12"
pre-sale
Label:Different Planet Records
Cat-No:DPR-002LTD
Release-Date:24.07.2026
Genre:House / Techno
Configuration:12"
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Different Planet Records
Cat-No:DPR-002LTD
Release-Date:24.07.2026
Genre:House / Techno
Configuration:12"
Barcode:
1
Robert Tylutki - Vril Society
2
Robert Tylutki - Fightclub over
3
Robert Tylutki - Free energy
4
Robert Tylutki - Symbiotic engine
coloured vinyl
Tracklisting
A1 Robert Tylutki - Vril Society
A2 Robert Tylutki - Fightclub over
B1 Robert Tylutki - Free energy
B2 Robert Tylutki - Symbiotic engine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
A1 Robert Tylutki - Vril Society
A2 Robert Tylutki - Fightclub over
B1 Robert Tylutki - Free energy
B2 Robert Tylutki - Symbiotic engine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Robert Tylutki
Label:Different Planet Records
Cat-No:DPR-002
Release-Date:24.07.2026
Genre:House / Techno
Configuration:12"
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Different Planet Records
Cat-No:DPR-002
Release-Date:24.07.2026
Genre:House / Techno
Configuration:12"
Barcode:
1
Robert Tylutki - Vril Society
2
Robert Tylutki - Fightclub over
3
Robert Tylutki - Free energy
4
Robert Tylutki - Symbiotic engine
black vinyl
Tracklisting
A1 Robert Tylutki - Vril Society
A2 Robert Tylutki - Fightclub over
B1 Robert Tylutki - Free energy
B2 Robert Tylutki - Symbiotic engine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
A1 Robert Tylutki - Vril Society
A2 Robert Tylutki - Fightclub over
B1 Robert Tylutki - Free energy
B2 Robert Tylutki - Symbiotic engine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
backorder
Label:Different Planet Records
Cat-No:DPR001
Release-Date:24.03.2023
Genre:House / Techno
Configuration:12"
Barcode:
backorder
Last in:-
+ Show full info- Close
backorder
Last in:-
Label:Different Planet Records
Cat-No:DPR001
Release-Date:24.03.2023
Genre:House / Techno
Configuration:12"
Barcode:
1
Robert Tylutki - 24 Hours
2
Robert Tylutki - At Night
3
Robert Tylutki - Darkest Hour
4
Robert Tylutki - Lovely memories
Tracklisting:
A1 Robert Tylutki - 24 Hours
A2 Robert Tylutki - At Night
B1 Robert Tylutki - Darkest Hour
B2 Robert Tylutki - Lovely memories
Sales Note
Darkest hour EP
As the artwork on the EP depicts, "Darkest hour before dawn" is a dusky scenario representing the Dutch environment known as "the polder" in the lower lands. It questions all kinds of actions taken or not taken to protect, restore, conserve, innovate, or modestly leave the landscape to its own more murky outcome. The darkest hour, full of gloom, will be available around the spring equinox?
Portrait of tracks separately:
"Darkest Hour before dawn"
Is this piece supposed to be an ode to the ancient Dutch hardcore movement, that once and probably only then would be experienced to such intensity or is this still maybe just a little near reminder of it? Anyway starts this unlit track slowly and remains that way but maintains a fat-pumping pulse, possibly reminding of a soldier walking a death march. Settling up those launch pads further down the piece, near the bridge for shooting off some drum-fire 909 snares as if it rocketed. Then, suddenly, the extended delay of that snare turns into a psychedelic drone beside, attending to, or paranoidly chasing comrades soul in his journey throughout and above like a trustful partner?
Arp's LFO that is out of sync with the beat and is being outpaced by it seems to slow everything down even more; meantime creating a pulling, buggy-like effect to the due of all this.
The ascending and descending ghost-pad drawing into the grid of the (tone) key, thereafter parking in them for a while and cycling out again, creating a spatial flow of disturbance and anxiety.
Finishes it with a mountain-big reverberation of organized destruction and chaos. What at first sight seems like simply an innocent route appears to actually be a bit more complex one.
"Lovely memories"
The quite monotonous structure of Lovely memories catchy and groovy song is scanning through your brain files; revisiting, memorizing, and purposely lacking these few "dots above the I" that in some cases you'd gladly be feeling like to square fit it in yourself, of course, when necessary. Connecting the puzzling, dazzling flashbacks together to finally wrap up and perpetuate the pictured events for good, leaving traces of melancholy, loveliness, and perhaps even faith to it.
"24 hours"
Dinginess of 24 hours supposes to be felt in the guts.
The beat, steady with that snare on the 4 & 12, might not be one of the greatest inventions. However, the TR-08's drum line here lays a solid and fertile foundation for a reasonable house track.
Slightly detuned synths weave a scarf pattern around your upper body, and the lower layers carry a warm blanket for the underbelly, providing you with that cozy sense of consolation. Acidy pokes wring itself sneaky and penetrable around, slicing through the song's already solid flesh. Therefore, balancing its bitter sweetness throughout with these soft-hard saw-tooth drops of sourness.
"24 hours" conveys a dispatch or intercommunication that there is little time left to take actions/charge to fix and restore. Something big is about to come if it hasn't arrived already...
"At night"
This remarkable story is a bit out of ordinary.
At night appeared in the artist's dream just the night before his sick father was raised from death in the hospital and got just another year to live before actually passing away completely and anyway. ; ))
And thus also dedicated to the man.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Robert Tylutki - 24 Hours
A2 Robert Tylutki - At Night
B1 Robert Tylutki - Darkest Hour
B2 Robert Tylutki - Lovely memories
Sales Note
Darkest hour EP
As the artwork on the EP depicts, "Darkest hour before dawn" is a dusky scenario representing the Dutch environment known as "the polder" in the lower lands. It questions all kinds of actions taken or not taken to protect, restore, conserve, innovate, or modestly leave the landscape to its own more murky outcome. The darkest hour, full of gloom, will be available around the spring equinox?
Portrait of tracks separately:
"Darkest Hour before dawn"
Is this piece supposed to be an ode to the ancient Dutch hardcore movement, that once and probably only then would be experienced to such intensity or is this still maybe just a little near reminder of it? Anyway starts this unlit track slowly and remains that way but maintains a fat-pumping pulse, possibly reminding of a soldier walking a death march. Settling up those launch pads further down the piece, near the bridge for shooting off some drum-fire 909 snares as if it rocketed. Then, suddenly, the extended delay of that snare turns into a psychedelic drone beside, attending to, or paranoidly chasing comrades soul in his journey throughout and above like a trustful partner?
Arp's LFO that is out of sync with the beat and is being outpaced by it seems to slow everything down even more; meantime creating a pulling, buggy-like effect to the due of all this.
The ascending and descending ghost-pad drawing into the grid of the (tone) key, thereafter parking in them for a while and cycling out again, creating a spatial flow of disturbance and anxiety.
Finishes it with a mountain-big reverberation of organized destruction and chaos. What at first sight seems like simply an innocent route appears to actually be a bit more complex one.
