more attention and more time, you can feel at the first listening that there is something really big going on, but you need time to understand what he wanted to create, miticulous details that he wanted to paint, in a way that we cannot see them at first, but we find them quite impressive after. Sawlin present himslef in the most modern way he can, no compromises, he don't want to please you, he want to paint the future. in the most Artistic way possible. This is Sawlin - Ursprung LP on ARTS.

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Subterranean Techno Cuts with a strong Ancient Underground Texture. Sawlin reveals himself to us with something totally unique, just like the spirit and the soul of ARTS elite, but there is one more thing, we give you James Ruskin remix served on a silver platter. No more words needed here.

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It's now almost two years since German producer Sawlin made his debut on Ann Aimee, but now he is back for a third EP on the Delsin sister label. Entitled 'Niedertracht', it features four more tracks of searing techno in truly uncompromising Sawlin style. 'Kontraktion' goes first with heavy metallic hits, lots of industrial machinery found sounds and thumping kick drums. It's lumpy, mechanical and stiff stuff that is slow and purposeful. The surface of 'Padjam' is then covered in squirming, scratchy little effects as syncopated drums swing deep down below. Eventually the thing gets fleshed out with some malfunctioning melodies and slurred vocal stabs yet still it sounds like no other techno out there. 'Niedertracht' takes up the b1 with a spangled techno track that has gurgling synths and fizzing drills all encased in a ravey arrangement of horns and windy howls. The broken sounding 'Weibhaupt' is made up of metal loops, punctured drums and rasping synths that sou nd like factories in melt down. This is truly inventive electronic music that's laced with a very real and unmistakable sense of industrialism, and proves Sawlin is one of the day's most exciting producers

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Sawlin's debut EP on Delsin off shoot Ann Aimee went down so well it only made sense to have him craft another. 'Eviment' is that EP, made up of three more deep and subterranean techno cuts that play with plenty of textures. Title track 'Eviment' is a tortured and paranoid offering that has a nagging vocal stretched out over splashy claps and a foreboding bottom end thud. It's vast and dark, spare and haunting where 'Kretze' is a bigger and bolder track. The analogue percussion and serrated lines all sound old and aged as they mark out a scraping, dystopian vision of a world well away from here. 'Sour Tear' has a more syncopated, techno-funk groove but is still padded out with plenty of dubby undercurrents. Sawlin's percussion sounds are wholly non standard, from clanking metal to twanging strings, everything sounds like a real world sound, which makes his music as arresting as anyone's, despite being made firmly for the techno back room.



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Having lain out it's darkened techno vision with the epic and enthralling Inertia compilation over the last few months, Delsin's little sister, Ann Aimee, is back. Back with another bang, this time from mysterious Vault Series associate Sawlin who drops four cuts of grainy, scratchy sounds with his Techno Dumping EP. 'Boring Feels' is the deepest offering, gently pushing forward as sharp percussion sounds roll off the heavy and hunched over bottom end. 'Techno Dumping' is a punchier affair with trippy background atmospherics and a cantering bottom end that’s paranoid as hell, whilst 'Datamen Working' is a dubbed out destroyer with eerie shapes craft sounds and muffled vocals throughout. Closer 'Neid Auf Vacuum' lets in some shafts of melodic light to its clappy house heart, with rippling keys and train-track sounds fleshing out the backdrop: more finely crafted dance floor weapons you simply need in your collection.

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Technorama records is honoured to bring to you another superb release by Stephen Brown. Edinburgh's techno master Stephen Brown is an artist with a distinct sound, a sound that he has crafted over 20 years from his works on legendary labels such as Djax-Up-Beats, Transmat, Subject Detroit, Theory, Skudge and of course on his own Realtime imprint. His massive release ‘Medusa’ on Technorama in 2014 has received massive support from major players & has been also licenced to Fabric - Eats Everything cd project. He makes a come back here and delivers another fantastic track called Deep In which is a structured house track with built in funky vocals. You can find here also a bold & energetic club bomb by Literon, also known under the Gerd alias. Summer vibes, enjoy !



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Prepare to commit the name Najem Sworb to memory’ commanded Philip Sherburne when he reviewed the Strasbourger's previous record for Resident Advisor. It wasn't a hard ask, Sworb makes some pretty incredible stuff. Known by some for his fantastic release on the now defunct Ai records and famous 'Renow Ep' on Clone Basement Series (was supported by Josh Wink, Rod, Cassy etc.), Najem makes his debut here on Technorama records!. Swaying to the UK sound, this EP clearly targets the Dancefloor, delivering four genuine techno tracks structured with the trippy spacey savour that Najem is known for… Enjoy !.


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We started ‘The Classic Series’ featuring tracks that we love, bought, played out and which we have the feeling more people should know about them. For this fourth release, It is a great honor for us to welcome such a living legend, a pioneer from the Chicago house & techno scene : Roy Davis Jr. This project includes three very rare cuts and timeless moments of deep Chicago house. On A side : ‘I’m Tha D.J.’, released in 1995 on Kumba Records + ‘Under Tha Sun’, released in 1995 on Downtown 161. On B side : Modal (Woody McBride & David Stevens) ‘Lovers’ remixed by Roy Davis Jr. & Dj Skull. A massive, rare, and very demand track, previously released in 1996 on Sounds (subdivision of Communiqué). Our favorite secret weapons, a real masterpiece of deep tech Chicago sounds. Enjoy !





