Tracklist:
Flexidisc 1 (transparent): Series a (Alpha)
Flexidisc 2 (blue): Series ß (Beta)
Flexidisc 3 (yellow): Series ? (Gamma)
Flexidisc 4 (black): Series d (Delta)

Info:
Scale and Scope is a set of four colour flexidisc records, each containing an instantiation of an individual microtonal designer scale, developed by Stefan Goldmann. The four discs are housed in a printed cardboard portfolio.
The flexidisc medium plays like a vinyl record, but is inherently noisier and tends to exhibit more signal disruptions than conventional vinyl. Expect occasional clicks, crackle and other variations, which differ substantially from copy to copy. These make each set unique.
The digital file versions are re-recorded directly from the flexidiscs, with very few corrections and a few spectral interventions by the original artist. The full resolution digital files used for cutting the flexidiscs will be available exclusively and individually to collectors who wish to acquire one of the scales as
instantiated in the recordings.

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Tracklist CD: 1. Axios, 2. Helicon, 3. Yantra, 4. Scylax, 5. Drilon, 6. Magoras, 7. Tyros, 8. Struma, 9.
Arda, 10. Hebros, 11. Ropotamo, 12. Scamander

Info:
Layered asymmetry: With Alluvium, Stefan Goldmann explores new structural paths for machine
rhythm in irregular metres. Throughout the album, different non-binary patterns run simultaneously,
interlocking into twelve offerings of jagged polyrhythmic magic. Such a framework may juxtapose 11
on one axis, against 7 on another and 5 on a third – building stunningly iridescent edifices of
multidimensional time.
This is the third album in a series of "first principles" research of metric asymmetry. Veiki (2019) laid
the foundation for "real broken beat". Then, Vector Rituals (2022) explored the bending of grids in
order to yield idiosyncratic forms of organising time. Alluvium takes these two approaches and
expands them beyond their initial reach: Irregular patterns moving along parallel timelines within one
unifying grid.

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Tracklist
CD1: Sector 1
CD2: Sector 2
CD3: Sector 3
CD4: Sector 4
CD5: Sector 5

Info:
For its first publication, Edition Kymata has commissioned a five-part long-form work from Stefan
Goldmann. This exposé to an incorporeal spatial structure captures infinite reverb responses to five
carefully designed immersive spaces.
Building on his earlier reverb-only work 'Call and Response' (2022), the capacity of reverberation to
enable the experience of impossible architecture is further explored – possibly in its clearest form to
date. The five zones of intangible aural sensibility compiled in this box set range from soothing to
menacing, inviting to a unique critical listening situation in which the listener's perception is the
dynamic side of the exchange while the stimulus persists in profound permanence.
The properties of the five enclosures – boundless in the time domain, distinct in their spatial
characteristics – reveal themselves completely and can be precisely described in statistical data,
allowing for multiple levels of access: a brief visit, long-term contemplation, exclusive ownership.
Stefan Goldmann is an electronic music composer based in Berlin, Germany.
Edition Kymata is a publishing house for audio arts with a focus on the study of first principles.

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Tracklist CD - Mix CD:

01. Acustica (Part 1)
02. Acustica (Part 2)
03. Acustica (Part 3)
04. Acustica (Part 4)
05. Acustica (Part 5)
06. Acustica (Part 6)
07. Acustica (Part 7)
08. Acustica (Part 8)
09. Acustica (Part 9)
10. Acustica (Part 10)
11. Acustica (Part 11)
12. Acustica (Part 12)
13. Acustica (Part 13)
14. Acustica (Part 14)
15. Acustica (Part 15)
16. Acustica (Part 16)
17. Acustica (Part 17)
18. Acustica (Part 18)
19. Acustica (Part 19)
20. Acustica (Part 20)
21. Acustica (Part 21)
22. Acustica (Part 22)
23. Acustica (Part 23)
24. Acustica (Part 14)


Info:
Acustica: For this acoustic sources-only mix, Stefan Goldmann cut up a vast library of recorded
interpretations of 20th century avant-garde compositions. Layered segments of individual instrumental
and chamber performances form emergent orchestral opulence – just to spill over into actual
orchestral segments. Goldmann has tackled acoustic archives before with his edit of multiple
recordings of Igor Stravinsky's 'Le Sacre du Printemps'. However, this mix traverses the disparities
and convergences of seven decades of score-based music with impressively results. A meta-level
polystylistic work that explores vast potentials of integration, interaction and interference. An antidote
to the prevailing practice of sounding compositions in scattered, sterile isolation. Here, opposing
concepts of music are channeled into one continuous flow, with a coherent DJ performance as the
vehicle.

