Label:Omniverse Records
Cat-No:OMNIVLP13
Release-Date:01.05.2026
Genre:Dope Beat/Hip Hop
Configuration:2LP
Label:Omniverse Records
Cat-No:OMNIVLP13
Release-Date:01.05.2026
Genre:Dope Beat/Hip Hop
Configuration:2LP
1
Visioneers - Replay (feat. Voice)
2
Visioneers - Runnin' (Extended)
3
Visioneers - It's Simple
4
Visioneers - Ike's Mood I
5
Visioneers - The World Is Yours (Extended)
6
Visioneers - The World Is Yours (Extended)
7
Visioneers - Funk Box (feat. Capitol A)
8
Visioneers - Run for Cover
9
Visioneers - Paul's Guitar Story
10
Visioneers - Dirty Old Bossa Nova
11
Visioneers - Smoker
12
Visioneers - Hip Know Cypher
This year marks the 20th anniversary of ‘Dirty Old Hip Hop’, so we celebrate with a repress of what is now considered a stone cold classic. Originally released in 2006 this Worldwide Awards nominated album is a masterful collection of tunes from 4hero’s Marc Mac. With musicians Somatik and Luke Parkhouse on board and rappers Voice and Capital A, Marc has re-imagined Hip-Hop breaks and beats and placed them into grooves that pay homage to the tunes from which those beats were originally sampled. A very post-modern approach has resulted in an album of timeless music which transcends eras and has the ability to sound as fresh as it does familiar. Moreover it works. Bob Hill Remasted & Pressed on heavy weight double 12" vinyl.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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More records from Visioneers
1
Visioneers - Eyes Don't Lie
2
Visioneers - The Look of Love
3
Visioneers - Today
4
Visioneers - Raid
5
Visioneers - Layin' Low, Gettin' High
6
Visioneers - What It Mean
7
Visioneers - Hurt so Bad (feat. Carina Andersson)
8
Visioneers - Heather
9
Visioneers - Ital Jazz
10
Visioneers - Still Making Memories (feat. TRAC & Baron)
11
Visioneers - Red Cactus (Album Version)
12
Visioneers - Cuban Candy Sticks
Marc Mac's Visioneers project returns after a long anticipated wait with a summary of everything we've loved about the project and more. The classic Hip Hop joints reimagined, BBOY bombs and the super-fly Jazz n' funky lounge originals have all become Visioneers trademarks. The record has you sitting back chilling and head nodding for one song and wanting to jump up and bust a move on another. The addition of guest musicians from all parts of the globe brings another dimension to the grooves and compositions. A very dope welcomed return for the Visioneers.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Omniverse Records
1
Marc Mac - Tokyo Nightlife
2
Marc Mac - Kambei
3
Marc Mac - Electric City Don't Sleep
4
Marc Mac - Yasuke Soul
Marc Mac back with another high grade Bruk, Electro Boogie monster. This is the fourth and final piece of the series. From Africa to Jamaica, Brazil and now Japan Marc Mac has explored the international fusion and cultures that has been an influence on his style of Broken Beat. The four track EP is under-pinned with Jazz/Funkiness and a hint of Jungle in the subs can be felt on "Kambei". 'Yasuke Soul" and "Tokyo Nightlife" feel like a head nod to Ryuichi and Akiko, so buckle up and get ready for a Journey eastbound. Brilliant cover art is supplied by Mitchy Bwoy.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Marc Mac - Tribos Coloridas
2
Marc Mac - The First Movement
3
Marc Mac - Encantadora
4
Marc Mac - Music of Life
Following on from the 2 heavyweight EPs, Ah-Free-Ka & Ja-Maye-Ka, Marc Mac continues to fuse worldly music influences into broken beat. This time the sounds of Brazil are featured and blended into that London nu-boogie, broken beat vibe. The strings, piano and bass at times are reminiscent of Marc's 4hero productions as he is joined by musicians Luke Parkhouse on percussion, Nathan Haines on Sax and Canada's Octavio Santos & Mookie Williams on horns. It's a 4 track journey just right for the sun and ready for your summer eclectic musical adventures. The cover art by Mitchy Bwoy is a fantastic compliment to the music and makes up a cool art package in full
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Nu Era - No Title
2
Nu Era - No Title
3
Nu Era - No Title
4
Nu Era - No Title
5
Nu Era - No Title
6
Nu Era - No Title
7
Nu Era - No Title
8
Nu Era - No Title
Words like soulful techno, real techno and true techno are easily thrown around these days but what really is a 'true techno' record? Arguably we could put Nu Era's debut 1994 "Beyond Gravity" album in that bracket.
