1
Nite Hawk - Ride Me
2
Nite Hawk - Shake Ya Rump
3
Nite Hawk - Be Together
Nite Hawk is a new name to us, but one we'll be keeping an ear on, just off the back of this new EP on York-based John Deevechis's The Owl label. The opener plays with a classic rhythm and serves it up with a bleeping synth sequence that will also be familiar, while the rickety drums unfold in off-grid patterns. It's a great start before 'Shake Ya Rump' brings machine-made disco with sugary synths and playful vocals over funky basslines, then 'Be Together' closes with another cold analogue groove that ramps up the pressure and is the sort of tasteful and timeless crowd pleaser you will be playing forever.
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More records from Owl
1
The Owl - Shake It
2
The Owl - Follow Me
3
The Owl - Alaways Be There
4
The Owl - The Way
John Devecchis AKA The Owl takes flight once again here on his self titled label's 10th outing. Once again it is a head turning mix of disco and funk that carries on where his superb Concrete Funk album from 20121 left off. These are beefy cuts with authentic grooves, starting with the loose limbed playfulness of 'Shake It'. There is a more heavy, purposeful chug to 'Follow Me' which comes alive with lush strings and perfect soul vocals. 'Always Be There' leans into a house groove with noodling guitar riffs a la Chic and 'The Way' is a nice leggy and elastic pumper with expressive diva wails. Super stuff.
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1
Craig Charles - Sexy Thang
2
Craig Charles - Rok On
Owl Records has another 12" that will get your head swiveling and booty shaking. It comes from the BBC 6 Music host, TV legend turned funk and soul tastemaker Craig Charles who has put totters a couple of sizzling edits. First up he layers a classic Hot Chocolate sample over a rolling and rubbery beat and bassline that will pump any dance floor. On the flip is a more slow and seductive sound in 'Rok On' with its funky bass and sleazy vocals over low-slung and slo-mo beats. Add in the playful trumpets and muted string and you have a brilliantly curious and compelling cut.
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1
The Owl - No Title
2
The Owl - No Title
3
The Owl - No Title
4
The Owl - No Title
Owl’s hibernation is over. The apex master of original and nostalgic remakes is back to claim his territory at the peak of that credible disco vantage point. This cult labels seventh vinyl release displays The Owl’s diversity in production styles. From originally written bottom-heavy bombs to painstakingly well-crafted funk fuelled reworks. Opening with a masterful adaption of a usually rather disjointed sounding track from the godfather of funk. The Owl seamlessly builds and slices relevant parts, to make a dancefloor song as catchy as it is groovy. The infectious use of a seemingly pedestrian vocal gives the song its rhythmical edge, making it a must-have for any true fan of real funk. Track two relays a deeper edge, whilst still keeping the overall funk undertone. With arrangement and percussion cleverly laid out in a house music format, this track is a very cool crossover from deep nu-disco to deep house. The third and fourth tracks show The Owl’s ability to write original material whilst still adding enough familiarity to keep the release within the overall scope of a rework release.
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1
The Owl - "Spank No Mo"
2
The Owl - "Pure Heat"
3
The Owl - "Hots For You"
4
The Owl - "Papa Do"
After a lengthy break between releases, possibly to readjust to the cooler climate, The Owl returns with another slamming funk fuelled killer of a release. Nose diving directly into another banger, ‘Spank No Mo’ is funky and tough and perfect for the DJ who likes their groove with concrete shoes!
Second up is another funk fuelled vocal smash ‘Pure Heat’, that’s going to create some fire across every dance floor it’s played. Track three sees a different side of The Owl with an original track that uses a quirky 80’s sample thats gritty and heavy but still full of The Owl’s familiar sound.
The EP closes with a track already featuring on national radio. ‘Papa Do’ delves nicely into vocal blues territory but with an energy that is relentless. Rounding off yet another bomb release from The Owl and his label imprint.
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Second up is another funk fuelled vocal smash ‘Pure Heat’, that’s going to create some fire across every dance floor it’s played. Track three sees a different side of The Owl with an original track that uses a quirky 80’s sample thats gritty and heavy but still full of The Owl’s familiar sound.
The EP closes with a track already featuring on national radio. ‘Papa Do’ delves nicely into vocal blues territory but with an energy that is relentless. Rounding off yet another bomb release from The Owl and his label imprint.
