1
Kaspiann - Lilja
2
Deviant Electronics - Radio Silence
3
Whrikk - Specter
4
Solarythm - Seijaku
Tadan’s area127 returns with Sun & Moon, a two-sided exploration of modern psychedelia and exquisite sound design — balancing sprawling daylight hypnosis with nocturnal pull.
The LP’s “Sun” side reflects an uplifting current. Kaspiann’s “Lilja” deploys deep techno finesse, flowing through contours of luminous synth progressions and forest-dwelling resonance. A resurfaced 1996 cut, Deviant Electronics’ “Radio Silence” emerges from the Goa continuum — progressive chord sequences, sci-fi atmospherics, and euphoric momentum recalibrated for contemporary dancefloors.
The “Moon” side turns inward and nocturnal. Whrikk’s “Specter” drifts amid ghostly psychedelia, pairing dreamlike synth work with evolving arrangement pressure and submerged low-end movement. On “Seijaku”, Solarythm distills ritualistic hypnosis and rolling bassline into a fluid story — a forward-facing statement from the blooming wave of trance.
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The LP’s “Sun” side reflects an uplifting current. Kaspiann’s “Lilja” deploys deep techno finesse, flowing through contours of luminous synth progressions and forest-dwelling resonance. A resurfaced 1996 cut, Deviant Electronics’ “Radio Silence” emerges from the Goa continuum — progressive chord sequences, sci-fi atmospherics, and euphoric momentum recalibrated for contemporary dancefloors.
The “Moon” side turns inward and nocturnal. Whrikk’s “Specter” drifts amid ghostly psychedelia, pairing dreamlike synth work with evolving arrangement pressure and submerged low-end movement. On “Seijaku”, Solarythm distills ritualistic hypnosis and rolling bassline into a fluid story — a forward-facing statement from the blooming wave of trance.
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More records from Area127
1
Tadan - Pure Idea
2
Tadan - Level 27
3
Tadan - Muses
4
Tadan - Evolution
What is the source, and why does it matter? Marking three years since his debut LP, area127 honcho Tadan steps forward with his second solo record. Built on a trance language of his own, it dives into tripped-out sonic terrains where introspection meets organic force.
The journey begins with ‘Pure Idea’, as waterborne harmonies ripple like the first morning rays through glowing tones. ‘Level 27’ ascends into a haze of suspended energy, flickering and pulsing to bridge rhythm and reflection. With ‘Muses’, the record transcends into hypnotic rite – nocturnal breaks and avant-garde melodies conjure a dialogue between psyche and body. ‘Evolution’ wraps it up in future-driven, past-echoing psychedelia, lucidly carrying the answers you might be looking for.
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The journey begins with ‘Pure Idea’, as waterborne harmonies ripple like the first morning rays through glowing tones. ‘Level 27’ ascends into a haze of suspended energy, flickering and pulsing to bridge rhythm and reflection. With ‘Muses’, the record transcends into hypnotic rite – nocturnal breaks and avant-garde melodies conjure a dialogue between psyche and body. ‘Evolution’ wraps it up in future-driven, past-echoing psychedelia, lucidly carrying the answers you might be looking for.
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1
Driven By Attraction & Tadan - Eyeone
2
Driven By Attraction & Tadan - La Mer
3
Driven By Attraction & Tadan - Float Or Move
4
Driven By Attraction & Tadan - Beone
5
Driven By Attraction & Tadan - Parable
6
Driven By Attraction & Tadan - Dreems
Yin and Yang... Dark meets Light... Two founding members of area127 present you their fusion beats, live jams of various caliber, pure, raw and hot off press.
Dreems do come truu.
That's it.
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Dreems do come truu.
That's it.
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1
Tadan & V2 - No Country For Old Men
2
Tadan & V2 - Taming The Devil
3
Tadan & V2 - Tech Chaos
4
Tadan & V2 - Running Hot
5
Tadan & V2 - Need For Speed
6
Tadan & V2 - I Think Therefore I Am
area127 brings a fresh collab between Tadan and V2 - exemplifying the label's ethos of bringing artists together for raw live sessions.
This release is the result of one deep-night experimental session. Made without a plan, but expect some sssshhhhaakers throughout.
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This release is the result of one deep-night experimental session. Made without a plan, but expect some sssshhhhaakers throughout.