"Lovely memories"
The quite monotonous structure of Lovely memories catchy and groovy song is scanning through your brain files; revisiting, memorizing, and purposely lacking these few "dots above the I" that in some cases you'd gladly be feeling like to square fit it in yourself, of course, when necessary. Connecting the puzzling, dazzling flashbacks together to finally wrap up and perpetuate the pictured events for good, leaving traces of melancholy, loveliness, and perhaps even faith to it.
"24 hours"
Dinginess of 24 hours supposes to be felt in the guts.
The beat, steady with that snare on the 4 & 12, might not be one of the greatest inventions. However, the TR-08's drum line here lays a solid and fertile foundation for a reasonable house track.
Slightly detuned synths weave a scarf pattern around your upper body, and the lower layers carry a warm blanket for the underbelly, providing you with that cozy sense of consolation. Acidy pokes wring itself sneaky and penetrable around, slicing through the song's already solid flesh. Therefore, balancing its bitter sweetness throughout with these soft-hard saw-tooth drops of sourness.
"24 hours" conveys a dispatch or intercommunication that there is little time left to take actions/charge to fix and restore. Something big is about to come if it hasn't arrived already...
"At night"
This remarkable story is a bit out of ordinary.
At night appeared in the artist's dream just the night before his sick father was raised from death in the hospital and got just another year to live before actually passing away completely and anyway. ; ))
And thus also dedicated to the man.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Different Planet Records
Label:Different Planet Records
Cat-No:DPR-002
Release-Date:24.07.2026
Genre:House / Techno
Configuration:12"
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Different Planet Records
Cat-No:DPR-002
Release-Date:24.07.2026
Genre:House / Techno
Configuration:12"
Barcode:
1
Robert Tylutki - Vril Society
2
Robert Tylutki - Fightclub over
3
Robert Tylutki - Free energy
4
Robert Tylutki - Symbiotic engine
black vinyl
Tracklisting
A1 Robert Tylutki - Vril Society
A2 Robert Tylutki - Fightclub over
B1 Robert Tylutki - Free energy
B2 Robert Tylutki - Symbiotic engine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
A1 Robert Tylutki - Vril Society
A2 Robert Tylutki - Fightclub over
B1 Robert Tylutki - Free energy
B2 Robert Tylutki - Symbiotic engine
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
backorder
Label:Different Planet Records
Cat-No:DPR001
Release-Date:24.03.2023
Genre:House / Techno
Configuration:12"
Barcode:
backorder
Last in:-
+ Show full info- Close
backorder
Last in:-
Label:Different Planet Records
Cat-No:DPR001
Release-Date:24.03.2023
Genre:House / Techno
Configuration:12"
Barcode:
1
Robert Tylutki - 24 Hours
2
Robert Tylutki - At Night
3
Robert Tylutki - Darkest Hour
4
Robert Tylutki - Lovely memories
Tracklisting:
A1 Robert Tylutki - 24 Hours
A2 Robert Tylutki - At Night
B1 Robert Tylutki - Darkest Hour
B2 Robert Tylutki - Lovely memories
Sales Note
Darkest hour EP
As the artwork on the EP depicts, "Darkest hour before dawn" is a dusky scenario representing the Dutch environment known as "the polder" in the lower lands. It questions all kinds of actions taken or not taken to protect, restore, conserve, innovate, or modestly leave the landscape to its own more murky outcome. The darkest hour, full of gloom, will be available around the spring equinox?
Portrait of tracks separately:
"Darkest Hour before dawn"
Is this piece supposed to be an ode to the ancient Dutch hardcore movement, that once and probably only then would be experienced to such intensity or is this still maybe just a little near reminder of it? Anyway starts this unlit track slowly and remains that way but maintains a fat-pumping pulse, possibly reminding of a soldier walking a death march. Settling up those launch pads further down the piece, near the bridge for shooting off some drum-fire 909 snares as if it rocketed. Then, suddenly, the extended delay of that snare turns into a psychedelic drone beside, attending to, or paranoidly chasing comrades soul in his journey throughout and above like a trustful partner?
Arp's LFO that is out of sync with the beat and is being outpaced by it seems to slow everything down even more; meantime creating a pulling, buggy-like effect to the due of all this.
The ascending and descending ghost-pad drawing into the grid of the (tone) key, thereafter parking in them for a while and cycling out again, creating a spatial flow of disturbance and anxiety.
Finishes it with a mountain-big reverberation of organized destruction and chaos. What at first sight seems like simply an innocent route appears to actually be a bit more complex one.
"Lovely memories"
The quite monotonous structure of Lovely memories catchy and groovy song is scanning through your brain files; revisiting, memorizing, and purposely lacking these few "dots above the I" that in some cases you'd gladly be feeling like to square fit it in yourself, of course, when necessary. Connecting the puzzling, dazzling flashbacks together to finally wrap up and perpetuate the pictured events for good, leaving traces of melancholy, loveliness, and perhaps even faith to it.
"24 hours"
Dinginess of 24 hours supposes to be felt in the guts.
The beat, steady with that snare on the 4 & 12, might not be one of the greatest inventions. However, the TR-08's drum line here lays a solid and fertile foundation for a reasonable house track.
Slightly detuned synths weave a scarf pattern around your upper body, and the lower layers carry a warm blanket for the underbelly, providing you with that cozy sense of consolation. Acidy pokes wring itself sneaky and penetrable around, slicing through the song's already solid flesh. Therefore, balancing its bitter sweetness throughout with these soft-hard saw-tooth drops of sourness.
"24 hours" conveys a dispatch or intercommunication that there is little time left to take actions/charge to fix and restore. Something big is about to come if it hasn't arrived already...
"At night"
This remarkable story is a bit out of ordinary.
At night appeared in the artist's dream just the night before his sick father was raised from death in the hospital and got just another year to live before actually passing away completely and anyway. ; ))
And thus also dedicated to the man.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Robert Tylutki - 24 Hours
A2 Robert Tylutki - At Night
B1 Robert Tylutki - Darkest Hour
B2 Robert Tylutki - Lovely memories
Sales Note
Darkest hour EP
As the artwork on the EP depicts, "Darkest hour before dawn" is a dusky scenario representing the Dutch environment known as "the polder" in the lower lands. It questions all kinds of actions taken or not taken to protect, restore, conserve, innovate, or modestly leave the landscape to its own more murky outcome. The darkest hour, full of gloom, will be available around the spring equinox?
Portrait of tracks separately:
"Darkest Hour before dawn"
Is this piece supposed to be an ode to the ancient Dutch hardcore movement, that once and probably only then would be experienced to such intensity or is this still maybe just a little near reminder of it? Anyway starts this unlit track slowly and remains that way but maintains a fat-pumping pulse, possibly reminding of a soldier walking a death march. Settling up those launch pads further down the piece, near the bridge for shooting off some drum-fire 909 snares as if it rocketed. Then, suddenly, the extended delay of that snare turns into a psychedelic drone beside, attending to, or paranoidly chasing comrades soul in his journey throughout and above like a trustful partner?