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1
unknown - No Title
2
unknown - No Title
Vinyl only. Owl is a non-profit unofficial label releasing bootlegs, unauthorized re-edit and everything is not licensable for any reason, run by an indefinite art collective growing every day more around the world.
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Owl Is A Non-profit Unofficial Label Releasing Bootlegs, Unauthorized Re-edit And Everything Is Not Licensable For Any Reason, Run By An Indefinite Art Collective Growing Every Day More Around The World.
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Welcome to Volume 8 of the Mr Bongo Record Club series, our in-house curated compilations that give us a chance to share some of our favourite tracks, hard-fought finds, and unsung gems. These are tracks that have been inspiring us at home, in the office, while DJing, and on the dancefloor.
In the cross-genre spirit of the series, for Volume 8 we have selected music from the worlds of soul, boogie, disco-reggae, jazz-funk, and Latin, with a hefty chunk of beloved Brazilian music. Pulling these compilations together is always a highlight of our year, and eight volumes in, we feel this is one of our strongest to date.
The album’s journey begins with a heartfelt epic by As Ganhadeiras de Itapuã, from the Bahian town of Itapuã. It’s an area of Brazil that holds a special place in David ‘Mr Bongo’ Buttle’s heart, and where he first met our dear friend, Luciano Rodrigues Dos Santos, to whose memory this compilation is dedicated to.
Staying in Northern Brazil, next up is a contemporary dancefloor gem by Ubunto, a DJ and producer from Salvador, which also features As Ganhadeiras de Itapuã. The raw, dusty, punchy sounds of zabumba drummer Castanheiro and the furious guitar-heavy dancer by Tyaraju & Dutra are just two more examples of the Brazilian beauties included on the compilation.
There is also a heavy dose of soul music on this volume. The Canadian-gospel sounds of Trevor Dandy, a modern-soul rarity by Wil Collins & Willpower (which has been on our list for years), and a soul-stepper masterpiece by Tommy McGee, are just a handful of the highlights. Not stopping there, we are incredibly proud to present an exclusive rework of The Sylvers' ‘Wish That I Could Talk To You’ by the legendary Kenny Dope. Kenny has excelled himself with this one, fattening up the drums while bringing more drama to the horns and strings. The song now feels more contemporary yet still stays true to its roots. Complete genius!
Elsewhere on the compilation, you’ll find a cosmic reggae-not-reggae disco oddity by Tapper Zukie, a South African jazz-funk-disco groover by Mac Mathunjwa, a sought-after Brazilian compacto by Eduardo Araújo, and a Brit-funk / boogie treasure by Powerline.
Traversing time, genre, and location, all the tracks on Volume 8 are favourites for their own unique reasons. Music will forever be a constant source of comfort, able to affect you deeply in the most meaningful ways. It’s the gift that keeps giving, and there is so much more to learn, discover, and share, both old and new.
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In the cross-genre spirit of the series, for Volume 8 we have selected music from the worlds of soul, boogie, disco-reggae, jazz-funk, and Latin, with a hefty chunk of beloved Brazilian music. Pulling these compilations together is always a highlight of our year, and eight volumes in, we feel this is one of our strongest to date.
The album’s journey begins with a heartfelt epic by As Ganhadeiras de Itapuã, from the Bahian town of Itapuã. It’s an area of Brazil that holds a special place in David ‘Mr Bongo’ Buttle’s heart, and where he first met our dear friend, Luciano Rodrigues Dos Santos, to whose memory this compilation is dedicated to.
Staying in Northern Brazil, next up is a contemporary dancefloor gem by Ubunto, a DJ and producer from Salvador, which also features As Ganhadeiras de Itapuã. The raw, dusty, punchy sounds of zabumba drummer Castanheiro and the furious guitar-heavy dancer by Tyaraju & Dutra are just two more examples of the Brazilian beauties included on the compilation.
There is also a heavy dose of soul music on this volume. The Canadian-gospel sounds of Trevor Dandy, a modern-soul rarity by Wil Collins & Willpower (which has been on our list for years), and a soul-stepper masterpiece by Tommy McGee, are just a handful of the highlights. Not stopping there, we are incredibly proud to present an exclusive rework of The Sylvers' ‘Wish That I Could Talk To You’ by the legendary Kenny Dope. Kenny has excelled himself with this one, fattening up the drums while bringing more drama to the horns and strings. The song now feels more contemporary yet still stays true to its roots. Complete genius!