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1
ETA - Operation Of The Spirit
2
ETA - Techno Shanty
3
ETA - Lucifer Part 3
4
ETA - Taiga Part 3
area127 a new label from London, focused on the techno trance sound, presents ZETA - Ad Astra.
Resurrected from the 90s and found in the heart of Japan.
These extraterrestrial sounds were channeled live in Tokyo in 1998.
“How did man arrive where he is today, with his intelligence?
Did he evolve from the ape, or was he given an assist?”
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Resurrected from the 90s and found in the heart of Japan.
These extraterrestrial sounds were channeled live in Tokyo in 1998.
“How did man arrive where he is today, with his intelligence?
Did he evolve from the ape, or was he given an assist?”
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Germany
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Customers who bought this also bought this
1
Coke, Stoned & Baileys - Your Mum
2
Coke, Stoned & Baileys - Your Dad
12" non-returnable!
Pariter return with a second archival reissue from three key figures of the original London tech house movement, David Coker, Timmy S and Justin Baileys.
This double header pairs a heavyweight house groover on the A side with a rolling acid tech house cut on the flip. The A side is driven by commanding vocal samples and Timmy's finely tuned engineering, channeling the raw, sound-system focused energy that defined the era's most enduring club records.
On the B side, a relentless acid-fuelled roller emerges from the vaults, a secret weapon that has remained deadly on underground dance floors for more than two decades, quietly championed by those in the know.
Now, 26 years on, original copies are nearly impossible to find in clean condition with rare copies regularly changing hands for hundreds of euros on the collector's market.
Carefully restored and remastered by Yossi Amoyal, this reissue revives a long lost and highly sought after underground classic.
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WAS - Word and Sound Medien GmbH
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Germany
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Pariter return with a second archival reissue from three key figures of the original London tech house movement, David Coker, Timmy S and Justin Baileys.
This double header pairs a heavyweight house groover on the A side with a rolling acid tech house cut on the flip. The A side is driven by commanding vocal samples and Timmy's finely tuned engineering, channeling the raw, sound-system focused energy that defined the era's most enduring club records.
On the B side, a relentless acid-fuelled roller emerges from the vaults, a secret weapon that has remained deadly on underground dance floors for more than two decades, quietly championed by those in the know.
Now, 26 years on, original copies are nearly impossible to find in clean condition with rare copies regularly changing hands for hundreds of euros on the collector's market.
Carefully restored and remastered by Yossi Amoyal, this reissue revives a long lost and highly sought after underground classic.
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1
The Coastal Commission - On The Rocks
2
The Coastal Commission / Jesse Outlaw - I'm Underground
The Coastal Commission “On the Rocks”
Atmospheric synths with a deep rolling Dubby Bassline beckon you to the dancefloor.
The staccato 606 drum machine snare hits snap over the track before a monster kick
drum comes thumping out of the speakers.
“On the Rocks” has served as a killer intro track by many International Dj’s including
Grant Dell who recently opened with it in Los Angeles for “Sunday Sessions”.
A big tune in South America and in particular in São Paulo, Brazil it serves as a great
mood builder for Dj’s looking to captivate their audience right off the bat.
The Coastal Commission literally tuned the Arp Odyssey Bassline to shake down the
walls, ceiling and floor while making this track. Always a massive fan of Night writers
(RIP) “Push the Feeling on” Sam read an interview where they revealed that they wrote
the B-line using a Sequencial Circuits “Arp Odyssey” and that sent him on a mission to
track one down. He eventually found one covered in dust in the back of a thrift shop in
Santa Barbara for $50! (They now go for bout 3K). Excitedly Sam rushed it home to the
studio to clean it up & after some playing around the Bassline was found and the other
elements were built around that.
The track finally breaks down to a beautiful jazz trumpet with muffled voices
conversating in the background saying “Yeah that was Funky!” releasing the tension
before building the strings back up with the vocal “Come on” commanding you to keep
dancing.
“On the Rocks” is hailed as a Modern Deep House Classic by fans and definitely one
that will stay in your record box.
Jesse Outlaw feat. Jason Harris “I’m Underground”
Jesse pens another hypnotic slab of awesome West Coast dance floor tech funk
alongside Jason’s Harris on vocals.