"EVOLVE" follows in that footpath and in some ways goes back to an earlier techno sound, pretty hard to do that while still sounding futurist. EVOLVE does just that, its Nu Era still evolving without loosing formation. From the opening track "Metal Butterfly" the 909 drum machine powers through classic Marc Mac (4hero) chords and melodies, that 909 kick drum and baseline work in combination to deliver a more edgy techno belter on "Flying Colours". The 4x4 kick is broken up on tracks and electrified on "Theme From Joe Smoke" the yin and yang forces provide a haunting but uplifting electro master class. "Closer To Mars" creeps into a fusion style tech workout, with jazzy, soulful keys and melodies intertwining, EVOLVE is complexed but simply soulful with big influence from Detroit and has all the hallmarks of a classic in waiting.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"EVOLVE" follows in that footpath and in some ways goes back to an earlier techno sound, pretty hard to do that while still sounding futurist. EVOLVE does just that, its Nu Era still evolving without loosing formation. From the opening track "Metal Butterfly" the 909 drum machine powers through classic Marc Mac (4hero) chords and melodies, that 909 kick drum and baseline work in combination to deliver a more edgy techno belter on "Flying Colours". The 4x4 kick is broken up on tracks and electrified on "Theme From Joe Smoke" the yin and yang forces provide a haunting but uplifting electro master class. "Closer To Mars" creeps into a fusion style tech workout, with jazzy, soulful keys and melodies intertwining, EVOLVE is complexed but simply soulful with big influence from Detroit and has all the hallmarks of a classic in waiting.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Customers who bought this also bought this
1
Jex Opolis - Urbin Jungle
2
Jex Opolis - Contact With The Whales
3
Jex Opolis - Phat Planet
4
Jex Opolis - Fish Dance
5
Jex Opolis - Gramma Song
6
Jex Opolis - Beaver Hills Edit
7
Jex Opolis - Ambiente
8
Jex Opolis - Hollowday
9
Jex Opolis - Chihuaha
10
Jex Opolis - Gramma Song Reprise
Jexy's back! After conquering post-pando dance floors with his celebrated Bad Timin' label, the Jexter is getting back to basics and bringing things home to his Good Timin' label. This time, the Balearic Bad Boy slams the breaks on the BPMs and delivers an album full of downtempo groovers, angelic diamondry and more hooks than a pirate convention! Get into it!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Erika De Casier - Miss
2
Erika De Casier - You Can't Always Get What You Want
3
Erika De Casier - Season
4
Erika De Casier - You Got It
5
Erika De Casier - December
6
Erika De Casier - Delusional
7
Erika De Casier - The Chase
8
Erika De Casier - Moan
9
Erika De Casier - The Garden
10
Erika De Casier - Two Thieves
11
Erika De Casier - Lifetime
Just a year after her critically-acclaimed album Still, Erika de Casier returns to surprise release her fourth album Lifetime.
A sonic moodboard fully written and produced by Erika herself, Lifetime is a testament to de Casier’s singular taste—her ability to pull from the past, to curate sonic and visual references with intention, and to transform them into something uniquely hers. Thoughtfully composed yet effortlessly cool, Lifetime is an album that resonates, proving that Erika’s vision isn’t just about what she creates, but how she makes us feel when we listen.
She began dropping breadcrumbs about the record last month, Erika mysteriously putting a limited set of nameless cassettes up for sale on Bandcamp. Even with no context of what was on it, the tapes quickly sold-out in under thirty minutes and fans began to speculate new music coming. As cassette deliveries began to pour in last week, their theories proved correct. Derrick Gee streamed the cassette live on his channel and fans online began freaking out as they put the pieces together (see here and here!). That so many rushed to embrace the music before even knowing what it was speaks volumes — Erika isn’t just admired, she’s trusted, and with Lifetime, she rewards that devotion in the most Erika way: subtly, stylishly, and on her own terms.