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Tracklist:
A. In Aggregate
B. Carob

about:
One of techno's most joyous experimentators delivers two intriguing uptempo tracks. Instead of hitting
hard and heavy 'In Aggregate' and 'Carob' float delicately, with explosive detail blooming freely and
high above what feels rather like a bass-ladden undercurrent than a persistent kick drum foundation.
Both tracks expand on Stefan Goldmann's extensive polyrhythmic research and integrate tonal and
metric functions within the same units of sound. Somewhat radically, the central sound of 'Carob' is all
in one: beat, bassline and single-note melody. By contrast, 'In Aggregate' unfolds lush layers of
exuberant percussion, countered by rounded drops of bass and an occasional vocal snippet
ricocheting off of claustrophobia-inducing walls of glass.
As future-forward as they are organic, these offerings come with appropriately idiosyncratic artwork by
Jorinde Voigt. Printed on inside-out heavy paper cover + a printed inner sleeve.

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LP plus Free Digital Download included


Tracklist:
A1. Nayba
A2. Oyotung
A3. Lorino
A4. Yukagir
B1. Tiksi
B2. Ayon
B3. Valkumey

The Album:
Proprietary rhythm: Vector Rituals sees techno polymath Stefan Goldmann constructing polymetric rites of percussion. Synthesized from the ground up, timbral characteristics, metric properties, dynamic
expression and microrhythmic phrasing are shaped by the interactions of layered control voltage functions. The result is an assembly of abstract dances ranging from the intricate to the powerful.
Near-humanoid behaviour emerges from liquid patterns, laid out and brought to life by the freewheeling encounter of modular waveforms and snappy envelopes. Sounds evoke metallic textures
– ringing, scraping – and group into virtual shapes from tiny spikes to vast surfaces.
Some of the parametric relationships employed are as loose as to imply chance drifts. Others lock in with strict regularity as found in the 13 vs. 17 polymeter pattern of opening track 'Nayba'. By contrast,
in the strictly repetitive yet highly asymmetrical sequence of 'Yukagir' each metric step has its own uniquely irregular duration. The center piece of this collection is 'Ayon' with multiple autonomous and
highly agile timelines. Its constituent layers break away in radial fashion and fall back together at widely spaced points of congregation.
All compositions herein present powerful proof of the unlimited capacity of electronic music to yield new principles of organisation and to solidify their expression into clear-cut gestalt.

The Record:
Vector Rituals comes on 180g vinyl with artwork by highly acclaimed visual artist Jorinde Voigt, printed onto the inside-out cover sleeve and continued on the inner jacket.

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Format: 7”

Tracklist:
E. Singing Wire
F. Geared

About:
This is the fnal chapter in a series of three 7" records which see Stefan Goldmann probing the upper
temporal reaches of techno. Clocking in at 150 bpm, these tracks are bold and blazing signals for a
collective return to highly energised club experiences. 'Singing Wire' is playfully swinging and feels
surprisingly natural and decelerated for what it is – while taking you decisively and rapidly to its farend destination. 'Geared' is raw voltage with all the sparks fying. More bouncy than harsh, these
tracks show impressively how diferent tempos allow for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and refective-lacquer details, with individual colour-coded inner sleeves. Comes with download card.

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Format: 7”

Tracklist:
C. Danke Dingo
D. Iron Hive

About:
This is the second instalment in a series of three 7" records which see Stefan Goldmann probing the
upper temporal reaches of techno. Clocking in at 150 bpm, these tracks are bold and blazing signals
for a collective return to highly energised club experiences. 'Danke Dingo' pierces through a
stroboscopic grid of chords – 'Iron Hive' is one assertive rhythmic manifestation of menacingly
metallic swarms. More bouncy than harsh, these tracks show impressively how different tempos allow
for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and reflective-lacquer details, with individual colour-coded inner sleeves. A card with a download code
is included. Round three of the trilogy will be released in February 2022. Happy New Year!

