Volume 2 of 3 vinyls containing all the extended mixes on Claude VonStroke’s 5th original artist album, “Wrong Number.” Whilst the first vinyl was all deep cuts, this second record is full of bumpy, quirky, club tools with unique properties. “Two Line Groove” features vocals “in the round” from both of his children, Jasper and Ella, and can be imagined working well on the DC10 terrace this summer. “A Little Drizzle” is a classic wonky VonStroke bassline with vocal chops all getting twisted like Matthew Herbert meets Akufen. Lastly, “Busted Ass Deejays” is a little bit of shade going out to $100+ tickets to see generic Deejays playing Beatport top 10s. Just poking a little bit of fun, we love you all!

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Volume 1 of 3 vinyls containing all the extended mixes on Claude VonStroke’s 5th original artist album, “Wrong Number.”?This first record is deep, patient, and deliberately restrained. Claude VonStroke re-calibrates his career for real people who enjoy music.
The big room house machine is out of control and Claude has stopped answering the phone. ?“I’m sorry you have reached the wrong number. Claude is no longer available…”

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Claude VonStroke makes long-awaited Crosstown Rebels debut with ‘Noche Clara’, featuring Honeycomb. A full-circle moment between two house music icons finally comes to fruition, with the two-tracker out on 5th December 2025. Two decades after label founder Damian Lazarus first booked him to play in the UK, American electronic icon Claude VonStroke finally lands on Crosstown Rebels with ‘Noche Clara’ - a release that bridges friendship, history, and the enduring spirit of the global underground. Built around hazy tones, captivating synth melodies, and sweeping atmospherics, ‘Noche Clara’ captures the playful minimalism and late-night atmosphere that defi ned his early work. On the flip, ‘Bam Bam’ layers warped vocals over a trippy off kilter sonics and a tunnelling, hypnotic groove, providing a haunting and commanding deep dive into the late-night hours. A collaboration with beatboxer, producer, DJ, and instrumentalist Honeycomb, who recently toured with The Floozies and Dirtwire, the link-up came naturally following a joint appearance between the pair at California’s infamous Zenyara, plus multiple Dirtybird festival appearances and more. A true maverick of modern dance music, Claude VonStroke has spent over two decades shaping the sound and culture of house. From founding the iconic Dirtybird label, home to artists like Fisher, Eats Everything, and Catz ‘n Dogz, to headlining the world’s most respected clubs and festivals, his legacy is built on connection, humour, and an unfiltered love of the dancefloor. Now exploring more underground and experimental sounds, VonStroke is entering a new creative chapter ahead of his forthcoming artist album in early 2026 - a shift perfectly exemplified by this impressive debut on Crosstown.

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A lot can happen in 15 years. Few things manage to thrive for a decade and a half, especially in music. But a scrappy, left of center, Bay Area house music label, Dirtybird, has managed to do just that. Claude VonStroke, Dirtybird’s founder, is marking this 15-year milestone the only way he knows how… working. This year, VonStroke will throw two dozen-plus parties, three festivals (including the famous Dirtybird Campout), host his traveling Dirtybird BBQ series in major cities across the US, publish a coffee table book, release a seasonal clothing line, stage art shows, produce a fly on the wall docu series...and kick it all off by releasing a new album, out February 21st. What began as a free party, turned basement record label, has morphed into a truly thriving community whose familial, fun and welcoming vibe has won over hearts and minds across the world. And while Dirtybird has grown and evolved, VonStroke’s core focus on music remains unwavering. The new album ‘Freaks & Beaks’ is a celebration of quirky innovation and a relentless pursuit of something new and fresh, while hearkening back to the freewheeling spirit that inspired the launch of his label. This is a project that draws upon the inspirations of family, old friends, new fans and proper dancefloors. Claude will let his flock wet their beaks while they wait in anticipation of the new album with two new singles demonstrating the breadth of the dance music landscape explored on the record. Youngblood touches on the deeper sides of Claude VonStroke, a throwback to the label’s early days, featuring local LA music house talent Wyatt Marshall, while All My People in the House is a dancefloor heater that is sure to unite new and old Dirtybird fans together.A1. Warming Up The Bass Machines II, A2. Freaks Don't Fail Me Now, B1. Flubblebuddy. B2. Frankie Goes To Bollywood, C1. Youngblood (Feat. Wyatt Marshall), D1. Waddaday (Feat. ZDS), D2. These Notes in This Order, E1. Session A, F1. All My People In The House F2. Alpine Arpline

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After a year filled with collaborations and remixes, Claude VonStroke drops his solo EP “Slink”, featuring the long-awaited track, “Please Oh Please Oh Please”, official music video and tied into a Dirtybird Campout activation.