Elsewhere on the compilation, you’ll find a cosmic reggae-not-reggae disco oddity by Tapper Zukie, a South African jazz-funk-disco groover by Mac Mathunjwa, a sought-after Brazilian compacto by Eduardo Araújo, and a Brit-funk / boogie treasure by Powerline.
Traversing time, genre, and location, all the tracks on Volume 8 are favourites for their own unique reasons. Music will forever be a constant source of comfort, able to affect you deeply in the most meaningful ways. It’s the gift that keeps giving, and there is so much more to learn, discover, and share, both old and new.
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1
Another Taste - Party Lights
2
Another Taste - Waiting Game
3
Another Taste - Run Into Love
4
Another Taste - Peace Call
5
Another Taste - Don't Stop
6
Another Taste - Blue Feather Movement
7
Another Taste - Never Down
8
Another Taste - Into The Night
Another Taste is back with their follow up album: Another Taste II delivers eight new cuts of boogie, funk, and obscure disco influenced productions, recorded live to tape. Comes with Download code.
After lighting up renowned clubs like KOKO London, Jazz Café London,Tresor Berlin, New Morning Paris, and festivals like Love Supreme (UK), Lost Village (UK), Nuits Sonores (FR), Hamburg Jazz (DE), Lowlands (NL), ADE Amsterdam - the band has surfaced from the studio anew, mixing myth with music.
If their debut record in 2024 was an introduction to their musical range, Another Taste II is the full immersion. The two-sided album plays like a neon-lit cab ride where the radio is set to groove. Expanding their palette with sharper songwriting, denser arrangements, and a fictional universe.
The album showcases Another Taste’s collective at full strength: Barend Lippens, Bobby van Putten, Bob Roche, Teun van Zoggel, Sarina Voorn, Diogo Carvalho, and Florian Verhagen. Together they summon a sound that is electrifying, communal, and unmistakably theirs, joined on “Peace Call” by Arp Frique and the Perpetual Singers, and bolstered throughout by a dedicated brass section.
Another Taste II is engineered and mixed by Bobby van Putten, mastered at The Carvery by Frank Merritt, with artwork and design by Timo ter Braak, Walt van der Veen and Robert Reinartz.
The new album presents a collaborative creation that’s both timeless and unpredictable, pulling listeners deeper into the band’s universe with every spin.
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After lighting up renowned clubs like KOKO London, Jazz Café London,Tresor Berlin, New Morning Paris, and festivals like Love Supreme (UK), Lost Village (UK), Nuits Sonores (FR), Hamburg Jazz (DE), Lowlands (NL), ADE Amsterdam - the band has surfaced from the studio anew, mixing myth with music.
If their debut record in 2024 was an introduction to their musical range, Another Taste II is the full immersion. The two-sided album plays like a neon-lit cab ride where the radio is set to groove. Expanding their palette with sharper songwriting, denser arrangements, and a fictional universe.
The album showcases Another Taste’s collective at full strength: Barend Lippens, Bobby van Putten, Bob Roche, Teun van Zoggel, Sarina Voorn, Diogo Carvalho, and Florian Verhagen. Together they summon a sound that is electrifying, communal, and unmistakably theirs, joined on “Peace Call” by Arp Frique and the Perpetual Singers, and bolstered throughout by a dedicated brass section.
Another Taste II is engineered and mixed by Bobby van Putten, mastered at The Carvery by Frank Merritt, with artwork and design by Timo ter Braak, Walt van der Veen and Robert Reinartz.
The new album presents a collaborative creation that’s both timeless and unpredictable, pulling listeners deeper into the band’s universe with every spin.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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1
Disco Strummer - Ritmo Magnetico
2
Disco Strummer - Stardust
Polyamore presents “Ritmo Magnetico EP” by Disco Strummer, a vibrant blend of disco, funk and Italo grooves. The title track delivers deep basslines, bright keys and uplifting energy made for the dancefloor, while “Stardust” takes a cosmic turn with space-disco atmospheres and hypnotic synths. Together, the two tracks celebrate movement, freedom and Disco Strummer’s signature blend of sunny groove and cosmic flair.
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1
Reality - Reality
2
Reality - Road
3
Reality - Disco Party (Let's Have A)
4
Reality - Welcome
5
Reality - Movin' & Groovin'
6
Reality - Let's Party People
7
Reality - You Keep Me Holdin' On
8
Reality - Clap & Hustle
Mr Bongo presents a reissue of one of the rarest releases on the illustrious and now ultra-rare tax scam label TSG Records. A label with a checkered past, operated by Lloyd Price and with alleged ties to boxing promoter Don King. The album in question, Disco Party by Reality, is a stunning journey through ‘70s dancefloor-focussed funk into early proto-disco grooves.