Lifetime follows last year’s aforementioned album Still, which was named one of the Best Albums of the Year by Pitchfork, Stereogum, NPR, Vogue, Vulture and more, and features Blood Orange, They Hate Change, and Shygirl. The album took her on a world tour including a US run that included both weekends of Coachella. She also released one of the best songs of the summer shortly after in the form of “Bikini,” a track with her frequent collaborator Nick León (“Ex-Girlfriend,” “Friendly” Remix) that was named the #1 song of the year by The FADER and Resident Advisor.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A sonic moodboard fully written and produced by Erika herself, Lifetime is a testament to de Casier’s singular taste—her ability to pull from the past, to curate sonic and visual references with intention, and to transform them into something uniquely hers. Thoughtfully composed yet effortlessly cool, Lifetime is an album that resonates, proving that Erika’s vision isn’t just about what she creates, but how she makes us feel when we listen.
She began dropping breadcrumbs about the record last month, Erika mysteriously putting a limited set of nameless cassettes up for sale on Bandcamp. Even with no context of what was on it, the tapes quickly sold-out in under thirty minutes and fans began to speculate new music coming. As cassette deliveries began to pour in last week, their theories proved correct. Derrick Gee streamed the cassette live on his channel and fans online began freaking out as they put the pieces together (see here and here!). That so many rushed to embrace the music before even knowing what it was speaks volumes — Erika isn’t just admired, she’s trusted, and with Lifetime, she rewards that devotion in the most Erika way: subtly, stylishly, and on her own terms.
Lifetime follows last year’s aforementioned album Still, which was named one of the Best Albums of the Year by Pitchfork, Stereogum, NPR, Vogue, Vulture and more, and features Blood Orange, They Hate Change, and Shygirl. The album took her on a world tour including a US run that included both weekends of Coachella. She also released one of the best songs of the summer shortly after in the form of “Bikini,” a track with her frequent collaborator Nick León (“Ex-Girlfriend,” “Friendly” Remix) that was named the #1 song of the year by The FADER and Resident Advisor.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LB0097LP-NDC (Non Die Cut) Floating Points, Pharoah Sanders & The London Symphony Orchestra "Promises" will be the new standard product moving forward
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Cahl Sel - Blink
2
Cahl Sel - Call To Mind
3
Cahl Sel - Livin
4
Cahl Sel - Clear
5
Cahl Sel - The Game
6
Cahl Sel - Regeneration
7
Cahl Sel - Halflife
8
Cahl Sel - Rhizoma
9
Cahl Sel - Ancient And Distant
10
Cahl Sel - Left Eye
11
Cahl Sel - Alone
12
Cahl Sel - Leaf
Reflective Records releases Cahl Sel’s first full-length album, “Traces”. While rooted in beat-driven production, this 2xLP unfolds as a more introspective work, weaving between techno and ambient compositions, a style typically reserved for his hardware-based live sets. Now distilled in the studio, these recordings display refinement of delivery, checking into the ambient-techno stratosphere and resonating in the deep recesses of the chillout zone.
300 copies.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
300 copies.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Ostgut Ton
Cat-No:OstgutLP38
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:2LP
Label:Ostgut Ton
Cat-No:OstgutLP38
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:2LP
1
Efdemin - Drift
2
Efdemin - Poly
3
Efdemin - Signal To Noise
4
Efdemin - Rauris
5
Efdemin - Trophic Cascade
6
Efdemin - Aachen
7
Efdemin - Microphase
8
Efdemin - Radical Hope
9
Efdemin - Irrlicht
10
Efdemin - Lost Somewhere In The Day
11
Efdemin - Below The Surface
First pressing sold out on presale - repress coming on the 7th of novemember!
After a six-year hiatus, Efdemin returns with POLY — his fifth studio album, released on the recently revived Berghain-affiliated label, Ostgut Ton.
As the title suggests, POLY explores multiplicity: of rhythm, texture, style, and emotion. Across eleven meticulously sculpted textures, the album weaves a multidimensional web of sonic references, nodding to the origins of techno while pushing resolutely into uncharted terrain. POLY feels like an afterglow—of decades on the dancefloor, of restless sonic exploration, and of a profound connection to the spaces and communities that have shaped Efdemin’s sound.
Over the course of 60 minutes we are taken through different territories and landscapes of sound. Mysterious and swirling, abstract and droning textures over at times fast and stoic rhythmic concepts. Sometimes the sunlight breaks into the opaque and mysterious soundscapes before the pulse is taken over and sucks us back straight into the club.
