Repress!

AS THE BLACK MOON RISES THE SIGNAL IS SEEN. ONCE AGAIN REPORTS OF THE UNSEEN ARE STARTING TO EMERGE THIS PRESENCE THAT TRAVELS THRU CAT 7 HIGHWAYS TO SCAN ROUTERS WORLDWIDE COUNTERING THE PROGRAMMERS EFFORTS TO COMMERCIALIZE A FEELING OUR FEELINGS... THIS PRESENCE KNOWN AS SCAN 7 CANNOT BE DEALT WITHIN THE PHYSICAL REALM. LISTEN TO THE FEELING AND JOIN THE FIGHT. THEY CANNOT HAVE THE SOUND OF THE UNDERGROUND! IT BELONGS TO THE PEOPLE OF THE NEW TRIBE! DO NOT ALLOW YOURSELF TO BE PROGRAMMED
KIRK OUT: MAD MIKE

ALL TRACKS PRODUCED AND CONCEIVED BY "TRACKMASTER LOU" & "THE ELOHIM".
MIXED BY V. SHELTON AND MAD MIKE FOR UNDERGROUND RESISTANCE PRODUCTIONS.

ALL TRACKS RECORDED AND MIXED AT BLACK PLANET STUDIOS.
RECORDED ON A TASCAM 4 TRACK. More

Outer space or Cyber space, you decide… Fantasy or an urban introduction into the vast possibilities of the internet? Honoring sci fi heroes, citing inspiration, or something more sinister? More

Detroit techno classic by James Pennington. More

Next batch coming in on the 14th of july.

The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit. More

Repress!

“UR wonders” What happens to jazz if combined with the current electronic sound tools used to make Detroit techno now?

What might Jazz sound like if the inspirational pioneers of fusion ie; Return to Forever, Astral Pirates or Weather Report had access to the music production technology available now or in the future?

The artform called Jazz was a unique reflection of “The African American experience here in the United States.Unfortunately by the 90"s it had been compromised by major record companies and made “smoother” for mainstream consumption and more profits.

Born in America’s rural black south Rock & Roll had suffered the same fate years earlier. Original artists eventually replaced by well studied clones and corporate mega profits!! Also happening the original artform of jazz appeared to be caught, processed & throughly EXPLAINED by people who sought to intellectualize “struggle & human emotion” into mere words and then benefit immensely financially by being authorities on the subject.

Hmm sound familiar?

As you watch the current intellectual colonization of the urban inner city African American art forms house music, hip-hop, Jungle & Detroit techno get studied, bent, twisted renamed and turned into EDM profit formulas.

There stands records like Nation 2 Nation that defy these definitions and inspire the next generation of Pioneers who continue the undefined exploration of Jazz like Derek Jamerson, Jon Dixon, Raphael Merriweathers, Desean Jones, Timeline, Galaxy 2 Galaxy, Raphael Statin & Ian Finkelstein. Mother to daughter, Father to son,

Nation 2 Nation a work inspired and that inspired what’s next. More

Repress!

Detroit a city of great contrasts. Feats of engineering that spurred the world forward. For a few decades wealth and prosperity. Hi-tech dreams seemed achieved. But with the dream also comes nightmares…..Traffic Jams, Predatory Insurance Companies prey on municipalities with no mass transporation, freeways built specifically to ruin minority prosperity & to build walls between people. Beautiful countries all over the world wrecked at war over the thirst for oil, entire neighborhoods decimated when the corporate greed for profit forces engineers to build throw away cars that are quickly replaced by better built foreign competition. Even Worse……Climate change. Detroit the city that knows the best NO CORPORATIONS SHOULD DICTATE CITY FUNCTION the people should……listen to the sound and learn from it……or deal with the Lo-tech reality that Corporate greed actually is so good at building. UR the future UR the change…… More

Size S

Classic, OG UR logo, bearing the legend "Music That Never Surrenders" More

Size M

Classic, OG UR logo, bearing the legend "Music That Never Surrenders" More

Size L

Classic, OG UR logo, bearing the legend "Music That Never Surrenders" More

Size XL

Classic, OG UR logo, bearing the legend "Music That Never Surrenders" More

Size XXL

Classic, OG UR logo, bearing the legend "Music That Never Surrenders" More

Size S

Classic, OG UR logo, bearing the legend "Unexploitable" More

Size M

Classic, OG UR logo, bearing the legend "Unexploitable" More

Size L

Classic, OG UR logo, bearing the legend "Unexploitable" More

Underground Resistance repress two sought after 7 inch releases from 2006's epic 'Interstellar Fugitives 2" series.
Features 040 (Mad Mike), Orlando Voorn, Perception, DJ S2 and Von Floyd (Chaos) alongside some iconic artwork from Frankie Fultz More

Size XL

Classic, OG UR logo, bearing the legend "Unexploitable" More

Size XXL

Classic, OG UR logo, bearing the legend "Unexploitable" More

Underground Resistance repress two sought after 7 inch releases from 2006's epic 'Interstellar Fugitives 2" series.
Features 040 (Mad Mike), Orlando Voorn, Perception, DJ S2 and Von Floyd (Chaos) alongside some iconic artwork from Frankie Fultz More

Repress!