Back in mid-‘70s Manhattan, Dr. Otto Gomez and a group of fellow New York musicians including Tony Dixon, Norman Drayton, Tony Dupree, Al Jones and Fred Nanton were brought in for a recording session by songwriter and producer, Billy Nichols. Laying down one of Nichols' songs and a selection of the group's own, they were paid as session musicians and thought little of it. The tapes came to the attention of Lloyd Price who struck a deal with Nichols unbeknownst to Gomez and the rest of the band.
Price then pressed the album and put it out in 1976 on a newly formed subsidiary label, TSG Records, that would later be documented as one of the US tax scam labels of the ‘70s. Such labels were created to exploit a loophole in the US tax system, running up inflated production costs / losses that investors or the parent label could write off against their tax bills. Releases on these labels were never intended to have commercial success. They would usually be produced in incredibly limited pressing numbers and have little to no promotion or distribution.
As such many of these records instantly fell into obscurity, becoming mythical amongst DJs and record collectors. Sadly, this meant that artists like Dr. Otto Gomez and friends never had the chance for their record and their talents to shine at the time. In fact, it was only when Jazzman reached out for their 2022 reissue that Dr. Otto Gomez became aware that the album had ever been released and heard the story behind it.
Disco Party is a time capsule where ‘70s instrumental funk edges and intertwines into an early disco sound. The sessions are for the dancefloor, minimalist and groove-based. The bass and drums are at the forefront, providing the pulse of the album. Driving funky guitar licks, and a brilliant horn section weave their way in and out of the productions. Highlights include the uplifting feel-good ‘Let's Party People’, the early disco swagger of ‘Reality’, and ‘Disco Party (Let's Have A)’ with its wah-wah groove and percussion break, which could easily have found its home on a Blaxploitation film soundtrack of the period.
It’s not just rarity that makes this record so sought after, but rather the fact that it is a superb example of dancefloor-focussed mid ‘70s funk and disco.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Back in mid-‘70s Manhattan, Dr. Otto Gomez and a group of fellow New York musicians including Tony Dixon, Norman Drayton, Tony Dupree, Al Jones and Fred Nanton were brought in for a recording session by songwriter and producer, Billy Nichols. Laying down one of Nichols' songs and a selection of the group's own, they were paid as session musicians and thought little of it. The tapes came to the attention of Lloyd Price who struck a deal with Nichols unbeknownst to Gomez and the rest of the band.
Price then pressed the album and put it out in 1976 on a newly formed subsidiary label, TSG Records, that would later be documented as one of the US tax scam labels of the ‘70s. Such labels were created to exploit a loophole in the US tax system, running up inflated production costs / losses that investors or the parent label could write off against their tax bills. Releases on these labels were never intended to have commercial success. They would usually be produced in incredibly limited pressing numbers and have little to no promotion or distribution.
As such many of these records instantly fell into obscurity, becoming mythical amongst DJs and record collectors. Sadly, this meant that artists like Dr. Otto Gomez and friends never had the chance for their record and their talents to shine at the time. In fact, it was only when Jazzman reached out for their 2022 reissue that Dr. Otto Gomez became aware that the album had ever been released and heard the story behind it.
Disco Party is a time capsule where ‘70s instrumental funk edges and intertwines into an early disco sound. The sessions are for the dancefloor, minimalist and groove-based. The bass and drums are at the forefront, providing the pulse of the album. Driving funky guitar licks, and a brilliant horn section weave their way in and out of the productions. Highlights include the uplifting feel-good ‘Let's Party People’, the early disco swagger of ‘Reality’, and ‘Disco Party (Let's Have A)’ with its wah-wah groove and percussion break, which could easily have found its home on a Blaxploitation film soundtrack of the period.
It’s not just rarity that makes this record so sought after, but rather the fact that it is a superb example of dancefloor-focussed mid ‘70s funk and disco.
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Germany
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1
Delfonic - Feel The Heat
2
Delfonic - Walking The City Lights
Third time coming for Delfonic on GAMM, but this time it's less disco and more House and Jazz...but with a Berlin edge.
On the A side Delfonic heads over to Minneapolis for jazzy Prince rework.