Jason weaves his story of Underground living in the Los Angeles scene over a pounding
kick drum and scattered percussion. The haunting keys keep the listener locked in as
the dub Bassline throbs beneath the track. As the tune proceeds it hypnotizes you &
carry’s you off into a dank basement groove. Only ever on Dub plate & used on the
second PCH “Summer Sessions” mix CD this track finally gets a full release and is
remastered by Martin Iveson.
Classic PCH Business.
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Atmospheric synths with a deep rolling Dubby Bassline beckon you to the dancefloor.
The staccato 606 drum machine snare hits snap over the track before a monster kick
drum comes thumping out of the speakers.
“On the Rocks” has served as a killer intro track by many International Dj’s including
Grant Dell who recently opened with it in Los Angeles for “Sunday Sessions”.
A big tune in South America and in particular in São Paulo, Brazil it serves as a great
mood builder for Dj’s looking to captivate their audience right off the bat.
The Coastal Commission literally tuned the Arp Odyssey Bassline to shake down the
walls, ceiling and floor while making this track. Always a massive fan of Night writers
(RIP) “Push the Feeling on” Sam read an interview where they revealed that they wrote
the B-line using a Sequencial Circuits “Arp Odyssey” and that sent him on a mission to
track one down. He eventually found one covered in dust in the back of a thrift shop in
Santa Barbara for $50! (They now go for bout 3K). Excitedly Sam rushed it home to the
studio to clean it up & after some playing around the Bassline was found and the other
elements were built around that.
The track finally breaks down to a beautiful jazz trumpet with muffled voices
conversating in the background saying “Yeah that was Funky!” releasing the tension
before building the strings back up with the vocal “Come on” commanding you to keep
dancing.
“On the Rocks” is hailed as a Modern Deep House Classic by fans and definitely one
that will stay in your record box.
Jesse Outlaw feat. Jason Harris “I’m Underground”
Jesse pens another hypnotic slab of awesome West Coast dance floor tech funk
alongside Jason’s Harris on vocals.
Jason weaves his story of Underground living in the Los Angeles scene over a pounding
kick drum and scattered percussion. The haunting keys keep the listener locked in as
the dub Bassline throbs beneath the track. As the tune proceeds it hypnotizes you &
carry’s you off into a dank basement groove. Only ever on Dub plate & used on the
second PCH “Summer Sessions” mix CD this track finally gets a full release and is
remastered by Martin Iveson.
Classic PCH Business.
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1
Jovonn - Panorama
2
Jovonn - Road Trip
3
Jovonn - The Opening 1
4
Jovonn - Rotterdam Station
Allen Jovonn Armstrong, active for over 35 years and still amazes. Fresh 4 tracker of stomping NY breed house with a small nod to our hometown...
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1
Wulf n Flow - Echobeach (Wulf's dub)
2
Wulf n Flow - Funk Dimensions (Wulf's Wax)
3
Wulf n Flow - Blues Dimensions (Wulf's Jam)
4
Wulf n Flow - The Message (Random Factor dub)
20:20 Vision has been defining the house underground for decades now, and much of its earlier material remains as revealing as its newer output. A case in point is this reissue of the rare Echo Beach release. Founder Ralph Lawson and his old pal Carl Finlow's recordings from The Farm in the Rhubarb Triangle retain a warmth and analogue weight that contemporary production struggles to replicate - all hands-on-deck live passes through drum machines, synths and outboard desks, the process audible in every groove. The discovery of unreleased cut 'Blues Dimensions', which was rescued from corrupted DATs, is the real find here: rasping Moog bass, P-Funk refrain and heavy Rhodes that sounds anything but archival. Top drawer excavation.
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1
St. Germain - Rose Rouge (Galaxy Aart Remix)
2
St. Germain - Rose Rouge (Jazzfunksuite For Musicandpower Remix)
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1
Pocket Club - Baby Blue
2
Ben Vedren - Alcoolik
3
Gab Jr. - Night Cajou
4
Olivier Romero - Lovely Summer
Marking its 10th anniversary, Automatic Writing presents Scenarii Vol.3, a 3×12" collection bringing together 12 tracks that map out its evolving sound over the years, from reduced minimal house to deeper moods and more direct club material.