Arp's LFO that is out of sync with the beat and is being outpaced by it seems to slow everything down even more; meantime creating a pulling, buggy-like effect to the due of all this.
The ascending and descending ghost-pad drawing into the grid of the (tone) key, thereafter parking in them for a while and cycling out again, creating a spatial flow of disturbance and anxiety.
Finishes it with a mountain-big reverberation of organized destruction and chaos. What at first sight seems like simply an innocent route appears to actually be a bit more complex one.
"Lovely memories"
The quite monotonous structure of Lovely memories catchy and groovy song is scanning through your brain files; revisiting, memorizing, and purposely lacking these few "dots above the I" that in some cases you'd gladly be feeling like to square fit it in yourself, of course, when necessary. Connecting the puzzling, dazzling flashbacks together to finally wrap up and perpetuate the pictured events for good, leaving traces of melancholy, loveliness, and perhaps even faith to it.
"24 hours"
Dinginess of 24 hours supposes to be felt in the guts.
The beat, steady with that snare on the 4 & 12, might not be one of the greatest inventions. However, the TR-08's drum line here lays a solid and fertile foundation for a reasonable house track.
Slightly detuned synths weave a scarf pattern around your upper body, and the lower layers carry a warm blanket for the underbelly, providing you with that cozy sense of consolation. Acidy pokes wring itself sneaky and penetrable around, slicing through the song's already solid flesh. Therefore, balancing its bitter sweetness throughout with these soft-hard saw-tooth drops of sourness.
"24 hours" conveys a dispatch or intercommunication that there is little time left to take actions/charge to fix and restore. Something big is about to come if it hasn't arrived already...
"At night"
This remarkable story is a bit out of ordinary.
At night appeared in the artist's dream just the night before his sick father was raised from death in the hospital and got just another year to live before actually passing away completely and anyway. ; ))
And thus also dedicated to the man.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
+ Show full info- Close
1
Cash - Vocal
2
Cash - Instrumental
3
Cash - I Know You Care
983 Cleveland Ohio funk bomb from Dennis “Cash” Roberson’s trio CASH. Co-Written with Mike Calhoun (C-Brand, Dazz Band) and Kevin Kendrick (Cameo, Flash) two midwest talents unmatched. PPU-121 also includes “I Know You Care” the unreleased follow-up single (re-discovered by boogie-times records, france)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
+ Show full info- Close
pre-sale
Last in:-
Label:Trelik
Cat-No:TR01
Release-Date:18.09.2026
Genre:techhouse
Configuration:12"
Barcode:
1
Tan Ru - Changeling
2
Tan Ru - Changeling (L + H Dub)
3
Tan Ru - Assembly
It's 1995 and techno has hit max speed while house is going deep. UK soon-to-be-legend Baby Ford has different ideas as he kicks off his now cult Trelik label with this EP from Ian David Loveday aka Tan-Ru that strips everything back, layers in dubby low ends and masters the art of loop building. It's still driving and mind-melting but with a restrained and futuristic sound that is utterly fresh. As well as the original is a more textured dub and the flip-side classic ' Assembly'. This one is in a hurry, with claps and feathery snares riding the swinging drums. Freaky stabs bring some fun and decades on the EP, which started it all, still sounds unmatched.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Most Excellent Unlimited
Cat-No:MXMRK2080
Release-Date:17.07.2026
Configuration:7"
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Most Excellent Unlimited
Cat-No:MXMRK2080
Release-Date:17.07.2026
Configuration:7"
Barcode:
1
Mos Def - Umi Says (Mr. K 7" Edit)
2
Jill Scott - Golden (Mr. K 7" Edit)
As you will already know if you're a regular reader of these reviews, Mr. K treats the edit like surgery. He's precise and almost invisible while working entirely in service of the song. The A-side of his latest splices Jill Scott's 'Golden' against an unreleased 2005 Blackbeard breakdown with strings sweeping in before a tambourine acapella strips it back to bone. Flip it over and Mos Def's 'Umi Says' gets a full extra minute of runway with swirling Weldon Irvine Jr. keys, a superb bassline coiling underneath and vocals held just out of reach. Two neo-soul monuments immaculately reworked.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Wonderwheel
Cat-No:WONDER301
Release-Date:24.07.2026
Configuration:12"
Barcode:674276888886
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Wonderwheel
Cat-No:WONDER301
Release-Date:24.07.2026
Configuration:12"
Barcode:674276888886
1
Chancha Via Circuito & Sofía Viola - Renacimiento
2
Chancha Via Circuito & Sofía Viola - Virgen del lo alto
3
Chancha Via Circuito & Sofía Viola - La esperanza
4
Chancha Via Circuito & Sofía Viola - Diosa
5
Chancha Via Circuito & Sofía Viola - Pajarito ya volaste
6
Chancha Via Circuito & Sofía Viola - Ofrenda
Sofía Viola and Chancha Vía Circuito unite on Oro en Ti, a deeply spiritual collaboration shaped by their shared roots in the southern suburbs of Buenos Aires. Blending Latin American folk traditions with hypnotic percussion, ambient textures, and Eastern influences, the album explores themes of nature, faith, humanity, and inner connection through a warm, meditative lens. Chancha Vía Circuito brings significant international profile to the project, built through years of globally acclaimed DJ sets, nearly 200 million cumulative streams across DSPs, and strong physical sales over the past decade. His work has been championed by outlets including Resident Advisor, Pitchfork, Billboard, The Guardian, NPR, and The Fader. Since emerging from the Buenos Aires underground,Sofía Viola has built a strong reputation across Latin America and Europe through her singular songwriting and live performances, earning selections to major international showcase festivals including IMESUR, Circulart, FIMPRO, BIME Pro, and MAPAS. Oro en Ti captures the chemistry between both artists through devotional songwriting and richly textured production, offering an emotionally resonant and transportive listening experience that feels both timeless and deeply connected to the present moment.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
+ Show full info- Close
1
Rosso Polare - xiv - pavo (ft. Cinna Peyghamy) [09:36]
2
Rosso Polare - falò [04:02]
3
Rosso Polare - monte (ft. Riccardo Sinigaglia) [05:46]
4
Rosso Polare - hastilude (ft. Riccardo Sinigaglia) [07:51]
5
Rosso Polare - 1744 (ft. HMOT) [06:06]
6
Rosso Polare - la cruma [07:29]
Cacciamali is an exploration of diegetic sound, folk chants and traditional rhythms and instrumentation building upon Milan based Rosso Polare’s last outing Campo Amaro and the subsequent departure of co-founder Anna Vezzosi from the group. Where the 2024 album incorporated a heavy use of folklore as a new tool, Cacciamali explores the influence further by bringing in a host of collaborative players including Italian avant-garde veteran Riccardo Sinigaglia, sound artist and researcher HMOT (Stas Shärifulla) and Persian/Parisian electro-acoustic musician Cinna Peyghamy.
