Invigorating Stomping Chakra Grounding More

In no uncertain terms, the debut solo EP from Mantra has been a long time coming. To anyone plugged into drum & bass for the right reasons, her name should already be on the tip of your tongue. At the helm of Rupture alongside Double O she’s nurtured the realest of the real in D&B terms, creating a scene within the scene for all true heads, where the demand for creativity, innovation and sheer integrity keep the music pushing forwards well beyond the confines of the venerated dance. It’s no surprise to hear this four track 12” follow suit - you already knew it was going to be good when you spied her name on the label.

In true Rupture spirit though, you shouldn’t just assume you know what you’re getting. Making her intentions clear from the get-go, Mantra opens up with ‘Damaged’, an icy half-stepper built from raw, rasping drums with an industrial patina. It’s no breakneck roller, but rather a deadly creeper with more than enough bite to satisfy those who want their music fierce.

It’s ‘Murda’ and ‘Victory Dance’ where we can hear Mantra stretching out into the rollers, but even so the breaks come diced at intriguing angles, the energy is teased with a distinct flair, and they only go off when Mantra deems it time to - much like when she’s at the controls in the club. ‘Ala’ offers up something wholly distinct once again, offering the kind of hidden B2 magic that makes a record special with some trippy backroom stepping business shaped out by mellow synth impulses and a pad setting a melancholic mood. Original, innovative pressure from someone largely responsible for keeping such values alive in D&B, as if we expected any less. More

Following their previous Mantra EP, Polybius Trax present here another three track EP from Mantra showcasing a variety of acid styles. Opening track, Blackout, is a solid, no-nonsense acid techno workout, perfect for a strobe filled warehouse, and features builds and drops layered with ethereal tones. Emanation is a maelstrom of moving synth sounds, bouncing delay lines and vocal-like klaxons that combine to disorientate the listener. Final track, Mirage is a classic bad attitude acid track with an unnerving acid line that weaves in and out of aggressive percussive lines. More

The Abstract Acid series continues its exploration into the depths of acid with a relentless 303 assault from the Yorkshire based machine operator, Mantra. Four rugged tracks of distorted, crackling beats and low slung bass lines that are just crying out to be ripped through the speakers of a dark, filthy warehouse. As usual, pressed with a fine cover artwork from Andrew Ingram and limited to 300 copies. More

2018 Repress! Very wild (lean and mean!) old-school '88 acid house! More

Manasyt vs Sam Lowry. A clash, mashup and/ or battle between two minds yet one and the same face. Hailing from the twilight zone, Bulgaria. The currently Xiamen, China, based Petar Tassev has joined the forces of his alter ego's on this 9 tracker. A side 4 celestial and daring Electro tracks followed by the more eerie B side. An experimental, future horror movie-like sound. Thrilling in all the right ways! More

Mandrake double LP on Bunker. Emotive & gloomy synth-scapes that sound like a score to a movie that never was nor will be. More

Lunatika, The Hague's latest 'trap' or 'drill' rap sensation, for all heavy 'banteng' soldier man-boys' (and, sure, all the lady-boys too!) man drill and bass, whipping and kicking and booming, 'all dem a' Holland's 'Dirty Mud West Coast Sound' incl. quite some reggae dub and N.O.L.A. bass influences, I dare say, 'respect due to all'... Part 1/2. Mastered by Guy Tavares. More

Lunatika, The Hague's latest 'trap' or 'drill' rap sensation, for all heavy 'banteng' soldier man-boys' (and, sure, all the lady-boys too!) man drill and bass, whipping and kicking and booming, 'all dem a' Holland's 'Dirty Mud West Coast Sound' incl. quite some reggae dub and N.O.L.A. bass influences, I dare say, 'respect due to all'... Part 2/2. Mastered by Guy Tavares. More

Split release from Serbian-born, Macedonia-based Alavux on side A and The Hague's Gallus on side B, each with their own interpretation of the more harsh and heavy industrial machine-driven electro-robot alienation, perhaps of some modern hidden 'Deus ex Machina'? More