The overall tone of POLY is mild and playful, introvert and at times dreamy. The music is rich in sonic expression and breathes the spirit of musical concepts that have been refined over the course of decades. What Sollmann has condensed here feels like a culmination of his multilayered and polyphonic personality situated between Club, Museum, Studio and Academy.
The album cover features a striking photograph of a human ear by renowned German artist Isa Genzken. Known for her radical visual language, Genzken’s work here functions as a metaphor for deep listening. The ear symbolises the layered complexity and immersive quality of the music on POLY — an invitation to perceive sound in all its depth, fragility, and force and unlock it’s potential to unite different voices in a distorted reality.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
After a six-year hiatus, Efdemin returns with POLY — his fifth studio album, released on the recently revived Berghain-affiliated label, Ostgut Ton.
As the title suggests, POLY explores multiplicity: of rhythm, texture, style, and emotion. Across eleven meticulously sculpted textures, the album weaves a multidimensional web of sonic references, nodding to the origins of techno while pushing resolutely into uncharted terrain. POLY feels like an afterglow—of decades on the dancefloor, of restless sonic exploration, and of a profound connection to the spaces and communities that have shaped Efdemin’s sound.
Over the course of 60 minutes we are taken through different territories and landscapes of sound. Mysterious and swirling, abstract and droning textures over at times fast and stoic rhythmic concepts. Sometimes the sunlight breaks into the opaque and mysterious soundscapes before the pulse is taken over and sucks us back straight into the club.
The overall tone of POLY is mild and playful, introvert and at times dreamy. The music is rich in sonic expression and breathes the spirit of musical concepts that have been refined over the course of decades. What Sollmann has condensed here feels like a culmination of his multilayered and polyphonic personality situated between Club, Museum, Studio and Academy.
The album cover features a striking photograph of a human ear by renowned German artist Isa Genzken. Known for her radical visual language, Genzken’s work here functions as a metaphor for deep listening. The ear symbolises the layered complexity and immersive quality of the music on POLY — an invitation to perceive sound in all its depth, fragility, and force and unlock it’s potential to unite different voices in a distorted reality.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Ground - Iwafune ft. Cazu-23
2
Ground - Swallow Groove ft. DJ Ryota & Noritaka Itoh
3
Ground - Don Pami
4
Ground - Twinbee ft. SMS
5
Ground - Otoooh ft. Taihei
6
Ground - Yaoyorozoo
7
Ground - Akokuro ft. Harikuyamaku, Mizuki & Yuko Nakai
8
Ground - Ominaeshi
9
Ground - Fudoukutsu ft. Cazu-23
10
Ground - Water City
11
Ground - Ginryusou
When Daichi Furukawa showed up on our radar in 2018, it was at a time when the ESP Institute was loosely focusing on (our obtuse version of) club-friendly releases, but upon our first listen to his Ground demos that would become his debut 2xLP 'Sunizm', we immediately threw accessibility out the window again. Ground is technically from Osaka, but we believe he’s actually from another planet, merely passing through, collecting data from all aspects of Earth—be it organic, animal, chemical, or human-made fodder. Perhaps his clan found the “Golden Record” on our space junk Voyager 1 and considered our attempt at self-representation oblivious, mediocre, laughable, and decided to come show us how it could be done properly. After the inimitable 'Sunizm', a slew of singles and remixes, and follow-up EP entitled 'Wakusei', we’re proud to finally present the long-awaited 2xLP, 'Yaoyorozoo'. Once again, Daichi steps into some hybrid-of-hybrids territory—a truly mutant fusion of culture and sonics that should make no sense at all, but his confidence (and disregard for public comprehension) shows no mercy in thrusting his vision upon us. 'Yaoyorozoo' is both ancient and future, primitive and advanced, tribal and lone wolf—a mélange of human success and failure, a cerebral scraping of consciousness, a granular paste of Earthly artefacts smeared across 73 minutes. Moments of undeniable beauty devolve into heavy and uncomfortable hallucinations, voices speak to us from hidden spaces in the soundstage… or do they? Scenes are set just long enough for the listener to accept one reality, only to be abruptly disoriented by jarring elements that pull our subconscious center-stage and question our sense of perception. What the fuck is actually happening here? Everything evolves tangentially, much like dream abstractions—or this press release itself—testing the limits of audience patience and laughing at any semblance of what’s acceptable, functional, or conventional.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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LP, COL (Transparent Vinyl), 180G
Tracklist:
A1) Hungun 03:39 min
A2) Ulbar 04:01 min
A3) Ergelt 02:48 min
A4) Unadag Dugui 02:19 min
A5) Gerhol 04:03 min
A6) Eejiinhee Hairaar 03:30 min
B1) Zuirmegleh 03:25 min
B2) Much 03:02 min
B3) Neke 02:00 min
B4) Old Folks 08:39 min
B5) Bayar Tai 02:28 min
Info:
For a few fleeting moments during a sunset, the sky is cast a vivid shade of amber. A dramatic flare of colour, a moment belonging to both the day and the night. It is within this vibrant, ephemeral world, that Mongolian-born, Munich-based Enji has written her new album Sonor.