On the flip, you'll get Miles' trumpet bumping over a deep (House) production.
Guaranteed floor food !
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On the A side Delfonic heads over to Minneapolis for jazzy Prince rework.
On the flip, you'll get Miles' trumpet bumping over a deep (House) production.
Guaranteed floor food !
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DE - 22113 Hamburg
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1
Alex Puddu - Hot Mouth
2
Alex Puddu - Boys and Girls and Danish Hot Dogs
3
Alex Puddu - Gimme More
4
Alex Puddu - The Rope
5
Alex Puddu - Horny At the Office
6
Alex Puddu - She Wants It Black
7
Alex Puddu - Bad Love
8
Alex Puddu - Sweet And Perverted
9
Alex Puddu - Group Sex At the Birthday Party
10
Alex Puddu - After Party
Alex Puddu's, second volume of the groundbreaking album of the soundtrack of The Golden Age of Danish Pornography from 2014, finally will be released as a new reissue on the artist's own label Al Dente in his entire original track list and with a brand new cover.
The music on this record is inspired by and composed by Alex Puddu for "The Golden Age of Danish Pornography" - a collection of vintage hardcore short films from the early seventies,1971-74 directed by Danish porn pioneer Freddy Weiss - available on DVD from Pink Flamingo Entertainment.
A1 Hot Mouth
A2 Boys and Girls and Danish Hot Dogs
A3 Gimme More
A4 The Rope
A5 Horny At the Office
B1 She Wants It Black
B2 Bad Love
B3 Sweet And Perverted
B4 Group Sex At the Birthday Party
B5 After Party
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Germany
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The music on this record is inspired by and composed by Alex Puddu for "The Golden Age of Danish Pornography" - a collection of vintage hardcore short films from the early seventies,1971-74 directed by Danish porn pioneer Freddy Weiss - available on DVD from Pink Flamingo Entertainment.
A1 Hot Mouth
A2 Boys and Girls and Danish Hot Dogs
A3 Gimme More
A4 The Rope
A5 Horny At the Office
B1 She Wants It Black
B2 Bad Love
B3 Sweet And Perverted
B4 Group Sex At the Birthday Party
B5 After Party
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Rahaan - Allright
2
Rahaan - My Strategy
Australia's Dancing in Space crew have thus far kept their vinyl releases to a minimum, reappearing every so often with a fresh batch of their own excellent disco edits. Here they try something different, delivering a typically assured two tracker from one of the most talented and productive scalpel fiends in the business, Chicago scene stalwart Rahaan. A-side 'Allright' is a typical Rahaan rub, with the talented re-editor skilfully rearranging and lightly dubbing out what sounds like a turn-of-the-80s fusion of classic disco, synth-splattered boogie and soaring jazz-funk. On 'My Strategy', he successfully breathes new life into an old Philadelphia International favourite, opting for a largely instrumental extension that subtly pitches the track up, tempo wise, for greater dancefloor pleasure.
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1
Alex Puddu - The Barber Shop
2
Alex Puddu - Kinky Hairdresser
3
Alex Puddu - Madam's Delight
4
Alex Puddu - Miss Butterfly
5
Alex Puddu - Massage Salonen
6
Alex Puddu - The Dirty Games of Dr Love
7
Alex Puddu - Naughty Girls at the wild Party
8
Alex Puddu - Black Triangle
9
Alex Puddu - Lusty Nurses
10
Alex Puddu - Sex Bar
11
Alex Puddu - Lady Lovesport
12
Alex Puddu - Piano For Lovers
Alex Puddu's groundbreaking album, the soundtrack of The Golden Age of Danish Pornography from 2011, finally will be released as a new reissue on the artist's own label Al Dente in his entire original track list and with a brand new cover.
The music on this record is inspired by and composed by Alex Puddu for "The Golden Age of Danish Pornography" - a collection of vintage hardcore short films from the early seventies,1971-74 directed by Danish porn pioneer Freddy Weiss - available on DVD from Pink Flamingo Entertainment.
A1 The Barber Shop
A2 Kinky Hairdresser
A3 Madam's Delight
A4 Miss Butterfly
A5 Massage Salonen
A6 The Dirty Games of Dr Love
B1 Naughty Girls at the wild Party
B2 Black Triangle
B3 Lusty Nurses
B4 Sex Bar
B5 Lady Lovesport
B6 Piano For Lovers
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The music on this record is inspired by and composed by Alex Puddu for "The Golden Age of Danish Pornography" - a collection of vintage hardcore short films from the early seventies,1971-74 directed by Danish porn pioneer Freddy Weiss - available on DVD from Pink Flamingo Entertainment.
