REISSUE!!! More

REISSUE!!! More

DJ FALCON and THOMAS BANGALTER return with one of the biggest tune of the year that might spark the fire again for french filter house. samples are looped into a hypnotic, loved-up mantra dragged out longer than you might expect before the typical DAFT PUNK kickdrum kicks you hard in the groin. More

REPRESS!! More

REISSUE!!! More

Boston's Dana Kelley aka Callisto is a man whose music has long been the subject of much deserved adulation. A student of the deep and soulful, an explorer of the melodic and galactic, and an artist who manages to capture imaginations with his supremely crafted sonics. He is a much missed artist, someone who departed the physical too early, but the body of work he left behind has spoken to generations of listeners, DJ's and fans in equal measure. This is the third and final instalment of 3 compilations focused on Callisto's golden period of productions for the legendary Chicago label Guidance Recordings. As with the other volumes that preceded it, it's an outright and joyous celebration of his music, his vision and the forward looking nature of his music that is still intact today. It's hard to think of someone with a more unique style and with a truer idea of their own sound-world. Callisto takes us deep inside, into other worlds with his own individualistic take on house, techno, ambient and even jungle and D&B. These compilations celebrate one of the most idiosyncratic artists from the second wave of US house music producers, a truly essential body of work presented here respectfully, sourced from all audio sources courtesy of Above Board Projects, Guidance Recordings and Dana's family. Mastered by Curved, London and with special artwork by Atelier Superplus featuring a never before seen image of Dana from his family's photo albums. More

An essential piece of electronic history is restored to its full glory for the 30th anniversary, with all 25 tracks of Selected Ambient Works II reunited in this Expanded Edition alongside two extras. Constantly referenced and revered decades after its release, SAWII has seen accolades such as the Pitchfork perfect 10 and #2 best ambient album of all time.

Written in his early 20s, it follows the glacial synths and deft percussion of Selected Ambient Works 85-92 and preceding the contorted, intricate, abstract visions of electronic music on ...I Care Because You Do. Aphex Twin crafted this mammoth set of mostly beatless vistas, textured compositions that are by turns beautiful, nightmarish, emotive, and thrilling.

From swooning beauty to careening dread, even in just the first two tracks, SAWII is a stunning and faultless piece of work. Each soundscape brings with it the sense of standing in some vast space, with dripping rusted pipes and dilapidated walls, or endless canyons of low bitrate whooshing winds. Tracks like ‘Blue Calx’ emanate a strange kind of peace, with synths that sound like wobbling laminated paper or underwater radar blips while a constant knocking keeps pace. Elsewhere, curious microtonal keys flutter and subtly morph, low frequencies throb and purr, and oscillating hums induce hypnagogia.

The gossamer soft chords of ‘#3’ (AKA ‘Rhubarb’) move slow as clouds, airy wisps that are translated into orchestral grandeur on the exclusive ‘Rhubarb Orc. 19.53 Rev’ with quivering strings, ethereal choir, and reversed molten bass, while ‘th1 [evnslower]’ is a sonorous blur floating from hopeful lifts to anxious dissonance. Finally included on all formats after 30 years, ‘#19’ (AKA ‘Stone In Focus’) seems to smooth over all the wrinkles of life with its blissfully monolithic chords and faint ripples of melody, its ticking like skipping stones marking the passage of time till it slows to a gentle halt.


- Polylined inner sleeves
- Foil blocked wide spine outer sleeve
- Fold out poster
- Sticker insert
- Expanded edition includes all songs on all formats for the first time, including previously vinyl-exclusive track #19 alongside two additional tracks (officially released and on physical formats for the first time)
- Artwork by Paul Nicholson, original album designer + Aphex logo designer More

Boston's Dana Kelley aka Callisto is a man whose music has long been the subject of much deserved adulation. A student of the deep and soulful, an explorer of the melodic and galactic, and an artist who manages to capture imaginations with his supremely crafted sonics. He is a much missed artist, someone who departed the physical too early, but the body of work he left behind has spoken to generations of listeners, DJ's and fans in equal measure. This, the second instalment of 3 compilations focused on Callisto's golden period of productions for the legendary Chicago label Guidance Recordings, sees even more of Dana's most highly coveted work featured side by side, chock full of rarities and classics. A celebration of the man's music, his vision and the forward looking nature of his music that is still intact today. It's hard to think of someone with a more unique style and with a truer idea of their own sound-world. Callisto takes us deep inside, into other worlds with his own individualistic take on house, techno, ambient and even jungle and D&B These compilations celebrate one of the most idiosyncratic artists from the second wave of US house music producers, a truly essential body of work presented here respectfully, sourced from all audio sources courtesy of Above Board Projects, Guidance Recordings and Dana's family. Mastered by Curved, London and with special artwork by Atelier Superplus featuring a never before seen image of Dana from his family's photo albums. More

- Spec: 2 x LP in paper inners, in 5mm outer sleeve with download card insert.

Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.

All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life. More

"Lloyd Stellar X The Droid - Rise of theAMachines is an exciting debut collaboration between Erik Griffioen & Ben Evans.AAn impressive maxi EP, loaded with cutting edge electro brimmingAwith musicality, sound design and expert production.A

Kicking off the release comes theAtitle track 'Rise Of The Machines', this quirky yet nuanced excursion sets the pace, allowing it's nifty ricocheting sequences, slick 808s, and tripped out ear candy to hit the clubs. 'Prisoners features a wiggly bass led jam, plastered with synths and finished with a dash of vocoded vocals. TheAduos ability to illustrate a dense sonic picture is evident once again on 'Cell Block' as intricate razor sharp drum programming holds the ship steady while ominous synths let the head wander before rich melancholic pads blast a sense of perspective and emotive depth.A
A
Onto the flip side - 'Room And Pillar'Agrabs the bull by the horns with a tough and aggressive bass line driven banger. Shrieking, twisted synth lines and FX are shattered across the track, keeping tension levels peaking, while TR808 rhythms cut through with military precision. Contrasting A'The Neutral Zone' sucks us into a deep atmospheric orbit of blissful yet inquisitive FM synthesis, distant emotive pads, fortified by warm stately bass tones. ARounding off the EP 'Coming Home' exhibits electro minimalism at its finest. An entangled, ever evolving musical conversation between bass and upper register synths leads, filled with a sense of hope and optimism, assisted by meticulous programmed electro drums, reminiscent of the best of Schatraxx.A

A1 Rise of the MachinesA
A2 PrisonersA
A3 Cell BlockA
B1 Room and Pillar
B2 The Neutral Zone
B3 Coming Home More

Repress!

In dialogue with both past and future, Slapfunk protégé Julian Anthony drops his debut solo EP and touches down with a 4-track invocation of classic 90s house templates.

Tripped out sensibility meets sci-fi tendency as ‘Full Moon Fever’ and ‘Open Minded’ deliver full-bodied exercises in total dance floor immersion. Fractal fuel for the vision quest, they’re sophisticated like the finest dream house while channelling the buoyant, jacking heft of timeless Chi-town material.

Wide eyed but tuff, ‘Stormy Tuesday’ rolls in with more of the groove-forward drive that typifies Anthony’s best work. It’s just the kind of immaculate gear we've come to expect from the Dutchman, and evoking golden era Dream 2 Science, ‘Virtual Reality’ ploughs the same furrow of propulsive, ‘90s-indebted house. Deep space projections radiating togetherness and warmth from the start. More

New Label by Eversines!

"Welcome to Jamming Is Life, a new label embodying the spirit of improvisation, spontaneity, and emotional expression through sound.

For the first release I’ve selected four of my tracks to set the mood for what I have in mind for this imprint:
Chasing the mystery in music, the unexplainable, while keeping it fresh and clubby. I’m not big on promo texts, but truly hope this music will find a way to speak to you.

Limited to 300 vinyl only copies, no repress.
Sincerely,
Eversines" More

Repress!

For over 20 years Gosub has brought us his brand of classic electro cuts, so it was really interesting to see his techno mind in action on “Cosmic Cannibals”. Though out this release Gosub drapes soul across the Detroit fueled 808/909 foundation though out this vinyl release.

Starting with “The Depth Charge” a dark dimensional warping bass and a synth that cuts through the darkness sounding like if Charlie Parker designed a synth a definite for repeat. Full 909 in effect on “The Way Home II” with heavy toms an high Ph acid lines provoke the listener to pay further attention to the details in this track.

On the B-Side “The Ratio” which features New York’s Preston Fulwood on vocals and keys brings in the funk infused to Gosub’s more familiar electro beats we find really rewarding. This track is brings the funk and jazz while Preston’s vocals make you want to sing and find your own soul. The ending’s dark vocoder reminds the listener that “This is just your virtual reality”. Preston & Gosub makes you want more of this future sound. Lastly, “Omni Presence” grounds us again with low swung 303 baselines grinding against a straight 4 on the floor beat while supporting synths carry on with their own conversation. Be warned.

We hope you enjoy this analog recording. More

A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno. More