‘Scoff Back Sickness’, as the title loosely translates, utilises the same approach, one based on non-hierarchical authorship and leaning heavily on field recordings that both contrast and blend with the tonal material, focusing on biophony, landscape and environmental audio as compositional material.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
‘Scoff Back Sickness’, as the title loosely translates, utilises the same approach, one based on non-hierarchical authorship and leaning heavily on field recordings that both contrast and blend with the tonal material, focusing on biophony, landscape and environmental audio as compositional material.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
+ Show full info- Close
pre-sale
Last in:-
Label:Ruff Kutz
Cat-No:RUFFKUTZ004
Release-Date:17.07.2026
Genre:Breaks
Configuration:12"
Barcode:
1
Sub Basics & Pugilist - 20-25
2
Sub Basics & Pugilist - Strings
3
Sub Basics & Pugilist - Control
4
Sub Basics & Pugilist - Depth Charge
Collaborations have always been an aspect of music I enjoy a lot, it can bring out the best in both artists when done well. It's a privilege to return the favour for one of the most exciting producers around in my opinion and to put out some of our music on my label after I released 'Reflections' on his excellent Temple of Sound back in 2019.
Tom and I came up through similar circles of music, inevitably connecting. We started to chat online and send ideas back and forth, immediately finding a shared enthusiasm for production and music in general. With a similar ethos of DIY and letting the music speak for itself, this EP was formed from the track 20-25 aptly named due to the stems being bounced back in 2020 but it eventually came together in 2025. We exchanged a few ideas and quickly realized we had a pretty strong EP in the works combining the best of both our sounds.
The EP consists of 4 hypnotic & rolling bass music tracks around 130 BPM merging influences from broken & deep Techno styles, Breakbeat & House. Perfect for deep listening or wiggling air in the club.
20-25 is a crunchy broken beat roller with lush pad work, stabs and slinky grooves before dubbed out bongos crank the energy up a notch and solidify the groove. 5 years in the making, but definitely worth the wait!
Strings on the A2 leans heavier into repetition and hypnotic grooves with slinky synthetic percussion and cavernous atmospherics. The track gradually evolves with elements filtering in and out whilst the groove anchors the track before the breakbeat science and pitchy bass comes into play. It's low and slow, building the tension before weaving in the full power of the track with haunting dissonance and dark melodics.
The title track takes the EP in another direction with it's delicate melodies and vocal, ushering in thunderous kicks. Around 2 mins in, the full weight of the track is noticeable with the low sub bass and modulating percussion. The track slowly morphs into an insatiable groove with peaks and troughs before a full send on the 2nd drop with additional percussion, intensifying the energy and taking the track into more dancefloor territory.
Finally we have Depth Charge on the B2, eyes down, dubby with a wonkified groove. This one is a slow burner, coming in at over 8 mins long. The rhythmic prowess is on full display with counter balanced rhythms, an interesting bassline and dubby pads and stabs. The track has a noticeable energy shift around 3.30 with a key change, and the slow meshing of subtle elements culminate in an easeless hypnotism where 8 mins feels like a lot less, a perfect closer.
We hope you enjoy, keep it deep!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tom and I came up through similar circles of music, inevitably connecting. We started to chat online and send ideas back and forth, immediately finding a shared enthusiasm for production and music in general. With a similar ethos of DIY and letting the music speak for itself, this EP was formed from the track 20-25 aptly named due to the stems being bounced back in 2020 but it eventually came together in 2025. We exchanged a few ideas and quickly realized we had a pretty strong EP in the works combining the best of both our sounds.
The EP consists of 4 hypnotic & rolling bass music tracks around 130 BPM merging influences from broken & deep Techno styles, Breakbeat & House. Perfect for deep listening or wiggling air in the club.
20-25 is a crunchy broken beat roller with lush pad work, stabs and slinky grooves before dubbed out bongos crank the energy up a notch and solidify the groove. 5 years in the making, but definitely worth the wait!
Strings on the A2 leans heavier into repetition and hypnotic grooves with slinky synthetic percussion and cavernous atmospherics. The track gradually evolves with elements filtering in and out whilst the groove anchors the track before the breakbeat science and pitchy bass comes into play. It's low and slow, building the tension before weaving in the full power of the track with haunting dissonance and dark melodics.
The title track takes the EP in another direction with it's delicate melodies and vocal, ushering in thunderous kicks. Around 2 mins in, the full weight of the track is noticeable with the low sub bass and modulating percussion. The track slowly morphs into an insatiable groove with peaks and troughs before a full send on the 2nd drop with additional percussion, intensifying the energy and taking the track into more dancefloor territory.
Finally we have Depth Charge on the B2, eyes down, dubby with a wonkified groove. This one is a slow burner, coming in at over 8 mins long. The rhythmic prowess is on full display with counter balanced rhythms, an interesting bassline and dubby pads and stabs. The track has a noticeable energy shift around 3.30 with a key change, and the slow meshing of subtle elements culminate in an easeless hypnotism where 8 mins feels like a lot less, a perfect closer.
We hope you enjoy, keep it deep!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
pre-sale
Label:Last Year At Marienbad
Cat-No:LYAM013
Release-Date:14.08.2026
Configuration:12" Excl
Barcode:4062548146653
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Last Year At Marienbad
Cat-No:LYAM013
Release-Date:14.08.2026
Configuration:12" Excl
Barcode:4062548146653
1
milan93 & 9ICK & Mauricesax - Rhodora
2
milan93 & 9ICK & Mauricesax - Tulip
3
milan93 & 9ICK & Mauricesax - Honeysuckle
4
milan93 & 9ICK & Mauricesax - Camellia
5
milan93 & 9ICK & Mauricesax - Tulip (Pacific Coliseum Remix)
6
milan93 & 9ICK & Mauricesax - Honeysuckle (Teuteu Remix)
Territory: Worldwide
Tracklist:
A1. Rhodora
A2. Tulip
A3. Honeysuckle
A4. Camellia
B1. Tulip (Pacific Coliseum Remix)
B2. Honeysuckle (Teuteu Remix)
Info
On Last Night At Marienbad's latest, the imprint brings together three of the brightest souls found within the realms of Jazz, namely Mauricesax, 9ick and Milan93, with their collective talents synergising effortlessly on 'A Garden Between Us', alongside a stellar cast of remixers who add even further delight between the grooves….
As a genre, Jazz has perhaps lent itself the most to other musical universes, in that its curious heart, endlessly experimental nature, and parameter-defying spirit have wrapped itself deep within the core of countless albums, scenes, and music makers. It's a genre that welcomes reinvention, consistently defying its contents and always reaching out to find new methods of expressionism. Electronic music, in its many forms, has truly embraced Jazz perhaps like no other movement of music has, with a truly astonishing array of records surfacing in the past 40 years which have blended Jazz's unique motifs with grooves, chords, and emotive excellence. From 90s Jazz house and UR Techno, through to Future Jazz, downtempo, and Hip Hop, and around many other suns, there remains such an intrinsic and symbiotic relationship between the two musical realms that caters to those who wish to live music both within and out with themselves.