A1 The Barber Shop
A2 Kinky Hairdresser
A3 Madam's Delight
A4 Miss Butterfly
A5 Massage Salonen
A6 The Dirty Games of Dr Love
B1 Naughty Girls at the wild Party
B2 Black Triangle
B3 Lusty Nurses
B4 Sex Bar
B5 Lady Lovesport
B6 Piano For Lovers
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Curió Curió - Bem Querer
2
Curió Curió - Amor Doente
Floating into our inbox on the East winds came a mysterious bunch of tracks by a mesmerising new act called Curió Curió, which we simply couldn’t ignore. Named after a vibrant Brazilian songbird, Curió Curió consists of singer, lyricist, and actress Luiza Monteiro, based in Austria, and producer and musician Dustin Braun from Germany. Together, the duo brings a fresh voice and a twist on MPB, taking influences from 1970s Brazil and blending them into a modern fusion of psychedelic, MPB, disco, and samba.
Curió Curió’s vocalist, Luiza Monteiro, was born in Rio de Janeiro, Brazil, and raised listening to the rich sounds of MPB. She started taking classical singing lessons weekly by the age of 14, and later developed a career in acting, skills of which she brings with her into her songwriting. You may be familiar with Dustin’s production through his recent collaborations with the Turkish artist Peki Mome´s on Mocambo Records, or by his earlier incarnations, including a neo-soul release on Sichtexot and projects with Village Live Records and HHV's record label. His music has a tangible analogue warmth and a feeling of a real band performing live.
For this 7-inch release, ‘Bem Querer’ (‘Beloved’ in English) takes the A side. In it, Luiza calls a missed love to come close and dance with her. Even without an understanding of Portuguese, this feeling and energy radiates throughout the production; one of partying together, loving each other, living in ecstasy, feeling pleasure, and freedom. Built on an authentic samba street vibe with a super catchy sing-along chorus, that collective, carnival energy comes in part due to the choir that Dustin and Luiza assembled. A group of Brazilian friends, some of whom Dustin met whilst DJing in Leipzig, joined together in the studio. Half of them were non-professional singers, bringing that organic atmosphere of Rio’s streets to the recording.
The B-side ‘Amor Doente’ has a more bitter-sweet taste; the song speaks playfully about a relationship that goes on without really developing. Both parties cannot fully commit to each other, but they are also unable to end it. The production, however, has a delicious loose funk groove, sun-soaked and sultry. Dustin wrote the instrumental with Lucy Liebe, who joins on bass, guitar, synths, and trumpet, with Max Löbner also featuring on trumpet. A track that is equally adept at warming up a dancefloor as it is closing out a night.
We were genuinely blown away by the vibrancy and joy of this new project when we first heard it, instantly feeling like a familiar friend. In the band's own words, “Curió Curió is not straight disco, not straight samba, not strictly old-school but inspired by all of them, creating something contemporary but still nostalgic".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Curió Curió’s vocalist, Luiza Monteiro, was born in Rio de Janeiro, Brazil, and raised listening to the rich sounds of MPB. She started taking classical singing lessons weekly by the age of 14, and later developed a career in acting, skills of which she brings with her into her songwriting. You may be familiar with Dustin’s production through his recent collaborations with the Turkish artist Peki Mome´s on Mocambo Records, or by his earlier incarnations, including a neo-soul release on Sichtexot and projects with Village Live Records and HHV's record label. His music has a tangible analogue warmth and a feeling of a real band performing live.
For this 7-inch release, ‘Bem Querer’ (‘Beloved’ in English) takes the A side. In it, Luiza calls a missed love to come close and dance with her. Even without an understanding of Portuguese, this feeling and energy radiates throughout the production; one of partying together, loving each other, living in ecstasy, feeling pleasure, and freedom. Built on an authentic samba street vibe with a super catchy sing-along chorus, that collective, carnival energy comes in part due to the choir that Dustin and Luiza assembled. A group of Brazilian friends, some of whom Dustin met whilst DJing in Leipzig, joined together in the studio. Half of them were non-professional singers, bringing that organic atmosphere of Rio’s streets to the recording.
