12"

GENRE/S: GENRE/S: Electronica/ UK Garage / Future Garage

TRACKLISTS:
A1 Jon Gravy - Smash (2:25) ISRC: AT-JA5-25-00506
A2 Jon Gravy - Promise (2:50) ISRC: AT-JA5-25-00503
A3 Jon Gravy - Mercy (3:15) ISRC: AT-JA5-25-00504
A4 Jon Gravy - Clouds (3:14) ISRC: AT-JA5-25-00502
B1 Jon Gravy - Opaque (3:40) ISRC: AT-JA5-25-00505
B2 Jon Gravy - Know (2:47) ISRC: AT-JA5-25-00507
B3 Jon Gravy - Soar (2:49) ISRC: AT-JA5-25-00501
B4 Jon Gravy - Retina (4:08) ISRC: AT-JA5-25-00508

SHORT INFO:
Opaque—a collection of eight tracks that delves deep into the layered, introspective nature of being. Marked by atmospheric textures, warm grooves, and emotionally rich soundscapes, Opaque is arguably Jon Gravy’s most honest and personal work to date. The album drifts between subtle melancholy and moments of light, inviting listeners into a space of quiet reflection and sonic depth.


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12"

GENRE/S: GENRE/S: Electronica/ UK Garage / Future Garage

TRACKLISTS:
A1 Jon Gravy - Smash (2:25) ISRC: AT-JA5-25-00506
A2 Jon Gravy - Promise (2:50) ISRC: AT-JA5-25-00503
A3 Jon Gravy - Mercy (3:15) ISRC: AT-JA5-25-00504
A4 Jon Gravy - Clouds (3:14) ISRC: AT-JA5-25-00502
B1 Jon Gravy - Opaque (3:40) ISRC: AT-JA5-25-00505
B2 Jon Gravy - Know (2:47) ISRC: AT-JA5-25-00507
B3 Jon Gravy - Soar (2:49) ISRC: AT-JA5-25-00501
B4 Jon Gravy - Retina (4:08) ISRC: AT-JA5-25-00508

SHORT INFO:
Opaque—a collection of eight tracks that delves deep into the layered, introspective nature of being. Marked by atmospheric textures, warm grooves, and emotionally rich soundscapes, Opaque is arguably Jon Gravy’s most honest and personal work to date. The album drifts between subtle melancholy and moments of light, inviting listeners into a space of quiet reflection and sonic depth.


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12" EP

- First Vinyl EP on Studio Bahöö
- Supported by Frazer Ray


2. GENRE/S: 2-Step / Garage / Future Garage

3. TRACKLISTS:

A1. Blossom Archives
A2. Shakul
A3. Soft Lightning
A4. Orchards
B1. Rug Rally
B2. Greyhound
B3. River Lea

4. SHORT INFO:
Rigby On The Run drops Rug Rally on Vienna's Studio Bahöö, blending UKG grooves, grainy breakbeat, and off-grid soundsystem experimentation. Built on instinct and late-night energy, the tracks lurch, glide, and hum with low-end pressure and emotional weight. No face, no origin story-just raw motion and mood.



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2026 repress

Territories: World excl. UK

FORMAT 2x12" 140g, full printed sleeve, dl card

TRACKLIST
1 / A1. Oak Bank 06:37
2 / A2. Second Magnitude Stars 06:41
3 / B1. Metal Pig 06:55
4 / B2. We laugh and clap at the circus 05:41
5 / C1. Leadership Contest 06:34
6 / C2. Masks & Archetypes 06:17
7 / D1. Subcultures 05:59
8 / D2. Hope Not Hate 05:57