Sonor is a reflection of Enji's personal evolution and the complex emotions that accompany living between two worlds. The album's themes revolve around the unplaceable feeling of being between cultures, not as a source of conflict, but as a space for growth and self-discovery. Enji explores how distance from her traditional Mongolian roots has shaped her identity, and how returning home brings a heightened awareness of these changes. Backed by a band of renowned jazz musicians (Elias Stemeseder on piano, Robert Landfermann on bass, Julian Sartorius on drums and co-composer Paul Brändle on guitar), Enji isn't just revisiting tradition, she's distilling the feeling of home, of small joys that reveal their significance only when viewed from afar.
Like a familiar song hummed by a parent, her music captures the essence of belonging, not tied to a single place, but to the emotions and memories that shape us.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist:
A1) Hungun 03:39 min
A2) Ulbar 04:01 min
A3) Ergelt 02:48 min
A4) Unadag Dugui 02:19 min
A5) Gerhol 04:03 min
A6) Eejiinhee Hairaar 03:30 min
B1) Zuirmegleh 03:25 min
B2) Much 03:02 min
B3) Neke 02:00 min
B4) Old Folks 08:39 min
B5) Bayar Tai 02:28 min
Info:
For a few fleeting moments during a sunset, the sky is cast a vivid shade of amber. A dramatic flare of colour, a moment belonging to both the day and the night. It is within this vibrant, ephemeral world, that Mongolian-born, Munich-based Enji has written her new album Sonor.
Sonor is a reflection of Enji's personal evolution and the complex emotions that accompany living between two worlds. The album's themes revolve around the unplaceable feeling of being between cultures, not as a source of conflict, but as a space for growth and self-discovery. Enji explores how distance from her traditional Mongolian roots has shaped her identity, and how returning home brings a heightened awareness of these changes. Backed by a band of renowned jazz musicians (Elias Stemeseder on piano, Robert Landfermann on bass, Julian Sartorius on drums and co-composer Paul Brändle on guitar), Enji isn't just revisiting tradition, she's distilling the feeling of home, of small joys that reveal their significance only when viewed from afar.
Like a familiar song hummed by a parent, her music captures the essence of belonging, not tied to a single place, but to the emotions and memories that shape us.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Pugilist - Fourth Day
2
Pugilist - Cumulus
3
Pugilist - Found Sound
4
Pugilist - Vanilla Mystic
5
Pugilist - Concave
6
Pugilist - Oblivion
7
Pugilist - Timelines
8
Pugilist - Idiom
9
Pugilist - Stand For Justice
10
Pugilist - Hourglass
11
Pugilist - Introspect Ft. Tamen
12
Pugilist - Love Is The Way Ft. Prince Morella
Repress coming in May!
Ruff Kutz presents 'Found Sound', a debut solo album by Pugilist.
At a time where art has become readily reproduced and seemingly disposable, I have made something longer-form to be enjoyed as a complete piece, rather than it's single elements.
Found Sound delves into my internal monologue, which I hope results in a personal and introspective listening experience. Building on my previous discography - you can expect versatile sounds and tempos, with a washy dub-wise feel, intoxicating atmospherics, all in a genre-free structure. The album is floaty, euphoric and perhaps a surprisingly light listen compared to my normal output, but with notably huge bass and intricate percussion throughout.
The album taps into nostalgic reference points without leaning on retrograde tropes. While sculpted by contemporary production and FX, the sound remains raw and not overly polished. The album is best described as a collage of sounds that I have steadily collected over the last decade, which have inspired me, some very cheeky sampling and many a late night working on my studio tan. It is a tribute to the music I grew up with and love the most, from past to the present. It is fitting that this release marks the 10 years since I started the Pugilist alias.
