Genre: House

Tracklist 12":
A1 Love Is Always
A2 Love Is Always Dub

Short Info:
Second release of the mountain people white label spinoff. Strictly limited.


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A cross between Innervisions meets Age of Love vibes with a twist of Isolee… The track is huge in certain circles and now on mysterious and anonymous white vinyl.
Rumors has it ... start guessing - will be out officially end of the year
Very limited single-sided white label.


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DE - 22113 Hamburg
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2026 repress

Tracklist:
A1. A Tribe Called Kotori / A2. Tankwa Town / B1. By My Side / B2. Spiritual but Not Religious / B3. A Star Called Akasha / C1. Planetarium / C2. They Can't Hold Me Back / D1. Chaturanga / D2. Through the Darkness / D3. The Day We Leave Earth

Info:
On his sixth album, The Arc of Tension, the Berlin based DJ, label owner and producer OLIVER KOLETZKI yet again presents his remarkable vision of contemporary electronic music, while he assumes the role of a storyteller. The Arc of Tension speaks to its listener as a singular, self contained work, which communicates by way of its natural flow and arc of suspense. The latter is mirrored not only in the multifarious narrative of the actual album, but can also be understood as evidence for its creator's long musical history.
While Koletzki focussed on a diverse range of vocal collaborations on his previous long players, he now moves on to a different form of storytelling, rooted in the quiet confidence of a veteran musician, as well as the hectic lifestyle of a globally in demand DJ. The Arc of Tension is the psychonautic journey through the various continents of Oliver's consciousness. The quiet chirps and warbles, which initially unfold on the opener 'A Tribe Called Kotori', thus act as a loose associative bridge to 'Der Mu?ckenschwarm', Oliver's big breakthrough hit of 2005. The first minutes of the album leave no room for doubt - we are immediately locked into an autobiographical world of sound that knows how to captivate from the get go. The dreamy, exotic timbres of the downbeat tracks 'By My Side', Tankwa Town' and 'Byron Bay' penetrate our minds in a subtle yet purposeful manner. But soon the tension tightens and organic sounds one by one evolve towards a sterner, electronic cadence. The bittersweet neon synths of 'Spiritual Not Religious' pave the way for the complex rhythm of 'A Star Called Akasha', an early highlight carried by melancholic cellos and contemplative piano chords. The ultimate turning point follows with 'Through the Darkness'. Here, at the album's centre, Koletzki starts continuously upping the tempo and leads the way with his very own, melodic interpretation of today's techno Zeitgeist, which he has been shaping since 2015's 'Iyéwaye'.
'Planetarium', 'They Can't Hold Me Back' and 'Chaturanga' exemplify, moreover, that a fusion of delicate musicality and sheer force leads to impressively ecstatic results. With its rough guitar chords and the acidic chitter of the TD303, 'Power to the People' rings in The Arc of Tension's ending, until we fully take off into space, weightlessly propelled by the ambient drones of 'The Day We Leave Earth'. Ultimately, what lingers is the feeling that we are being granted a deep glance into the innermost being of an outstanding artist.


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The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker

We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.

Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.

The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.


Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery


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Tracklist:
A
1. Oliver Koletzki feat. HVOB - Bones (Frida Darko & Atric Remix)
2. Oliver Koletzki feat. Fran - Hypnotized (Oliver Koletzki Remix)
3. Oliver Koletzki - Copal (Hidden Empire Remix)

B
1. Oliver Koletzki - Der Mückenschwarm (Andhim Remix)
2. Oliver Koletzki - Der Mückenschwarm (Kaufmann (DE) Remix)
3. Oliver Koletzki - Der Mückenschwarm (Gerd Janson Remix)

Press release:
Stil vor Talent marks the completion of its anniversary remix series with '20 Years Stil vor Talent Remixed'.
The release unites the entire collection of reinterpretations created throughout the year, celebrating the legacy of the label's catalogue and the many artists who have shaped its sound.

From Kaufmann (DE)'s driving take on 'Der Mückenschwarm' to Atric's & Frida Darko's signature interpretation of 'Bones', the compilation spans a wide spectrum of modern house, indie dance and techno. Hidden Empire, Andhim, Gerd Janson and many more contribute their own perspectives, linking past and present in bold and colourful ways. To twenty years of creativity, community and constant evolution.





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[2x 12" LP] incl. 10 Tracks for download

GENRE/S: House

TRACKLIST:

Vinyl:
A1. Cioz - B1
A2. Cioz & Ryan Murgatroyd - Wachaka
A3. Cioz - Südpol Birgit

B1. Cioz - Me Monkey (Mi Manchi)
B2. Cioz feat. Lucas Castillo - I Always Wanted To…

C1. Cioz - Harakat
C2. Cioz - Do It The Way You Feel

D1. Cioz - Is This Real?
D2. Cioz - Pace e Amore
D3. Cioz - Lost In Space

Download:
1. Cioz - B1
2. Cioz & Ryan Murgatroyd - Wachaka
3. Cioz - Südpol Birgit
4. Cioz - Me Monkey (Mi Manchi)
5. Cioz feat. Lucas Castillo - I Always Wanted To…
6. Cioz - Harakat
7. Cioz - Is This Real?
8. Cioz - Do It The Way You Feel
9. Cioz - Pace e Amore
10. Cioz - Lost In Space


SHORT INFO:

Following up to his maiden transmission for the label, "Cosmic Silence", issued a year ago, Italian producer Alessandro Cozzolino AKA Cioz resurfaces on Stil vor Talent with his longed-for debut album "Supermassive Whole" - a ten-track cosmic odyssey in sound percolating staple elements of Cioz's palette of choice, from otherworldly techno to Latin-inflected house, via the obvious injection of kosmische and electronica soundscaping.

The lead single "Wachaka" - recorded in collaboration with Cape Town producer Ryan Murgatroyd, exemplifies Cozzolino's electrifying approach to a T. An inch-perfectly balanced mix of Afro-infused polyrhythmic bravura and seesawing synth moves, the track swells with a blazing fire at heart that keeps on sprawling infectiously with each and every bar. Trading the linear buildup for most sensuous levels of syncopation, "Me Monkey" serves up a warmer kind of funk, perfect for getting snug and cozy before an avalanche of seesawing chords up the ante towards space-opera-esque amplitude. All in elusive sinuosity and processed machine talk, "Harakat" dwells the confines of wonky house templates and polyamorous EBM, while "I Always Wanted To..." goes the slo-burning, counterclockwise route, primed for languid moments in the alcove.

"B1" is perhaps the most spitting avatar of the Italian whiz's hybrid rolling-and-pounding rhythmic style, nicely embodying both its quirky, hip-swaying and fanfare-like percussive aspects. The ecstatically bouncy "Do It The Way You Feel" showcases Cioz's more rousing, floor-friendly facet with a killer combo of hi-octane electro dynamics, pop-rock motif'd hooks and slashing breaks taking the controls. The mood also happens to be melancholic at times, such as on the beautifully understated "Is This Real", which bridges the gap betwixt piano-house déjà-vu - here tweaked to distinctively soul-wrenching effect, and a prog buildup glossed under a thick sauce of FX, similar to that of "Sudpol Birgit"'s inflating saturation in the post-prod treatment. Somewhat brushed with balearic shades in mind, "Pace e Amore" follows a more classic curve, slowly veering off onto ambient-laced territories, while "Lost in Space" evokes a certain idea of gravity-defying plenitude through that ever intuitive and subtly arranged collage of tender wistfulness and endless attraction towards the groove, which defines Cozzolino's phraseology so fittingly.






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