The B-side ‘Amor Doente’ has a more bitter-sweet taste; the song speaks playfully about a relationship that goes on without really developing. Both parties cannot fully commit to each other, but they are also unable to end it. The production, however, has a delicious loose funk groove, sun-soaked and sultry. Dustin wrote the instrumental with Lucy Liebe, who joins on bass, guitar, synths, and trumpet, with Max Löbner also featuring on trumpet. A track that is equally adept at warming up a dancefloor as it is closing out a night.
We were genuinely blown away by the vibrancy and joy of this new project when we first heard it, instantly feeling like a familiar friend. In the band's own words, “Curió Curió is not straight disco, not straight samba, not strictly old-school but inspired by all of them, creating something contemporary but still nostalgic".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
M.B. Edits - Paradise
2
Umbo - Gimme That Funk
3
M.B. Edits - Always
4
Lego Edit - Dee Dub Part. 2
Legofunk Records has returned with “Super Disco Edits”, continuing its signatureapproach of breathing new life into vintage grooves. This release fits right into the label’s niche: carefully crafted edits of classic disco and funk tracks, often extending breaks, enhancing rhythm sections, and making them more DJ-friendly while preserving the soul of the originals. Legofunk has built a reputation among collectors and selectors for digging deep and delivering versions that feel both nostalgic and fresh.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Cosmo Dance - Mr. Coconut
2
Cosmo Dance - Goodbye
3
Cosmo Dance - Dub Nuts
4
Cosmo Dance - Coccapppella Version
With Mr. Coconut, Cosmo Dance delivers a four-track EP that strengthens a distinctive sonic identity, blending retro aesthetics, club culture and cinematic sensibility into a cohesive body of work.
The title track unfolds through refined dynamic control. Warm multilayered percussion, textured guitars and a deep yet restrained bassline create an organic groove that evolves gradually rather than relying on obvious drops. The production favors subtle progression and hypnotic growth, resulting in elegant, mature dance music.
Goodbye expands the project’s narrative dimension. Inspired by the atmosphere of Italian ’70s library music, the track represents the protagonist’s theatrical exit from the club — not a melancholic farewell, but a charismatic closing scene. A playful detail emerges when Dandolo (Cosmo Dance’s alter ego) delivers an ironic “cough solo” precisely as an off-voice introduces Mr. Coconut, adding a self-aware cinematic twist.
Dub nuts explores deeper dub-informed territory. Built through layering and subtraction, the track showcases careful spatial control and restrained low-end management.
The EP closes with the Coccappella Version, a stripped-down reinterpretation of the title track focused solely on percussion and voice, revealing the rhythmic backbone of the project.
Mr. Coconut is a refined balance between club functionality and cinematic storytelling — controlled, elegant and unmistakably personal. It’s not about peak-time fireworks — it’s about atmosphere, detail and identity.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The title track unfolds through refined dynamic control. Warm multilayered percussion, textured guitars and a deep yet restrained bassline create an organic groove that evolves gradually rather than relying on obvious drops. The production favors subtle progression and hypnotic growth, resulting in elegant, mature dance music.
Goodbye expands the project’s narrative dimension. Inspired by the atmosphere of Italian ’70s library music, the track represents the protagonist’s theatrical exit from the club — not a melancholic farewell, but a charismatic closing scene. A playful detail emerges when Dandolo (Cosmo Dance’s alter ego) delivers an ironic “cough solo” precisely as an off-voice introduces Mr. Coconut, adding a self-aware cinematic twist.
Dub nuts explores deeper dub-informed territory. Built through layering and subtraction, the track showcases careful spatial control and restrained low-end management.
The EP closes with the Coccappella Version, a stripped-down reinterpretation of the title track focused solely on percussion and voice, revealing the rhythmic backbone of the project.
Mr. Coconut is a refined balance between club functionality and cinematic storytelling — controlled, elegant and unmistakably personal. It’s not about peak-time fireworks — it’s about atmosphere, detail and identity.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Reflex - Lolita
2
The Reflex - Camels
The Reflex has been back remixing on his multitracks again and if you have been out anywhere decent in recent times you might already have heard this one as it has been a favourite of those DJs in his inner circle. Finally, the unrelated rework of a legendary disco diva arrives on wax and dazzles from front to back. 'Lolita' has it all - the deft hi hats sliding above funky bass, a rhythm driven by busy piano chords and lung-busting vocal full of burning soul. 'Camels' rides funky, chunky drums and has more expressive tones this time in unison with an off-balance chord sequence and fluttering sax. Lovely stuff.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More