Release Info:
In March 2023, Tresor Records will release "Crash Recoil", a new album by Surgeon. It marks Anthony Child's first techno LP in five years, following a period in which he felt uncertainty in his role as a techno producer and found it tough to locate inspiration. This new album encounters him drawing on spontaneous techniques to arrive at unchartered topographies. "Crash Recoil" originates from Surgeon's recent live sets, where he experimented with constraints in performing and embracing the twists, turns and paradoxes that arrive from this. Each fresh iteration on consistent MIDI sequences and hardware reconfigured tracks into dierent constellations, creating an inspiring vortex of unpredicted events where ideas could flourish. This new approach allowed him to capture the spontaneous energy of his live shows in a way he had never done before. "This is not a live album, since it has not been recorded in one go during a live performance. In the same way that bands tour songs before going into the studio to record an album, I was able to explore these songs and hone their eectiveness during my live performances before creating a studio version."
The result is eight tracks that emphasise a new techno sound for Surgeon, drawing in references from across the musical spectrum. "I can hear Coil, King Tubby, Detroit Techno and The Cure all wrapped up with 30 years of DJing," Surgeon says of the album. Melancholic hum-like ambiences smudge around unadorned, near-droning basslines, crunching rhythm and percolating arpeggiations. The tracks carry unique and potent locomotion, with a low-slung grind through toughened terrains, breathing with a free spirit, untethered by a studio-based perspective. We hear manifestations of the same raw material across the album, like a textural motif, carving new variants and creating a cohesive work full of recollection.


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For catalog number 19 Rødhåd teams up with Munich based artist Polygonia. In 2025 these tracks were recorded over multiple sessions at the WSNWG studio in Berlin. The result is MAUVIER a four track EP showcasing the fusion of the two creative minds.

Written & Produced by Polygonia and Rødhåd at WSNWG Studio Berlin.
Mastered by Conor Dalton at Calyx Mastering in Berlin
Vinyl Cut at Lathesville Berlin

MAUVIER 01 [250120]
MAUVIER 02 [250331.1]
MAUVIER 03 [250331.2]
MAUVIER 04 [250401]


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Strictly limited to 150 copies. DJ use only.

By popular demand, almost two years after its original release, we're finally pressing one of MM Discos' most iconic records to vinyl. A record that, in many ways, captures the label's vibe, spirituality, and sonic identity.
Daichi landed in 2024 with standout versatility, effortlessly pulling almost any genre into a balearic universe, bending it to his own language.
From the proto-tropical trance of "See of Cosmic" to the loose, hard-to-pin-down house of "Dampness," somewhere between Madchester moods and an Arthur Russell-esque swing. Late-night energy runs through "You Got Me" and "Aja Aja" - the former riding a garage swing, the latter drifting further into that signature cosmic space. To close it out and ease the tempo down, Daichi moves into more disco-leaning territory with a pair of understated but heavyweight edits.



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Special remarks: handstamped vinyl, cover sticker

Tracklist 12":

A1. Jakobin - Jorge
A2. LOFT 77 - Someday
B1. Kelton Prima - Disco Prosecco
B2. Ubre Blanca - High Rise


Short Info:

Dive into the latest groove-packed installment from Luv Shack Records - where Disco, House, and Indie Dance collide in a timeless celebration of dancefloor magic.

Disco Biscuits #7 delivers the heat, curated for those who live for the rhythm and the vibe.





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GENRE/S: House

TRACK LIST:
[Vinyl]
A It’s Alright
B1 It’s Alright (Afriqua All Wrong Remix)
B2 It’s Alright (Horsepower Productions Dub)


SHORT INFO:
Tom Gillieron’s It’s Alright arrives on Studio Barnhus in triplicate: one original, two remixes, no weak links. A UK producer with a fierce command of high-pressure club dynamics, leads with a version that comes big, busy and blazing, brimming with glorious noise, swift movement and late-night intent.
Afriqua brings his trademark musicality to the second version, turning the lights up enough to let some melody through, adding bounce, swing and a touch of house warmth, never loosening the grip.
Bona fide UK underground originators Horsepower Productions lower the ceiling again, rebuilding the track for the darkest of basement clubs in the form of a low-slung bruiser with broken edges and proper bass weight.