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Format: 7”

Tracklist:
A. Badger
B. Sawhorse

About:
This is the first instalment in a series of three 7" records in luxurious packaging which see Stefan
Goldmann probing the upper temporal reaches of techno. Clocking in at 150 bpm, these tracks are
bold and blazing signals for a collective return to highly energised club experiences. 'Badger' is a
breaks-infused peak time weapon while 'Sawhorse' morphs more subtly through hypnotic and
seesawing synth patches. More bouncy than harsh, this material shows impressively how different
tempos allow for their own variety of joyful expression.
Beautifully packaged, all three 7"es come in a thick matte-black outer sleeve with front side cut outs
and reflective-lacquer details, with individual colour-coded inner sleeves. Rounds two and three of the
trilogy will be released in January and February 2022.

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Track list CD:
1. Onset Trajectory, 2. Flood, 3. Merge, 4. Blind Deconvolution, 5. Neodym, 6. The Hearth, 7. Fission, 8. Caesium-133, 9. Surface Boundary, 10. Viscosity, 11. Builders, 12. Polymer, 13. Shift Invariant

Info:
In February 2020, the Philharmonie Berlin opened its gates for the first time in its history for a fully
blown electronic music program. Strom Festival continued for two days across three of the Berlin
landmark's jagged spaces. Stefan Goldmann had been invited to serve as the festival's artist-curator
and also performed its inaugural concert in the building's pentagonal Grand Hall. As much as this
event was without precedent for one of the world's leading classical music institutions, it is also an
uncannily typical match for Goldmann's rather unusual career path.
Though nominally techno, his music is distinguished by an ever-imaginative take on the form. From
exploring asymmetric rhythms to designing novel tuning systems to re-imagining the technological
base of electronic music – few have looked further beyond the genre's functional foundations.
Respectively, his music keeps appearing in contexts far removed from techno's club institutions –
featuring work with ensembles, dance companies, film makers and his own opera, as well as sitespecific performances at venues such as Kyoto's Honen-In Temple and LA's LACMA museum.
'Live At Philharmonie Berlin' is closely tailored to the Grand Hall, featuring a wealth of material
specifically developed to engage its architecture and acoustics. Apart from being a document that
brilliantly captures the Philharmonie's aural footprint with clear-cut synthetic probes, it also comes
close to being a retrospective of Goldmann's most striking formal ideas. Harking back to his early use
of wavetable synthesis for highly liquid units of pitch, timbre and dynamics, his recent
recontextualisations of industrial preset sounds and gradual shades of distortion fuse to shape the
soundscape of the one hour performance. These sounds then swirl through shifting microtonal grids
and freewheeling polyrhythms, solidifying into alien melodies, spiky transients and blocks of coloured
noise.


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Tracklist:

A1. Funia
A2. Sweet Protocol
B1. Tickle In The Heart
B2. Norilsk Nickel


Info:

Sheer power. With 'Tears Of Joy' Stefan Goldmann hands in an array of unapologetically bass-heavy techno cuts. Attacking a sound system's full width, these simplistic two-tone workouts turn out to have tremendous depth. Never standing still, constant feisty modulation keeps basslines and bodies.



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Tracklist:
1. Planinar, 2. Sofra, 3. Vilayet, 4. Etropolis, 5. Katran, 6. Teghlicci, 7. Makara, 8. Kapan, 9. Teslá


INFO:
Stefan Goldmann's 'Veiki' is a bold foray onto new rhythmic ground for machine-based dance music. While Veiki's sounds appear firmly grounded in contemporary techno, its pulse is neither based on the 4/4 tradition nor on the breakbeat continuum. The metres employed here are distinctly asymmetric – i.e. they never add up to binary entities, but are odd-numbered instead. With patterns of 7, 9 or 11, they offer possibilities for dislocating the center of gravity not available to standard rhythmic fare. Thus this may represent one of the few systematic efforts to move slamming machine techno onto an alternative rhythmic foundation: Real broken beat.

