Killer release on New York's Sequencias label. Powerful and hypnotic Chicago acid inspired cut on the A and a cool slow building chord driven track layered over raw drum rhythms on the b-side. Recommended!! Label promo text: Sequencias does not stop, does not conform, takes no prisoners. Our third release brings you a pair of artists from two different points along Interstate 94, who have a reputation for the very same. So lets get to it. The main body laid down by VILLan X is tight metallic percussion underpinned by solid kicks and a stream of robotic filtered bass, containing unexpected shifts within the frequency register. Foreboding tones and feelings drift towards us across which the disembodied voice of Kold is able to find a platform from which to shudder into our consciousness and pose questions from across the galaxies about the nature of our very being. dcantu carries on the feelings of space, with protracted white noise shots and stabby modulated org an chords, but doesn’t leave it long before setting the pace with solid drums and shifting keyboard funk aimed squarely your body and the dance floor as octave changes force you up and then down again to a backdrop thick with texture. This provides for the body and the mind. Act fast though, Sequencias does not like to rest.

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After a few months of releasing collaborative EPs alongside Sascha Rydell and Roman Lindau, Mike Dehnert marks a quarter century of releases on his own label with Fachwerk 25, a full-length album comprised of 13 tracks. This new album sees Mike experimenting somewhat. Away from the dubbed out, functional and raw techno funk of his usual output, Fachwerk 25 shows some concession to the album format, with more mysterious tracks of ambient buried amongst bits of acid, rave and plenty of unhinged sound design. After the dystopian and scene-setting intro, there’s the chugging house and nagging synths of ‘Fraction’ that are both dark and beautiful at the same time. From there, there’s slowed, melancholic dub in the form of ‘Modulat” and the beat-less, underwater sounding ‘Courant’ with its icy pads and wide lateral spread. The title track is more what you’d expect of Dehnert, with well-swung kicks and grainy synt h chords rolling along like basement techno should, before the squelchy industrial madness of ‘Grundform’ breaks the stride of the album once again, taking you off to a different place entirely. The second half is just as varied and unpredictable, ranging from raucous peak time stuff to more nuanced and cerebral fair that always manages to bares the hallmarks of Fachwerk: quality, invention and unpredictability. Having established his Berlin label as a go-to and no nonsense outlet for fans of a certain type of stripped down but inviting techno, Fachwerk 25 will likely bring a whole new sort of attention on Dehnert and his ever on-point imprint.

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