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You can't put Bebe Rexha in a box. From her Grammy-winning songwriting roots on Eminem's "The Monster" to global chart-toppers with David Guetta and Florida Georgia Line, Rexha has established herself as a premier musical chameleon. With her latest project, Dirty Blonde, she officially enters a new era as an independent powerhouse. Now signed to EMPIRE, the Brooklyn-born star has crafted a 13-song "genre kaleidoscope" that serves as her first-ever visual album, representing a total creative rebirth and a departure from the major-label system she's known since she was a teenager.

Recorded across London, Tokyo, and Europe, Dirty Blonde captures the energy of Rexha's global travels. The project seamlessly blends heavy-hitting dance floor anthems with deep, personal storytelling. With the lead single "New Religion" she takes us straight to the club by reimagining the iconic dance record "Insomnia" by Faithless. On "Tokyo," she explores a drum & bass pulse inspired by a late-night rendezvous in Japan, while "Cike Cike" (produced by long-time collaborator DJ Snake) sees Rexha embracing her Albanian heritage by mixing traditional linguistic roots with modern 808 basslines.

At the emotional core of the album is the lead single, "I Like You Better Than Me." The track strips away the pop-star veneer to tackle themes of insecurity and self-scrutiny, blending raw lyrics with a pop-rock edge. From the Jersey-bounce-meets-country vibes of "Drink and a Little Love" to her vulnerable reflections on fame, Dirty Blonde is a celebration of an artist who is finally playing by her own rules. As Rexha firmly asserts, "The old Bebe is dead," leaving behind a focused, stronger creator who is making the music she truly loves.
Key Marketing/Selling:

- Iconic pop singer/songwriter, known for hits like "Me, Myself & I," "I'm Good (Blue)," & "Meant To Be (feat. Florida Georgia Line)
- Dirty Blonde will be released as a visual album, with music videos released for each song
- The album marks a shift in Bebe Rexha's shift in approach and mindset as an artist,
- Singles released include "I Like You Better Than Me," "Cike Cike," "New Religion," &
- New Religion samples the iconic 90s UK Rave track by Faithless, "Insomnia" - which also marks the first time Faithless has cleared the track for anyone
- New Religion at 20M streams on Spotify alone - as of 4/8/26
- Performed New Religion live on Jimmy Kimmel Live!
- Album super cut trailer created by Diplo
- Extensive US and UK press run
- Cike Cike exploding in Albanian community
- First studio album since 2023 and first album release as an independent artist and marks a shift in Bebe Rexha's shift in approach and mindset

Tracklist to be revealed at a later date

Socials:
Twitter: 1.9M followers
IG: 12M followers
FB: 5.1M followers
YT: 9.6M subs / 4.5B views


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Only Europe/ excl UK!

** FIRST TIME ON 45 **
Born in Jamaica, Tory Wynter spent his early years in London. From there, he moved to New York City where he studied voice and acting and quickly assumed his music and entertainment career. Tory began performing with some of the greatest names in entertainment, and for some of the most prestigious audiences. He burst onto the recording scene, writing several albums and singles for major record labels. The experience and expertise he picked up along the way allowed him to open a highly successful publishing company and record label, Laykash Records.

Both tracks are taken from his LP "On The Love Side / Happy Side" and have now been released for the first time as a strictly limited 45 RPM single. In addition, "Oh Let The Rain Fall Down" will soon be released on the upcoming Tramp Records compilation titled "CAN YOU FEEL IT Vol.5 - Modern Soul, Disco & Boogie 1977-88".