“UR wonders” What happens to jazz if combined with the current electronic sound tools used to make Detroit techno now?

What might Jazz sound like if the inspirational pioneers of fusion ie; Return to Forever, Astral Pirates or Weather Report had access to the music production technology available now or in the future?

The artform called Jazz was a unique reflection of “The African American experience here in the United States.Unfortunately by the 90"s it had been compromised by major record companies and made “smoother” for mainstream consumption and more profits.

Born in America’s rural black south Rock & Roll had suffered the same fate years earlier. Original artists eventually replaced by well studied clones and corporate mega profits!! Also happening the original artform of jazz appeared to be caught, processed & throughly EXPLAINED by people who sought to intellectualize “struggle & human emotion” into mere words and then benefit immensely financially by being authorities on the subject.

Hmm sound familiar?

As you watch the current intellectual colonization of the urban inner city African American art forms house music, hip-hop, Jungle & Detroit techno get studied, bent, twisted renamed and turned into EDM profit formulas.

There stands records like Nation 2 Nation that defy these definitions and inspire the next generation of Pioneers who continue the undefined exploration of Jazz like Derek Jamerson, Jon Dixon, Raphael Merriweathers, Desean Jones, Timeline, Galaxy 2 Galaxy, Raphael Statin & Ian Finkelstein. Mother to daughter, Father to son,

Nation 2 Nation a work inspired and that inspired what’s next. More

Repress landing mid january 2023!

UR introduces Mano De Fuego!! This spiritual shamanistic electronic music will take your spirit forward up and over whatever is in your way. Dance with relatives from the past, the present & the future, learn who UR. More

Repress!
Aaahh, how nice. A long awaited dream comes true. Aril Brikha has made a new record. And that this is being released on KOMPAKT doesn´t make us only very happy, but also a little bit proud. Because despite of Aril´s fame, his output is quite thin on the ground. There have only been 5 releases of him yet. One on Fragile. Two on Transmat. One on Absoluttracks and one on Music Man. Most of them already have the classics status. On this Winter EP there is no new "Groove la Chord", but still: What these two tracks are doing to the dancefloor has scarcity value nowadays: There is a lot of smiling, jumping and kissing. Therefore we give him the order of merit. Thank you Aril! More

Repress!
Essential, blueprint House groove More

Juan Atkin's masterpiece compilation, the blueprint of Techno albums.... the 1993 Model 500 'Classics' compilation with some of Juan Atkins' biggest early Metroplex milestones, with some of them in exclusive remixed versions. 3 decades later Metroplex is re-releasing this collection of hugely influential tracks for a new generation to play from fresh and clean vinyl!. Just like the recent 12" reissue series, this album has been fully remastered with all the care and attention to detail you can imagine. Tracks like ,,No UFOs", ,,The Chase", ,,Techno Music", ,,Night Drive (Time, Space, Transmat)" or ,,Off To Battle" are basically techno ground zero, with the electro influence of mid-80s to late-80s Juan Atkins productions still omnipresent. 30 years on since its original release on R&S records, 'Classics' is still as gritty and timeless a statement as ever. Pure sonic futurism! More

An enormous collaboration between the current leaders of the new generation of Detroit dance music MOODYMAN, THEO PARRISH, RICK WILHITE and MARCELUS PITTMAN. Three tracks of deep, afro inspired underground techno soul that, much like anything any of these men has ever produced, is sure to go down in history as one of 'the' records to have bought new. More

Repress!

Definitely one of the greatest techno records ever made. Please get your order in ASAP. More

Size L

Classic, OG UR logo, bearing the legend "Music That Never Surrenders" More

tehran born, stockholm, sweden based(now berlin) dj and producer aril brikha is no newcomer to the global electronic music scene. since the late 1990ees his genre meltdown between techno and house seduces club music enthusiasts around the world. influenced by all sorts of electronic music - ranging from depeche mode, front 242 and jean-michel jarre to robert hood and underground resistance – his sounds always wind between straight up club tracks and more deep unwound moving arrangements. his new productions listen to dreamy names like “a cautious gaze” or “everything was here first” and get constantly enlarged with melodies, sounds and harmonies that go beyond the usual characteristics of a dance album. the overall touch is ambientish, partly discreet rolling bass-lines call for a physical movement while spherical synthlines drift across deep floating trance territory. an album for dreamers, that love to get lost in a contemporary un-nostalgic musical journey without the dictation to dance. a record that explores an infinite space of sound with a heartfelt human touch delivered in eight slow grooving tracks mixed in perfection. all hand out a moving story arc full of fluid in-the-moment moods who dance around subliminal bass shapes and dreamfully synth pads. you can call it ambient. you can call it trance. whatever you name it, the laidback enthusiasm of “dance of a trillion stars” brings an auditory experience that haunts deeply, gives space for the tones between the tones and prepares all aril brikha fans peacefully for his upcoming adventures for the dancefloor. More