As practitioners of blending electronica and Jazz, few do it like the trio of Mauricesax, 9ick, and Milan93. All three are known for their distinctive soundscapes, yet share commonalities in terms of musical language, feel, and sense of progression. Bringing them together allows for overlaps in their sounds to emerge, and just like Jazz itself, this is where the intrinsicness of sound begins to blossom. 9ick brings his softly evolving vibe to the table, one which was so prevalent and celebrated on his 2025 album 'SMIL'; Milan93 draws from his focal point of exploring fill-laden grooves and a myriad of emotive sensibilities; and Mauricesax draws up his extensive musicality that exists at the corner of jazz, electronic, and experimental music, along with running musical workshops all over the globe.
'A Garden Between Us' represents the trio's core tenets, with this immediately obvious from the record's opener, 'Rhodora'. A gentle solo piano quickly evolves into a series of powerful rhythmic pulses, with brass lines bringing vitality and feel to proceedings. The track shifts gears with purpose, transitioning between musical vignettes of the highest order, with the synth work doing much to bind the transitions together. 'Tulip' emerges slightly differently, with glossy Rhodes tones and an unravelling rhythmic undercurrent setting an enthralling stage. The track flourishes amongst sweeping textures, coming up for air amongst a deeply hypnotic rhythmic section that holds on and never lets up. 'Honeysuckle' lands next, which sees the trio emerge with a boundless, dynamic soundscape. The drums shift within the undertones, as keys, chords, horns and hip-hop vocal samples dance around the pulse, capturing the imagination with their narrative-like placement. Wrapping up the A side comes 'Camellia'. A dazzling array of harmonic sounds converges around the transfixing rhythm section, which emerges from deep below to lavishly roll out over the midsection, with the delicateness of the instrumentation a real highlight here.
The B side features two exquisite remixes, with Pacific Coliseum's version of 'Tulip' landing first. Beginning with a signature four to the floor to get things going, his careful handling of the source material is seen in the tactful introduction of the blissful elements that made the original cut so impactful, with great focus placed on emotive fidelity. The result is a summer-bound house number that reimagines the original in all the right ways, flipping it into a euphoria-driven jazz-laden pacer that reaches for the heavens as much as it drives right into the heart. Teuteu then showcases their take on 'Honeysuckle', and at 9 minutes long, represents the longest cut on the record - and the experience is all the richer for it. Leaning heavily into dance music flavours, Teuteu shifts perspective totally into the realm of the club, with the walls beating hard to the kicks. The sax lines that drift ethereally up top keep eyes closed and souls full, as the dance shifts into the next phase.
An experience that drifts from the daydreaming, to soul-warming through to the club shaking - what else is left to experience, except for 'A Garden Between Us' and how it will brighten up life itself….
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. Rhodora
A2. Tulip
A3. Honeysuckle
A4. Camellia
B1. Tulip (Pacific Coliseum Remix)
B2. Honeysuckle (Teuteu Remix)
Info
On Last Night At Marienbad's latest, the imprint brings together three of the brightest souls found within the realms of Jazz, namely Mauricesax, 9ick and Milan93, with their collective talents synergising effortlessly on 'A Garden Between Us', alongside a stellar cast of remixers who add even further delight between the grooves….
As a genre, Jazz has perhaps lent itself the most to other musical universes, in that its curious heart, endlessly experimental nature, and parameter-defying spirit have wrapped itself deep within the core of countless albums, scenes, and music makers. It's a genre that welcomes reinvention, consistently defying its contents and always reaching out to find new methods of expressionism. Electronic music, in its many forms, has truly embraced Jazz perhaps like no other movement of music has, with a truly astonishing array of records surfacing in the past 40 years which have blended Jazz's unique motifs with grooves, chords, and emotive excellence. From 90s Jazz house and UR Techno, through to Future Jazz, downtempo, and Hip Hop, and around many other suns, there remains such an intrinsic and symbiotic relationship between the two musical realms that caters to those who wish to live music both within and out with themselves.
As practitioners of blending electronica and Jazz, few do it like the trio of Mauricesax, 9ick, and Milan93. All three are known for their distinctive soundscapes, yet share commonalities in terms of musical language, feel, and sense of progression. Bringing them together allows for overlaps in their sounds to emerge, and just like Jazz itself, this is where the intrinsicness of sound begins to blossom. 9ick brings his softly evolving vibe to the table, one which was so prevalent and celebrated on his 2025 album 'SMIL'; Milan93 draws from his focal point of exploring fill-laden grooves and a myriad of emotive sensibilities; and Mauricesax draws up his extensive musicality that exists at the corner of jazz, electronic, and experimental music, along with running musical workshops all over the globe.
'A Garden Between Us' represents the trio's core tenets, with this immediately obvious from the record's opener, 'Rhodora'. A gentle solo piano quickly evolves into a series of powerful rhythmic pulses, with brass lines bringing vitality and feel to proceedings. The track shifts gears with purpose, transitioning between musical vignettes of the highest order, with the synth work doing much to bind the transitions together. 'Tulip' emerges slightly differently, with glossy Rhodes tones and an unravelling rhythmic undercurrent setting an enthralling stage. The track flourishes amongst sweeping textures, coming up for air amongst a deeply hypnotic rhythmic section that holds on and never lets up. 'Honeysuckle' lands next, which sees the trio emerge with a boundless, dynamic soundscape. The drums shift within the undertones, as keys, chords, horns and hip-hop vocal samples dance around the pulse, capturing the imagination with their narrative-like placement. Wrapping up the A side comes 'Camellia'. A dazzling array of harmonic sounds converges around the transfixing rhythm section, which emerges from deep below to lavishly roll out over the midsection, with the delicateness of the instrumentation a real highlight here.
The B side features two exquisite remixes, with Pacific Coliseum's version of 'Tulip' landing first. Beginning with a signature four to the floor to get things going, his careful handling of the source material is seen in the tactful introduction of the blissful elements that made the original cut so impactful, with great focus placed on emotive fidelity. The result is a summer-bound house number that reimagines the original in all the right ways, flipping it into a euphoria-driven jazz-laden pacer that reaches for the heavens as much as it drives right into the heart. Teuteu then showcases their take on 'Honeysuckle', and at 9 minutes long, represents the longest cut on the record - and the experience is all the richer for it. Leaning heavily into dance music flavours, Teuteu shifts perspective totally into the realm of the club, with the walls beating hard to the kicks. The sax lines that drift ethereally up top keep eyes closed and souls full, as the dance shifts into the next phase.
An experience that drifts from the daydreaming, to soul-warming through to the club shaking - what else is left to experience, except for 'A Garden Between Us' and how it will brighten up life itself….