A. Oh Let The Rain Fall Down
B. I'm Feeling So Happy


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LP

Format: LP

Tracklist:

01. L'ÉCOLE DE LA NUIT (01:51)
02. LA RÈGLE DU VIEUX (02:56)
03. HÀ MAR (feat Alvaro Lancellotti) (03:07)
04. RÊVE 36 (01:58)
05. WHITE LIGHT (feat Monica Tormell) (03:58)
06. R VILLE (04:21)
07. A THOUSAND FRAMES (feat Monica Tormell) (03:48)
08. BEAUTÉ TARÉE (02:41)
09. A PRESENÇA (feat Julio Pimentel) (01:58)
10. DEEP SIDE CENTER (03:54)
11. MONSIEUR ZINZIN (02:58)
12. SOUFFLE SAUVAGE (01:38)

“L’École de la nuit” marks Versatile Records’ 30th anniversary with a musical découpage by label founder Gilb’R. The album’s 12 songs and numerous collaborations form an adroit exploration of life and music, all threaded together by lifelong “partner in crime” I:Cube’s signature mixdowns.

“Hà mar” represents the peak of the album’s organic spectrum—an instantly captivating melodic and percussive Brazilian song featuring Alvaro Lancellotti on guitar and vocals—while “White Light” serves as its electronic counterpart, with a classic pop feel, featuring Swedish singer Monica Tormell

Musically, “L’École de la nuit” moves across many different landscapes and languages, intersecting rock, shoegaze, ambient, electronica, and, of course, jazz. Gilb’R collaborates with a rich arsenal of guest musicians: saxophonist Quentin Rollet; guitarist and producer Maxime Delpierre; French artist Judah Warsky, with whom Gilb’R previously released an album; Jonny Nash, producer and guitarist; as well as Ben Shemie. Not least, father and son Julio and Julinho Pimentel contribute their distinctive percussion, alongside François Creamer on bass clarinet.

“L’École de la nuit” is the 50th album release on Versatile Records. It was initiated in Amsterdam, then entirely reimagined and rebuilt in Paris. It stands as a manifesto for the album format and a tribute to the listener.

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only Europe excl UK!

** PREVIOUSLY UNRELEASED DISCO / MODERN SOUL**
Ryjel was a band from suburban Pittsburgh, PA, that started out in the mid-1970s performing classic rock covers. The band was approached by a local entrepreneur who wanted to cut a single for the disco market, but a lack of financing scuttled the proposal. Nevertheless, the band was able to record a dozen of its original tunes in a professional studio for possible release, and among those songs were "Heart's On Fire" and "Baby Don't Stop."

Both tracks were recorded some 50 years ago having remained unreleased to this day. It needed the investigative work of the Tramp Records crew to discover them. Finally they are available on a strictly limited 45 RPM single release. In addition, the full length version of "Heart's On Fire" will soon be released on the upcoming Tramp Records compilation titled "CAN YOU FEEL IT Vol.5 - Modern Soul, Disco & Boogie 1977-88".

A. Heart's On Fire
B. Baby Don't Stop


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2LP + WAV /MP3 DL Code , 2 Stickers, Inlet Letter

DJ Mart presents the new Dodge compilation *Dodge with Friends*. I am very proud of this exceptional compilation. *Dodge with Friends* reflects the musical and electronic diversity of my label Dodge, which I founded in Bochum in 1995 to promote electronic music from the Ruhr region. The new Dodge compilation *Dodge with Friends* features artists who have helped shape the evolution of music on Dodge and who are my friends—some of whom haven’t been able to release music on Dodge yet because they aren’t from the Ruhr region. All 16 of these artists have made a name for themselves in their respective fields over the years. You are the future with friends *


A
1. Erobique - Kamender Kreuz - 6,08 min
2. Matthew Boone - America for beginnerz - 5,08 min
3. Impulse - The Virgo - 6,03 min
4. ML - Clockwise -5,36 min

B
1. Henry L & Ingo Sänger - The Choice - 6,20 min
2. Tolouse Low Trax - Chess in Movies - 6,25 min
3. Minimalphunk - Ecke Mila 130 - 5,07 min
4. Triga Taiga - The Lake - 4,50 min