Rather than a retrospective, the compilation unfolds as a series of moments tied to the people around the label. Each track reflects a specific encounter : long-time collaborators, artists met along the way, and connections formed through parties and shared spaces.
Across these three records, you’ll find familiar faces from the label’s catalogue, artists who have played at our Automatic parties, and key figures from different generations of the Paris underground scene.
The records will be available individually, as well as gathered in a limited anniversary box set exclusively available on Bandcamp and at Yoyaku Record Store in Paris.
12 stories dedicated to all dancing souls, automatically written on wax.
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Rather than a retrospective, the compilation unfolds as a series of moments tied to the people around the label. Each track reflects a specific encounter : long-time collaborators, artists met along the way, and connections formed through parties and shared spaces.
Across these three records, you’ll find familiar faces from the label’s catalogue, artists who have played at our Automatic parties, and key figures from different generations of the Paris underground scene.
The records will be available individually, as well as gathered in a limited anniversary box set exclusively available on Bandcamp and at Yoyaku Record Store in Paris.
12 stories dedicated to all dancing souls, automatically written on wax.
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1
Aline Umber - 1923
2
Paul Cut - Keep On Trying
3
Guillermo Jamas - Axel
4
Molly feat. JAW - Another Day Like This
Marking its 10th anniversary, Automatic Writing presents Scenarii Vol.3, a 3×12" collection bringing together 12 tracks that map out its evolving sound over the years, from reduced minimal house to deeper moods and more direct club material.
Rather than a retrospective, the compilation unfolds as a series of moments tied to the people around the label. Each track reflects a specific encounter : long-time collaborators, artists met along the way, and connections formed through parties and shared spaces.
Across these three records, you’ll find familiar faces from the label’s catalogue, artists who have played at our Automatic parties, and key figures from different generations of the Paris underground scene.
The records will be available individually, as well as gathered in a limited anniversary box set exclusively available on Bandcamp and at Yoyaku Record Store in Paris.
12 stories dedicated to all dancing souls, automatically written on wax.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rather than a retrospective, the compilation unfolds as a series of moments tied to the people around the label. Each track reflects a specific encounter : long-time collaborators, artists met along the way, and connections formed through parties and shared spaces.
Across these three records, you’ll find familiar faces from the label’s catalogue, artists who have played at our Automatic parties, and key figures from different generations of the Paris underground scene.
The records will be available individually, as well as gathered in a limited anniversary box set exclusively available on Bandcamp and at Yoyaku Record Store in Paris.
12 stories dedicated to all dancing souls, automatically written on wax.
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Label:Definitive Recordings
Cat-No:DEFCLAS032V
Release-Date:07.08.2026
Genre:House
Configuration:12" Excl
Label:Definitive Recordings
Cat-No:DEFCLAS032V
Release-Date:07.08.2026
Genre:House
Configuration:12" Excl
1
Robotman feat. Marshall Jefferson - A. Do Da Doo (Plastikman's Acid House Mix)
2
Robotman feat. Marshall Jefferson - B. Do Da Doo (DJ Minx Remix)
12"
GENRE/S:
House
TRACKLIST:
A - Robotman Feat. Marshall Jefferson - Do Da Doo (Plastikman's Acid House Mix)
B - Robotman Feat. Marshall Jefferson - Do Da Doo (DJ Minx Remix)
SHORT INFO:
'Do Da Doo' Returns with New Life on Definitive Recordings
SPECIAL VINYL ONLY RELEASE
Definitive Recordings revisits one of its most iconic releases with a fresh reissue of Robotman feat. Marshall Jefferson - 'Do Da Doo', originally released in 1992. A cornerstone of the label's early catalogue, the track returns with newly re-recorded vocals by house legend Marshall Jefferson, bringing renewed energy to a timeless classic.
Robotman, a moniker of Richie Hawtin (aka Plastikman), represents an essential chapter in the evolution of house and techno. As one of the most influential figures in electronic music, Hawtin helped shape the sound of acid and minimal techno while co-founding the legendary Plus 8 label alongside John Acquaviva. His forward-thinking productions and groundbreaking DJ sets have defined generations of dance music culture.