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP Excl
pre-sale
Label:NOTON
Cat-No:N-068-2
Release-Date:18.09.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:4251804155359
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:NOTON
Cat-No:N-068-2
Release-Date:18.09.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:4251804155359
1
Ryuichi Sakamoto & Alva Noto - A_01_12_conversation_01
2
Ryuichi Sakamoto & Alva Noto - A_02_12_conversation_02
3
Ryuichi Sakamoto & Alva Noto - A_03_12_conversation_03
4
Ryuichi Sakamoto & Alva Noto - B_04_12_conversation_04
5
Ryuichi Sakamoto & Alva Noto - B_05_12_conversation_05
6
Ryuichi Sakamoto & Alva Noto - C_06_12_conversation_06
7
Ryuichi Sakamoto & Alva Noto - C_07_12_conversation_07
8
Ryuichi Sakamoto & Alva Noto - C_08_12_conversation_08
9
Ryuichi Sakamoto & Alva Noto - D_09_12_conversation_09_part1
10
Ryuichi Sakamoto & Alva Noto - D_10_12_conversation_09_part2
11
Ryuichi Sakamoto & Alva Noto - D_11_12_conversation_09_part3
12
Ryuichi Sakamoto & Alva Noto - D_12_12_conversation_09_part4
13
Ryuichi Sakamoto & Alva Noto - D_13_12_conversation_09_part5
14
Ryuichi Sakamoto & Alva Noto - D_14_12_conversation_10
15
Ryuichi Sakamoto & Alva Noto - D_15_12_conversation_11
16
Ryuichi Sakamoto & Alva Noto - D_16_12_conversation_12
2LP | 2 × 12 Inch ‘Black’ Vinyl, 33.3 rpm, Tip-on Cover, Special Varnish
Available in the following Territories: Wordwide minus Japan & Korea
NOTON is pleased to announce12 Conversations, a collaborative album by Ryuichi Sakamoto and Alva Noto to be released on 18 September 2026.
The partnership between the legendary musician and composer Ryuichi Sakamoto and the German artist Carsten Nicolai (aka Alva Noto) has produced some of the most distinctive and enduring works in contemporary electroacoustic music. Beginning with Vrioon in 2002, the artists spent more than two decades fusing and expanding their disciplines, with Sakamoto's evocative, sustain-drenched piano compositions finding their counterpart in Nicolai's skilful and sensitive electronic detailing.
Each successive project further deepened their artistic dialogue: from the five studio albums of the V.I.R.U.S. series (Vrioon, Insen, Revep, Utp_ with Ensemble Modern, and Summvs), to their score for Alejandro G. Iñárritu's The Revenant; Glass (2017), a wholly improvised performance inside Philip Johnson's iconic Connecticut landmark, in which the pair fixed contact microphones to the glass walls, playing the architecture itself as an instrument; and Two (2019), a document of their live performance at the Sydney Opera House.
Across these works, their distinct approaches achieved a rare synthesis, a brilliantly sustained dialogue between piano and electronics, Sakamoto's warmth and melodic finesse meeting Nicolai's abstract electronic formalism to invoke a mesmeric quietude as deeply satisfying in its melodic resolutions as in the merger of its filmic romanticism and meditative subtlety.
12 Conversations brings together musical exchanges recorded in November and December 2022. Rooted in the same creative period that gave rise to Sakamoto's final solo album 12, these recordings were not originally intended as a standalone release. It was only after the completion of 12 that Sakamoto and Nicolai decided to present these exchanges as a work in their own right.
The album reflects the vitality and curiosity that defined more than two decades of shared inspiration: fluid, exploratory, and forward-looking. Created with openness and trust, it captures a creative process in constant transformation - sounds expanding, altering, and evolving through attentive listening.
Conceived as the continuation of an artistic dialogue extending beyond the physical, 12 Conversations honours Sakamoto's wish that these encounters should exist beyond the archive, offering an enduring testament to one of contemporary music's most revered collaborations.
Carsten Nicolai writes:
"A heavy breath can be heard in the recordings. Yet this work is not about remembrance but continuation, vitality, curiosity, and the spirit of experimentation that shaped an artistic relationship over decades.
The twelve pieces we exchanged in November and December 2022 possess extraordinary density: sounds expanded, altered, recontextualized. Initially, every intervention felt almost inappropriate. Yet this was part of our openness and trust: adding, shifting and radically yet softly transforming.
Even in these final exchanges, plans for future projects continued to take shape, mindful of finite yet firmly believing in the power of new ideas. We chose the name Conversations, which has become a space of memory and vision, where past, present and future intertwine.
For a long time, releasing this music seemed impossible. The loss felt too sudden, and the emotional connection too profound. As time passed, it became clear that these twelve musical encounters should have life outside the archive. To honor Ryuichi's wish, these pieces are now being released as the continuation of a dialogue that extends beyond the physical."
The first single, Conversation 3, will be released on Tuesday, July 14, 2026. The second single, Conversation 6, will be be released on Wednesday, August 26, 2026.
12 Conversations will be available worldwide on vinyl, CD and digitally. A Japanese edition will be available on Ryuichi Sakamoto's commons.
Tracklist
1. Conversation 1
2. Conversation 2
3. Conversation 3
4. Conversation 4
5.Conversation 5
6. Conversation 6
7. Conversation 7
8. Conversation 8
9. Conversation 9 Part I
10. Conversation 9 Part II
11. Conversation 9 Part III
12. Conversation 9 Part IV
13. Conversation 9 Part V
14. Conversation 10
15. Conversation 11
16. Conversation 12
Album art designed by Carsten Nicolai & Nibo.
Mastered by: Bo Kondren at Calyx Mastering, Berlin (2026)
Voice on Track 07: Emma Maeda
Texts: Rainer Maria Rilke, Primal Sound
Press release text: Maria Orciuoli
Special thanks: Norika Sora, Alec Fellman, Sherry Kennedy, Erin Gleeson
© & P: 2026 NOTON. Archiv für Ton und Nichtton. All rights reserved.
Tracklisting
---------------------------------------------------------
Medium: // Side: // Track: 1
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 1
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: DE1N62600003
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 2
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 2
Playtime: 00:05:42
Explicit Lyrics: No
ISRC: DE1N62600004
(P):
---------------------------------------------------------
Medium: // Side: // Track: 3
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 3
Playtime: 00:05:53
Explicit Lyrics: No
ISRC: DE1N62600005
(P):
---------------------------------------------------------
Medium: // Side: // Track: 4
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 4
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: DE1N62600006
(P):
---------------------------------------------------------
Medium: // Side: // Track: 5
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 5
Playtime: 00:06:26
Explicit Lyrics: No
ISRC: DE1N62600007
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 6
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 6
Playtime: 00:07:26
Explicit Lyrics: No
ISRC: DE1N62600008
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 7
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 7
Playtime: 00:10:31
Explicit Lyrics: No
ISRC: DE1N62600009
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 8
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 8
Playtime: 00:03:20
Explicit Lyrics: No
ISRC: DE1N62600010
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 9
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part I
Playtime: 00:01:12
Explicit Lyrics: No
ISRC: DE1N62600011
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 10
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part II
Playtime: 00:03:27
Explicit Lyrics: No
ISRC: DE1N62600012
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 11
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part III
Playtime: 00:00:51
Explicit Lyrics: No
ISRC: DE1N62600013
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 12
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part IV
Playtime: 00:02:15
Explicit Lyrics: No
ISRC: DE1N62600014
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 13
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part V
Playtime: 00:00:39
Explicit Lyrics: No
ISRC: DE1N62600015
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 14
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 10
Playtime: 00:03:01
Explicit Lyrics: No
ISRC: DE1N62600016
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 15
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 11
Playtime: 00:04:35
Explicit Lyrics: No
ISRC: DE1N62600017
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 16
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 12
Playtime: 00:02:41
Explicit Lyrics: No
ISRC: DE1N62600018
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Available in the following Territories: Wordwide minus Japan & Korea
NOTON is pleased to announce12 Conversations, a collaborative album by Ryuichi Sakamoto and Alva Noto to be released on 18 September 2026.