Asymmetric / irregular metres are part of the ancient music tradition of the Eastern Mediterranean as well as of South Eastern Europe. The patterns employed here are also present in the traditional music of Bulgaria with which Stefan Goldmann grew up. Citing no other aspects and using no 'ethnic' samples, these tracks lead a way to resolving the problem of how to bring the tools and traits of cutting edge electronic music to alternative traditions of music, or vice versa. Structure over surface.

Of course irregular metres have been visited for structural exploration for Western musicians of different backgrounds, such as Don Ellis, Steve Coleman or Burnt Friedman & Jaki Liebezeit who have all developed highly distinguished and idiosyncratic approaches in relation to these. Thus a reduction of the phenomenon to its core and emergence as a clear-cut and reproducible form appeared imminent for at least two decades. The inexplicable surprise though is that despite the ongoing rhythmic differentiation of breakbeat and techno this obvious step seems to have never been taken decisively. Now here it is.

Vital Sales Points:
- Live premiere from Buenos Aires streamed by MUTEK (full professional video online)
- Recent DJ set at Boiler Room
- Extensive Global Promo by Modern Matters / Macro.
- Upcoming event Feb 2020: Stefan Goldmann curates “Strom Festival” for Philharmonie Berlin, (world-leading classical music institution) featuring Nina Kraviz, KiNK, Robert Henke, Ryoji Ikeda etc.


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Tracklist:
A: Shimmer B1: Shimmer - Wink Remix B2: Mesmerize
Release info:
Shimmer was the record that put Stefan Goldmann on the map of techno. The dark and throbbing tracks, reduced to the essentials, were love at first sight for many of the DJs who ruled the scene back in 2004. Josh Wink threw in one of his most focused remixes for Stefan Goldmann's debut on Ovum - which was also the first one by a German artist on the label. As so often in dance music, things have come full circle. About time to give a mint copy of "Shimmer" to the DJs who play this prototypic sound today. Remastered meticulously by Rashad Becker at D&M, with the title track cut to a full 12" side, it never sounded better.


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Barcode (UPC): 827170540866 Release: 21.04.2013
Tracklist: A1 H Layout A2 Lick Kick B1 Heading Feel - Stefan Goldmann Remix B2 Heading Feel
Môme is quickly becoming something like France's new house god. His earthy vinyls for Housewax and FTWR got him a great following with record collectors and house DJs alike. Appearing on Appolonia's Fabric mix, several Boiler Room sets, and his "For One Day EP" at #1 on Decks Buzz Charts, Môme quickly wins the hearts of dancers and players. "Triple House" is probably the most amazing outing of his fresh style to date, with all 3 tracks being sweaty bouncing groove monsters. As if this wasn't enough, label honcho Stefan Goldmann cracks his funkiest cutting remix in ages to round the package off. It's unreal. 4 out of 4 are total winners to fall in love with and spawn children. Where else do you ever get this?


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UPC 827170490765 Release: 11.03.2013
Tracklist: A: Closing In B1: Gee Baby (Ain't I Good To You) B2: Read That Lips (2013 Edit)
Stefan Goldmann's very first release from 2001, thoroughly remastered. Long out of print, this has been extremely sought after classic vinyl. In their day, these tracks (together with Missing Days / That Ghost) created the prototype of today's stripped down house sound. Especially "Gee Baby" has recently been rediscovered and became a signature tune of Ibiza's DC10 / Circo Loco with DJs like Raresh and Matthias Tanzmann - which made it swap back to its native Berlin and its legendary eternal afterhours. The A side's "Closing In" with its broken funk predated a lot of convergence happening now between house and bass music. And last but not least, Stefan Goldmann provides a brand new, ultra-stripped down EDIT of the mesmerizing "Read That Lips." Essential all the way.
Remastered by D+M's Rashad from the original DAT source and cut to premium vinyl, they are finally available again in unprecedented quality.


