Recloose returns with a 5-track EP on 100 Limousines, the follow-up to last year’s stunning Round and Round on Japan’s Interspecies Records. This new release blends sophisticated emotive soundscapes, nuanced late-night jazz smoke, nocturnal energy, and playful dub-infused experimentation. Funky, cassette-like textures meet high-tech musicianship, all filtered through his meticulous standards. Over 25 years after his legendary demo submission to Carl Craig, Recloose continues to refine his craft, delivering a sound that is unmistakably his own. Made for those that know.

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INTERSPECIES RECORDS, an inter-disciplinary label that brings together not only DJs and producers, but also visual artists, electronic instrument engineers, and other specialists in sound and space, is proud to release its fourth 12-inch record!

For our latest offering we present the return of Recloose, a veteran producer who has created numerous masterpieces on labels like Planet E, Rush Hour, Peacefrog, and other global imprints since the late 1990s. He continues to explore his sound in this ambitious work, blending old and new influences, samples and synths, delivering two anthems for the dancers and heads alike. This release also includes stellar remix work from Middle Point, DJ NORIZM and kashi, the label crew of INTERSPECIES RECORDS. In the spirit of their label, each remix presents a unique twist on the original by pushing musical boundaries, fusing elements of Balearic, Loft House, Dub, UKG, Jazz House, and African sounds. As is the case with the world’s best DJs, this is a piece of music that conjures a new, unknown world by freely mixing without restraint.

(TEXT by DJ AISEI)

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With releases on esteemed labels such as Rush Hour, Peacefrog, Planet E and Sonar Kollektiv, Matt 'Recloose' Chicoine continues to impress ensuring he stays in demand whether it be as a DJ, live as Recloose or as part of Carl Craig's Innerzone Orchestra. On top of this he still manages to find time to provide the revered weekly radio show Hit It And Quit It on his home town of Auckland's George FM. Title track Don't Get Me Wrong kicks off in true Recloose style showcasing perfectly his distinctive and diverse approach by melding together dusty disco, soulful house and synth-heavy jazz and funk with the greatest of ease. Shimmy is up next treading a similar path but bringing filtering stabs, gated vocal samples and a liquid bassline to the table. Recloose works the arrangement perfectly striking the balance between a rolling groove for the dancefloor, live-sounding drops and edits and spacey FX. All in all a high energy track with originality and flare. Finally we have D.O.G regular Tornado Wallace onboard to provide a remix which takes the original into far deeper territory. TW drops the BPM's, adds an arpeggiating marimba line and builds up the synths resulting in a late night vibe which compliments the vocal perfectly.

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Germany
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Neil Landstrumm began producing in the early ‘90s after moving to Edinburgh from Inverness. Initially producing within a variety of groups often with Christian Vogel, he began his solo production in 1993 influenced by the Sheffield school of bleep as well as electro and Miami bass.
Landstrumm’s unique sound soon caught the ears of a wide variety of some of the worlds finest electronic labels and he went onto record for Tresor and Planet Mu as well as his string of EP’s and album for Peacefrog. His playful sense of humor and penchant toward unpredictable song structures and bizarre sounds have continued to offer humour in a world often dominated by serious minimalism.
Threesome features Landstrumm’s three Peacefrog EP’s originally released between early 1995 and 1996. Highlights include the minimalist Chicago jack track Takks, dancefloor destroyers such as Swing / Jerk and Blam The Target, along with the off kilter raw stomping funk of Sniff And Destroy. To this day Landstrumm remains one of the true innovators in UK techno.

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Fromtheoldtothenew was originally released in 1996 and is the second full length on Peacefrog from Steve ‘Stasis’ Pickton. Growing up as a teenager in East London, break-dancing and writing graffiti with B12’s Mike Golding, Steve Pickton’s musical education moved along a familiar path, from hip-hop to Electro and onto Techno. Schooling himself in music theory and purchasing a sampler Pickton set about making his own music.
Releasing on a whose who of seminal UK electronic labels including A.R.T., Likemind, Otherworld and B12 under various pseudinums Pickton’s UK take on lush Detroit melodies fused techno, funk, hip-hop, dub, blues and jazz into a dense concoction all of his own making. Fromtheoldtothenew saw Pickton slip off his earlier techno shackles and head for uncharted electrconic waters. The echo chamber dramatics of Gun and wayward lurch of Ale House Blues were a long way from Detroit, while few tracks have demonstrated the sheer breadth of electronica more dramatically than Utopia Planetia. All in all it's more jazz, less tech without losing the soul.
Limited stock available. So be quick!

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Growing up in Atlanta, Chris Brann discovered house and electronic music by the somewhat longwinded way of getting sent tapes from Europe. He began assembling a home studio but it wasn't until 1994 that he began his music career in earnest and formed Wamdue Kids with DJs Deep C, and Udoh. In 1995 they released the classic Higher on the Acacia label, which led to the Wamdue Kids signing to Peacefrog and the release of their seminal debut album These Branching Moments. Following the success of this the next year Chris released his first solo album Deep Fall, reflecting a different direction to that of his productions with Wamdue. Deep Fall originally released in 1997 is delicious collection of deep tech-house. Stand outs are the aptly named title track with beautiful synth washes and a single mournful modulated violin at its centre and the emotional Journey To The Centre which if it doesn't move you then nothing will. Limited stock available. So be quick!

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superb tech-jazz staying true to traditional detroit sounds - 2 tracks from the forthcoming album plus one remix by hotly tipped dutch producers FUTURE BEAT ALLIANCE (DELSIN, ARCHIVE)

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3rd installment in this succesful, limited series of bangin techno by LUKE SLATER

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