The partnership between the legendary musician and composer Ryuichi Sakamoto and the German artist Carsten Nicolai (aka Alva Noto) has produced some of the most distinctive and enduring works in contemporary electroacoustic music. Beginning with Vrioon in 2002, the artists spent more than two decades fusing and expanding their disciplines, with Sakamoto's evocative, sustain-drenched piano compositions finding their counterpart in Nicolai's skilful and sensitive electronic detailing.
Each successive project further deepened their artistic dialogue: from the five studio albums of the V.I.R.U.S. series (Vrioon, Insen, Revep, Utp_ with Ensemble Modern, and Summvs), to their score for Alejandro G. Iñárritu's The Revenant; Glass (2017), a wholly improvised performance inside Philip Johnson's iconic Connecticut landmark, in which the pair fixed contact microphones to the glass walls, playing the architecture itself as an instrument; and Two (2019), a document of their live performance at the Sydney Opera House.
Across these works, their distinct approaches achieved a rare synthesis, a brilliantly sustained dialogue between piano and electronics, Sakamoto's warmth and melodic finesse meeting Nicolai's abstract electronic formalism to invoke a mesmeric quietude as deeply satisfying in its melodic resolutions as in the merger of its filmic romanticism and meditative subtlety.
12 Conversations brings together musical exchanges recorded in November and December 2022. Rooted in the same creative period that gave rise to Sakamoto's final solo album 12, these recordings were not originally intended as a standalone release. It was only after the completion of 12 that Sakamoto and Nicolai decided to present these exchanges as a work in their own right.
The album reflects the vitality and curiosity that defined more than two decades of shared inspiration: fluid, exploratory, and forward-looking. Created with openness and trust, it captures a creative process in constant transformation - sounds expanding, altering, and evolving through attentive listening.
Conceived as the continuation of an artistic dialogue extending beyond the physical, 12 Conversations honours Sakamoto's wish that these encounters should exist beyond the archive, offering an enduring testament to one of contemporary music's most revered collaborations.
Carsten Nicolai writes:
"A heavy breath can be heard in the recordings. Yet this work is not about remembrance but continuation, vitality, curiosity, and the spirit of experimentation that shaped an artistic relationship over decades.
The twelve pieces we exchanged in November and December 2022 possess extraordinary density: sounds expanded, altered, recontextualized. Initially, every intervention felt almost inappropriate. Yet this was part of our openness and trust: adding, shifting and radically yet softly transforming.
Even in these final exchanges, plans for future projects continued to take shape, mindful of finite yet firmly believing in the power of new ideas. We chose the name Conversations, which has become a space of memory and vision, where past, present and future intertwine.
For a long time, releasing this music seemed impossible. The loss felt too sudden, and the emotional connection too profound. As time passed, it became clear that these twelve musical encounters should have life outside the archive. To honor Ryuichi's wish, these pieces are now being released as the continuation of a dialogue that extends beyond the physical."
The first single, Conversation 3, will be released on Tuesday, July 14, 2026. The second single, Conversation 6, will be be released on Wednesday, August 26, 2026.
12 Conversations will be available worldwide on vinyl, CD and digitally. A Japanese edition will be available on Ryuichi Sakamoto's commons.
Tracklist
1. Conversation 1
2. Conversation 2
3. Conversation 3
4. Conversation 4
5.Conversation 5
6. Conversation 6
7. Conversation 7
8. Conversation 8
9. Conversation 9 Part I
10. Conversation 9 Part II
11. Conversation 9 Part III
12. Conversation 9 Part IV
13. Conversation 9 Part V
14. Conversation 10
15. Conversation 11
16. Conversation 12
Album art designed by Carsten Nicolai & Nibo.
Mastered by: Bo Kondren at Calyx Mastering, Berlin (2026)
Voice on Track 07: Emma Maeda
Texts: Rainer Maria Rilke, Primal Sound
Press release text: Maria Orciuoli
Special thanks: Norika Sora, Alec Fellman, Sherry Kennedy, Erin Gleeson
© & P: 2026 NOTON. Archiv für Ton und Nichtton. All rights reserved.
Tracklisting
---------------------------------------------------------
Medium: // Side: // Track: 1
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 1
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: DE1N62600003
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 2
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 2
Playtime: 00:05:42
Explicit Lyrics: No
ISRC: DE1N62600004
(P):
---------------------------------------------------------
Medium: // Side: // Track: 3
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 3
Playtime: 00:05:53
Explicit Lyrics: No
ISRC: DE1N62600005
(P):
---------------------------------------------------------
Medium: // Side: // Track: 4
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 4
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: DE1N62600006
(P):
---------------------------------------------------------
Medium: // Side: // Track: 5
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 5
Playtime: 00:06:26
Explicit Lyrics: No
ISRC: DE1N62600007
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 6
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 6
Playtime: 00:07:26
Explicit Lyrics: No
ISRC: DE1N62600008
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 7
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 7
Playtime: 00:10:31
Explicit Lyrics: No
ISRC: DE1N62600009
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 8
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 8
Playtime: 00:03:20
Explicit Lyrics: No
ISRC: DE1N62600010
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 9
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part I
Playtime: 00:01:12
Explicit Lyrics: No
ISRC: DE1N62600011
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 10
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part II
Playtime: 00:03:27
Explicit Lyrics: No
ISRC: DE1N62600012
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 11
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part III
Playtime: 00:00:51
Explicit Lyrics: No
ISRC: DE1N62600013
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 12
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part IV
Playtime: 00:02:15
Explicit Lyrics: No
ISRC: DE1N62600014
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 13
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part V
Playtime: 00:00:39
Explicit Lyrics: No
ISRC: DE1N62600015
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 14
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 10
Playtime: 00:03:01
Explicit Lyrics: No
ISRC: DE1N62600016
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 15
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 11
Playtime: 00:04:35
Explicit Lyrics: No
ISRC: DE1N62600017
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 16
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 12
Playtime: 00:02:41
Explicit Lyrics: No
ISRC: DE1N62600018
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
pre-sale
Label:Scissor And Thread
Cat-No:satltd008
Release-Date:14.08.2026
Genre:Deephouse
Configuration:12" Excl
Barcode:4250382455943
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Scissor And Thread
Cat-No:satltd008
Release-Date:14.08.2026
Genre:Deephouse
Configuration:12" Excl
Barcode:4250382455943
1
Francis Harris - You Can Always Leave (Curtains) feat. Gry Bagøien (DJ Sprinkles
2
Frank & Tony with DJ Sprinkles - Companion
FORMAT: 12”
GENRE/S: House, Deep House
TRACKLIST:
A. Francis Harris: You Can Always Leave (Curtains) feat. Gry Bagøien (DJ Sprinkles Remix)
B. Frank & Tony with DJ Sprinkles: Companion
SHORT INFO:
From the acclaimed remix of Francis Harris single You Can Always Leave (Curtains) to her collaboration with Frank & Tony on the heavily sought after Companion, DJ Sprinkles indelible touch has become legendary.