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Victoriaville finishes the exploration of Stefan Goldmann's sweet track archives with 3 unreleased House gems. The main tracks here are pure dancefloor material, with "Electric Bazaar" centering on in-depth drum design. "Zobel Network" provides a prime example of neurofunk. Hidden on the A side, "Chapter 2" is an early hint at Stefan's experimental edge. Essential!
Revisiting the years 2000 - 2005, "Emptying The Vaults" highlights the era of Stefan Goldmann's "UK years." Often his actual releases with Classic and Ovum reflected just a part of the possible. Now Victoriaville proudly steps in to let the whole thing shine. Restored from the original master tapes and cut by D&M's Rashad, here's some startling evidence of how deep the roots of House actually were in Berlin years before the hype set in.


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Part 2 of the series of 3 EPs unraveling unreleased classic House tracks by Stefan Goldmann.
Victoriaville continues it's research into Stefan Goldmann's sweet back catalogue with a triple vinyl series of never before released House material. Revisiting the years 2000 - 2005, "Emptying The Vaults" highlights the era of Stefan Goldmann's "UK years." Often his actual releases with Classic, Ovum and Front Room reflected just a part of the possible. Now Victoriaville proudly steps in to let the whole thing shine. Restored from the original master tapes and cut by D&M's Rashad, here's some startling evidence of how deep the roots of House actually were in Berlin years before the still ongoing hype set in. "Ghost Revisited" and "Crack It" build on lush house grooves, while "Heatwave" leans to the dub side of things. Enjoy and look out for part 3!


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Produced in 2004, this EP marks an essential shift in the production of Stefan Goldmann to his modus operandi as a dedicated innovator. He had adapted the "Barricade" guise to induce some serious deviations into the techno realm. Yet, heads weren't ready and he simply continued under his real name with his major breakthrough works: Perlon's "Blood EP" and the legendary "Sleepy Hollow" tune. Hidden from the public, Aleko and Frantic had built a prototypic aesthetic of rough, concrete-space sounds - reduced dark, metallic percussion grooves, spring reverbs and degraded post-acidic synths. You name it where you heard this sound years later. It's revealing how far ahead these tunes were at the time of their creation. They sound more "now" than many current tracks. "Aleko" is the 4/4 techno version of this soundset, locked-in clonk patterns built around a nitrous bassline. "Frantic" could be a future development to today's dubstep, if it wasn't it's actual historic predecessor. Add the schizophrenic bass excursion "Heliotrope" and you have a package of painstaking relevance. Back then the A&Rs simply didn't get it - that's why it took 6 years and the formation of Victoriaville to finally bring these gems to light.


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Missing Days and That Ghost built the foundation for Stefan Goldmann's steady grip on today's state of the art in electronic music. Both tracks were produced in 2001 and became the key works of his early years. Long out of print, they have been sought after classic vinyl ever since. Remastered by D+M's Rashad from the original DAT source and cut to a whole 12" side each, they are finally available in unprecedented quality. Missing Days predated the recent huge Deep House revival by several years and designed the layout for today's ruling modern, reductionist deepness. Stunningly, That Ghost sounds like the original prototype to much of today's other big tendency: totally stripped down, drum-centered House. A steady beat pattern that creates maximum impact with a minimum of elements - add a one note bassline and sparse appearances of spooky snippets and you have pretty much the sound of 2010. Could we have had Bar 25, Berghain's Sunday sessions and DC10's Circo Loco back in 2001? Thus, with "Remasters Vol.1" Victoriaville celebrates Stefan Goldmann's ten years of visionary work.


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LIMITED COPIES - NO DIGITAL RELEASE
"Art Of Sorrow" has been one of the most raved about tunes over the last couple of months - without ever being known by its name. Few of your favourite DJs had a copy of this, but this was more than enough to put crowds accross the globe on their toes - in order to find out what was just blowing their heads off every time it got played.
Well, the secret gets unveiled right here: It's a Stefan Goldmann masterpiece. Coupled with the brandnew & dark Berghain style "Radar Opaque", it hits the street right in 2009. This record has been pressed in a very restricted quantity and will only be available for a limited time. You miss it, you never see it again.




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