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Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musi- cal totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divi- sions in musical genre. Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album na- med "Love & Hoppiness" – five years after their brilliant debut "Vulgarian Knights". A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. "Love & Hoppiness" matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackma- te) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories. That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar's sound continues to de- velop. Jazz, soul and funk vibes shine through on tracks like "Antelope", a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor. At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusi- asm. It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of "From Bob To Stevie" standing out on the album. Feindrehstar call their music Krautclub, and the reason ought to become clear in "Caje Sukarije": a classic Bal- kan funk sound taken over by wild synth loops that be- come fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with "The New Ballad", "Blues For Bagdad" as well as the completely acoustic ballad "Love & Hoppiness Int." with cello and clarinet, anchoring the album in a captivating calm. Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. "Love & Hoppiness", "Deep Horse", "Shake That" und "Night Rainer Diskodub" show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't di- minished. Feindrehstar will ensure that clubs and festi- vals will be well supplied with their estatic performance into the future.

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hello friends, to your information metaboman returns on musikkrause. the ep features 4 kicking tracks they soun- ding like the good old MPC style metaboman .for those of you who know „auf dieser Feier bin ich on Fire“.
peace

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Musikkrause comes up with an essential 3 track EP from long-time friend Dave Aju - strong, deep, and extra funky, as only our boy from the Bay can do it. Call it whatever you like, we call it simply the freshest club music around.

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SoulPhictions follow-up to last years Riot EP delivers the heat again on Musik Krause!! Club-Music off the beaten track, SoulPhiction is inducing trademark claustrophobic pressure on "Ame- rika", delivers some moody downbeat slickness on "Misty Roots" and an ends it with an acid-tinged tool called "Bricks" that twists and twitches in and out of shape, ... for the open-minded ..

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Imagine there is a seven-headed rythmic beast with a percussionist, drummer, bassist, keyboardist, two horn players, and a DJ up on the stage embracing the musi- cal totality of the world without any folklore kitsch, its subtlety and urban club grooves crossing various divi- sions in musical genre. Feindrehstar is standing on the stage. The studio recordings of this unique Jena-based band have long been known to capture the live energy of their onstage performances. And now Feindrehstar presents their second album na- med "Love & Hoppiness" – five years after their brilliant debut "Vulgarian Knights". A lot has happened in the meantime: countless club and festival gigs, an inspiring African tour as well as countless hours spent working in the studio. "Love & Hoppiness" matured over three years, a musical puzzle that was composed at different locations – the first recordings developed in the fall of 2012 with Michel Baumann (Soulphiction, Jackma- te) and Nik Reiff in Stuttgart. Further overdubs with a trombone, violoncello, guitar and vocals followed at various home studios and conservatories. That's right, vocals have been brought onboard this otherwise instrumental band. Owing to these vocal tracks with Dave Aju, Ebo Taylor and Tina Keserovic on the microphone, Feindrehstar's sound continues to de- velop. Jazz, soul and funk vibes shine through on tracks like "Antelope", a track featuring the vocals and guitar of legendary Ghanaian musician Ebo Taylor. At first, Taylor thought Feindrehstar rocked too hard – however in the end, things got mellow and he had so much fun that he recorded guitar tracks with enthusi- asm. It was clear right from the start that everything clicked with Dave Aju – the smooth soul-soaked hiphop of "From Bob To Stevie" standing out on the album. Feindrehstar call their music Krautclub, and the reason ought to become clear in "Caje Sukarije": a classic Bal- kan funk sound taken over by wild synth loops that be- come fused together in a haze of electro-funk. It is in fact a Roma anthem sung by Tina Keserovic. The album takes a chiller, newer direction with "The New Ballad", "Blues For Bagdad" as well as the completely acoustic ballad "Love & Hoppiness Int." with cello and clarinet, anchoring the album in a captivating calm. Despite the many new directions, the genre defying yet danceable club sound of Feindrehstar remains. "Love & Hoppiness", "Deep Horse", "Shake That" und "Night Rainer Diskodub" show once again that after 15 years of rocking dance floors, Feindrehstar's energy hasn't di- minished. Feindrehstar will ensure that clubs and festi- vals will be well supplied with their estatic performance into the future.

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Germany
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Germany
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All four tracks are based on Metaboman‘s experimental live soundproject; a shadow-dance theater performance he has been presenting at the festival in 2014.

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"Adolars phantastische Abenteuer" interluded with Hungarian cartoon episodes that are of the Family Mézga series, that in some lands have achieved cult status. Adolar Mézga could be the big cartoon brother of Comfort Fit. So relaxed like Adolar emanates his inflatable spaceship from the violin case. Just the same, chilled beats bang complete with a warming power into orbit. This is not an amateur at work here, Comfort Fit is the label for all beat specialists on the borders of hip-hop, electronic, abstract, jazz, broken beat, Detroit techno. Already since 2001 they swit- ched with their releases through various music styles. The right punch for the neck, yet with a constant view in ocular. On the earlier Musikkrause EP "Rausgeflogen" there was the vocal intonation of "Auf dieser Feier bin ich On Fire". Even when here no one goes up in smoke, Comfort Fit has 2 tracks from ‚On Fire'. The best part is he delivers two songs to ignite and extinguish.

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We are happy to be out in nature because here there is no judgement" is a timeless saying. The good Friedrich Nietzsche would have said about Soulphiction the following: Michel Baumanns music animates you in such a way because seeing as there is so much nature of every kind in the rhythm. We mean it in regards to his music. This soulfulness and warmth that he brings out from the machines is simply phat like nothing else. A real nature boy who never comes out, he seemingly is. Everything hidden inside of his mind, and channeled into his devices. Yeah yeah, it's okay, I'll open a window to air it out – Michel. Independent from the breeze in the studio, these tones must be released into the world. Musik Krause takes it in. It's about time that the tangent Soulphiction/Jackmate – Jena is for some time now a spirit – and to get it together accordingly. The result of the 'krause-care' from 'philpot-ish' tones is delivered by Mr. Baumann in the form of five songs that are old-school yet modern. When these joints from DJ-Nerdkicker or for example Ben UFO are not sorted into the case, then the next 'Krause Dinner' will be a broom served with mayo.

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Rainer Maria Silke aka Berk Offset is in many respects a kind of brain surgeon and at the same time literature resear- cher. The practice lies directly under a high-voltage line. His laboratory, which is registered under Wakkler draws from the mainline as well. Here he regularly invites like-minded high-voltage scientists that likewise are excited for experi- mentation. With the colleagues from Snork Enterprises he sometimes presents as a guest lecturer. His base in scenic Jena is Musikkrause. Still this isn't the place where he kicks up his feet and the telly is mostly used in a rather disassem- bled form merely to have a look at what is actually going on inside; that is, how he can manage the electric driving in beats and transform them into off-set styled charges. For his second Musikkrause he has apparently installed a few cables in the Thuringian Forest to among other things come up with those rare feverish glandular whistlers. This active compiulsion (of course with the proper official forestry license) has resulted in a collection of 4 electrical hunting trophies and therewith proven the Riemann hypo- thesis: the forest is sound.

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This music is the language of Metaboman and it is the understood. Inkl. digital download code

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This music is the language of Metaboman and it is the understood.

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An exceptional liaison from the Krause Duo & the band Orph serves up an extraordi- nary listening pleasure.

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There can only be one who is holding up the flag of unique, varied, thrilling and satisfying Minimal music.

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Excellent record by this special producer. Straight music with a jazzy edge.

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For the new Musik Krause Ian has put a considerable fire under the adrenalin of sensuality.

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