Those familiar with the work of veteran French deep house don Franck Roger will happily tell you that he has long been one of the best in the business - a European equivalent to US greats such as Larry Heard, Ron Trent, Vick lavender and Glenn Underground. More proof of Roger's finely-tuned, floor-focused musicality can be found on this fine three-tracker on Seasons, an imprint he first featured on way back in 2005. Check first title track 'Avalon', where deep, dusty, minor key motifs, echoing organs and layered percussion cluster around a deep, dubby house groove. 'Draggin' sees him make merry with sustained chords, smooth beats, jazzy synths and gentle TB-303 acid motifs, while 'Ur Shoulder' is a spacey and futurist deep house delight.

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Frenchman Franck Roger seems to be in something of a purple patch right now, with a steady stream of succulent deep house vibes flowing from his studio, most often on Seasons Limited. 'In Motion' is a perfect set builder with its traditional deep house groove infused with whimsical melodies and a sprinkling of percussion that gets you ready for more. 'SH Time' is named after a choice piece of Roger's studio gear and swirls with lovely smeared pads, and '6th Track' closes with some persuasive swing and just the right amount of vocal heat. Early doors, late at night, outdoors in the sun, this is a useful EP for real house heads.

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Some of the most revered Dog With A Bone tracks finally make their way to vinyl. A selection of fire cuts with a distinct '90s classic house aroma, refreshed with a subtle 21st-century edge A proven collection of dancefloor cuts supported by Riva Starr, DJ Spen, Angelo Ferreri and other respected names from the global house scene. Tracks from this release have been featured in Traxsource's Best of 2025 Deep House and Best of 2024 Garage charts, while consistently charting among top-selling House and Garage releases.

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Frits Wentinks take on house music. Four wobbly, warm dance floor burners. Impossible to mistake for anyone than Frits...

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DE - 22113 Hamburg
Germany
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Chilly leftfield House remix treatment

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DJ Rasoul has a knack for crafting stripped-back grooves that pack a serious emotional punch. Samples are often key to it - as well as the way they are deployed - and 'Flight' is a perfect example. The drums are raw with a subtle stumble that keeps you locked, while the vocals are smeared in painterly fashion through the mix. The Paka Project remix is a little brighter while Andrew Macari sinks into vast kicks for a deeper trip. The Natural Rhythm remix is more sleek and sunny with extra vocal fragments and a warmer edge.

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DE - 22113 Hamburg
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Morocco’s native Cee ElAssaad comes back again to collaborate with the UK’s afro house songstress Miss Sabrina Chyld for their debut release on Makin’ Moves! Cee as always provides his eclectic and hypnotic groove with his signature drums layered behind Sabrina’s sultry and meaningful vocals which ring true here to remind us to not dwell on the past, and utilise our time in the present.
Chicago house pioneer Ron Trent does his thing on the remix going super deep as only he does, using heavy drums and spine tingling synths while letting Sabrina’s vocal excel to its fullest! We’ve also added the instrumental aswell on the package a very handy dj tool in itself.

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Kendama is back with a new split EP, bringing together two distinct artistic voices in a dialogue between introspection and dancefloor experimentation. With Namur on Side A and Palorim on B Side, the record unfolds as a conversation between complementary approaches to club music.

Namur opens the journey with two immersive productions, setting a deep and hypnotic tone. “The Assistant” draws listeners into a fluid, introspective trip driven by subtle movement and tension, while the second track expands this hypnotic framework into warmer and more tropical vibe, naturally guiding the energy toward the dancefloor.

On Side B, Palorim responds with a playful and uncompromising approach. “Mount Rhodes” blends mischievous rhythms with elegant jazz-inflected touches, carried by unmistakable Rhodes melodies, before “Slap That Bass” closes the EP with a bold twist — a singular, bass-driven cut built to fully ignite the floor.

A contrasted yet cohesive exchange, reflecting Kendama’s ongoing taste for singular and forward-thinking club music.

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TBA

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Dan Piu and Grant's Theory of Movement project is rather sporadic - we last heard from it more than a year ago - but that only makes fresh drops all the more essential. This return to When The Morning Comes opens with the swirling ambience and deft house depths of 'The Geometry Of Leaving', which is a heady scene-setter before 'Suspended Motion' floats you amongst more airy pads. 'The Distance Between Things' has a joyful feeling of hope and optimism in the luminous keys, and the Acid version beefs it up for extra club impact. Artful sounds from two seasoned heads.

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The debut release from LOVE FROM NYC MUSIC from NZ-born, NYC based DJ LADY FLIC and featuring CITY HAYES on vocals. A soulful vocal house cut for summer, jazz infused with ethereal vocals. B/w "PLAY ME ANYWHERE" a nod to classic 90s trip hop. Support from OSUNLADE. Full pic sleeve.

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West coast veteran deep house and techno producer Kenneth Graham lays down 4 fine cuts for WGD.

Placid aka Paul Wise is the operator in chief at ‘We’re Going Deep’ – an online community and record label born out of a lifelong love affair with the many shades of electronic rhythm, and an obsession for collecting records since 1988.

Up next in the We’re Going Deep label series, Paul invites seasoned US producer Kenneth Graham to the imprint. The renowned Los Angeles based House and Techno artist has been making his mark since the early 90s, delighting fans with his sunkissed production prowess.

Having made music under an impressive array of monikers such as Ashtar Afterhours, Bit Shift, Emerald City, Estelle Montenegro, Exit Strategy, First Light as well as under his own name, Graham has made his mark on hallowed imprints such as Peacefrog, Plastic City, Immigrant, Ovum and many more over the years. A welcome addition to the We’re Going Deep roster, he offers up 4 distinct flavours from across his repertoire - demonstrating why his subtle touch has chimed so well with music lovers over the decades.

Kicking off the EP with some purist Acid action, Graham opts for a raw machine made jam, melding 2-step 808 beats to the cutting wave of a TB-303 on ‘JoshRIP’ to get the party started. Accompanied by ‘Greedworx’, here he sets out his stall with angular FM bass tones set to a steady, low-slung rhythmic groove as dubby atmosphere and whispered vocals draw you in.

On the flipside, ‘Hiding from Machines’ takes the tempo up a small notch as organic percussion, twinkling keys and an emotive lead riff drift through the air. All met with a sizable bassline that can’t help but make you want to move that comes together for a purist masterclass in restraint and elegance. Last but not least, we end out on the rolling moves and IDM influenced melody of ‘Mecca’, a wavily hazy ode and fusion of Electronic house that almost meets Bleep. As the elements collide and the intensity soars, there’s nothing that feels out of place in this finely honed excursion which repeat listening brings out more and more detail.

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