On this release, the original Plastikman Acid House Mix stands as a true highlight. Spanning 12 minutes, it delivers a deep and hypnotic acid journey driven by classic TR-909 drums and a signature TB-303 bassline. The instantly recognizable vocal 'Got the Do Da Doo' sits prominently within the groove, creating a powerful and timeless club moment that defined an era.
On the flipside, Detroit's DJ Minx brings a fresh perspective with a groove-heavy house interpretation. Known as the 'First Lady of Wax' and a key figure in Detroit's scene, Minx reshapes the vocal into a rhythmic element, layering it into a shuffling and classic house framework. Her version adds warmth and swing while staying rooted in the track's original spirit.
With this reissue, Definitive Recordings celebrates a landmark release that continues to resonate across generations, combining legendary artists, timeless production, and the enduring energy of house music.
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GENRE/S:
House
TRACKLIST:
A - Robotman Feat. Marshall Jefferson - Do Da Doo (Plastikman's Acid House Mix)
B - Robotman Feat. Marshall Jefferson - Do Da Doo (DJ Minx Remix)
SHORT INFO:
'Do Da Doo' Returns with New Life on Definitive Recordings
SPECIAL VINYL ONLY RELEASE
Definitive Recordings revisits one of its most iconic releases with a fresh reissue of Robotman feat. Marshall Jefferson - 'Do Da Doo', originally released in 1992. A cornerstone of the label's early catalogue, the track returns with newly re-recorded vocals by house legend Marshall Jefferson, bringing renewed energy to a timeless classic.
Robotman, a moniker of Richie Hawtin (aka Plastikman), represents an essential chapter in the evolution of house and techno. As one of the most influential figures in electronic music, Hawtin helped shape the sound of acid and minimal techno while co-founding the legendary Plus 8 label alongside John Acquaviva. His forward-thinking productions and groundbreaking DJ sets have defined generations of dance music culture.
On this release, the original Plastikman Acid House Mix stands as a true highlight. Spanning 12 minutes, it delivers a deep and hypnotic acid journey driven by classic TR-909 drums and a signature TB-303 bassline. The instantly recognizable vocal 'Got the Do Da Doo' sits prominently within the groove, creating a powerful and timeless club moment that defined an era.
On the flipside, Detroit's DJ Minx brings a fresh perspective with a groove-heavy house interpretation. Known as the 'First Lady of Wax' and a key figure in Detroit's scene, Minx reshapes the vocal into a rhythmic element, layering it into a shuffling and classic house framework. Her version adds warmth and swing while staying rooted in the track's original spirit.
With this reissue, Definitive Recordings celebrates a landmark release that continues to resonate across generations, combining legendary artists, timeless production, and the enduring energy of house music.
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1
Robert Hood - Untitled A1 (Invincible)
2
Robert Hood - Untitled A2 (Invincible)
3
Robert Hood - Untitled B (Invincible)
M-Plant's Perpetual Masters series continues throughout 2026. Originally released in 2001, "Invincible" stands as another defining example of his stripped-back, approach to Techno while still radiating tough funk and groove. Freshly remastered for 2026 by Thomas Heckmann.
Originally released in 2001, "Invincible" stands as another defining example of his stripped-back, approach to Techno while still radiating tough funk and groove. Released during a period when Hood was refining the minimalist aesthetic he helped pioneer, the record balances mechanical precision with emotional intensity.
The tracks unfold through subtle shifts in percussion, looping synth patterns and driving basslines, to create a meditative momentum that sounds just as fresh today. "Invincible" draws its power from restraint, demonstrating Hood's belief that minimal elements can produce maximum impact on the dance floor.
Tracklist
A1. Robert Hood - Untitled A1 (Invincible)
A2. Robert Hood - Untitled A2 (Invincible)
B. Robert Hood - Untitled B (Invincible)
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Originally released in 2001, "Invincible" stands as another defining example of his stripped-back, approach to Techno while still radiating tough funk and groove. Released during a period when Hood was refining the minimalist aesthetic he helped pioneer, the record balances mechanical precision with emotional intensity.
The tracks unfold through subtle shifts in percussion, looping synth patterns and driving basslines, to create a meditative momentum that sounds just as fresh today. "Invincible" draws its power from restraint, demonstrating Hood's belief that minimal elements can produce maximum impact on the dance floor.