This wouldn't have been possible without Umeya, who the album is dedicated to.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ruff Kutz presents 'Found Sound', a debut solo album by Pugilist.
At a time where art has become readily reproduced and seemingly disposable, I have made something longer-form to be enjoyed as a complete piece, rather than it's single elements.
Found Sound delves into my internal monologue, which I hope results in a personal and introspective listening experience. Building on my previous discography - you can expect versatile sounds and tempos, with a washy dub-wise feel, intoxicating atmospherics, all in a genre-free structure. The album is floaty, euphoric and perhaps a surprisingly light listen compared to my normal output, but with notably huge bass and intricate percussion throughout.
The album taps into nostalgic reference points without leaning on retrograde tropes. While sculpted by contemporary production and FX, the sound remains raw and not overly polished. The album is best described as a collage of sounds that I have steadily collected over the last decade, which have inspired me, some very cheeky sampling and many a late night working on my studio tan. It is a tribute to the music I grew up with and love the most, from past to the present. It is fitting that this release marks the 10 years since I started the Pugilist alias.
This wouldn't have been possible without Umeya, who the album is dedicated to.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Moonchild - Not Sorry (feat. Jill Scott & Rapsody)
2
Moonchild - Ride The Wave (feat. Astyn Turr)
3
Moonchild - When You Know
4
Moonchild - Up From Here (feat. Robert Glasper & D Smoke)
5
Moonchild - Waves Hotline
6
Moonchild - Fear (Hey Friend) [feat. PJ Morton]
7
Moonchild - Advice (feat. Chris Dave)
8
Moonchild - Counting (feat. Gretchen Parlato, Chris Dave & Dayna Stephens)
9
Moonchild - Sweet Spot (feat. Pinderhughes)
10
Moonchild - Strong (feat. Erin Bentlage)
11
Moonchild - For Yourself (feat. Lalah Hathaway & Chris Dave)
12
Moonchild - Sick (feat. Robert Glasper & Chris Dave)
13
Moonchild - Nothing To Prove (feat. Rae Khalil & Brittney Carter)
14
Moonchild - Afterglow (feat. Lalah Hathaway &; Christie Dashiell)
With their upcoming album Waves, Moonchild enters a bold new chapter. A deeply personal and emotionally raw project, Waves explores themes of grief, healing, resilience, and self-worth, eschewing the love songs that once dominated their catalog. "This album is about processing loss and stepping into your power," says Amber. "It's a lyrical departure, but it reflects what I've been going through these past few years." The project also marks a return to in-person collaboration and a new embrace of sampling and sonic experimentation. The result is an album that feels more vulnerable and grounded than ever, while still pushing the boundaries of their signature sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
As Ganhadeiras de Itapuã - Maré mansa
2
Ubunto - O Vento Part. As Ganhadeiras de Itapuã
3
Castanheiro - Este Samba É Meu
4
Eduardo Araújo - Madrugada
5
Tyaraju & Dutra - Pé De Foguete
6
Tema IV - Tema I
7
Orquesta El Sabor De Nacho - Bim Bim Bom Bom “Que Se Sepa”
8
The Trinikas - Remember Me
9
Tommy McGee - Now That I Have You
10
Trevor Dandy - Is There Any Love
11
Wilfred Luckie - My Thing
12
The Sylvers - Wish That I Could Talk To You (Kenny Dope Edit)
13
K.L. Hamilton - I'm Trying
14
Wil Collins & Willpower - Anything I Can Do
15
Powerline - Watching You (Brand New Remix)
16
Mac Mathunjwa - Give Us More Love (Edit)
17
Tapper Zukie - Visions Of Love
18
Urias - Vontade De Voar
Welcome to Volume 8 of the Mr Bongo Record Club series, our in-house curated compilations that give us a chance to share some of our favourite tracks, hard-fought finds, and unsung gems. These are tracks that have been inspiring us at home, in the office, while DJing, and on the dancefloor.
In the cross-genre spirit of the series, for Volume 8 we have selected music from the worlds of soul, boogie, disco-reggae, jazz-funk, and Latin, with a hefty chunk of beloved Brazilian music. Pulling these compilations together is always a highlight of our year, and eight volumes in, we feel this is one of our strongest to date.