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April showers bring May flowers, but this April Claude VonStroke brings you "The Rain Break." Inspired by two different songs from the 80’s - (Raze’s classic “Break For Love” and Oran Juice Jone’s “The Rain”), Claude has replayed and re-sung all the music from scratch to make a special cover tune of both tracks changed and combined into a surefire Dirtybird classic.
To quote VonStroke, “I kept singing the Break For Love bassline over and over again in my head but the vocal that always popped in over the top was from the Oran Juice Jones. I cant explain why that happened but i just thought they went together so well that i ran with it.” "Here Comes the B” is a much weirder affair. Built with massive psychedelic effects, a huge kick and almost no hi-hat pattern, this is late night cavemen music at its best. This big release from CVS will have you wishing for a downpour so you can go Walking In The Rain.

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Stuck in the 9-5 grind, stifled by the impersonality of constant social media and mobile interaction, contemporary urban life can be suffocating. For a certain breed, release cannot be found in the vast, unpopulated great outdoors. Urban Animals congregate in heaving warehouses, seeking solace in the liberating beats of the kick drum. They are bound not by association, but through a shared experience of primal relief felt in those shadowy, dance floor corners swelling with the sounds of low end frequencies and brazenly sculpted grooves. This is the Urban Animal's jungle.
Claude VonStroke's third original album and the 100th release for dirtybird is indebted to this bold and bestial inner-city lifestyle, but it's also a product of its creator; a unique subspecies steeped in that San Franciscan sound, intersecting unknown terrain on instruction of the inimitable dirtybird label boss. Just as Urban Animal's artwork reconstructs photography of derelict city architecture from Detroit and the Midwest into three compelling animal portraits, so too has Claude VonStroke sampled unexpected sounds from his chaotic working environment to create the nine intriguing tracks that make up his full length composition. Think of VonStroke as a modern day, West Coast Frankenstein, his creature a rugged arrangement of the most discordant, unlikely parts whilst somehow brimming with beauty and human appeal. Spanning genre, space and mood, Claude VonStroke's Urban Animal is as unpredictable and bewildering as any living entity.


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Dood," the second single from Claude VonStroke's forthcoming album, Urban Animal. Dood is inherently dirtybird and the one you've been waiting for if you were expecting something nasty from the project. The heart-squeezing booty-bass-line smacks instantly, while the rumbling drawl of the stoned vocal perfectly encapsulates VonStroke’s witty spirit. The track is an homage to the time Claude spent in Los Angeles during the production of the album and really captures the fun, dark edge of that sprawaling so-cal metropolis. As we move one step closer to the celebrated DB-100, ‘Dood’ has already proved its worth as the peak time choice for its creator and the other dirtybird members like Justin Martin, Catz n Dogz and Eats Everything. And just to bring it all full circle, Richie Hawtin was a champion of Claude's very first single Deep Throat in 2005 and so it's only fitting that he closed his most recent set at Space Ibiza with this monster trip-out track. Similarly, ‘Lay It Down’ presents a sexy, hard-edged groove with foundations built on a series of infectious silences. VonStroke maintains control over classic DJ Nephets vocal and transports the footwork vibe to the world of banging house funk. Claude prides himself on not using any samples in his music but when the opportunity presented itself, licensing this vocal was just too tempting to pass up for the Urban Animal project.


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Volume 2 of 3 vinyls containing all the extended mixes on Claude VonStroke’s 5th original artist album, “Wrong Number.” Whilst the first vinyl was all deep cuts, this second record is full of bumpy, quirky, club tools with unique properties. “Two Line Groove” features vocals “in the round” from both of his children, Jasper and Ella, and can be imagined working well on the DC10 terrace this summer. “A Little Drizzle” is a classic wonky VonStroke bassline with vocal chops all getting twisted like Matthew Herbert meets Akufen. Lastly, “Busted Ass Deejays” is a little bit of shade going out to $100+ tickets to see generic Deejays playing Beatport top 10s. Just poking a little bit of fun, we love you all!

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Volume 1 of 3 vinyls containing all the extended mixes on Claude VonStroke’s 5th original artist album, “Wrong Number.”?This first record is deep, patient, and deliberately restrained. Claude VonStroke re-calibrates his career for real people who enjoy music.
The big room house machine is out of control and Claude has stopped answering the phone. ?“I’m sorry you have reached the wrong number. Claude is no longer available…”

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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A set of tripped-out hardware workouts from one of the frontrunners of Mexico’s new underground sound, Iñigo Vontier.

"Human Raves" plays like a transmission from a parallel dancefloor. Gritty acid lines, almost ritualistic broken rhythms and abstract structures shift without settling into fixed form.

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A rhythm-driven, analog-leaning record built from hypnotic basslines, warm synth textures, and layered percussion, “Simulacra” is the debut LP from Venetian bassist and producer Eric Demuro, a fully realized studio statement that brings his compositional voice into focus. The album moves through hazy jazz-funk, ambient passages, library psychedelia, and Brazilian rhythmic language without settling into revivalism. Fender Rhodes figures, hand percussion, and vintage keyboards drift through spacious arrangements that favor tone and movement over density, creating a sound that feels tactile, patient, and quietly. Developed between New York and Berlin and reflecting a cross-continental approach to contemporary electronic and experimental music. An eclectic and internationally engaged collaborator, Demuro has contributed to a wide range of forward-thinking projects, including Stella’s debut LP Détends-toi (produced by Ed Longo), a co-written and produced electronic-ambient album with Marco Spaventi, and AT-XYA’s experimental release Antystar alongside James K (AD 93), which has surpassed 50,000 Spotify streams. As both musician and producer, he has released music with respected labels including Roots Underground, New Interplanetary Melodies, Daily Session Records NY, Cosmic Romance Records, and SUED, positioning Simulacra as a strong addition for retailers and distributors catering to adventurous electronic audiences.