Tracklist
A1. Robert Hood - Untitled A1 (Invincible)
A2. Robert Hood - Untitled A2 (Invincible)
B. Robert Hood - Untitled B (Invincible)
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1
Jo Creep - Volitional Assent
2
Jo Creep - Hazy Pony
3
Jo Creep - Paranoia Settings
4
Jo Creep - Paranoid Continuum
Tracklisting
A1 Jo Creep - Volitional Assent
A2 Jo Creep - Hazy Pony
B1 Jo Creep - Paranoia Settings
B2 Jo Creep - Paranoid Continuum
Sales Note
Raving Molecules, a record label and events collective focused on promoting the underground electronic music scene from Iasi, Romania, make their debut on wax with Creeptoid EP, signed by the resident artist and label curator Jo Creep.
The tracks featured on Creeptoid EP evokes the oldskool Tech House sound of the early 2000s and could be wrapped up and mixed between a maniac eclectic melancholy and a frantic unsettling ensemble of emotions carrying you effortlessly from one sound trip to another.
Just play it and enjoy
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A1 Jo Creep - Volitional Assent
A2 Jo Creep - Hazy Pony
B1 Jo Creep - Paranoia Settings
B2 Jo Creep - Paranoid Continuum
Sales Note
Raving Molecules, a record label and events collective focused on promoting the underground electronic music scene from Iasi, Romania, make their debut on wax with Creeptoid EP, signed by the resident artist and label curator Jo Creep.
The tracks featured on Creeptoid EP evokes the oldskool Tech House sound of the early 2000s and could be wrapped up and mixed between a maniac eclectic melancholy and a frantic unsettling ensemble of emotions carrying you effortlessly from one sound trip to another.
Just play it and enjoy
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1
Aroop Roy - Bad Dub
2
Aroop Roy - Badstrumental
3
Aroop Roy - Bad Dub (Alternate mix)
Using the original stems, Aroop Roy turns this MJ classic into a unifying dancefloor moment.
The arrangement is key here, building the suspense with an infectious disco/house groove, that will gradually pull in each person on the dancefloor. The raw proto house organs from the original get their moment to shine, before breaking down to euphoric horns and an anthemic vocal drop.
'Badstrumental' maintains the drama of the A side, whilst leaving the vocals to the imagination. The alternate mix saves the vocal for the very end.
Tracklist:
A1. Bad Dub
B2. Badstrumental
B2. Bad Dub (Alternate mix)
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Germany
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The arrangement is key here, building the suspense with an infectious disco/house groove, that will gradually pull in each person on the dancefloor. The raw proto house organs from the original get their moment to shine, before breaking down to euphoric horns and an anthemic vocal drop.
'Badstrumental' maintains the drama of the A side, whilst leaving the vocals to the imagination. The alternate mix saves the vocal for the very end.
Tracklist:
A1. Bad Dub
B2. Badstrumental
B2. Bad Dub (Alternate mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
4LP with pantone printed gatefold sleeve, 6 page insert, engraved H-Side and download card.
TRACKLIST:
1. Sagittarius A (Right Ascension)
2. Pleasure Discipline
3. Ertrinken
4. Growth Cycle (feat. Robert Owens)
5. Zahlensender
6. The Approach
7. Nylon Mood
8. Alphabet City
9. Don't Ask, Don't Tell
10. No Entiendes
11. Kurzstrecke
12. Golden Dawn (feat. Stefanie Parnow)
13. Interdimensional Interferenc
14. Distant Paradise
15. Be (feat. Robert Owens)
16. Vampir
17. Downtown 161
The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast affiliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to the late Judy Russell and Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.
Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing and featuring vocal contributions.
Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, effecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakeable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST:
1. Sagittarius A (Right Ascension)
2. Pleasure Discipline
3. Ertrinken
4. Growth Cycle (feat. Robert Owens)
5. Zahlensender
6. The Approach
7. Nylon Mood
8. Alphabet City
9. Don't Ask, Don't Tell
10. No Entiendes
11. Kurzstrecke
12. Golden Dawn (feat. Stefanie Parnow)
13. Interdimensional Interferenc
14. Distant Paradise
15. Be (feat. Robert Owens)
16. Vampir
17. Downtown 161
The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast affiliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to the late Judy Russell and Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.
Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing and featuring vocal contributions.
Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, effecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakeable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More