The album’s journey begins with a heartfelt epic by As Ganhadeiras de Itapuã, from the Bahian town of Itapuã. It’s an area of Brazil that holds a special place in David ‘Mr Bongo’ Buttle’s heart, and where he first met our dear friend, Luciano Rodrigues Dos Santos, to whose memory this compilation is dedicated to.
Staying in Northern Brazil, next up is a contemporary dancefloor gem by Ubunto, a DJ and producer from Salvador, which also features As Ganhadeiras de Itapuã. The raw, dusty, punchy sounds of zabumba drummer Castanheiro and the furious guitar-heavy dancer by Tyaraju & Dutra are just two more examples of the Brazilian beauties included on the compilation.
There is also a heavy dose of soul music on this volume. The Canadian-gospel sounds of Trevor Dandy, a modern-soul rarity by Wil Collins & Willpower (which has been on our list for years), and a soul-stepper masterpiece by Tommy McGee, are just a handful of the highlights. Not stopping there, we are incredibly proud to present an exclusive rework of The Sylvers' ‘Wish That I Could Talk To You’ by the legendary Kenny Dope. Kenny has excelled himself with this one, fattening up the drums while bringing more drama to the horns and strings. The song now feels more contemporary yet still stays true to its roots. Complete genius!
Elsewhere on the compilation, you’ll find a cosmic reggae-not-reggae disco oddity by Tapper Zukie, a South African jazz-funk-disco groover by Mac Mathunjwa, a sought-after Brazilian compacto by Eduardo Araújo, and a Brit-funk / boogie treasure by Powerline.
Traversing time, genre, and location, all the tracks on Volume 8 are favourites for their own unique reasons. Music will forever be a constant source of comfort, able to affect you deeply in the most meaningful ways. It’s the gift that keeps giving, and there is so much more to learn, discover, and share, both old and new.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In the cross-genre spirit of the series, for Volume 8 we have selected music from the worlds of soul, boogie, disco-reggae, jazz-funk, and Latin, with a hefty chunk of beloved Brazilian music. Pulling these compilations together is always a highlight of our year, and eight volumes in, we feel this is one of our strongest to date.
The album’s journey begins with a heartfelt epic by As Ganhadeiras de Itapuã, from the Bahian town of Itapuã. It’s an area of Brazil that holds a special place in David ‘Mr Bongo’ Buttle’s heart, and where he first met our dear friend, Luciano Rodrigues Dos Santos, to whose memory this compilation is dedicated to.
Staying in Northern Brazil, next up is a contemporary dancefloor gem by Ubunto, a DJ and producer from Salvador, which also features As Ganhadeiras de Itapuã. The raw, dusty, punchy sounds of zabumba drummer Castanheiro and the furious guitar-heavy dancer by Tyaraju & Dutra are just two more examples of the Brazilian beauties included on the compilation.
There is also a heavy dose of soul music on this volume. The Canadian-gospel sounds of Trevor Dandy, a modern-soul rarity by Wil Collins & Willpower (which has been on our list for years), and a soul-stepper masterpiece by Tommy McGee, are just a handful of the highlights. Not stopping there, we are incredibly proud to present an exclusive rework of The Sylvers' ‘Wish That I Could Talk To You’ by the legendary Kenny Dope. Kenny has excelled himself with this one, fattening up the drums while bringing more drama to the horns and strings. The song now feels more contemporary yet still stays true to its roots. Complete genius!
Elsewhere on the compilation, you’ll find a cosmic reggae-not-reggae disco oddity by Tapper Zukie, a South African jazz-funk-disco groover by Mac Mathunjwa, a sought-after Brazilian compacto by Eduardo Araújo, and a Brit-funk / boogie treasure by Powerline.
Traversing time, genre, and location, all the tracks on Volume 8 are favourites for their own unique reasons. Music will forever be a constant source of comfort, able to affect you deeply in the most meaningful ways. It’s the gift that keeps giving, and there is so much more to learn, discover, and share, both old and new.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Aspetuck - Hit Me With Your Pet Shark
2
Aspetuck - The Printing Press
3
Aspetuck - REI
4
Aspetuck - Immersio
5
Aspetuck - Under, Under The Tree
6
Aspetuck - Bobik (Feat. Moon Patrol)
Aspetuck has been steadily carving out a name for himself through releases on Never Late and Oslated, garnering a respected following for his DJ mixes and festival performances. Aspetuck's latest record, Immersion, was sequenced and curated from dozens of ideas spanning a transformative few years in Griff's life. The album is less a snapshot in time and more of a memory bank - flashes of fatherhood, loss, modular rabbit holes, late-night studio sessions, and long walks by the Hudson River with his daughter.