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We started ‘The Classic Series’ featuring tracks that we love, bought, played out and which we have the feeling more people should know about them. For this third, It is a great honor for us to welcome such a living legend, a pioneer from Kalamazoo, Michigan (city right in the middle between Chicago and Detroit) : Jay Denham aka Fade II Black. His style is a unique blend of these two worlds - Chicago House and Detroit Techno, with a Kalamazoo touch. He stays true to the underground, makes the music for the art of it and always remembers where he comes from. On A side : ‘In Synch’, a massive and very demand classic techno track from Jay Denham under pseudonym Fade II Black. Released in 1990 on Fragile records, Transmat’s subdivision. On B Side : ‘Playground’, previously released in 1999 on Disko B, issue from the great ‘Synthesized Society’ album. Our favorite secret weapons, a real masterpiece of Techno house sound. VINYL ONLY !



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After big success of the first “Classic Series” by K’ Alexi Shelby, Technorama is back with another great package. We started ‘The Classic Series’ featuring tracks that we love, bought, played out and which we have the feeling more people should know about them. For this second, It is a great honor for us to welcome such a living legend, a pioneer from the Detroit House scene Terrence Parker and the Chicago veteran Ellery Cowles. This project includes two secrets cuts and timeless moments of Detroit house & Chicago techno. On A side : ‘Welcome To Southfield’, a massive and very demand house instrumental track from Terrence Parker. Released in 1997 on Studio K7! Records and issue from his ‘Detroit After Dark’ Lp. On B Side : ‘Madball’, previously released in 1998 on DaFunk! records, our favorite secret weapons, a real masterpiece of Chicago Jackin’ Techno by Ellery Cowles (Black Nation, Djax Up Beats, Synewave).



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After the big success of the first “Classic Series” by K’ Alexi Shelby, Technorama is back and proud to present a new release by Swedish rising techno producer Santiago Naura aka Bleak. Releases on Delsin, Secret Sundaze, Deeply Rooted and his own driven label Naura Records have helped him establish himself as one of the new generation of techno producers to watch. Sweden’s Bleak is fast becoming an essential part of his country’s techno new school recognised for creating and pushing that vision that’s integral to transcending your experience into something inspiring. His personal style of techno is of the deep, hypnotic,hardware-based variety ; that engulfs you and never let´s you go. Here you can find three brilliant mixes, a real package of hard driving, deep, raw and analog techno bombs, including a powerful remix by upcoming talent Stefan Vincent (Traut, Balans, Dynamic Reflection). Hope you all will enjoy these. Real Head shakers!






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We started ‘The Classic Series’ featuring tracks that we love, bought, played out and which we have the feeling more people should know about them. For this first edition, It is a great honor for us to welcome such a living legend, a pioneer from the Chicago House scene: Mr K Alexi Shelby ! At the age of 12 he was already moving in the right circles, befriending Frankie Knuckles and Ron Hardy whilst frequenting the famous Warehouse. His upbringing in Chicago in the 70s and 80s meant that he was exposed to a range of genres and different styles of music including Stevie Wonder, Prince, Curtis Mayfield and David Huff. These same names would prove to be the roots of his influences. This projet includes two classic and timeless moments of Chicago house & techno music. On A side : ‘K’ Alexi’s Vertigo’, a massive, rare and very demand acid track from K-Alexi. Released in 1989 on legendary Transmat records, already play by major players like Robert Hood, Derrick May, Dj Rolando, Mike Huckaby or Martyn. On B Side : ‘You Get Down’, previously released in 1997 on his Nepenta Lp ‘Brings You Absolute Power’, a new edit here called ‘U Get Down’. A real piece of Chicago Jackin’ House ! LIMITED EDITION, VINYL ONLY !



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We are proud to present our new release by Detroit veterans Keith Tucker & Anthony ‘Blaktony’ Horton. One of underground music’s most enigmatic characters since the mid-80’s, Anthony 'Blaktony' Horton first appeared as a member of the house group ‘Sight Beyond Sight’ (Submerge / Soul City / 430 West records). Further exposure in Detroit’s underground presented him memberships within various groups and collectives (Optic Nerve / early Aux 88 / Aux Men / Alien FM / Scan7), recording on labels like Direct Beat, Elypsia, Puzzlebox, Trans Atlantic, Minimal Soul, Night Vision and numerous guest features.
Known mostly for his vocals, writings and concepts, DEMF vet-Blaktony places his producers hat on to release on Technorama Records his new electro project alongside of Keith Tucker, part of the famous electro duo Aux88, who has recorded under several monikers such as Optic Nerve, K-1 or Alien FM since the very early nineties and who has built his own unique style of electro and techno music out of Detroit. You can find here two brilliant remixes of ‘The Rogue’, full of trademark Optic Nerve funk and futurism, combining deep techno with haunting vocals and machine rhythms. On this other side, ‘We Are Detroit’ by Keith Tucker keep the same vibe of classic Detroit techno stuff and Delta Funktionen delivers a fabulous remix that finds its place near the solid electro techno sound. We are very sure these tracks will devastate the dancefloors. Get re assimilated!





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Technorama records is very happy to bring you this superb new release by Jonas Kopp. After his brilliant remix of ‘Intolerance’ on first Technorama’s release, this prolific producer is back with two devastating techno tracks called 'Drasma'. You can find here also a phat jackin' techno remix by brighton superstar Myles Sergé. 300 copies limited !



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Technorama records is very happy to bring you this superb new project by french producer Mush (Sharivari, Ndatl Muzik, Night Vision) with an additional remixes by Rolando and ROD, to be released on limited red colour vinyl.



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