Mean Streak (Joe Koshin & SSSLIP) chose Suckerpunch as the vessel for their first outing under the new moniker. 4 killer cuts of nasty, freaky & wigged-out tech house. Proper mean business.

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The Coastal Commission “On the Rocks”

Atmospheric synths with a deep rolling Dubby Bassline beckon you to the dancefloor.
The staccato 606 drum machine snare hits snap over the track before a monster kick
drum comes thumping out of the speakers.
“On the Rocks” has served as a killer intro track by many International Dj’s including
Grant Dell who recently opened with it in Los Angeles for “Sunday Sessions”.
A big tune in South America and in particular in São Paulo, Brazil it serves as a great
mood builder for Dj’s looking to captivate their audience right off the bat.
The Coastal Commission literally tuned the Arp Odyssey Bassline to shake down the
walls, ceiling and floor while making this track. Always a massive fan of Night writers
(RIP) “Push the Feeling on” Sam read an interview where they revealed that they wrote
the B-line using a Sequencial Circuits “Arp Odyssey” and that sent him on a mission to
track one down. He eventually found one covered in dust in the back of a thrift shop in
Santa Barbara for $50! (They now go for bout 3K). Excitedly Sam rushed it home to the
studio to clean it up & after some playing around the Bassline was found and the other
elements were built around that.
The track finally breaks down to a beautiful jazz trumpet with muffled voices
conversating in the background saying “Yeah that was Funky!” releasing the tension
before building the strings back up with the vocal “Come on” commanding you to keep
dancing.
“On the Rocks” is hailed as a Modern Deep House Classic by fans and definitely one
that will stay in your record box.
Jesse Outlaw feat. Jason Harris “I’m Underground”
Jesse pens another hypnotic slab of awesome West Coast dance floor tech funk
alongside Jason’s Harris on vocals.
Jason weaves his story of Underground living in the Los Angeles scene over a pounding
kick drum and scattered percussion. The haunting keys keep the listener locked in as
the dub Bassline throbs beneath the track. As the tune proceeds it hypnotizes you &
carry’s you off into a dank basement groove. Only ever on Dub plate & used on the
second PCH “Summer Sessions” mix CD this track finally gets a full release and is
remastered by Martin Iveson.
Classic PCH Business.

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M-Plant's Perpetual Masters series continues throughout 2026. Originally released in 2001, "Invincible" stands as another defining example of his stripped-back, approach to Techno while still radiating tough funk and groove. Freshly remastered for 2026 by Thomas Heckmann.
Originally released in 2001, "Invincible" stands as another defining example of his stripped-back, approach to Techno while still radiating tough funk and groove. Released during a period when Hood was refining the minimalist aesthetic he helped pioneer, the record balances mechanical precision with emotional intensity.
The tracks unfold through subtle shifts in percussion, looping synth patterns and driving basslines, to create a meditative momentum that sounds just as fresh today. "Invincible" draws its power from restraint, demonstrating Hood's belief that minimal elements can produce maximum impact on the dance floor.

Tracklist

A1. Robert Hood - Untitled A1 (Invincible)
A2. Robert Hood - Untitled A2 (Invincible)
B. Robert Hood - Untitled B (Invincible)




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Allen Jovonn Armstrong, active for over 35 years and still amazes. Fresh 4 tracker of stomping NY breed house with a small nod to our hometown...

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20:20 Vision has been defining the house underground for decades now, and much of its earlier material remains as revealing as its newer output. A case in point is this reissue of the rare Echo Beach release. Founder Ralph Lawson and his old pal Carl Finlow's recordings from The Farm in the Rhubarb Triangle retain a warmth and analogue weight that contemporary production struggles to replicate - all hands-on-deck live passes through drum machines, synths and outboard desks, the process audible in every groove. The discovery of unreleased cut 'Blues Dimensions', which was rescued from corrupted DATs, is the real find here: rasping Moog bass, P-Funk refrain and heavy Rhodes that sounds anything but archival. Top drawer excavation.

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Tracklisting
A1 Jo Creep - Volitional Assent
A2 Jo Creep - Hazy Pony
B1 Jo Creep - Paranoia Settings
B2 Jo Creep - Paranoid Continuum

Sales Note
Raving Molecules, a record label and events collective focused on promoting the underground electronic music scene from Iasi, Romania, make their debut on wax with Creeptoid EP, signed by the resident artist and label curator Jo Creep.

The tracks featured on Creeptoid EP evokes the oldskool Tech House sound of the early 2000s and could be wrapped up and mixed between a maniac eclectic melancholy and a frantic unsettling ensemble of emotions carrying you effortlessly from one sound trip to another.

Just play it and enjoy

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Marking its 10th anniversary, Automatic Writing presents Scenarii Vol.3, a 3×12" collection bringing together 12 tracks that map out its evolving sound over the years, from reduced minimal house to deeper moods and more direct club material.

Rather than a retrospective, the compilation unfolds as a series of moments tied to the people around the label. Each track reflects a specific encounter : long-time collaborators, artists met along the way, and connections formed through parties and shared spaces.

Across these three records, you’ll find familiar faces from the label’s catalogue, artists who have played at our Automatic parties, and key figures from different generations of the Paris underground scene.

The records will be available individually, as well as gathered in a limited anniversary box set exclusively available on Bandcamp and at Yoyaku Record Store in Paris.

12 stories dedicated to all dancing souls, automatically written on wax.

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Marking its 10th anniversary, Automatic Writing presents Scenarii Vol.3, a 3×12" collection bringing together 12 tracks that map out its evolving sound over the years, from reduced minimal house to deeper moods and more direct club material.

Rather than a retrospective, the compilation unfolds as a series of moments tied to the people around the label. Each track reflects a specific encounter : long-time collaborators, artists met along the way, and connections formed through parties and shared spaces.

Across these three records, you’ll find familiar faces from the label’s catalogue, artists who have played at our Automatic parties, and key figures from different generations of the Paris underground scene.

The records will be available individually, as well as gathered in a limited anniversary box set exclusively available on Bandcamp and at Yoyaku Record Store in Paris.

12 stories dedicated to all dancing souls, automatically written on wax.

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Hot Digits main guy Fingerman - a veritable of the UK nu-disco and disco re-edit scenes - is the man at the controls on the latest missive from the imprint's vinyl-focused Wax Digits offshoot. He's in prime form from the off, offering a deliciously chunky, effects-laden, dub disco style rework of a New York no-wave era 'downtown' disco classic. He doffs a cap to pal Chewy Rubs and their joint love of heavy, looped bass guitar lines on the stretched-out funk-goes-deep disco wonder that is 'Bestest Beat', before cunningly rearranging a more string-laden slab of disco-funk grandiosity on closing cut 'We Love It'. We certainly do, and there's a fair chance you will too.

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