You Can Always Leave (Curtains) feat. Gry Bagøien (DJ Sprinkles Remix) was originally released on the vinyl only single You Can Always Leave in 2013. The original appeared on Francis Harris album Minutes Of Sleep (2014) and features the vocals of danish singer Gry Bagoien alongside Greg Paulus on trumpet.
Likewiese Companion was released vinly-only on the first out of three EPs that formed Frank & Tony's debut album You Go Girl in 2014.
Both vinyl releases have been out of print since their initial release and now, after much demand, Scissor & Thread presents a limited re-issue including new DJ Sprinkles remasters.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: House, Deep House
TRACKLIST:
A. Francis Harris: You Can Always Leave (Curtains) feat. Gry Bagøien (DJ Sprinkles Remix)
B. Frank & Tony with DJ Sprinkles: Companion
SHORT INFO:
From the acclaimed remix of Francis Harris single You Can Always Leave (Curtains) to her collaboration with Frank & Tony on the heavily sought after Companion, DJ Sprinkles indelible touch has become legendary.
You Can Always Leave (Curtains) feat. Gry Bagøien (DJ Sprinkles Remix) was originally released on the vinyl only single You Can Always Leave in 2013. The original appeared on Francis Harris album Minutes Of Sleep (2014) and features the vocals of danish singer Gry Bagoien alongside Greg Paulus on trumpet.
Likewiese Companion was released vinly-only on the first out of three EPs that formed Frank & Tony's debut album You Go Girl in 2014.
Both vinyl releases have been out of print since their initial release and now, after much demand, Scissor & Thread presents a limited re-issue including new DJ Sprinkles remasters.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Mistress Recordings
Cat-No:Mistress19
Release-Date:31.07.2026
Genre:House / Techno
Configuration:12"
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Mistress Recordings
Cat-No:Mistress19
Release-Date:31.07.2026
Genre:House / Techno
Configuration:12"
Barcode:
1
Nico Lahs - Fiori Di Maggio
2
Nico Lahs - A Place In The Sun
3
Nico Lahs - In Search Of Truth
4
Nico Lahs - XPRESSION
Seductive jazz-rooted polyrhythms, deeper than deep house: Italian DJ and producer Nico Lahs lines up a five-track EP, painted in blue notes and soulful, hypnotic grooves. Dedicated to the love of the drums, Mistress 19 is filled with tension, release, and the space to feel something real.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
+ Show full info- Close
pre-sale
Last in:-
Label:P-Ton
Cat-No:P-TON03
Release-Date:21.08.2026
Genre:Techno
Configuration:12"
Barcode:
1
Picture - Faaaaaaaaa
2
Picture - Gaaaaaaaaaa
3
Picture - Kaaaaaaaa
4
Picture - Tuuuuuuuu
Regelbau chief Natal Zaks, who you may better known as Danish house talent Central, returns to his Picture alias hot on the heels of a full-length under the same moniker on his usual home, Short Span. This EP comes on P-TON, NMP's sub label, and is pristine dub techno with clean lines and minimal fuss. 'Faaaaaaaaa' has the right amount of swing and pop under sleek chords, 'Gaaaaaaaaaa' is less about firmware demotion and more about locking you in an endless cycle of brain cleansing thought. 'Kaaaaaaaa' is a darker world of cavernous bass and icy futurism and 'Tuuuuuuuu' nods to the best of Basic Channel. Proper dub techno that reinvents nothing but does everything exceptionally well.
limited to 80 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
limited to 80 copies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
+ Show full info- Close
pre-sale
Last in:-
Label:Sublunar
Cat-No:SUBL032
Release-Date:17.07.2026
Genre:Techno
Configuration:12"
Barcode:
1
Vilchezz - Deadlock
2
Vilchezz - Ghost In The Code
3
Vilchezz - Lamina
4
Vilchezz - Room101
Tracklisting
A1 Vilchezz - Deadlock
A2 Vilchezz - Ghost In The Code
B1 Vilchezz - Lamina
B2 Vilchezz - Room101
Sales Note
Sciahri and Sublunar are proud to welcome Spanish artist Vilchezz to the family. Known for his releases on labels such as KEY Vinyl and Vault Sessions, he makes his Sublunar debut with the powerful EP Deadlock, showcasing his unique ability to seamlessly blend contemporary sound design with timeless techno aesthetics. The release opens with the title track, "Deadlock", a highly groovy cut driven by sophisticated sound design and a compelling rhythmic flow. It is followed by "Ghost In The Code", where refined textures and carefully crafted elements create a hypnotic groove that remains effortlessly engaging. On the flip side, "Lamina" explores darker territory, delivering deep, shadowy atmospheres and a more intense energy. Closing the vinyl edition is "Room101", the deepest track of the EP, a versatile and timeless tool capable of creating memorable moments at any stage of a set. With Deadlock, Vilchezz demonstrates an impressive range of moods and sonic approaches, confirming himself as one of the most exciting and versatile artists emerging in today's techno landscape.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Vilchezz - Deadlock
A2 Vilchezz - Ghost In The Code
B1 Vilchezz - Lamina
B2 Vilchezz - Room101
Sales Note
Sciahri and Sublunar are proud to welcome Spanish artist Vilchezz to the family. Known for his releases on labels such as KEY Vinyl and Vault Sessions, he makes his Sublunar debut with the powerful EP Deadlock, showcasing his unique ability to seamlessly blend contemporary sound design with timeless techno aesthetics. The release opens with the title track, "Deadlock", a highly groovy cut driven by sophisticated sound design and a compelling rhythmic flow. It is followed by "Ghost In The Code", where refined textures and carefully crafted elements create a hypnotic groove that remains effortlessly engaging. On the flip side, "Lamina" explores darker territory, delivering deep, shadowy atmospheres and a more intense energy. Closing the vinyl edition is "Room101", the deepest track of the EP, a versatile and timeless tool capable of creating memorable moments at any stage of a set. With Deadlock, Vilchezz demonstrates an impressive range of moods and sonic approaches, confirming himself as one of the most exciting and versatile artists emerging in today's techno landscape.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