The emotional undertow of the album is immediate. Opener Hit Me With Your Pet Shark is one of the earliest compositions in the collection, created just months after the loss of Griff's brother and during the sleepless swirl of new parenthood. Built around a single sound from Spectrasonics Omnisphere, found while rediscovering his brother's studio gear, the track sets the tone: restrained yet searching, personal without becoming precious.
From there, The Printing Press captures the raw energy of a live jam in Griff's upstate New York basement, running through a 1980s Tascam mixer like a lo-fi assembly line of synths, pads, and drum machines. REI, named after a spontaneous family mission to find a pink water bottle, encapsulates his knack for imprinting daily minutiae into sound. And title track Immersion- once known simply as Tuesday 303 Jam- emerges from a dinner break and a blender, distilling modular sketches and distorted drums into a powerful, slow-motion march.
Under, Under The Tree hits hardest. Built around a grainy iPhone voice memo of Griff's daughter singing by the Hudson. And closing the album is Bobik, a collaborative studio session with Moon Patrol channeling the playful chaos of a close friendship and modular exploration. Named after a joke about their golden retriever and filled with alien textures from Griff's beloved EMU XL7 gifted years ago by his late brother, it's a fitting send-off to an album that straddles celebration and mourning with grace.
The artwork comes courtesy of Peter Skwiot Smith, whose textured analog/digital aesthetic resonated immediately with Griff's original vision. Peter's treatment draws on Griff's personal photography and leans into motion, blur, and the layered nature of memory, echoing the album's sonic tone without overexplaining it.
Mastered by Sven Weisemann, Immersion is available on blue smoke colored 12" and digital on May 15th 2026.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The emotional undertow of the album is immediate. Opener Hit Me With Your Pet Shark is one of the earliest compositions in the collection, created just months after the loss of Griff's brother and during the sleepless swirl of new parenthood. Built around a single sound from Spectrasonics Omnisphere, found while rediscovering his brother's studio gear, the track sets the tone: restrained yet searching, personal without becoming precious.
From there, The Printing Press captures the raw energy of a live jam in Griff's upstate New York basement, running through a 1980s Tascam mixer like a lo-fi assembly line of synths, pads, and drum machines. REI, named after a spontaneous family mission to find a pink water bottle, encapsulates his knack for imprinting daily minutiae into sound. And title track Immersion- once known simply as Tuesday 303 Jam- emerges from a dinner break and a blender, distilling modular sketches and distorted drums into a powerful, slow-motion march.
Under, Under The Tree hits hardest. Built around a grainy iPhone voice memo of Griff's daughter singing by the Hudson. And closing the album is Bobik, a collaborative studio session with Moon Patrol channeling the playful chaos of a close friendship and modular exploration. Named after a joke about their golden retriever and filled with alien textures from Griff's beloved EMU XL7 gifted years ago by his late brother, it's a fitting send-off to an album that straddles celebration and mourning with grace.
The artwork comes courtesy of Peter Skwiot Smith, whose textured analog/digital aesthetic resonated immediately with Griff's original vision. Peter's treatment draws on Griff's personal photography and leans into motion, blur, and the layered nature of memory, echoing the album's sonic tone without overexplaining it.
Mastered by Sven Weisemann, Immersion is available on blue smoke colored 12" and digital on May 15th 2026.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Song of Island is a private press album that very few people knew about. It is the third long player from pianist Yasuhiro Kohno's trio (he started his career as a member of Japanese rocker Eikichi Yazawa's band) and was recorded live at the jazz club and live house 'Again' in August 1985. This is the first time the album has ever been reissued before and captures a special time in Japanese jazz when it was all about exemplary acoustics performed live by skilled musicians. There is one take on a classic jazz standard here as well as four original pieces.
Side 1
1. "Song Of Island" (10:51)
Side 2
1. "Time For Peace" (7:47)
2. "Love For Sale" (8:37)
Side 3
1. "Mr Nilson" (13:26)
Side 4
1. "Village Festival" (12:20)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Side 1
1. "Song Of Island" (10:51)
Side 2
1. "Time For Peace" (7:47)
2. "Love For Sale" (8:37)
Side 3
1. "Mr Nilson" (13:26)
Side 4
1. "Village Festival" (12:20)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More