R.A.J.S. i.e. 'Rivers Area Juke Squad', though this one's this time not really from Chicago, but from The Hague/La Haia. Bouncin' and droppin' 'Juke'-style ghetto-tech bass music with some really authentic 'Latino' edge, surrounded by the sounds of the city streets...'The Squad' contains 2 Mc's: Mc Ravelo & Mc Electronic B, while their producer Kipkillah takes care of both the 'man-beating' and the 'beating-tracks'. More

Repress!
Bunker Records presents in association with Darknet: BUNKER DARKNET 002: EVA NOXIOUS - ANTI TODO. All the way from the Western ''Blood Meridian'' Desert of Phoenix, Arizona, former Spanish 'Nuevo Mexico', its very own Suburban Sun Belt Waste Lands, and surely ''no country for old men'', comes a full album of genuine punk-ass-kickin' 'trap and drill rap' bass music, its sharp and syncopated sniper-ladylike machine gun vocals shot in both the Castilian and the English language. Mastered by Guy Tavares. More

2021 repress! Robotic, atmosferic, dark electrotechno as we have come to expect from The Exaltics. Reminiscent of old B12, Transmat and Dopplereffekt releases. More

2021 repress! Robotic, atmosferic, dark electrotechno as we have come to expect from The Exaltics. This time with harder, more acidic tracks compared to part 1. More

This very one Lost Boy from Brazil washed ashore the Lowlands' 'Finis Terrae', a produce of first-generation 'Shock Doctrine' and a real 'carioca' borne on the New World's 'Bossa Nova' and 'Esplendor Geometrico' of old 'Ancien Regime' para-military junta hat delivers quite some maximally dark and manic minimal wave of late, at times even slightly reminiscent of Siouxsie and the Banshees and of Joy Division, and all sung through old and charming, slightly dissonant 'Samba' melody lines vaguely hailing from certain sinister up-hill 'Cicade de Deus' margins of a distinctly distant 'Vagamundo' Purgatory past in either the Portuguese, the English or the Spanish tongues, rendering the paranoia 'facsimile in Limbo' of the coming Futurist Global Orderly State, this deep-state 'Novo Estado Novo' within the current 'Nova Bossa Nova', this 'Guerra Nova Prometheida por uma Terra Nova Prometida', the World's Electronic New Wave 'Fado' of Digital Panopticon and similar forms of purely A.I.-bot-generated (nothing personal!) Totalitarian Torture 'Technique du coup d'Etat' in genuine random numbers as already foreseen and shown to all some long time before in the Magic Green on that 'Funky Dollar Bill', 'Novus Ordo Seclorum'... Mastered by Guy Tavares More

Selected from Mike Hellboii's archives, a whole set of predominantly heavy (yet rather 'catchy' too, ooh, I'm terribly afraid!) '80's-and-'90's-Bruxelles-and-UK-styled electro-wave-synth-poppin' EBM and other ever-tragically 'New Romantic' techno 'massive-rave-and-lonely-dance floor classics'! Mastered by Guy Tavares More

Fuckin' face, mo' better blue! More

2021 Repress with basic artwork! The best, hardest and darkest exaltics so far, the last of the 1000 lights in the Sky trilogy. Atmospheric dark electro/techno, the best in the business! More

David Vunk's mini album vinyl debut on the most legendary cult The Hague recordlabel Bunker records! Expect the true techno acid! More

First-time reissue of this valuable Bunker document. After the success of the label's first seven Unit Moebius releases, number fourteen see Duivenvoorden & co tap into the same bowl of acid that made the earlier releases so infectious. Eight gnarly acid tracks that still stand as some of the most dark yet quirky techno around. More

2020 Repress! Obscure chicago trax from the '80's, epic and melancholic, dark and manic at the same time!

More

Great release with 808 rocking electro/disco tracks and some dirty Italian soundtrack style soundscapes.. 2020 Repress without original artwork. More

Electrobass from the city of The Hague (La Haia Bass) in effect. Ruff, nasty and punk. More