Silhouette is a brand new label from Burnski, who is surely the hardest working man in the underground right now. His thirst for sounds that traverse the garage, tech, dub and minimal spectrum seems to be utterly insatiable. For the second release on his latest outlet, he enlists Budapest-based house-head Vitus. In return, he drops six tunes that will work the floor with muscular grooves but bring the fun with great samples. There's raw filth on 'Got Your Head Nod', choppy, jazzy loops on 'Mind State,' a more heads down minimal sound on 'Take Me (To The Floor)' and bubbly energy on the well swung closer 'House Is (Never) Boring'. A charming EP full of club utility.

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Delusions Of Grandeur is proud to welcome back emerging producer, multi-instrumentalist, and
vocalist Declan McDermott for his standout new EP, Why Don’t You Believe Me? Blending
analogue hardware and live musicianship with deep, groove-driven production, the release
showcases a confident and colourful voice in contemporary underground house.
Hailing from Sydney and now based in Berlin, Declan McDermott has quietly evolved into one of the
most intriguing new names in left-of-centre house music. A lifelong instrumentalist and vintage gear
authority he shifted from producer/musician-for-hire, to step into his own spotlight after falling in love
with the hypnotic pull of late-night deep house and dub-influenced dance records. His studio work
draws on analogue synths, vintage drum machines, field recordings, and his own understated vocal
delivery, forming a sound that’s warm, textural, and effortlessly soulful. With his debut release turning
heads among selectors who value emotion as much as groove, this EP marks his development as
one to watch.
Why Don’t You Believe Me? is a slow-mo deep-house meditation wrapped in warmth and weight.
Declan and his featured vocalists lay down their spoken and vocodered vocals across minimal,
stripped-back house drums, weaving through DX7 and OBX-a melodies with subtle dubby inflections.
It’s intimate but floor-friendly - an introspective nocturnal groove that sways rather than shouts.
Next up we have a remix from the revered French luminary I:Cube who lifts the BPM and launches
the track straight onto the club floor. Leaning into cosmic-disco and classic filter house, the remix is
propelled by a rolling, hypnotic bassline and warm Rhodes chops that drive the groove along. It’s a
classy, elevated rework with the signature I:Cube balance of drive and dreaminess.
Flipping over we have the legendary NYC-based DJ Nature (founding member of Bristol’s Wild
Bunch crew and sound system) who injects raw soul into the original, keeping things crunchy, real,
and deeply felt. Clipped drums, dusty organ textures, and a warm, human touch guide this version -
equal parts basement grit and emotive mood. It’s the kind of remix that feels like it could only come
from a seasoned hand.
The EP floats to a close on a serene, atmospheric note with Yara-Kimba (Lindeman Island).
Named after Yara-Kimba, the Indigenous name for Lindeman Island in the Ngaro Nation /
Whitsundays region of Australia, given by the Ngaro people, the traditional custodians of the land
meaning ‘place of the snapper fish. Echoes of Ron Trent’s spacious, spiritual deep house permeate
the arrangement, with gentle percussion, tropical tones, and a calm-breathing groove. As Declan
says “This track is a tribute to Yara-Kimba, inspired by childhood memories, the island’s natural
soundscape, and my vision of a distinctly Australian / Oceanic house sound.

A1 - Why Don’t You Believe Me?
A2 - Why Don’t You Believe Me? (I:Cube ‘Pourquoi’ Remix)
B1 - Why Don’t You Believe Me? (DJ Nature Remix)
B2 - Yara-Kimba (Lindeman Island)



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Daybreakers head to Chicago for this one, bringing back How Bad I Want Ya from Soul Element, aka Stacy Kidd, alongside Peven Everett. This record is a true representation of the city — Stacy’s deep approach to house music and Peven’s unmistakable voice up front. It carries that raw, direct energy that defines a lot of their best work.

How Bad I Want Ya has been around for a while now, one of those records that stayed in bags and never really disappeared. It’s a proper slice of deep house with a vocal that stays in your head.

The original keeps things direct and deep. No excess, just a track that does what it needs to do on the floor.

On the B side, Glenn Underground steps in with the Peak True Time Mix, stretching things out and adds some percussion and an infectious bassline. It’s a proper GU remix — longer and patient, while keeping that Chicago swing intact.

Two sides of the same city, done properly.

House that was always deep.

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The Trip To Vega is the new album by Jeff Mills and is about deep outer space odyssey that occurs in the process of traveling from Earth through the Cosmos to another "favorable" star system 25.3 light-years away.

Tracklist

A1. Jeff Mills - Destination Bright Star
A2. Jeff Mills - Ten Cycles
B1. Jeff Mills - Omega Dust Rings
B2. Jeff Mills - Lyra
C1. Jeff Mills - Equinox
C2. Jeff Mills - Twenty-Five Light Years Away
D. Jeff Mills - March Of The Purple Orbs
E1. Jeff Mills - Terraform
E2. Jeff Mills - Alpha Quadrant
F1. Jeff Mills - Orbiting The Star
F2. Jeff Mills - Circumstellar Debris




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Soul Quest Records returns with Maintain Altitude 2, a fearless, floor-focused statement that
captures the pulse of London’s underground while stretching its sound across borders. This
second instalment doesn’t just build on the energy of the first; it elevates it, locking into a groove
that feels both timeless and future-facing. Deep house, broken beat, jazz-infused electronics it’s
all here, and it hits hard.
Opening the release, Slxm Sol - Lead The Way sets the tone with lush Rhodes chords, rich
low-end warmth, and unmistakable soul. Featuring the hypnotic vocals of Legzdina, the track is
a late-night guide through deep, emotive house, refined, immersive, and quietly powerful. It’s a
statement from an artist who continues to define the label’s sonic identity.
Next up, Max Sinàl & KingCrowney - A Bit Mad deliver exactly what the title promises, a loose,
live-feeling cut that fuses UK jazz sensibilities with broken beat energy. KingCrowney’s trumpet
work dances over Max’s signature production, creating something raw, musical, and undeniably
London.
Amsterdam’s rising talent steps in with Misto Kay - Bruklynn, a playful yet intricate debut on the
label. Jazz-rooted keys meet unexpected rhythmic turns, keeping dancers guessing while
maintaining a deep, rolling groove. It’s fresh, musical, and full of personality.
Lisbon-based producer Berkeley Hunt - Speed Jazz follows with a dusty, high-tech jazz heater,
swung drums, chopped samples, and synth lines that blur the line between experimentation and
dancefloor pressure. It’s gritty, it’s clever, and it absolutely slaps.
Returning to the fold, Real Love Seeker - Mood Swings taps into that golden-era 90s house
feeling, think Mood II Swing energy with a modern edge. Soulful, driving, and built for
heads-down moments, it’s a reminder that simplicity, when done right, still reigns supreme.
Closing out the release, Streeton - Ride (Feat. Faro) brings broken beat back into focus. Faro’s
lush, heartfelt vocals glide over organic grooves and textured instrumentation, creating a track
that feels both intimate and expansive, the perfect final lift-off.
Behind the release stands Soul Quest’s core ethos pushing soulful, forward-thinking club music
without compromise. With a roster that spans emerging innovators and established voices,
Maintain Altitude 2 isn’t just a compilation, it’s a snapshot of a movement.

A1 - Slxm Sol - Lead The Way
A2 - Max Sinal & King Crowney - A Bit Mad
A3 - Misto Kay - Bruklynn
B1 - Berkeley Hunt - Speed Jazz
B2 - Real Love Seeker - Mood Swings
B3 - Streeton - Ride (ft. Faro)

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