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House favourites Kai Alce, JKriv, Sean McCabe and Medlar debut on Universo Positivo with their masterful reworks from Universo Positivo’s catalog. After two years of agenda-setting sounds, the label is set to drop this classy remix EP, and in that time, founder Joseph Salvador has established the label with a mix of his own music and fresh grooves from carefully A&R’d pioneers and new school names. He has been doing much the same since the 90s with various projects from his cult TINK Records and the Tomorrow Is Now Kid! nights in Amsterdam, in collaborative production outfits like Black Tulip & Wendell Morrison, and releasing records by DJ Steaw, Malin Genie, Fabio Monesi and more. This latest release brings together some of the most respected names in the scene for four standout reworks.

First up, Atlanta-based NDATL label head Kai Alce, who has long been one of deep house's most influential architects. He flips 'Sonido Latino' into a smooth groove with jazzy, Roy Ayers-style melodies that bring a soft-focus glow and late-night intimacy. Then comes Bristol-based don Sean McCabe, a master of vintage synths with a 20-year back catalogue on seminal labels like Local Talk, Strictly Rhythm and Z Records. His take on 'Ipanema Jazz' maintains the original's samba shuffle but reframes it in a deep house groove with extra expressive jazz keys, dainty chords and playful trumpet motifs.

Brooklyn-based groove architect and Razor-N-Tape co-founder JKriv brings his many years of experience as a guitarist, producer and songwriter to his take on 'Caparica Sunset'. It's a deep, driving sound that's playful and romantic with flirtatious horns and soft acid, dusty breakbeats and luscious grooves for loved-up good time sessions. Last but never least, is Medlar, the South London underground maverick with a wide-ranging sound and album credits on the likes of the hallowed Delusions Of Grandeur. He remixes 'U R The Revolution' into a warm, euphoric rush of throwback house that's warm, melodic and sure to get the floor going right off.

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For the first time in its 27-year history, Defected compile its greatest hits, underground anthems and bonafide house music classics into a five volume triple vinyl collectors series.Volume Two collects twelve of Defected’s most established and sought after releases. Featuring Dennis Ferrer’s anthem ‘Hey Hey’, CamelPhat & Elderbook’s huge ‘Cola’, alongside MK’s classic ‘Burning’, Oliver Dollar & Jimi Jules’s chart smash ‘Pushing On’, Defected’s first ever release; Soulsearcher’s ‘Can’t Get Enough!’. Plus Mike Dunn, DJ Gregory, Hercules & Love Affair and more.

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The SouL Pops is Chicago based Dejay Cease, who is known for spinning at places like the Buddha Lounge and making tunes that span Soul to House. Here, he debuts on Cataleya Music with the organic and soul infused The Mask EP. This Masquerade featuring Trevor Johnson is a cover of the George Benson song, which takes it in a classy Soulful House direction courtesy of an impressive piano display and questioning vocals. The Instrumental version is self explanatory, where keys and strings hold their own. Afro-Rican Jazz is another key led winner, where powerful grooves are joined by textured percussion. Something About You rounds off the EP with strong organ blasts, life giving strings and ear catching melodies. The Mask EP is a soulful winner with jazzy flourishes and spiritual edges.

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Simply an iconic track from Swiss brothers Mandrax and Seb K aka Shakedown, ‘At Night’ is one of the most recognisable house tracks of the last two decades. With one of the most-hyped remixes of the year, artist of the moment Peggy Gou delivers with a squelching 7 minute groover, bringing in that iconic synth motif to lift the production and keep it rolling. Stepping up to tackle this masterpiece with a nu-disco dance track, Tiger & Woods use cowbell to accent a B-boy beat, with drum machine breaks bringing it back to the dancefloor. With a sophisticated house remix with a nu-disco edge is Purple Disco Machine, fusing a funk-infused bassline with Terra Deva’s unforgettable vocals. Finally is a brand new version from the Shakedown duo themselves, the Galactic Boogie Mix. With saturated synths and interplanetary breakdowns, Shakedown bring a carefree 80s quality to this iconic track’s irresistible after-dark charm.

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For the first time in its 27-year history, Defected compile its greatest hits, underground anthems and bonafide house music classics into a five volume triple vinyl collectors series. Volume One collects twelve of Defected’s most established and sought after releases. Featuring arguably ‘the' Defected anthem; Kings of Tomorrow ‘Finally’ alongside Solomon’s huge Noir & Haze remix, Ibiza anthems ‘Guitarra G’, ‘At Night’ and ‘Coma Cat’ plus productions and remixes from Louie Vega, Dennis Ferrer and Dimitri From Paris. An essential addition to your record collection.

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