C
1. Dj Jauche - A cube in a Triangel - 6,13 min
2. Herb LF - Endless journey - 4,48 min
3. Schwarzmart - Coogee beach - 5,18 min
4 Stephen Keusch - Vancouver - 5,27 min


D
1. Patrick Pulsinger - No Scratch n cut - 6,18 min
2. Heim Elektronik - Space & Time - 4,30 min
3. Hans Nieswandt - Sie ist ehrlich zu mir 5,24 min
4. Qure - Le bar de ecstasy - 4,05 min


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LP
Genre: Alternative, Pop, Electronic

Tracklist Vinyl LP:
A1. C’est loin - A2. Là où tu veux (Deixa A Gira Girá) - A3. Pas tant de d'chichi ponpon - A4. Assez
- A5. Le soleil en haut - A6. Tout l’or - B1. Désillusion - B2. Attends-moi - B3. O sapo - B4. Horssaison - B5. Presque rien - B6. Vou Festejar

Short Info:
For his sixth solo album, Ezéchiel Pailhès returns with a new collection of songs infused by a sunny wandering spirit.
Within each of the twelve songs on SOL is a thread of melancholic happiness that has permeated much of Pailhès’ music and songwriting. He addresses love, the passing of time, hope, lost illusions, fleeting moments of grace, the temptation of forgetting, a need to escape, and desire. All this is
insulated by understated orchestrations that blend acoustic and electronic instrumentation with deft confidence.
The Portuguese and Brazilian concept of saudade—a form of melancholic longing and nostalgia— pervades, thanks in part to Pailhès decision to record the album in Rio de Janiero and to reinterpret some of the finest works of Música Popular Brasileira (MPB). In particular, he revisits a handful of
lesser known classics from the mid-century samba and bossa nova era—originally written or performed by talents including Vinícius de Moraes, João Gilberto, Tom Zé, Dorival Caymmi, João Donato, Os Tincoãs, and Ataulfo Alves.
The shift from Brazilian Portuguese to French and the decision to adapt rather than perform a straightforward cover versions, allows Pailhès to invent a form of prosody and euphony (the musicality and harmonious combination of words) that feels vibrant and unlike anything else in today’s French
chanson landscape.
“Some lyrics are simple translations from Portuguese, in what I’d call an expanded version. For others, I started from a single word or a single phrase and embroidered an entirely new text that carried me elsewhere,” explains Pailhès. “I allowed myself great interpretive freedom, while preserving the humanist dimension of the original songs. I’ve always been deeply moved by the way Brazilians transfigure reality through heightened emotion. I love this visceral and spontaneous country, which always seems to live through emotion. And above all, I love its music both popular and unifying,
bringing together all social classes. In that sense, it’s very political music, but even more so utopian, made by the people and for the people.”
On this new album, however, the French artist was keen to avoid cliché. Each song is therefore built around a carefully balanced interplay between Pailhès’ piano and synthesizers, alongside restrained arrangements of percussion, brass, bass, and cavaquinho (a small four-string plucked guitar). These parts were recorded in Rio de Janeiro with two musicians who regularly perform alongside the legendary Caetano Veloso—Kainã Do Jêje and Alberto Continentino—joined by Thomas Harres, Antônio Neves, Eduardo Neves, and Gabriel Loddo.
Since the 1960s, France and Brazil have shared a long-standing cultural and musical relationship. Some Brazilian artists, most famously Gilberto Gil, took refuge in France during the dictatorship years (1964–1985). But above all, French chanson quickly fell in love with the richness and ingenuity of
bossa nova and samba, translating and reinventing them in the language of Molière. Throughout the 1960s and 1970s, albums and hits by Henri Salvador, Georges Moustaki, Pierre Barouh, Pierre Vassiliu, and Claude Nougaro all drew from the MPB repertoire.
Fifty years later, with SOL, Ezéchiel Pailhès reinvents this rich Franco-Brazilian musical legacy, bringing to it a personality and modernity that stand confidently alongside those of his forbears.


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